Colour print of the BTM group tour on 5 June 1999 at Hawthorn Depot with John Phillips Bus 592 in the background. Appeared in the August 1999 issue of Trolley Wire on Page 31 - see also caption for further details. See also Reg. item 1101 for other photos of the same series. Photo on Kodak paper. Photo by Darren Hutchesson.In centre of photo on rear is label with "Photo / Same Size", crop marks and a yellow sticker with "28" written on it.btm, tours, hawthorn depot, mk iii bus 592

Photograph of BTPS workers dismantling the house that ESCo No. 21 was built into. Taken on 29/10/1994. In photo are (L to R), Paul Mong, Darren Hutcheson, Albert Mong, Jim Parker, & John Phillips. See Nov 95 and Jan. 96 issue of Fares Please! for more details. Photo appeared in Feb. 1995 issue of Trolley Wire, p38.On rear, '29-10-94, C.Dean', 'Photo page 38 bottom same size' and cropping marksballarat, tram recovery, btm, esco, tram 21

Colour photograph of installation of new sleepers into access track of Ballarat Tramway Museum, using a backhoe. Taken on 4.12.95. In photo are: Gary Wood (working with shovel), Richard Gilbert (with hat) and Greg Rogers. New sleeper being inserted. Remains of old sleeper by back hoe bucket. Photo appeared on page 22 of Trolley Wire, Feb. 1996.On rear in pencil is 4 inside a circle and stamp with sticker 'William F. Scott/ 4.12.95 23'btm, trackwork, sleepers

Framed certificate for the Accreditation of the Ballarat Tramway Museum as an Accredited Museum. The certificate signed by the Hon J. Kennett (Premier and Minster for the Arts) and J. Scott (President of Museums Australia). Framed within a metal (brass powder coated) glazed frame, with a sheet of heavy cardboard and fixed in - an APS frame Certificate printed on preprinted paper. Has a hanging wire on the rear.trams, tramways, museum accreditation, museum, btm

Yields information about the loops on the Sturt St west line and aspects of the operation of the Ballarat tramway system prior to closure.Black and white photograph of trams crossing, possible at the Parker St loop in Sturt St west - special trams - two outbound and one single trucker inbound - going to Mt Pleasant. Probably taken c1971 prior to the closure. Note the overhead wire - double overhead through the "straight" and inbound overhead only via the loop. Photographer unknown.tramways, trams, sturt st west, loops, parker st loop

Yields information about construction of "0" road at the Ballarat Tram Depot.Sketch showing the Ballarat tram depot with "0" road sketched in and handwritten notes about the date it was started, finished and the overhead or trolley wire put up in Feb. 1956. Items were contained within Reg Item 5507 - Foolscap binder with green covers, black binding edge and metal clips - see btm5507-list.pdf for actual location.depot, o road

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Pair of hand moulded abstract ceramic wall sculptures with holes and marks of the original wires on the reverse. The front and back are glazed while the interior has been left unglazed. The free-form shapes resemble waves which were initially covered with a white glaze which was then overgrazed in a semi-transparent turquoise glaze. Both pieces are signed by the artist on the reverse.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), viola annie mcvicars, viola annie ayling, ceramic sculptures

This album was used at the Orbost Visitor Information Centre (the Slab Hut). The Slab Hut (Orbost Visitor Information Centre) is an Orbost icon. This slab hut was built in 1872 as a family dwelling on a site about 3 km upstream from the junction of the Buchan and Snowy Rivers about 40 kms from Orbost on the Yalmy Rd. No nails were used in the construction; it was all wired together. After a period in storage the slab hut was opened in its present location in Orbost as the Information Centre in 1987.This item is a useful reference tool for the history of Orbost.A large photo album containing copies of photographs, some historical articles and b/w photos of Orbost. The covers are brown with a narrow gold frame. it has no spine and the covers are tied with tape. The pages, all different sizes, are bolted in.orbost-history album-photographs

A shock of different voltages was delivered to a person using the two metal handles or two heavy soft wire combs (missing but known of) were moved across the skin. Perhaps this was an early TENS Unit. The unit came to the donor's grandfather (Roy F. Leibig - Chief Electrical Inspector of the Brunswick (Melbourne) Electric Supply) for repair and returned to his keeping once it had become obsolete (upgraded by newer machine). Donor often helped his Pa repair electrical equipment.Historical: The Resuscitator or Electric Therapy Unit was used in hospitals, possibly Mental hospitals. Provenance: The donor worked at Mt Beauty in the Kiewa Hydro Electric Scheme with the State Electric Commission of Victoria as an electrician. Black wooden smooth box with clip fastener which is screwed on - 3 screws for the base and 2 for the lid. On top of the box is a leather strap for the handle fastened by steel screwed into the box. Inside: A mask with attached strap. Tap fitting loosely into steel box. Metal cylinders and a Cardboard box. A wooden lockable case, housing electrical equipment suitable for issuing high voltage shocks.In red, middle of the side with fastener - "SPARKLETS RESUSCITATOR" Scruff marks inside the lid. A cream plastic tag is screwed on and inscribed"Manufacturers:- / SPARKLETS LIMITED / EDMONTON, LONDON, N.18 / Made in ENGLANDmedical, hospital equipment, resuscitator, tawonga district hospital, doctor

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

Mankind has been bothered by flies ever since time began. This has led to the invention of a number of different fly traps or fly catchers.Glass fly traps were popular during the 19th and early 20th centuries. The flies, being attracted by some sweet liquid or other bait in the bottom, were unable to find their way out. This trap has small glass legs enabling it to be used standing on a flat surface such as a table. Most were suspended by wire handles. This is an example of a common domestic item no longer commonly used today.Moulded clear glass fly catcher on small glass legs. Glass stopper. A piece of bait is suspended in the centre and the top opening is covered up with a piece of cloth and a fluid such as kerosene or similar is put in the gutter below the outer part of the dome. The flying insect is drawn inside by entering the underside opening and then, when trying to leave, flies against the glass and then drops into the catching fluid below.fly-catcher pest-control glassware

This splicing tool is handmade on a forge. It is used for splicing in fibre and wire rope work to form a semi-permanent joint between two ropes, or parts of the same rope or steel cable. The rope is partly untwisted and then the strands are interwoven. Splices can be used to form a stopper at the end of a line, to form a loop or an eye in a rope, or to join two ropes together. Splices are preferred to knotted rope; a knot typically can reduce the strength by 20–40%, but a splice is capable of attaining a rope's full strength. This homemade, handmade splicer is an example of a tool used to splice a cable or rope, a craft that was in much need onboard a sailing ship. Splicing tool; a spike on one end and a flat blade on the other, with goose-neck centre for leverage. Handmade.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, splicing tool, rope work, rope strands, knot making, netting, net making, sailmaker's tool

GC advised that when they first arrived in Eltham in the late 1960s, he would enjoy driving out to Yarra Glen. The Eltham-Yarra Glen road was unmade at the time. He passed this residence on the north side of the road. It was totally remote. GC found the juxtaposition of this little cottage with its surburban wire gate out in the remoteness of the landscape intriguing. Since then the road has been reconstructed and diverted away from the cottage which is now owned by Parks Victoria.Digital TIFF file Scan of 35mm Ilford HP4 black and white transparencyIlford HP4birch cottage, christmas hills, early settlers, edwin samuel birch, eltham-yarra glen road, honor mary birch, honor mary williams, john hill, watsons creek

These brooches were made by Hans Beck, a German Templer who was born and lived in Palestine. When WWII broke out, he was sent to Australia on the "Queen Elizabeth" in 1941 and interned in Tatura Camp 3. His wife and children were left behind in Palestine. His daughter Ingrid said that although they were behind barbed wire, they were safe. Hans worked as a manufacturing jeweler in Sydney after his release from Internment. He sent for his family on 1947. A 1 x wooden triangular shape with a small four petal flower made of tiny white shells. A metal stick pin is attached to the back. B 1 x wooden heart shape. Two flowers on stems made from small pink shells. Each flower has five petals. A group of four tiny white shells sit between the flowers. A vase is carved into the bottom of the heart. A small safety pin in attached to the back. C 1 x wooden oval shape. Group of three pink shell flowers on green stems. Two flowers have six petals and a centre made from shells. The centre flower has only one petal. A bow of tiny white shells at the base of the brooch. Small safety pin attached to back. D 1 x wooden round shape. A cluster of shells in a floral pattern. A small bright red shell in the centre of cluster. Pin on the back is broken. E&F 2 x wooden round shape. A cluster of small shells in a floral pattern. One dark wood, one lighter coloured wood. handmade, brooch, shell, beck, queen elizabeth, templer

Eight coloured photos of Stawell's Water system. a. Old Valve house Pomonal b. Old Valve house & inlet grating from tunnel cutting. c. Old Valve house & Main ground grill. d. Sludge trap. e. interior of water supply tunnel at Pomonal. f. Tunnel showing outlet litter trap with rake for cleaning trap. g. Tunnel entrance at Pomonal. h. Vandal shattered cncrete pipe with multiple wire reinforcing (old?) Eight colour photographs of buildings, tunnels and equipment in bush setting.grampians water supply

Coloured photo showing different types of bricks stored in racks"written on back of photograph" Photo from collection of Mr Allan Bruce -2 Bona Street ,Ringwood east. 1,2,3,4 = the four stages of brickmaking at Ringwood East. Stage 1. Hand made large brick Stage 2. Same size as above -wire cut Stage 3. Almost a machine made brick Stage 4. Machine made - Ringwood stamp

Yields information about the reassembly of No. 40's bogies following their overhaul in 1985 and some of the people involve.Black and White photograph of the installation of the motors into No. 40's bogies, 8/2/1985. 3880.1 - Warren Doubleday, Barry McCandlish and Barry James crane driver carrying out the work. 3880.2 - photo with the motors in position.On rear of 3880.1 in ink "40's rebuilt trucks arrive back. Warren Doubleday and Barry McCandlish ass the crane driver 8-2-85", label "Photo Page 34 bottom Reduced to 5 1/2" x 3 3/4". and in bottom left hand corner "Photo Dave Macartney" See April 1985 Trolley Wiretramways, trams, btps, cep, maximum traction, bogies, tram 40

The first Palais dance theatre in Warrnambool was established in the Hotel Mansions on the corner of Kepler and Koroit Streets. When the hotel was destroyed by fire in 1929 the Palais was moved to the Oddfellows Hall in Koroit Street operating as a cinema. In 1939 the area in the Oddfellows Hall was converted into a dance floor, a skating rink and a squash court. The Palais dance hall continued until 1974. It had been a major entertainment venue in Warrnambool featuring many well known bands and singers over the years. This photograph is a fine memento of a most important entertainment venue in Warrnambool in the second half of the 20th century.A colour photograph of the interior of a dance hall showing the dance space, the lighting and the alcoves. The photograph is in two sections placed together. It is mounted on a yellow cardboard mount with a cut-out, printed name in cursive script. The black frame is made of composite material. A glass covering is over the photograph. On the back is a wire attachment for the hanging of the frame. There are crease and scratch markings in the bottom of the photograph.Palais de Dansepalais de danse warrnambool, the palais warrnambool, interior of the palais warrnambool, dance hall warrnambool, warrnambool

This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios

Sandakan- Panali, North Borneo were the places of the infamous Sandakan death march. Thousands of allied POWS died. Aust lost 1787 men. Refer to the Australian War Memorial for details. Three black and white photographs taken just after WW2 .1) Photograph showing two signs, a gate post and barbed wire gate. .2) Photograph of flat land, with an enormous number of white wooden crosses. The crosses in the foreground are marked unknown. .3) photograph of flat land, with numerous white crosses. The foreground ones are marked unidentified P.W of unknown nationality .1) Photograph of signs. “Sandakan War Cemetery Turn off at Mile 7 Other sign “ Australian War graves at Mile 8” Rear has a label. All three- Sandakan (North Bendigo) photo taken early June 1947 by H. Eisfelder. ww2, p.o.w, sandakan

Goggles constructed of two oval lenses in metal frame which attaches to thin canvas which is stretched over wire frame which touches eye. Thin khaki elastic strap on left and right side attaches at back with thin hook and eye in metal. Two lenses attached via hand stitched brown leather strap with some fur attached.

Refers to Bert HEWSTON Cat No 2759.2 for his service history. Part of the HEWSTON collection re WW1 & WW2.Hard covered photo album containing postcards of tourist attractions in UK, greeting cards, etc. Towards the back are post cards of troops in Europe c.WWI. Encased in linen dust cover embroidered in greens & yellow on front. Many cards have messages on them. Wire stapled spine. Dark red card cover. Dark grey pages with slots for affixing cards.On some cards: “Bert”books-albums, documents - post cards, military history - souvenirs

Gold frame with glass front, dark green border with brown background. Photo of 6 head shots of 6th Brigade Machine Gun Team 1928 with cup in centre on white background. Frame has cardboard backing with silver wire hanging strap with 2 black cushion buttons at bottom. Cab 26 1687/1 on white tag at bottom RHS back."Dad CAPT ROY SHADFORTH" on top of background. Names of other 5 members beside each photo on background. "6th Brigade Machine Gun Team 1928 Seymour, Winners of Vickers Machine Gun Competition" on bottom.photography-photographs, frame accessories, military history - army, passchendaele barracks trust

Items belonged to Robert ALLEN No 7925 6th Field Artillery Brigade AIF. The grooves on the handles are from the barrel rifling, they have been engraved "Bapaume" "Pozieres." "Ypres". refer 1786P for service history also 1787.4.Trench art mounted into a picture frame (attached by wire through holes in back of frame) nine items made from spent artillery shells. Three cheese/butter knives, one spoon, two rising sun badges, two "Australia" shoulder badges, one RAA Corps badge. Label says knives are engraved but too tarnished to be able to read properly.numismatics - badges - military, domestic items - cutlery, ornaments - metal, military history - souvenirs

Cow mounted on wooden base. Iron wheels fitted to each corner of base; pulling ring fixed to front of base. Cow: Chamois leather covered, perhaps metal and a type of paper mache. The head pivots and has a collar and bell around the neck. The hooves are attached to the base by wire. Has internal tin compartment with top-opening and metal teats (two).

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus parked on the grass in the foreground, with a man standing on the hidden steps of the bus and another man walking in front. In the middle distance rail lines can be seen on an embankment rising behind a post and wire fence and in the background a tower rises on the closest hill. The bus is the St Hilda's Band bus and the place is Llanelly in Wales.Written in pencil on back - Llanelly, Wales, 29/5/34frank wright, 1930's bus, welsh tower, st hilda's band, sthilda's band bus

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, olive green glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has remnants of tape and wire seal. Mould seam around shoulder. Body tapers slightly inward to the base. Push-up base has pontil mark and is embossed in large letters. Base is uneven. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable