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Clunes Museum
Programme - COMPETITION RECORDS, CLUNES GUARDIAN & GAZETTE
.1 RED COLOURED INVITATION CARD FOR ARTS &CRAFT EXHIBITION IN CLUNES TOWN HALL .2 PROGRAM FIREBRIGADE COMPETITION AT CITY OVAL BALLARAT . 31 MARCH 1945 .3 PROGRAM SPORTS MEETING CLUNES OVAL 28/3/1959 UNDER THE AUSPICES OF THE HOSPITALSPORTS COMMITTEE .4 1 X PAGE CLUNES GUARDIAN @ GAZETTE NEWSPAPER SET. 28 1945.2 PAGES MARKED WITH COMP. POINTSclunes guardian &gazette, fire brigade competition, clunes hospital -
Ballarat Tramway Museum
Negative, Geoff Grant, 19/06/1955 12:00:00 AM
Negative No. N333 and black and white print made by a laser printer (stored in folder ) of a front on view of W7 1003 taken from the rear cabin of W6 988 in Nicholson St. near the Exhibition Crossover. Has a number of motor cars in the view. Photo taken 19/6/1955. Negative scanned hi res and imaged updated 22/5/2020.trams, tramways, melbourne, nicholson st, tram w6 988 tram w7 1003 -
Wangaratta High School
WHS 75th Anniversary pamphlets, 1984
Two paper pamphlets advertising the 1984 Wangaratta High School 75th Anniversary reunion. One pamphlet advertises the reunion itself, cream paper, blue ink and WHS logo, and the other is a catalogue for the arts and crafts exhibition, blank and white with a large image of a set of stairs in the school. This item is was a part of a time capsule buried in Wangaratta High School grounds in 1984 -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - Driver Len Gregson and Fireman Noel Strauss, 20 October 1988
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.The "Flying Scotsman's" first run in Victoria. This photo was taken at the crew changeover in Longwood after the run from Albury. The Flying Scotsman Pacific 4-6-2, perhaps one of the most iconic steam locomotives in the world, visited Australia in 1988-89 for a series of events associated with the country’s Bicentennial Celebrations. This included the AusSteam 88 Steam Locomotive exhibition in Melbourne. At the top edge of the locomotive "SCOTSMAN" and on the lower edge of the locomotive "4472"railways wodonga, fred rochow, wodonga railwaymen, fireman noel strauss, driver len gregson, the flying scosman -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 2, Austin Brehaut, 19/11/2007 12:00:00 AM
Has a strong association with the BTM and the Cop's n Kids charter of November 2007 and Austin Brehaut and Dave O'Neil.Print of digital Image of a group of kids during the 19/11/2007 charter for the Cops 'n Kids (with cancer) programme. Features Victorian Police Superintendent and Dave O'Neil. Photo taken by Austin Brehaut. also appeared in Fares Please! of the time. Photo was printed by the Gold Museum 2008 for a local exhibition and additional copies given to the Museum by Roger Trudgeon 2009.trams, tramways, btm, charters, cops n kids -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small head and shoulder portrait of a lady. She is wearing a high neck dress with a high lacy frilled collar and decoration at the neckline. Her dress has buttons down the front. Photo mounted on cream card with a gold border and gold printing on the front and back. Card has rounded corners. Printed on the back is Prize Medal Intercolonial Exhibition Melbourne 1866.W. Cawston, St. John Street, Launceston, Tasmaniaphotograph, portrait, female, portrait of a lady, w cawston -
Bendigo Historical Society Inc.
Document - FIRST DAY COVER BENDIGO GOLD CENTENARY
First Day Cover Bendigo Gold Centenary. 1851 - 1951 on a cream envelope with a Poppet Head and Gold Mine printed in blue with the words Bendigo, Gold Centenary. Philatelic Exhibition, Official cover. In grey print is First Day Cover. On the right side in black ink is D1723 hand printed. Two small holes on the right and some staining. Box 625Wide Worldphilately, covers -
Bendigo Historical Society Inc.
Book - TOWER HILL AND OTHER VOLCANOES
A book titled ' Tower Hill and Other Volcanoes a survey ' by Shay Docking. Warrnambool Art Gallery February - March 1987. Bendigo Art Gallery April 1987. Swan Hill Regional Art Gallery May - June 1987. Supported by the Telecom Exhibition Development Fund. Photography by Gil Docking and Greg Weight. Publislhed by the Warrnambool Art Gallery, February, 1987.artwork, tower hill, book, books, artist, tower hill, volcanoes, shay docking, female, person, individual, warrnambool art gallery, artwork, sciences, photography, place, david hansen, gil docking, survey, exhibition -
Bendigo Historical Society Inc.
Medal - MEDAL COLLECTION: HORTICULTURAL SHOW PRIZE MEDAL, 1889
Object. Shield shaped gold medal with horn shaped suspension piece at crest with suspension ring. A smaller inner shape creates a border with scattered leaves. Obverse: 3D Engraving.''CENTENNIAL HORTICULTURAL EXHIBITION OF VICTORIA. AWARDED TO DELBRIDGE BROS EPSOM''. Reverse: -FLAT.''Presented by the Bendigo Wine & Fruit Growers Association for 6 Varieties Table Grapes.See 7900.29 also.numismatics, medals-civil, horrticultural showw prize medal 1889 -
Bendigo Historical Society Inc.
Document - JAMES LERK COLLECTION: FOUR ENTRY CARDS TO EXHIBITION
Four cards for entry display in some exhibition, no date or location. The first has the name: James Lerk, from: Bendigo, Section: Old and Antique. The second name James Lerk from Golden Square and no section. The third name: Len Wilson, from: Eaglehawk and no section. The last one is blank. On the back of all four cards the name James A. Lerk stamped.event, exhibition, bottle collectors exhibition -
Bendigo Historical Society Inc.
Document - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE STAFF
A damaged Bendigo Advertiser article with part of the title missing - 'Staff C___ Teachers______.' It is at the end of the academic year at Bendigo Teachers' College and is largely a report on college staff transfers for the following year. Mention is made of the loan of some of the Bendigo Teachers' College Art Collection being loaned to Benalla Art Gallery as part of a current exhibition of Australian art. Date unknown.bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, bendigo teachers' college staff, bendigo advertiser, art, benalla art gallery, bendigo teachers' college art collection, tertiary education, teacher training, staff, mr. leon jackman, mr. glen pike, mr. jeff layther, mrs. barbara layther, mr. bernie mccarthy, mr. stuart mclean, mr. a. mcintosh, mrs. s. anderson, mrs. s. robinson, mr. doug phelan, mr. ted coleman, ms. francine howard, mr. b. rollins, mr. kevin ryrie, mr. f. courtis -
Bendigo Historical Society Inc.
Document - MEMORIAL OF THE INTERCOLONIAL EXHIBITION, 1866-7
Document presented to the Borough Council of Sandhurst. In recognition of highly valuable services -- handwritten. List of names of 26 commissioners. Secretary- J.G.Knight.F.R.I.B.A Exhibition opened by His Excellency. Sir J.H.T.Manners-Sutton. K.C.B on the 24th of October 1866 and closed on the 23rd of February 1867. Having been opened to the public for 105 days. Original civic momento. Coloured in Red & Green. DR 269civic mementoes, presentations, memorial exhibition -
Federation University Historical Collection
Plant specimen - Coffee beans, Convergence, 1998
These coffee beans, titled "e 16.98" were specially blended for the graduate exhibition of third year graphic design students in 1998. Blended by South American Coffee, 106 Chapel Street, Windsor. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year."e 16.98" coffee beans blended by South American Coffee, 106 Chapel Street, Windsor university of ballarat, federation university, graphic design, helmut stenzel -
Kew Historical Society Inc
Photograph - Photographs [Series], Robert Baker, Display: Model Kitchen of the 1920s, Kew Library, 2014
The Kew Historical Society, founded in 1958, is one of the oldest continuing historical societies in the Greater Melbourne region. From its beginnings, the Society has mounted exhibitions and/or displays, in early days in shop windows and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library. One of two photographs of a display at the Kew Library, curated by Les Littlechild featuring items from the Kew Historical Society's and from private collections, of a model 1920s kitchen in Kew.kew historical society - exhibitions, australian dometsic architecture - kitchens - 1920s -
Buda Historic Home & Garden Castlemaine
Domestic furniture, Arts and Crafts embroidered draught screen, c1900
This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique -
Federation University Art Collection
Painting - Artwork, 'Looking for God in Abstract Art 2' by Gareth Sansom, 2010
Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage -
Eltham District Historical Society Inc
Painting, Lindsay Edward, The Malt House, 1942c
Artist Lindsay Edward and wife Jan built a house designed by Alistair Knox at 151 Old Eltham Road, Lower Plenty. See article on home designed by Alistair Knox for Lindsay Edward, teacher, at 151 Old Eltham Road, Lower Plenty. The home was originally featured on the cover of the January 1953 issue of Home Beautiful magazine and was revisited in the March 1969 issue. See registration record No. 01649. Lindsay Edward Biography: 1919: 26 August Lindsay Maurice Edward was born in Melbourne. 1937: 4 – 9 May Exhibition - Heidelberg art exhibition (SLV collection) 1939: Art student at the National Gallery of Victoria 1940: 7-14 October Exhibition Heidelberg art exhibition. (SLV collection) 1941: November - Exhibition Heidelberg Art Exhibition 1942: Lindsay was an art student living at this 14 Park Cres. Fairfield. Occupation Art student. He most likely painted this painting around this time. c.1942 – 1944: Enlistment for military service in World War 2 in Casino, NSW. 1944: Rank of Sergeant. 1944: Exhibition Seddon Galleries (Melbourne) 1945: Exhibition Seddon Galleries 1946: Exhibition Exhibition of Past Students of the National Gallery of Victoria 1947: Submitted “Self- portrait in the Archibald Prize, Art Gallery of NSW 1948: Lived in London for a year and married a fellow artist ? Knox. 1949: Returned from London 1949: Electoral Roll Residence– 16 Mount Street, Ivanhoe 1950: October Exhibition Stanley Coe Galleries, 435 Bourke Street, Melbourne 1951: 19 Nov. - 9 Dec. Exhibition An exhibition of present day art of Victoria Victorian 1951 Commemoration Committee in conjunction with the Victorian Artists' Society, 1951: (SLV Collection) 1953: October Exhibition Melbourne Contemporary Artists Exhibiton 1954: Exhibition Melbourne Contemporary Artists Exhibition 1958: Victorian artist and educator Lindsay Edward won the £500 prize for the wall decoration of the Queensland Library - . Edward was born in 1919 and had studied at the National Gallery of Victoria. In 1958 he was head of the painting section of the Royal Melbourne Technical College (now RMIT) and had only recently begun experimenting with mosaic. The Centennial mosaic covers a wall 68 feet (20.72 metres) in length and 14 feet (4.26 metres) high. In a Melbourne Age article in July 1958 Edward described the mural as ‘not a literal subject’ rather as ‘a basic formation of organic forms indicating growth and development’. 1960: Exhibition Eltham Art Show (SLV collection) 1963: Exhibition October 28-November 17 - Argus Gallery, 290 Latrobe Street, Melbourne and at Hassall's Roadside Gallery, Eltham and at Gallery A and at Russell Davis Art Gallery. (SLV Collection) 1963, 1967, 1977 and 1980: Electoral Rolls – Residence Old Eltham Road, Lower Plenty. Occupation Teacher 1966: Exhibition Art Show -Austin Hospital Appeal (Heidelberg) (SLV collection) 1970s: Head of Art Department RMIT where he established a fine art collection. 1982: Exhibition Bolitho Gallery Canberra http://nla.gov.au/nla.news-article116467780 1988: 28 July – Exhibition Recent Paintings Darwin Performing Arts Centre (SLV Collection) 1993: Exhibition Solander Gallery, Canberra 2007: January Died and is buried in Eltham Cemetery 2007: Obituary in Age Jun 2, 2007 - LINDSAY Edward's retirement as head of the fine art department at RMIT in August 1979 signalled the end of an important chapter in the art Sources: ART CONTEST. (1939, March 2). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article12103185 ART EXHIBITION AT HEIDELBERG (1941, November 25). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article8218682 ART EXHIBITIONS (1945, October 3). The Age (Melbourne, Vic. : 1854 - 1954), p. 7. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article205639922 EX-GALLERY STUDENTS' SHOW (1946, October 15). The Argus (Melbourne, Vic. : 1848 - 1957), p. 3. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article22386440 https://www.artgallery.nsw.gov.au/prizes/archibald/1947/ Art World Busy (1949, February 26). The Argus (Melbourne, Vic. : 1848 - 1957), p. 12. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article22706197 http://nla.gov.au/nla.news-article22781141 ART NOTES (1953, October 13). The Age (Melbourne, Vic. : 1854 - 1954), p. 2. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article206462733 Design, color in art show (1954, October 5). The Argus (Melbourne, Vic. : 1848 - 1957), p. 9. Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article23453359 https://artcollection.its.rmit.edu.au/?p=rmit-gallery-about Cinema (1993, October 7). The Canberra Times (ACT : 1926 - 1995), p. 7 (Good Times). Retrieved October 16, 2016, from http://nla.gov.au/nla.news-article127509819 Queensland Centenary Artwork (includes image) http://queenswharf.org/places/former-queensland-state-library-wall-decoration-and-sculpture/ Eltham Cemetery http://www.elthamcemetery.com/index.php/search oil on paper board 31.5 x 37.5 cm signed "Edward" lower rightInscribed on back "The Malt House Lindsay Edward 15 Park Cres Fairfield"fairfield, malt house, lindsay edward, home beautiful, home beautiful magazine, alistair knox -
Mission to Seafarers Victoria
Poster, Art, Labour and Working Life, 2018
A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey -
Greensborough Historical Society
Newspaper clipping, Remembering the Rats, 2011_06
An article about the an exhibition at the Australian War Museum for the 70th Anniversary of the Tobruk campaign.The article records some anecdotes of the "Rats of Tobruk". A 2 page magazine article from the RSL's publication MUFTI.Niltobruk, rats of tobruk, 2/15 battalion, 2/13 field company rae -
Federation University Historical Collection
Poster, SMB: "This Cup Contains a Future Cyclone", 1997
Poster made by students of School of Mines Ballarat for the Art and Design Exhibition in 1997Poster with orange background and white and black text and designballarat school of mines, art and design, exhibition -
The Beechworth Burke Museum
Photograph, unknown
This photograph was taken in the Burke Museum c1970 and depicts an exhibition about the Kelly Gang. This photograph is of social significance due to its connection with the Burke Museum as well as the Kelly Gang. The Kelly Gang story is integral to the formation of an Australian identity and highlights the Irish oppression during the 1800s. Ned Kelly is an Australian icon, mythologised in Australian literature, art, folklore and history, and the Kelly Gang story permeates Australia's national consciousness. The Burke Museum is significant here also, as the image shows the importance of the Kelly Story to the Beechworth area and local identity. This photograph is also of research potential due to the great interest in the Kelly Gang history in Australia, and also for its presentation of a historical museum exhibition in Beechworth.Black and white, rectangular photograph, printed on photographic paperObverse: Beechworth/a pictorial record of the early days/and associations with the Kelly Gang Reverse: BMA03314 1997.3125/Agfaned kelly, kelly gang, burke museum, australia, museum, display, photograph, pictorial record, beechworth municipality, beechworth, exhibit, bust, clock, urn, vase, painting -
Tatura Irrigation & Wartime Camps Museum
Book, Feu Nos Peres, 2006
This is a copy of the catalogue of the exhibition of Mutsumi Tsuda held in New Caledonia in September, 2006Soft cover book. Reprints of photos of various people and families on front and back covers. Coloured and black and white photos. Text in French and Japanese. Titles of book printed in Red. 100 pagesfeu nos peres, tsuda, mutsumi, new caledonia, camp 4, tatura, ww2 camps -
National Wool Museum
Book, Amish: the art of the quilt
This book is a catalogue from a touring exhibition of Amish quilts from the Esprit Collection.AMISH / THE ART OF THE QUILT / Text by Robert Hughesquilting - history amish, quilting - history, amish -
Greensborough Historical Society
Newspaper Clipping (copy), Diamond Valley Leader, Local artwork on show, 18/03/2001
Account of local artists Marie Perryman and Terry Jarvis and their 2001 exhibition in Rutherglen.Copy of newspaper clipping, text and black and white imagemarie perryman, artists, diamond valley arts society, terry jarvis -
Port Melbourne Historical & Preservation Society
Book, Richard Broome, "Aboriginal Victorians - a history since 1800", 2005
Purchased with prize money from Best Exhibition Victorian Community History Prize."Aboriginal Victorians - a history since 1800" by Richard Broome 2005. A 68 page paperback. Photographic covers, basically brown.australian aborigines, richard broome -
Port Melbourne Historical & Preservation Society
Photograph - Lily Emily May Norton Turner
Was used in the "Women of Port Melbourne" exhibition (October 2005) and is included in the related catalogue.Black and White photo of Lily Emily May Norton Turner. Ellarged copy of the original image. Headshotwomen, lily emily may norton turner -
Rutherglen Historical Society
Image, 20/06/2003
One of a series of photographs taken after refurbishment of Museum, during "On Fire" exhibition.Colour photograph of the interior of the Home Economics room of the Common School Museum, featuring a display of photographsOn back of photo: "7 Historical Society. Fire photos. 20/6/03"on fire display, common school museum -
Rutherglen Historical Society
Image, 20/06/2003
One of a series of photographs taken after refurbishment of Museum, during "On Fire" exhibition.Colour photograph of the interior of the Home Economics room of the Common School Museum, featuring a display of photographsOn back of photo: "6 Historical Society. Fire photos. 20/6/03"on fire display, common school museum -
Whitehorse Historical Society Inc.
Article, Stories, May 2023
An article written WHS member Margaret Graham about the functioning of the WHS Wednesday Working Groupnon-fictionAn article written WHS member Margaret Graham about the functioning of the WHS Wednesday Working Groupgraham margaret, whitehorse historical society -
Glenelg Shire Council Cultural Collection
Artwork, other - Batik, 2005
Exhibited in Malawi Arts and Craft exhibition, Portland Arts Centre, April 2006.Blue, red and green batik-dyed fabric, depicting three women carrying vases on their heads.