ill (b/w), p.158., lists.non-fictionA Short History of Polish soldiers migration to Australia after WWII. Part I The Surplus Heroes 5 The Foundation of the Polish Republic operating in exile 7 Formation of military 10 Change in relations with the Allies 18 The Polish military in the closing stages of the war 21 The consequences of the Yalta Conference 22 1945 Elections in Britain 24 The Polish Resettlement Corps [in UK] 28 The notion of "Betrayal" 31 The Future 32 Part II Destination Australia 35 Background 37 Polish Armed Forces in the West 39 The "Polish Issue" 43 Polish Resettlement Corps (PRC) 49 Solution? 52 Portrayal of the Poles 54 Australian government decision-making 57 SS Asturias - September 1947 and December 1947 Tasmania: Hydro-Electric Commission 64 SS Strathnaver - August 1948 64 Hobart 69 Victoria 71 Queensland 71 Manus Island 71 South Australia 72 New South Wales 72 Asturias - August 1948 - Sydney 76 Asturias - November 1948 - Western Australia 78 Life at the Tasmanian Hydro-Electric Commission 79 Citizenship 85 Deportation 91 Australian veterans groups 93 Polish veterans groups in Australia 96 Establishing a life 100 Families 103 Polish communities 105 Annexes 109. Includes photographs, facsimiles and maps.immigration - australia - polish community, australia - displaced persons

Index, notes, p.231.non-fictionWhy everything you think you know about Australia's Vietnam War is wrong. When Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every misconception. He wasn't alone. In Australia's Vietnam, Dapin reveals that every stage of Australia's commitment to the Vietnam War has been misunderstood, misinterpreted and shrouded in myth. From army claims that every national serviceman was a volunteer; and the level of atrocities committed by Australian troops; to the belief there were no welcome home parades until the late 1980s and returned soldiers were met by angry protesters. Australia's Vietnam is a major contribution to the understanding of Australia's experience of the war and will change the way we think about memory and military history.vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 – history

Ill, p.48.non-fictionA series of essays by schoolchildren on the subject of the spirit of ANZACanzac - childrens perspectives, cairns rsl sub-branch

Index, ill, p.248.non-fictionDescription of various events in the electorate of Casey pertaining to the centenary of the Great warworld war 1914-1918 - centennial celebrations - australia, world war 1914-1918 - remembrance

Samuel John Tongway A. Printout from Australian Dictionary of Biography. www.adb.anu.edu.au/biography/tong-way-samuel-john-14875 B. Photograph printed from Golden Dragon Museum website. C.Photograph printed from the Virtual War Museum Australia website.document, names of bendigo pioneers, samuel john tongway

Index, bib, ill, maps, p.398.non-fictionIn the last winter of the Second World War, Winston Churchill, Franklin D. Roosevelt and Joseph Stalin arrived in the Crimean resort of Yalta. Over eight days of bargaining, bombast and intermittent bonhomie they decided on the conduct of the final stages of the war against Germany, on how a defeated and occupied Germany should be governed, on the constitution of the nascent United Nations and on spheres of influence in Eastern Europe, the Balkans and Greece. Only three months later, less than a week after the German surrender, Roosevelt was dead and Churchill was writing to the new President, Harry S. Truman, of 'an iron curtain' that was now 'drawn down upon [the Soviets'] front'. Diana Preston chronicles eight days that created the post-war world, revealing Roosevelt's determination to bring about the dissolution of the British Empire and Churchill’s conviction that he and the dying President would run rings round the Soviet premier. But Stalin monitored everything they said and made only paper concessions, while his territorial ambitions would soon result in the imposition of Communism throughout Eastern Europe.world war 1939-1945 - diplomatic history, yalta conference - crimea- 1945

A logo of the Australian Tunnellers Company from a Christmas Card. australian mining corps, tunnelers, logo

3D Printed plastice replica of a RPG-7 Rocket launcherrpg-7 rocket launcher

Vinyl Black and White Mural of Vietnam Timeline. superimposed on two photos. On the left - an infantry patrol, and of the right - a series of APC's transporting infantry. Led strip lights and woodgrain trim with a black plastic cut out of a Huey attached to the top.Vietnam Timeline. the Spiritual Home Of Vietnam Veterans, this display was kindly donated by Phillip Island RSLtimeline

the incredible story of the inspiring Australian women who rescued hundreds of orphans at the end of the Vietnam War.refugee children -- vietnam -- history -- 20th century, vietnam war, 1961-1975 -- children, volunteer workers in social service -- australia -- biography

Written from the 1966 logbook of Bob Grandin, Huey helicopter pilot and co-pilot in Nui Dat, during the Vietnam War, including his involvement in resupply during the battle of Long Tan. Newspaper articles and photographs feature throughout. The narrative also covers the impact of the war on Bob's psyche and relationships, and his struggle with PTSD.australia. royal australian air force. squadron, 9, vietnam war, 1961-1975 -- veterans -- australia -- biography, helicopter - huey, nui dat, battle of long tan, ptsd

When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, vietnam war, 1961-1975 -- personal narratives, australian, national service -- australia -- history

When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, australian, vietnam war, 1961-1975 -- personal narratives, national service -- australia -- history.

When journalist and historian Mark Dapin first interviewed Vietnam veterans and wrote about the war, he swallowed (and regurgitated) every popular misconception. He wasn't alone. In Australia's Vietnam, Dapin argues that every stage of Australia's Vietnam War has been misremembered and obscured by myth. He disproves claims that every national serviceman was a volunteer; questions the idea that Australian troops committed atrocities; debunks the fallacy that there were no welcome hope parades until 1987; and rebuts the fable that returned soldiers were met by spitting protesters at Australian airports 1961-1975 -- participation, vietnam war, 1961-1975 -- personal narratives, australian., national service -- australia -- history.

Hard cover spring-back binder. Black Emptybinder

Purchased through the Horsham Art Gallery Trust Fund, 2020

Old uncle is standing on the mountainside watching over the modern-day empires built on Aboriginal land shaking his head, saying: “they are doing it again, every empire has a rise and fall”. It’s something that has never been learnt over time. — Josh Muir Josh Muir’s work, Roots, was the first temporary artwork to be installed on the Gallery Annex Wall on the approach to Alfred Deakin Place, Police Lane in Ballarat Central. The space is an important site to host this work given that Alfred Deakin Place is commonly used as a place of discussion, engagement, protest and performance.Temporary artwork - printed vinyl application to concrete wallnoneelder, aboriginal and torres strait islander

Yearn Hunger Thirst Always on the edge of oblivion, craving sustenance in a dry land. McLean and Kennedy have collected dry materials: hollow pipes, old hoses and worn metal hose fittings. The materials were then wrapped with dyed, frayed fabric, string and yarn to create a piece that expresses the collective longing for rain.Wangaratta Art Gallery Collection. Winner of the Wangaratta Contemporary Textile Award 2019.A sculpture made out of recycled hoses and irrigation fittings that have been wrapped and tied in overdyed yarn, string, fabric stripswangaratta art gallery, wcta, sculpture, cheryl kennedy, linda mcclean

The genesis of this work was an exploration of materials and sustainability, which led to the use of jute twine as the base material - a humble, sustainable fibre, and an unlikely material for the creation of 3D forms. Machine sewn with a simple zig zag stitch, the work contrasts the most basic of materials and equipment with the creation of beautiful and sophisticated objects. Embedded textures are constructed with a variety of threads, yarns and techniques, allowing the minimal palette to highlight serendipitous interplays of form and texture.Wangaratta Art Gallery Collection5 twine bowls of various sizes in a colour palette of black and cream.fiona gavens, textile, twine bowl

In 2019 Peoples undertook a residency at the Tuggeranong Arts Centre, Canberra. The original proposal was to explore the suburban gardens. However, it was the man-made lake with a different bloom, blue-green algae that held her attention. The still waters of the lake in the early mornings are tranquil. Becoming more familiar with the Lake, details caught Peoples’ eye. However, she realised the only interaction by humans with the Lake were two men who motored a small boat to the centre of the Lake, a hint as to the connection between tranquility and blue/green algae.Wangaratta Art Gallery Collection. Donated by June Brown.A small embroidery using a colour palette of green, orange, blue and brown depicting a scene of Lake Tuggeranong mounted into a purple spectacle case.sharon peoples, textile, embroidery, lake tuggeranong, landscape