Boyd reflects on the increasing growth of apartments built in the urban fabric. The growing demand for flats also contributes to the increasing number of developers who, to Boyd's dismay follow the bare minimum in the Code of Buildings that ultimately contributes and affects the romantic visions of the Australian landscape.Original manuscript of an article titled 'The Flat Revolution' published in The Australian, 13.11.1964.Typewritten (c copy), quarto, 5 pagesflat building, developer, building code, urban living, robin boyd, manuscript

Jacket, Khaki colour, wool serge fabric. Battle dress style. Metal buttons with shank with split ring or safety pin. Buttons have raised emblem and letters -"LONDON ENGLAND" - appear to be British. Two buttons missing. Collar, shoulder epaulettes, four front pockets with button down flaps. White cotton fabric pocket lining. Two rank insignia top of sleeves, three stripes - Sergeant. Lower right sleeve, three chevrons; denotes overseas service. Right pocket lining - handwritten writing.Right pocket lining - handwritten black ink - writing illegible.uniform, army, battle dress, ww1

F/O POLKINHORN .T. M96. 3867. 12/7/45. Information has no correlation in Service Records.1. Dress coat - navy blue colour, cotton twill, navy blue cotton sateen lining with beige cotton fabric lining to sleeves. Full belt with bakelite and metal buckle. Buttons - black colour bakelite with metal shank. Emblazoned with the King's crown and a wedge tailed eagle in flight WW2. Set of RAAF wings above left top pocket. Rank Insignia on sleeve. 2. Trousers - navy blue colour cotton twill and button fly. 3. Tie - black colour rayon fabric.3. Makers label - black ink print on label - "David Jones/ FOR SERVICE/ SYDNEY" Black ink typewritten - "F/O POLKINHORN. T. /M96, 3867, 12/7/45" Blue ink handwritten - "Ball"uniforms, raaf, ww2

Clothing. Tiny kid(?) leather soles - just 11 cms long, with burgandy silk fabric uppers- having a centre front seam, and a centre back seam. These seams are machine stitched and then top stitched on both sides of the seam, with tiny machine stitches. A 'turn-back' of burgandy, fake-fur trims around the ankle high boots and two burgandy silk ribbon bows, fasten the boot at the outer ankle. Inners of the boots are lined with a canvas-like fabric. Soles appear to be a soft chamois type leather.costume, children's, baby shoes.

Copy of black and white photo. Image shows three men posed talking. Man on left wearing a peaked fabric cap, pipe in mouth, three piece suit, fob chain visible. R. Murray in centre of photo, wearing three piece suit and hat Man on RH side, coat, fabric cap and holding pipe. On bottom of surround 'W. Vincent Kelly, Mitchell St. Bendigo' written in white script. Australian dictionary of biography entry re Murray enclosed with the photo.Vincent Kelly, Mitchell Street, Bendigo

Clothing. High round neckline, full length, centre front opening - rounded at the lower edge, and trimmed with two velvet covered buttons, under which is a small metal hook and eye to fasten at the waistline. Sleeves are full length, and trimmed with two fabric covered 2.5 cm buttons at the top edge of a 9.5 cm opening - this may have been a turn-back cuff, or a peaked edge. Left turn back is badly worn. The jacket is fully lined with a similar colour, nylon fabric. This is a home sewn garment.costume, female, ladies pink crushed jacket

Example of Australian military battledress Jacket - Battledress of olive drab fabric. Jacket is short, and designed to be buttoned to the outside of high-waisted wool serge trousers. An olive green band with two button holes is attached to the inner lower band. The jacket has a fabric belt across the front, with a buckle. Two rectangular pockets extend beneath the lapels. Inside of jacket has a sewn on, rectangular identification label, and size label. Jacket has four buttons down side front, and one near lapel. Each cuff has a button.Identification label on inside of jacket (black ink): REGIMENTAL No NAME Size label (red ink): M. TX SIZE 17 Faint mark on inner neck lining in red marker, possibly Kbattledress, jacket, military, uniform, outfit, fashion, world, war, australian.

Portland Quilters Exhibition, 1-28 February 2006, Portland Arts Centre.Hand and machine pieced and appliqued quilt. Central depiction of the Portland bay with jettie, breakwater and Port. Scene includes fishing boats, ships, tug boats, a whale, foreshore with several buildings and a bluff with a lighthouse. Central image edged in blue fabric quilting. Surrounding this are 20 printed images of old buildings taken from sketches contained in 'The Portland of Jack Adamson' by Joe Wiltshire (book). Outside boder is blue quilted fabric. Back top contains folded and sewn area for mounting/hanging beam.Front: (no inscriptions) Back: (no inscriptions)needlework, local history, quilting

This cream and green patterned vest is said to have been made for William Herbert Teal as part of his "trouseau" on the occasion of his marriage to Daisy Edith Davis on April 14th 1916 at St. Peter's Church, Merino, Victoria, Australia. It is a handmade waistcoat but it is not known who made it. William Teal was born in 1889 to Elijah Teal and Isabella Campbell Reid in Camperdown, Victoria and after marrying, William and Daisy also lived (and worked as farmers) in the Camperdown area. They had seven children. Daisy died in 1962 and William died in 1975. A wedding portrait of William and Daisy shows William wearing a dark suit consisting of a single breasted coat, trousers, good shoes, gloves and a shirt with a stiff, high collar, however if he is wearing this vest, it is unfortunately hidden under his coat. Although by 1916, men's "ready to wear" clothing were widely available, this waistcoat was handmade (possibly by his mother or sister or future wife) and has been preserved by his family for almost one hundred years. Men's suits in the early part of the twentieth century were predomininantly three piece, consisting of a jacket, vest ( or waistcoat) and trousers made from matching fabrics. On special occasions (such as a marriage) the groom might also wear gloves and have a flower in his buttonhole. Some men liked to wear a watch attached to their waistcoat with a fob chain.This item is of significance as a rare example of a man's vest that was made for a special occasion (William Teal's marriage in 1916) and preserved by his family for several generations.Man's handmade vest with a green and cream patterned brocade front, trimmed with green cord around the edges and featuring four inset pockets (also trimmed with the green cord). It has six buttonholes down the left front edge (plus a hand embroidered buttonhole to hold a fob chain) and six corresponding holes for shank buttons (which are missing) down the right front edge. The back and lining are made from cream cotton fabric. The back has a centre seam and a strap with a metal buckle with prongs (to allow for adjusting the length). The cream lining and back display some discolouration and brown marks.flagstaff hill maritime museum and village, great ocean road, warrnambool, camperdown, merino, teal family, william herbert teal, daisy teal, daisy davis, waistcoat, man's waistcoat, vest, wedding, handmade vest, wedding clothes

Item issued to individual units in the Australian Army for Outstanding Service by the South Vietnamese Govt during the Vietnam War.Badge, South Vietnamese Unit Citation with Palm. Rectangular shape, gold edging, centre has fabric coloured red each end, yellow centre & centre is of a brass palm leaf. Rear has pin & clasp.On rear: "GRACO GI"citation, palm unit, south vietnam

The diary is part of the Grinton collection which included hundreds of negatives and developed photos that he took during the War. Refer Cat No 1280 for service history. Refer 1317P, 1320P. Black fabric covered diary with ruled lines Re. Jack Grinton. Writing is in ink, starting on 3 March 1916, ends 16 November 1916. Detailed accounts of enlistment, journey to England, and training until embarkation."Pte JW Grinton No 16 Section, No 12 Platoon, C Company 10th Brigade AIF, On Active Service Abroad"documents-diaries, military history

Souvenired by Tony Cornelius. Refer Cat No 1874.2 for his service history.For SLR 7.62 Rifle. .1) Combination tool - metal. .2) Oil Bottle - plastic. .3) Brush - Plastic handle. .4) Pull through - metal, cord and cloth. .5.) CanvasPouch Khaki colour fabric tie.On printed label “7.62 SLR/ T Cornelius RAASC”slr, cleaning kit, accessory

Medal with green and yellow fabric with a silver coloured medallion hanging off of it. Medallion features anchor design on one side and muslim crescent moon and star on the other. Sitting in green felt box with gold-coloured hinges.on box "WMA 70" "Malaya trading Co/ Medallists/ Kuala Lumpur" "PMA 0217/2" On medallion "Ulang Tahun Yang Ka Sepuloh/ 1 hb Julai 1973" "PMA 0217/1"

Standard pattern WW2 steel helmet as worn by Australian forces from 1940 until 1950s. Replaced by US Pattern M1 steel helmet.Completely original WW2 Australian helmet Australian MkII raw edge steel helmet with MkII linseed oil fabric liner. Webbing chinstrap with steel springs. Moulded rubber crown pad. MkIII chinstrap securing lugs. Exterior painted chocolate brown.Lugs dated 1942steel helmet

This cummerbund is part of a winter mess dress uniform belonging to Bernard Farley during service with the Australian Airforce. Worn in 1978, this cummerbund style was first developed in the 1950s and continues to be worn as mess uniform in the present day.This item has aesthetic significance and is a representative example of uniform design from the 1950s to present day. This item has clear provenance, having been donated by RSL member and Secretary (2019), Bernard Farley after its use during Bernard’s service in the Airforce. As a former member of the Australian Airforce and member of the Warrnambool ex-service community, Bernard’s uniform has great social significance, telling a broader story of life after service.Dark navy blue broad waist sash which forms part of a dress uniform. Elasticised woven fabric in a rectangular shape fastened with two strips of velcro. A label is attached to the interior along the seam attaching the velcro. Label reads: “A.G.C.F../VIC. 1983/(broad arrow)/SIZE. 34/8440.S6.035.3816/NO./NAME”dress uniform, airforce, commonwealth government clothing factory, uniform, cummerbund, belt, sash

Hand made by Marjorie McKeown for her home.A long rectangular table cloth or runner made from a bright yellow fabric and with smallish embroideries of small cream flowers and dark green leaves. The cloth has a scalloped edge and a small dark yellow crochet border. tablecloth table-runner hand-embrodery table-linen

Sarah Wright was the mother of Frank Wright who was a renown resident of Smeaton. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A mounted black and white formal photograph of a woman standing in front of a classical scene of a column and fabric swathe. She is dressed in a fine white tucked skirt and a white blouse with lace and puffed sleeves. The women is Sarah Wright.Written in ink of the back of the mount - 'Xmas 1905'sarah wright, frank wright, 1900s ladies skirt and lace blouse

In 1891​ The Melbourne and Metropolitan Board of Works (MMBW) was formed and became responsible for Melbourne's water supply. Melbourne had grown to a city of half a million people. To provide water to this rapidly growing city (especially the eastern suburbs), and to supplement the 1857 Yan Yean Reservoir, Melbourne's first water supply, the Watts River (near Healesville) was tapped. It supplied water to Melbourne, via the Maroondah aqueduct.​ In May 1892 the MMBW's first engineer-in-chief, Mr William Thwaites began construction on Melbourne's sewerage system. A treatment farm was built at Werribee and a pumping station was built at Spotswood (now the site of the Scienceworks Museum) to send the city's waste to Werribee. The first Melbourne homes were connected to the sewerage system in 1897. This book showcases the MMBW's infrastructure achievements and documents costs, requirements and key personnel involved in the development of the water supply and sewerage schemes.The introduction states "The water supply sources and headworks are in many cases situated in remote places and the sewerage works are chiefly underground. The Board has therefore resolved that these photographs of some of the scenes and works should be collected and bound for general information. August 1908" This book is in excellent condition and provides a detailed insight into the previous 17 years of work and the Board personnel of the MMBW leading up to 1908. It is of historical importance to the history of Melbourne for the photographic documents of places that were not generally open to the public, and for Melbourne Water in its detailed history of the MMBW in the early twentieth century. Photographic view book with hard khaki coloured cardboard cover and blue fabric binding. 120 Pages. Glossy paper with black and white plates and text about the MMBW, and scenic views and places of interest in association with the MMBW. The Melbourne & Metropolitan Board of Works - Water Supply, Sewerage etc. ...Photographic Views...mmbw, board members, sewerage, water supply, historic views, photographs

a. Assam silk fabric from Basil Watson's plane (portion); has oil protective coating. Stylised initials 'BW' painted in grey and black. Irregular shaped portion; b. typed display card to accompany this item.aviation, civilian, fabric

Clothing. Light brown fox fur collar. Lined with brown cotton fabric. Two X 1 cm brown buttons at either end and seven X 1 cm brown buttons along length of collar.costume accessories, female, light brown fox fur collar

Green material with emblem in middle depicting kangaroo crown & oliv leaves. "Duty First" on banner on lower part of centre embroidery "Royal Australian Regiment" on boomerang. Crossed rifles, & three stripes in mustard coloured fabric.

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of slate roofs on the rear section of Villa Albavilla alba museum, conservation photographs, victorian architecture, slate roofs

The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A quilt made from woven samples of woollen fabric with herringbone and checked designs, mostly in brown, green, blue and red. The samples are machine sewn together. It has a cream backing which is machine sewn onto the quilt.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria, quilts, necessity

Painting of Schwerkolt Cottage by Barbara Rogalski, member of WHS "Autumn" is one of 4 paintings.Oil painting of end of building in treed setting with autumn tree in foreground on grass. Schwerkolt Cottage - Mitcham Painting mounted on beige fabric with inner beige plastic frame. Outer frame of brown wood with gold rim.Signed by B. Rogalskipainting, schwerkolt cottage - autumn, barbara rogalski

Technical manuals and User Handbooks were essential equipment for Royal Australian Electrical and Mechanical Engineers (RAEME) tradesmen permanently attached to Armoured Corps regiments as Light Aid Detachments (LAD) or AFV Workshops and were responsible for repairs and maintenance of a nature beyond the expertise of AFV crewmen and just short of major rebuilds undertaken by Base Workshop detachments.Part of a collection of workshop manuals and user handbooks relating to equipment on issue to 8th/13th Victorian Mounted Rifles during the latter half of the twentieth century.Buff and brown coloured soft covered manual, adhesive fabric spine bound manual being Assembly Operation GMC 6x6 Model CCKW - 353, produced by General Motors Truck and Coach 24th October 1941On title page " M.F. Oates " also ink stamp ' 8/13 VMR Regimental Collection "

Fabric c:overed board with collection of badges: RAAC and 1st AR, 2nd Cavalry Regiment, RAEME. Shoulder titles ; Royal Australian Armoured Corps and 1st Armoured Regiment, and two formation signs ; 1st Infantry Brigade.badge, button, title