This bottle was used in the Tawonga District General Hospital which was built in the 1950's specifically for the increase in population due to the Kiewa Hydro Scheme.Small clear glass bottle with a square base. The sides taper to the screw top opening with a bakelite lid which has embossed lines on it for easy opening. The top is on very tightly and a brown solid remains inside one quarter of the way up from the base. On 1 side is a yellow label with black writing and light blue back ground with white writing at the bottom (of the label). The label is complete but falling off. Base is embossed with numbers unreadable inside an embossed circle.Label: 'Evans'/ 50 ml / Nobecutane / Trade Mark / Marking Ink / A plastic ink for the / pre-operative mark- / ing of skin surfaces. / Inflammable / Keep well sealed / and in a cool place 'medical, hospital, nobecutane marking ink, evans suppolies ltd., medical operations

This blazer was worn by a Warrnambool Fire Brigade member (Jack Sizeland). It was part of the dress uniform for fire brigade members in the 1960s and 70s. The Warrnambool Fire Brigade was established in the early 1860s after a fire at the Flying Buck Hotel in Liebig Street prompted a public meeting to establish a permanent fire authority in the town. There had been a couple of attempts previously to set up a local fire brigade. The Warrnambool Fire Brigade actively participates in Country Fire Authority Championships and competitions and has been very successful, particularly in the 19th century. John (Jack) Sizeland retired when he was 65 in 1977 (37 years of service).This blazer is of interest as it shows us what fire fighters in Warrnambool were wearing in the mid 20th century (dress uniform). It is also a memento of one long-serving firefighter, Jack SizelandThis is a man’s black blazer with three large black buttons. The sleeve ends and the three pockets have a diagonal red and black patterned braid stitched on. The upper portion of the blazer and the sleeves are lined with black material. The top pocket has the badge of the Warrnambool Fire Brigade in red and yellow stitched on. The badge features a Fire Brigade helmet, a ladder and two axes set in two concentric circles. A printed label with the owner’s name (Sizeland) is stitched inside the collar areaName ‘Sizeland’ stitched inside collar areawarrnambool fire brigade, country fire authority, john sizeland, history of warrnambool

These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. The tin was designed and used by the Colonial Sugar Refining Co. to store and sell golden syrup which is a by-product of cane sugar, molasses and treacle. The practices of early pharmacists are revealed through these items. The items have a clear association with Orbost.3210.15 is a rusty tin of CSR Golden Syrup. It is a yellow, red, brown, white tin with a black lid. used to sell and store golden syrup. The kilogram tin has the words 'golden syrup' printed in large red letters. There is a recipe for ANZAC BISCUITS on the back of the tin. Inside two concentric circles - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN" around a drawing of a sugar refinery. 3210.16 is a glass jar with a black metal lid. It contains small beakers, rubber tubing, stoppers and vials. on front in red print - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN ; CSR GOLDEN SYRUP ; GUARANTEED PREMIUM QUALITY ; NET 1KG ; SEE BACK FOR DELICIOUS RECIPE"pharmacies-orbost zimmer-john tin-golden-syrup medical-equipment

This collection of photos is of President John Dalgleish Esq.and all councilors for the year 1883-84. Councilor Dalgleish was elected to council in 1866-72 and 1880-87,serving three terms as President1869-70,1883-84,1884-85. The other councilors represented are J.W.D.Innes,J.King,A.Findlay,G.Rennie,J.Baird,F.Edwards,J.Spiers,W.Uren M.L.A. and secretary L.Bregenzer.Original collection of photos of councilors taken "circa 1884"A collection of photos of President J.Dalgleish Esq. and all councilors for the year 1883-84. The Frame is wide brown with decorative carving to the outer edges and "gold" paint on the inner plain edge. The photos are oval with gilt on edge of "cutout" and set in a circle around the inscription PRESENTED by the President J.DALGLIESH ESQ. to the BALLAARAT SHIRE COUNCIL 1883-84.Around each photo is a fine black line "linking" each.The mount is very light "tan"in colour.At the base is the name Richards & Co.Photos, Ballaarat.PRESENTED by the President,J.DALGLEISH ESQ.TO THE BALLAARAT SHIRE COUNCIL.1883-84.baird j, ballaarat shire council 1883 84, dalgliesh john esq, innes j, king j, findlay a, rennie g, edwards f, spiers j, uren w mla, bregenzer l

The 'Back to Yarra Glen' event was held on the Australia day weekend, 1959. Badge is circular with filigree work around the outer rim. The inner circle has a picture of the Yarra Glen bridge over the light blue river with the dark blue mountains in the background and green river bank in the foreground. There are green trees at each end of the gold bridge. The sky is white. On the green grass foreground is the date 1959. Above the mountains are the words 'Back to Yarra Glen'. The diameter is 2.5 centimetres. It is made of pressed metal, maybe brass, with gold colouring around the outer edge and back. On the front of the badge "Back to Yarra Glen" is across the top and "1959" on the bottom. "Stokes Melb" is on the back

Black and white photograph taken from SW. horse drawn conveyance lwr R foreground. Two couples standing along fenceline. Trees - small protected by guards. On back: stamped in circle 'Royal Historical Society of Victoria, Bendigo Branch'. In black ink -'MP 259'. Marks in grey lead across one diagonal and one long perimeter. History of object: Previous Acc. No. 'MP 259'. Ian Wild, June 2000 'Bendigo Post Office and Court House'.buildings, government, bendigo post office

Black and white photograph showing lake by 'Fortuna'. The mansion owned by Ballestredt and later, Lansell families. View shows willowed margins and wind-driven construction on lake surface. Inscriptions: Top RH corner face of mount. MP 213. Stamped in circle on back: 'Historical Society of Victoria, Bendigo Branch'. Top RH corner on back 'MP 213' printed in clack ink. Written in blue ink 'Main Lake at Fortuna'. History of object: Previous Acc. No. 'MP 213'.cottage, miners

Document. Malone Collection. Small pale green card with gold border with a fine black line top, bottom and right side. A brown circle with gold inner and outer borders and gold bells and ribbon at the top. It has a scene with a house, flowers, tree and a red sky inside it. Underneath is a gold rectangle with 'Happiness (printed in red) be yours from day to day printed on it. On the right is a pink rose with stems and green leaves. On the left is a line drawing of stems and leaves.Raphael Tuck & Sons, Limitedperson, greeting cards, malone collection, malone collection, greeting cards

Clothing. Lace trimmed, white cotton fabric, collar with square back, and long peaked 'lapel' type front. Neckline edge is finished with a fine one cm wide lace band. The cotton fabric is scalloped, also edged with the above lace band, which extends into a 5.5 cm band of cotton lace. The 'lapel' shape extends into a wider 'lapel' type circular motif. The lace has a semi-circular shaped design, featuring a five petalled flower in each semi-circle.costume accessories, female, white cotton lace collar

ANZ Savings Bank showbag. Blue and yellow design on a white background. Top left hand side in a blue circle the words ANZ Saving Bank. At right a cartoon character of smiling man with body shaped as a passbook. At bottom right a money box with several coins falling into it. At bottom left two smiling children (a boy and a girl) holding passbooks and the words: watch your savings grow at ANZ Savings Bank. Both side are the same. There are two identical bags.business, retail, advertising, business advertising usually found at agr icultural shows and other promotional activities.

Hand knitted bonnet in a lacy pattern. The circular crown is knitted in garter stitch, and as the circle increases in size, a "spoked" effect where the increase is made, gives a wheel-like effect. The main part of the bonnet has a repeat of a six row pattern. The front band of the bonnet, framing the face, is 2 cm wide, knitted in garter stitch. A 2.25 cm wide nylon ribbon attaches to the corners of this band, and ties under the chin. A narrow band of garter stitch, finishes the neck edge.costume, children's, baby bonnet

This bag was used for purchases made at the Healesville Sanctuary Retail Outlet possibly during 1990's. Compare with 000002Series of 3 brown paper bags using the Healesville Sanctuary 3 platypus logo (3 stylised platypus swimming in a circle) in dark green. The 2 larger bags also feature logos and identification of Melbourne Zoo and Victoria's Open Range Zoo Werribee. The Melbourne Zoo design is of 3 gorillas and Werribee has 2 zebras. The third bag is smaller and features the platypus design on the front and back of the bag. Dark green wording is also appears on each of the bags.HEALESVILLE / SANCTUARY / MELBOURNE / ZOO / VICTORIA'S/ OPEN RANGE ZOO / AT WERRIBEE/ FILDESBAG - (03) 9598 8988paper-bag, gorillas, platypus, zebra, logo

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette

Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush

The Mitcham Chess Club was established in 1970 and disbanded Dec-1976. The Nunawading Chess Club reformed from Mitcham Club Jan-1977 and disbanded permanently in 1998. It operated from The Avenue Neighbourhood House, Blackburn.Wooden rectangular box sitting on rectangular base. The box contains two timing windup clocks used to time chess games. Two starter knobs on top. Metal label on top marked 'Olympia'. Metal clock faces with yellow background with brass coloured numbers and hands. Each clock has a red arrow on top. Back has brass circles with wind up mechanism; left hand side has knob to adjust time but not right clock.'Olympia' and repaired 8/83 Mitcham Chess Clubhorology, clocks, toys, games

Lamp made from metal/tin. Cylinder base to store the kerosene, with pump attachment to pump kerosene up to the lamp area. The lamp is attached to the base via a metal tube. the lamp is cylindrical with clear plastic lenses. On top of the lamp is a perforated metal cylinder for venting the fumes. on top of that is a metal circle for hanging the lamp. This is also a long screw which can be undone to access the lamp area. The whole lantern has a thick metal wire loop handle.lamp, lantern, kerosene, light

Cypriot Bichrome Ware from Cypro-Geometric/Cypro-Archaic PeriodThe rim painted black, a horizontal line around the interior, the neck centred with wavy line between horizontal lines, two red bands, black band at bottom, shoulder with two red horizontal lines above set of black lines within two bands, the painted horizontal twin loop handles with frieze of three concentric circles on each side, over set of horizontal lines with bands, lower body with two horizontal red lines, single black band below. cypriot

Presented by Lieutenant-General Sir JJ Talbot Hobbs, KCB, KCMG, VD, LLD at a parade held on the Esplanade, Perth, 22 October 1927. With the re-activation of the Citizen Military Forces (CMF) following the Second World War, the 11th/44th Infantry Battalion (The City of Perth Regiment) was raised as a linked battalion in 1948 to carry on the identity and traditions of the pre-war 11th and 44th Battalions respectively. The King's and Regimental Colours formerly held by these two battalions were passed on to the new battalion who paraded them in rotation on ceremonial occasions. Under major reorganisation of the CMF in 1960, all individual infantry battalions that existed at the time within each State were amalgamated to form State regiments, taking effect from 1 July 1960. Thus from that date the 11/44th, 16th and 28th Infantry Battalions were amalgamated to form The Royal Western Australia Regiment. In September 1960, at a ceremonial parade held at Northam Camp, the Colours carried by all former battalions were handed over for safe keeping by the new regiment. These former colours were subsequently laid up in the undercroft at the State War Memorial, King's Park on 29 November 1964. These were transferred to the Army Museum of WA in 1988 as part of the Bicentenary Colours Project. Dark green with gold fringes. In the centre the battalion colour patch of a white over blue oval within a circle inscribed "FORTY FOURTH INFANTRY", the whole within a wreath of Australian wattle and surmounted by the Imperial Crown. In the upper canton the Arabic numeral "44". The following battle honours are emblazoned on the Colour: SOUTH AFRICA 1899-1902, MESSINES 1917, YPRES 1917, BROODSEINDE, PASSCHENDAELE, SOMME 1918, ANCRE 1918, HAMEL, AMIENS, MONT ST QUENTIN, HINDENBURG LINE

Newspaper page from the Melbourne "The Sun", Wed. 12 July 1972, column written/authorised by Les Shilton, member for Midlands, titled "Country Ignored", in a Section "Labor Says" of the newspaper. Item notes the stand by the Bolte Government against the retention of part of the Bendigo tramway system as a tourist attraction. Article written around decentralisation and regional development. Item and date has been circled in ink. On rear has advertisements for Kelvinator products and adjacent an advertisement for P&O cruises.bendigo, tourism, bendigo trust

.1 - Colour print of Ballarat Tramway Museum W4 671 outside the Ballarat depot, following repainting to the blue colour scheme mid 1990's. Photographed by John Phillips for the Dept. of Transport. .2 - W4 671 running in Melbourne, during early 1996, on the City Circle in Spring St Melbourne, advertising the Ballarat Begonia Festival with the Princes Theatre and Holmes Colleges buildings in the background. Has number "96-35-25" on rear. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, ballarat, btm, w4 class, spring st, tram 671

Joan O'Shea Collection. Bendigo Chinese Association Booklet. Green Cover White Text and White Illustration of the Chinese Dragon inside a Large White Circle. 12 Pages. A brief History of The Chinese and The Bendigo Easter Fair 112 years of Celebrations. First of five dragons (loongs) appeared on the streets of Bendigo in 1892. This document also contains articles on the History and Origins of Dragons, cultural differences between Eastern and Western Dragon beliefs, guide to Awakening a Dragon, and The Easter Monday Chinese Procession.Bendigo Chinese Associationbendigo, history, the bendigo chinese association

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A preliminary plan for the Mont Victor Hill subdivision of 1936 which included 23 allotments bordering the Rimington Nursery in Mont Victor Road. The subdivision created allotments in Victor Avenue, Heather Grove and Burke Road. Bisecting the Estate and clearly marked on the plan is the Railway Reserve which at this stage was all that remained of the Outer Circle Railway. The auctioneers note on the plan that the subdivision was made possible by the order of Messrs S. H. Bennet & H. Wright, the executors of the Wills of S. Bennett & E. Foreman.mont victor hill estate, subdivision plans - kew

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The Warne Estate included four lots in Argyle Street, Kew. It represents a typical small-scale subdivision in this area. The lots for sale must have been further divided as there are now more houses in the street than there were blocks advertised in the subdivision. The agent left the proximity of the Outer Circle Railway off the plan. The Railway would have run along the triangular shaped lot 4. Lot 4 was offered for the sum of £600 plus the costs of footpath construction.subdivision plans - kew, warne estate

This hat was worn by D. P. Bright, whilst serving in the Royal Australian Navy, presumably on the H.M.A.S. Leeuwin.Sailor's hat with removable ribbon which sits on exterior band with machine embroidered inscriptions, tied in a bow at the back. Hat is piqued, stiffened white cotton with two white eyelets on both left and right side. Dark navy band on exterior with brown leather lining on the interior, with cotton bow on interior back. On interior of hat, the hat contains a plastic lining on which there is an inscription. On either side of the inscription is a strip of beige coloured cotton lining in the shape of a semi circle (see photos).On ribbon, "H.M.A.S. LEEUWIN" On interior, "BRIGHT. D.P. HONDEN"; crossed out is the inscription "D.P. BRIGHT" Manufacturer's label reads "HILLS HATS PTY.LTD./SYDNEY N.S.W. 1972/R.A.N. 20476 6 5/8 /No./NAME/MADE IN AUSTRALIA"royal australian navy, navy, sailor, leeuwin, melville, cape leeuwin

A light tan small rectangular paperback handbook: Sho' card Lay-outs. The front cover has decorative writing of the title and author with a highly patterned lined and black background. 246 designs - 24 plates, 5 pages of Expert Instructions is written at the bottom in black lettering with the price 1/- in a black circle at the bottom. One Shilling is underlined. National Handbooks No. 3. On the back cover are five Beauty in Adornments designs with a monogram of the title in the middle. Pp.32non-fictionThe booklet is the fruit of 40 years first-class practical experience by one of Australia's leading Show Card Writers, W.L. Mitchell to assist retailers to effectively improve displays for the promotion of their products. There were costly books available for showcard writing, but there were very few publications which devoted much attention to the art of the lay-out of the showcard. advertising material, advertising booklets, advertisements, designs

The tin was made for Glen Valley Tea, importers of the finest tea growing countries in the world, Ceylon, India and Java. Henry James was a well known Australian importer. The tins when emptied became useful storage containers.A large square rusty metallic silver surface green coloured Glen Valley Tea storage tin with a lift off lid. It has gold font with a green line border. Both sides of the tin have Fresh Fragrant in large letters with Five Pounds Net Weight printed inside an inner circle. The back of the tin has a lot of information about the Glen Valley tea and where it is imported from - Ceylon, India and Java and how it is carefully selected and blended.The tin has much information as noted above. ' Henry Berry & Co. Pty Ltd. Collins St., Melbourne. 5lbs. Net. Glen Valley Tea'food containers, tea, tea caddies, tins, containers

Set of two drawings titled " Motor Bus Data", .1 - R1912 - dated 24/2/1927 - Gives bus numbers 1-56 - make and type number of vehicles in service, capacity, turning circle, wheel bases, Tare weight, overall length, width and height and engine details. Covers the Tilling Stevens Petrol electric, Thornycroft and Garford models. .2 - R4211 - dated 5/8/1935 - as above, including the Daimler, Tourist Bus, Albion and Leyland buses.trams, tramways, buses, mmtb, lists, thornycroft, tilling stevens, garford, tourist bus, leyland, daimler, albion

Set of four drawings, printed on A2 sheets with Melbourne, The Met, bus details, c1984. .1 - "Motor Bus Data" - listing class, make and type, seating, crush loading, turning circle, wheelbase, overall length, width and height. .2 - continuation of above. .3 - Bus seating plans for Leyland National, Volvo and MAN buses. .4 - Motor bus fleet - listing class, bus numbers, chassis, body maker, number of buses in service, stored and in fleet and capacity.trams, tramways, drawings, buses, class, the met