A black and white postcard of Marysville Chalet that was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.A black and white postcard of Marysville Chalet that was produced by the Valentine Publishing Co Pty. Ltd. as a souvenir of Marysville.V.6. VALENTINE'S/ POST CARD A GENUINE PHOTOGRAPH OCT. 1949 Dear Mum & Dad/ and kids,/ This is a photo of the Chalet, you can't see/ our room its right around the other side./ Gordon and Jean have a room right on the/ front. We are having a marvellous time,/ have been on two trips so far. It is raining/ today, so we are staying here, we are in/ the Ballroom in front of a fire. Arthur is/ playing Table Tennis, they have the tables etc/ down here. We have another honeymoon couple/ with us. Norm and Phil, they are very nice. Will/ write again later. Lots of Love Pat & Arthurmarysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, valentine publishing co pty ltd, postcard, souvenir, v.6.

World War one French postcard. Sent from France by a Wandin soldier.Silk embroidered postcard with Violet flowers and green leaves. Personal message on the back."To my dear sister from your loving brother"postcards

A black and white photograph of a postcard of the Marysville Chalet that was produced by the Rose Stereograph Company.A black and white photograph of a postcard of the Marysville Chalet that was produced by the Rose Stereograph Company.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, photograph, rose stereograph company, p. 3304, postcard, souvenir

A black and white postcard of the Marysville Chalet that was produced by Murray Views as a souvenir of Marysville.A black and white postcard of the Marysville Chalet that was produced by Murray Views as a souvenir of Marysville.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, murray views no. 12., postcard, souvenir

A black and white postcard of the Marysville Chalet that was produced by Murray Views as a souvenir of Marysville.A black and white postcard of the Marysville Chalet that was produced by Murray Views as a souvenir of Marysville.marysville, victoria, australia, the marysville chalet, guest house, poontawan, steavenson hotel, albert harrison, margaret harrison, elise ackerman, ralph ackerman, john van ranglerooy, joe keithard, kathy keithard, louisa goding, accommodation, murray views no. 12., postcard, souvenir

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - The End of the Voyage. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - The End of the Voyage"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Outward Bound. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - Outward Bound"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Part of a collection of Postcards donated by Mary Karney450-04 to 450-16 - Part of a collection of photograph postcards from Mary Karney collection.back beach phillip island, the nobbies phillip island, lover's walk cowes, rhyll, smiths beach, newhaven, mary karney

Postcard depicting the Royal Wedding - circa 1923.Photo postcard featuring image of the Royal Wedding (T.R.H. The Duke & Duchess of York) British stampVariouspostcard, photo postcard, english postcard, stamp, duke & duchess of york

One of a collection of 15 photographs/postcards donated by Lois MullinsBlack & White postcard of the Estelle Star Ferry, Cowes. Many people on board the Ferry."Estelle Star Cowes"estelle star ferry, ferries, cowes ferries, phillip island, lois mullins

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia.A black and white photograph of Steavenson Falls in Marysville in Victoria. The Steavenson Falls is named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson, who arrived in Victoria in the early 1860s. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD. Correspondence Addressmarysville, victoria, waterfalls, stevenson falls, steavenson falls, southern cross series, 4990, postcard, souvenir, john steavenson

B&W photograph by N.J.Caire, on a postcard, of the girls' Indian Club exercises, at the VDDI On Front of postcard: "VICTORIAN DEAF & DUMB INSTITUTION, ST. KILDA RD., MELBOURNE./Indian Club Exercises/N.J.CAIRE, Photo, 4 Darling Street, South Yarra, Victoria." deaf children australia, victorian school for deaf children, educaion, pupils, gymnastic class, indian club exercises

These are a pictorial documentation of the early years of the Victorian Deaf and Dumb Institution. A record of the people, children, buildings and activities of the Victorian Deaf and Dumb Institution up to 1920. B&W photograph by N.J.Caire, on a postcard, of the pupils in a class learning to articulate at the VDDI On Front of postcard: "VICTORIAN DEAF & DUMB INSTITUTION, ST. KILDA RD., MELBOURNE./Teaching the Dumb to Articulate/N.J.CAIRE, Photo, 4 Darling Street, South Yarra, Victoria." deaf children australia, dca, victorian deaf & dumb institution, vddi, deaf education, pupils, n. j. caire

The Kew Historical Society's postcard collection includes views of Kew, Melbourne and Greater Melbourne as well as those including overseas scenes sent or received from Europe or the Middle East. They date from the 1890s to the 2000s. These postcards may or may not include the name of the publisher or printer. A number of the cards were published as parts of popular series. A way of dating early postcards is to identify whether the reverse was divided by a central line which became the norm after 1902 in the United Kingdom. However, other postcards produced after this date do not always conform to this print layout.Early postcard of MelbourneSepia tinted postcard of Collins Street, Melbourne, Th postcard design includes a line separating the address from the message on the reverse, which dates it after 1902. The stamp on the card is a red Victorian stamp with the head of Queen Victoria in use 1901-1911.Front title - Collins Street (looking West), Melbourne Reverse. - Mrs Garahy, Creek Parade, Clunes, Vic / Dear Mollie / All join with me in wishing you and our dear mother a very prosperous and happy New Year. I am enjoying my holidays very much. I heard Melba last week and went to the pantomime Humpty Dumpty. - it was all lovely. I’ll tell you all about them when I return to Clunes. We were all home for Xmas Day. The first time for 17 years. Fondest love. N.C. / I cut my right hand very badly last Monday and have not been able to write till today. N.C.postcards -- melbourne (vic.), collins street --- melbourne (vic)

Colour Illustration showing the northeast corner of Sturt and Lydiard Streets, post office, tram track, and one tram partially obscured. Has many people in view and some horse-drawn vehicles. Titled "Lydiard Street and Post Office Ballarat, Victoria". Published by WTP. See item 4376 for the related postcard. Yields information about the post office corner at the time of the opening of the tramway and demonstrates colour printing techniques.Colour Illustration cut from a journalOn rear in pencil - "Looking up Lydiard Street North from Marks Corner (Sturt Street) before 1913tramways, trams, sturt st, esco, post office, lydiard st north

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 postcards. See 1400 Colour photo of the Erskine River, Lorne, Victoria Three figures fishing at the water's edge. Trees and shrubs growing on either bank. Addressed to Miss ? Stapleton, Arcade, Bendigo Sender - not decipherable Stamp dated 12 April 1905 postcard, collector, alice mcgregor

Set of five postcards published by the limbless soldiers association, N.S.W. The postcards feature various photographs of the ANZAC memorial, Sydney, N.S.W. The photographs are in sepia tones with each having a description printed beneath the photograph.All the postcards are printed with the following inscription; "POST CARD", "THIS SIDE TO BE USED FOR CORRESPONDENCE ONLY" and the FOOT note "PUBLISHED BY THE LIMBLESS SOLDIERS ASSOCIATION, N.S.W. BY PERMISSION OF THE TRUSTEES OF THE ANZAC MEMORIAL"

Taken in Beechworth 1870, this photograph depicts the business area of Ford Street. Black and white rectangular postcard. The image is printed on matt photographic paper and mounted on cardboard. Obverse: Beautiful Beechworth (Vic) 1800 ft. above Sea Level- Ford Street (Looking North) Copyright. F. Foxcroft Photo Reverse: A02754.2 POSTCARD beechworth, ford street, burke museum, 1870, beautiful beechworth, foxcroft

Postcards and letters like this,sent by family and friends to their loved ones serving overseas are greatly appreciated by the service personal as they receive news from back home.This Postcard was sent overseas by Ida Robinson to Sergeant B.Partridge but was returned to sender as he was deceased.Rectangular shaped fawn coloured envelope containing a Postcard.This envelope is addressed to Sergeant B Partridge and was delivered but now has a return to sender sticker on it as he is now deceased.cards,picture post cards,lara r.s.l. letters.

Postcard by the MMTB promoting its tram services to the Showground from William St following the opening of the connection along Flemington Road and Racecourse Road - c1930. Shows the Zoo as well. Says a tram every two minutes.Demonstrates a promotion of the MMTB tram services.Postcard - undivided back, two colours.tramways, showgrounds, william st, mmtb

One of a collection of 18 photographs & postcards donated by Jill Yeoman. The Suspension Bridige was built during 1940. Postcard to Mrs Hughes & Lilly from Rita telling of a nice holiday visiting various towns and enjoying New Year's Eve fireworks on the Cowes beach.Black & White postcard of the Suspension Bridge from Newhaven, Phillip Island, to San Remo The Rose Series P. 2023. The bridge looking from Newhaven, Phillip Island, Vic.suspension bridge phillip island, phillip island bridge, jill yeoman

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Bird's eye view of Melbourne looking across a park to the Princess Theatre. Coloured postcard. Weir collection."Bird's Eye View of Melbourne"postcards, george and edith weir, princess theatre, eastern hill - melbourne, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Bird's eye view of Melbourne looking across a park to the Princess Theatre. Coloured postcard. Weir collection."Bird's Eye View of Melbourne"postcards, george and edith weir, princess theatre, eastern hill - melbourne, weir collection

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.ALL THE BEST FROM/ MARYSVILLE 1997 PRINTED PAPER MAILING NOVELTY TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD COPYRIGHT Printed in Great Britain Tomarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur road (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9)

Taken in the mid 1930s, the image on the postcard depicts a group of young men with four horses and a carriage in the foreground. There are crowds in the background. The image was taken during the Gala Day on Ford Street, Beechworth.Black and white rectangular postcard printed on card.Obverse: Our. Bushrangers: / Gala day. / Ford. Street. / Reverse: Kind regards / to young nlaq. (?) / and all the rest. / of the family / POST / EMPIRE / CARD / STAMP. / FOR CORRESPONDENCE / FOR ADDRESS ONLY / Dear Vi / I received your P.C and was very. pleased / to hear from you. I was talking to Noll + Lucy on Saturday. / night I told them I got a card from you they are just the / same as ever dodging the old man. Hoeerysoofunny. / I was just thinking of droping you a card when yours / came along, some of these days when I've got time I / will drop you a note and tell you all the news of this way / will now ring off with best love / I remain yours truly. (See Ril.) / 2589 /entertainment album, carnival, 1930s, gala day, horses, carriage, leisure, postcard, photography, letter, bushrangers

One of 4 photographs donated by Norma Smith. On back of postcard is an order sent to Mrs Smith of Rhyll from Mrs Eva Richardson of Bay View Cowes, for eating apples and pears. Black & White postcard of Bay View Guesthouse."Bay View Cowes, Phillip Island"bay view cowes phillip island, bayview guesthouse cowes, mrs richardson, mrs smith, norma smith

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." There's no question about the brand, only the colour (blanket range) There's no question about the brand….only the colour!/Onkaparingablanket, blanket fever, onkaparinga, wool, advertisement, australian women's weekly

Postcard of early photograph of the Forest of Arden near Marysville.Postcard of early photograph of the Forest of Arden near Marysville.POST CARD PLACE/ POSTAGE/ STAMP/ HEREforest of arden, marysville, forest, tree fern, postcard, souvenir, victoria

Postcard size colour photograph'Written on back of photograph" Demolition of Ringwood Coolstores -Circa 1960's