Camberwell Girls Grammar School was from 1927-1929 called St Mark's Church of England Girls' Grammar School. The School moved from St Mark's Church Camberwell to Torrington House in Torington Street, Canterbury VICTORIA in 1927.This image is one of the few held just after the School's relocation from St Mark's Church to its current site at 2 Torrington Street, Canterbury Victoria in 1927. Miss Elizabeth Lockley was Headmistress of the School from December 1920 - December 1927. She continued on at the school as head of the Junior School until she retired in 1935.

The photograph shows a cable tram entering Bourke Street from Spring Street bound for Spencer Street with the Victorian Parliament House in the background. The conductor is standing on the back platform. Photo has been copied and printed from a 120 Negative.Yields information about the Bourke St cable trams and Parliament House.Photograph, black and white, plain papertrams, tramways, cable tram, bourke st, parliament house, spring st, tram 543

Photographs of Legatees in fancy dress at a function at Grimwade House, Caulfield. 01381.1 Has names written above the Legatees. From left to right: Harry Anderson, Harry Rigby, Harry Sa__? in beefeater costume, Bob Law, Keith ?_? and three Junior Legatees or school boys. 01381.2 On the back are 7 names in pencil. From left to right: __?, McCure, Carleton, Morgan, Hugh Brain (at the piano in clown costume), and Harold Peters. 01381.3 On the back are 5 names for the 7 men. From left to right: __, E.A. Doyle, Hugh Brain, Murray, Cox, __, Mathew in barrow. 01381.4 On the back are 4 names for the men in the photo, children are not named. From left to right: Gavan Cox, S.H. Birrell, J.R. Hall, and F. Whitman. 01381.5 On the back are 5 names. From Left to right: Lee Murray, Frank Meldrum, G.B.Law, Cyril Smith, and Neville Beech. According to the text on the back of one photo the venue is Grimwade House. From comparative photos it would appear the buildings in the photos are part of Grimwade House, which has been part of Melbourne Grammar School since 1918. A record that in the 1920s the Legatees held events to gather together for entertainment and pleasure. Black and white photo x 5 of a Legatee function at Grimwade House in the 1920s.Handwritten on the reverse: 'At Grimwade House, Caulfield / in the 20s' in blue pen. Some names on each panel in pencil.legatee event, founding legatee, costume

A group of widows at Legacy House doing light exercises. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House. It is assumed to be 2004 as it was with a bunch of photos with the label, "Activities at Legacy House 2004". Names unknown. A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo x 2 of widows doing light exercises at Legacy House.Printed on back

In 2009 the MtSV was encouraged to ‘open’ the building for public access and in 2010 the building was a feature in the highly successful Open House Melbourne event attracting over 2000 visits. This event began a succession of public programming activities expanding the MtSV’s scope of works.The Mission is one of the sites open every year during Open House except 2023.Pink colour bookopen house melbourne, cultural events, 2018

"Your House and Mine" was directed by architect Peter McIntyre, written by Robin Boyd and produced by The Architectural Graduates Society of the University of Melbourne. It is a humorous documentary about domestic architecture in Melbourne, from its history to the new current ideas of modernist architecture. 16mm colour film with sound on reel in canister. Duration: 22:17 minutespeter mcintyre, robin boyd, domestic architecture

pattie menzies, robert menzies, ian clunies ross, arthur dean, brian jones, official opening

Unknown year

This manuscript was intended to be presented as a lecture at the Royal Institute of British Architects Annual Conference in November 1971 (see item D456). This manuscript was unfinished when Robin Boyd died in October 1971. It was published in 'Architecture Plus', 'Architecture Plus', Vol.1, No.7, August 1973. The front cover of the issue has an image of one of the sails of the Sydney Opera House. The lead article is by Robin Boyd titled ‘A Night at the Opera House’ (pp. 48-55). This is a very important article. Note the article is prefaced by remarks by the Editor, but the year of Boyd's death is incorrectly given as 1972, instead of 1971. The published article is in the Walsh Street Archive (item P1276 and P1244).Original manuscript published in 'Architecture Plus', Vol.1, No.7, August 1973.Typewritten, foolscap, 11 pages, extensive edits in pen (not in Robin Boyd's writing)

Fragment cut from the minutes of the Board meeting on 20/11/74, headed 'Blamey House Re-development', which recorded the presentation by Legatees Berg and Quayle to the Board for the redevelopment of Blamey House. The Board discussed the financial implications and resolved: (i) Residences sub-committee were asked to make a firm recommendation regarding the widows and residence children, (ii) Widows' Accommodation sub committee were asked to complete their study of providing accommodation for widows, (iii) Steering Committee-Accommodation for Widows was asked to look at the need for widows' accommodation, and (iv) Planning Committee was asked to coordinate the reports of the above sub-committees for presentation to the Board. In a file with documents pertaining to the residences.Gives an insight into the work involved in administering the residences.1 photocopy, black on white. Three holes punched for filing. Handwritten: 'o/.' and 'BOARD MEETING 20/11/74' top of page.residences, blamey house, committee

Seacombe House Formerly named The Stag Cnr Sackville and Cox Streets Port Fairy John Sanders (Saunders) first came to Port Fairy in charge of the "Sally Ann" owned by the Henty family of Portland. He left the sea behind in 1844 and established the "Sally Ann Inn" named for his old ship, on the site of the present day Star of the West hotel. After selling the Sally Ann Inn to John Taylor he acquired the land on the South west corner of Sackville Street and erected a detached cottage facing Sackville Street for which he obtained a licence to sell alcohol and named the premises The Stag Inn. He died in 1850 and his wife leased the Inn to John Mason. By 1852 a large two story rendered bluestone building had been constructed on the corner site. The second un rendered section was probably added in 1854. Abijah John Brown became licencee in 1855 and made the Stag the centre of entertainment for the district, with many balls, dinners and concerts taking place there. It boasted "a billiard room and a twenty stall stables and coach house". By 1861 Abijah Brown had left The Stag and Lennox Trew was now owner and licencee. It came up for sale in 1869 but failed to sell. After Trew's death in 1886 it was sold to a syndicate and opened as a boarding school. It later became a Coffee Palace and Accomodation house named Seacombe House, and in the 1950's a motel was built on the old stable site. It is still a Hotel Motel and a restaurant which has revived the old name of "The Stag". Black and white Photograph of 2 story rendered building with multi paned windows and power pole on cornerhotel, lennox trew, abijah brown, john sanders, john saunders, john mason., sackville street, cox street, stag inn, stag hotel, seacombe house, coffee palace

This photograph of the corner Diamond Creek and St Helena Roads was taken in 2013 to show changes over 40 years, based on Ron Reynold’s sketches in the 1973 publication 'Greensborough and Greenhills' published by Cypress Books. The house on the corner is the subject of one sketch in the book.Digital copy of colour photograph.greensborough and greenhills, st helena road greensborough, diamond creek road greensborough, ron reynolds

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. Birrarung is situated near the end of Laughing Waters Road. It was built in 1974 by Graeme Rose for Gordon Ford who he had asked to build him a small ‘bach’. Builder Peter Jarvis who did his apprenticeship with Alistair Knox for a couple of years recalled there were no drawings. It evolved as more funds became available. Graeme would source second-hand building materials around which he would shape the house. The fireplace was built with chicken wire over which it was rendered with faro cement. A brick floored glass studio, added later, faces a wall of boulders pressed into a manmade cliff, a large pond the link between the rock wall and glass studio. A waterfall, fed by river water, no longer functions. The property became part of the Laughing Waters Artist in Residency Program with the first artist taking up residency in 2001. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2001 through to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, birrarung house

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. Birrarung is situated near the end of Laughing Waters Road. It was built in 1974 by Graeme Rose for Gordon Ford who he had asked to build him a small ‘bach’. Builder Peter Jarvis who did his apprenticeship with Alistair Knox for a couple of years recalled there were no drawings. It evolved as more funds became available. Graeme would source second-hand building materials around which he would shape the house. The fireplace was built with chicken wire over which it was rendered with faro cement. A brick floored glass studio, added later, faces a wall of boulders pressed into a manmade cliff, a large pond the link between the rock wall and glass studio. A waterfall, fed by river water, no longer functions. The property became part of the Laughing Waters Artist in Residency Program with the first artist taking up residency in 2001. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2001 through to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, laughing waters road, birrarung house, fay bridge collection

Built in 1861 on the south side of Symonds Street opposite Irvine Crescent this building was the home of John Hicks Petty. He operated the first Post Office in Yarra Flats from here. Mr Petty, holding a baby, is standing alongside his wife Maria Louisa Petty. The cottage is built of sawn timber, placed vertically, and a shingle roof. There is an established garden surrounding the house with creeper climbing the walls.post office, original post office, john hicks petty, maria louisa petty, symonds street, irvine crescent, shingle roof, timber house, cottage garden, baby, yarra flats post office, yarra flats

Letters - carbon copy on quarto paper between the RACV (16/11/1921) and response from the MMTB (23/11/1921), regarding shunting of cars at the Richmond car house or depot. The RACV requested flag men like that at the Toorak corner and Lonsdale St. The MMTB said No, flag men and provided at the two locations to regulate cars. Letter from the Chas J H Hodges, Secretary of the RACV.trams, tramways, racv, cable trams, lonsdale st, toorak, richmond, depots

Laughing Waters Walk, 7 Sep 2013 This Society excursion was a follow up to the Laughing Waters Story told to us by Jane Woollard at our Annual General Meeting in March 2013. It involved a walk commencing from the corner of Laughing Waters and Overbank Roads along Laughing Waters Road to its eastern end and returning partly over the same route - a total distance of about 2.5km. On the way we visited the two artist in residence properties, River Bend and Birrarung, to view the houses on them that are associated with Alistair Knox, Gordon Ford and others in the local mud brick and artistic community. We also able to walk around the derelict ruin which was once home to Gordon and Sue Ford, Boomerang House. An unexpected afternoon tea was offered to us by the artists in residence at Birrarung House and we had a brief opportunity to view inside the house. River Bend was designed and built by Alistair Knox for Rosemary and Bill Cuming in 1968. It sits in a deep cutting on a steep slope above the Yarra River and features floor to ceiling windows and glass doors set into mission brown timber frames and walls of reclaimed bricks in pinkish hue. Rosemary laid the brick paving around the house, a copy of the shell paving found in the ancient French town of Colmar, where the family had lived for a period. The kitchen was equipped with a 1960s stove as well as a cast iron wood stove reclaimed from Rosemary's sister's home in Armadale. Max and Tini Huygens, migrants from Holland, purchased the property in 1975 and named it Tilwinda from an Aboriginal word meaning 'hole in a rock'. In late 1981 Tini died after a short illness, but Max continued to live at Tilwinda until he moved to a retirement village in 2000 and the property was sold to Parks Victoria. Renamed River Bend, the property became part of the Laughing Waters Artist in Residency Program in 2008. Nillumbik Shire Council upgraded the property in 2012 with solar panels, a heat pump for hot water and double glazing to improve the comfort of the artists in residence and make the house more energy efficient. For a more in-depth description of the property and biographies of the various artists in residence commencing from 2008 to 2015, see Jane Woollard's book, "Laughing Waters Road; Art, Landscape & Memory in Eltham" published 2016.2013-09-07, activities, artists in residence, eltham district historical society, heritage excursion, jim connor collection, laughing waters road, river bend house

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’.1 Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s.2 Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia.3 Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’.4 Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

The former Christopher Crisp residence was constructed in 1868 by William Watson, one of the members of the Bacchus Marsh Express printing company which took over the management of The Express after the first edition, 7 July 1866, was published by its founder, George Lane, a book binder. This syndicate failed after three months and the ownership was then taken over by Christopher Crisp, a compositor working for the company. Crisp remained the editor from 1866 to his death in 1915, when he was succeeded by his son, also called Christopher Crisp, and later by his grandson. Under the Crisp family leadership, The Express widened its readership and was subscribed to by influential men and public servants in Melbourne. (Heritage Victoria Council. Places. Entry no. 45.)Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The photograph is of a single-storey cottage of rendered brick and sandstone with a shingled roof of slate tiles and ornate concave verandah. A chimney stands at either end of the house. A carved barge board decorates the northern end of the hip roof. A skillion with windows and a chimney adjoins the rear of the cottage. The front facade is symmetrical with two sash windows placed either side of the central door. A wire fence runs along the front of the cottage. Standing at the gate is a formally dressed gentleman wearing a top hat. A young child is standing on the road. This child is possibly Christopher Crisp, Jnr., who later took over the role of editor of the Bacchus Marsh Express in 1915 on the death of his father. At the time of this photo, he would have been 4 years old. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, christopher crisp 1844-1915

Constructed in 1955-56, the house was designed by Robin Boyd for Dr Arthur G R Uglow and his wife Enid, one of the buildings that formed a surge in residential occupation of the semi-rural Montmorency area in the 1950s. Citation 21 of the Banyule Heritage Study 2020.13 p. typescript and colour photographs, stapledbuena vista drive montmorency, uglow family, robin boyd, banyule heritage study 2020, montmorency - places

Pleasant Creek Stawell from Church Hill. Shire Hall at left under construction. Pleasant Creek Court House visible at centre. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866.stawell

The first article reports on the speech given by Mr WW Shugg, Federal President of RAIA as a memorial tribute to Robin Boyd at the RAIA building. The second article reports on the disparaging opinion of Mr Colin Badger, director of the Council of Adult Education, on the Sydney Opera House.p 11shugg, memorial service, sydney opera house, walsh st library

Photos of Legacy helpers handing out sprigs of rosemary to Vietnam Veterans in October 1988. It was at the first international reunion of Vietnam Veterans held in Melbourne, in October 1988. It included a march down Swanston St to the Shrine. There are photos of Legatees outside Legacy House watching the veterans march past at 01578 and 01579. The other photos include a meal provided at Legacy House after the parade.The 1988 parade of Vietnam Veterans in Melbourne was a significant event and Legacy provided rosemary sprigs for the event, a meal afterwards and Legatees attended.Colour photo x 2 of rosemary being given out at the Vietnam Veterans march and 3 photos of a breakfast at Legacy House and a white paper label.White paper label 'Junior Leadership Group L/House distributing rosemary to Vietnam Vets. Breakfast at Legacy House for visiting V.V. L/tees. Breakfast co-ordinator Executive officer Terry Walsh.' vietnam veterans, march, rosemary

This was the House Cup of a Warrnambool private school, Braemar Grammar. It operated from 1931 to 1950 and was in Manifold Street. The school had an average enrolment of 45 primary school students and closed because of the unavailability of suitable school premises. The donor of the House trophy, Dr Alfred Brauer, was born in South Australia and studied medicine at Melbourne University. He had a practice in Koroit Street Warrnambool for 45 years and had many community interests including horse racing, football, golf, cricket and education. He was associated with Warrnambool High School, Braemar Grammar School and Warrnambool Technical School, donating trophies to all three schools. Today the former Warrnambool Technical School is called Brauer College. This cup is of interest as a memento of a 20th century private school in Warrnambool, Braemar Grammar and of a prominent 20th century doctor in Warrnambool, Dr Alfred Brauer.This is a gold-coloured metal cup with two side handles and a long thin stem on a metal base mounted on a Bakelite stand. The lower portion of the stand is missing. The cup is much stained.This is a gold-coloured metal cup with two side handles and a long thin stem on a metal base mounted on a Bakelite stand. The lower portion of the stand is missing. The cup is much stained.braemar grammar school, warrnambool, dr brauer, warrnambool

A group of widows at Legacy House some with exercise balls. Similar to photos 00619 and 00620 which show exercise classes, although this is another day. Rita Davidson is one of the ladies - second from the right. Glad Baker is on the far right. Glad Cozens is seated in the centre. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House. It is assumed to be 2004 as it was with a bunch of photos with the label, "Activities at Legacy House 2004". Other names unknown. A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo of a group of widows at Legacy House with exercise balls.Printed on back

Pictured here are students Ian McIntyre on piano, Bob Atkins on bass, Roger Mitchell on guitar, Harry Markham singing on the right, and an unknown student. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.performing arts, students

Sunday 3 March, 1923 - 200 people, 68 of which were new students, gathered on the Frogmore House lawn to officially open Mentone Grammar. Founding member, J. Allan Anderson had lofty ideals; his vision was for “a Grammar School of some consequence”.

This house is probably "Findon", Studley Park in Kew, belonging to Mrs Aubrey Bowen, widow of eye surgeon Thomas Aubrey Bowen (1837-1893). She welcomed large groups of seamen (up to 125) for Boxing Day at least on three consecutive years in 1906, 1907, 1908. Small monochrome photograph (faded) depicting outdoor gathering of seamen in front of a building with arches at one of the summer venues.findon, mrs aubrey bowen, thomas aubrey bowen, boxing day, kew, studley park

'Armytage House' formerly 'The Hermitage' a two storey Barrabool freestone ashlar and basalt rubble mansion was upon completion in 1860 one the finest colonial regency style mansion houses in Victoria. The Ionic portico and exquisitely proportioned, encircling wrought iron verandah is the most distinctive feature of this mansion, which is undoubtedly Edward Prowse's most impressive work. The mansion has considerable and important historical associations, firstly with the Armytage family, and finally with the Geelong C.E.G.G.S (1905-1973) (https://vhd.heritagecouncil.vic.gov.au/places/21747/download-report, accessed 25/03/2019) 03 May 1858 - Tender Notice in Geelong Advertiser 27 April 1860 - tender for iron gates 15 October 1860 - tender for stone wall and iron railing.armytage, armytage house, geelong, edward prowse, barrabook freestone, the hermitage

17 Fellows Street Kew was originally owned and occupied by the architect Henry Kemp. Kemp had arrived in Australia in 1886 and this was therefore one of the first of the many buildings he was to design in Melbourne. While late Victorian in date, the house is an interesting precursor of the Edwardian architecture produced by Kemp. Somewhat awkwardly composed with steep gables, a rectangular castellated tower and slated single storeyed verandahs projecting from the overall box-like form, the house contains features common to the 1880s such as the use of polychromy in the brickwork and slates cladding the roof. (Sanderson 1988). The historian Dorothy Rogers established that at one stage it was the home of Dr John Dale - Chief Medical Officer of the City of Melbourne. This photograph predates later renovations to the rear of the property.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society17 Fellows Street, Fellows Street frontage."17 Fellows St. Also residence of Dr. John Dale, Melbourne City Medical Officer"fellows street (kew), dorothy rogers, henry kemp, dr john dale