From tarnagulla.org by David Gordon: "The plantation is bounded by King, Gladstone and Welsh Streets and on the east by the drainage channel. It was planted up and opened in June 1925. It is located on the massive sand heap of R.W.Hammond's quartz crushing battery, and the plantation served to enhance the appearance of a large-scale mining precinct which was by 1925 seen as an eyesore from the bygone mining days". Donald Clark Collection. A monochrome photograph of a group of men in suits and hats planting seedlings as part of a planting ceremony to commence the Pine Plantation, Tarnagulla.tarnagulla, trees, mining, pine plantation, the pines, landmarks, children

From tarnagulla.org by David Gordon: "The plantation is bounded by King, Gladstone and Welsh Streets and on the east by the drainage channel. It was planted up and opened in June 1925. It is located on the massive sand heap of R.W.Hammond's quartz crushing battery, and the plantation served to enhance the appearance of a large-scale mining precinct which was by 1925 seen as an eyesore from the bygone mining days". Donald Clark Collection. A monochrome photograph of a group of children observing a ceremony to commence the Pine Plantation, Tarnagulla.tarnagulla, trees, mining, pine plantation, the pines, landmarks, children

From tarnagulla.org by David Gordon: "The plantation is bounded by King, Gladstone and Welsh Streets and on the east by the drainage channel. It was planted up and opened in June 1925. It is located on the massive sand heap of R.W.Hammond's quartz crushing battery, and the plantation served to enhance the appearance of a large-scale mining precinct which was by 1925 seen as an eyesore from the bygone mining days". Donald Clark Collection. A monochrome photograph of two men planting seedlings during a ceremony to commence the Pine Plantation, Tarnagulla.tarnagulla, trees, mining, pine plantation, the pines, landmarks

From tarnagulla.org by David Gordon: "The plantation is bounded by King, Gladstone and Welsh Streets and on the east by the drainage channel. It was planted up and opened in June 1925. It is located on the massive sand heap of R.W.Hammond's quartz crushing battery, and the plantation served to enhance the appearance of a large-scale mining precinct which was by 1925 seen as an eyesore from the bygone mining days". Donald Clark Collection. A monochrome photograph of a group of men during a ceremony to commence the Pine Plantation, Tarnagulla. Handwritten inscription on reverse names subjects as (L-R) 'Dad (Foth) on left hand side' and 'Mr [Owen] Jones, Chairman of Forest Commission Vict., Mr Johns District Schools Inspector, Mr McRae Chief Inspector of Forestry of Education Department'.tarnagulla, trees, mining, pine plantation, the pines, landmarks, forestry commission, owen jones, fotheringham

Donald Clark Collection. A colour photograph depicting Don Clark and Dick Sandner at a ceremony to commence underground decline works for Reef Mining NL, South Poverty Reef, Tarnagulla. Original photograph.

Donald Clark Collection. A monochrome photograph depicting miners on the Waanyarra Goldfields in 1902. Main trio: Standing right is Robert Scholes, seated is George Lockett. Other subjects names not known. Notice on tree is for Waanyarra Boxing Day Sports, 1902. Copy photograph. mining, gold

Donald Clark Collection. A monochrome photograph depicting Cormack Lowther and Sam James at the cyanide plant on Poverty Hill, Tarnagulla. Copy photograph. mining

Donald Clark Collection. A monochrome photograph depicting a mine with poppet head at Tarnagulla Copy photograph. mining

Donald Clark Collection. A monochrome photograph depicting workers at the sluicing dredge, Tarnagulla. Copy photograph. mining

Donald Clark Collection. A monochrome photograph depicting the sluicing dredge, Tarnagulla. Copy photograph. mining

Donald Clark Collection. A monochrome photograph depicting sandstone miners at Llanelly. Copy photograph. mining

David Gordon Collection.

David Gordon Collection.

David Gordon Collection.

David Gordon Collection.

David Gordon Collection.

J.Russell Thomson made his fortune from gold mining and was one of Ballarat's great benefactors.While J.Russell Thomson left a generous bequest to be spent on statues in the Ballarat Botanical Gardens, it is claimed that he played an active role in the events of the Eureka Stockade.A narrow wide piece of newsprint with a coloured photograph with caption, left hand side, folded and dog-eared right hand side.None. Very likely cut out of the Ballarat Courier newspaper, c2010.doctor john garner, ballarat botanical gardens, gold mining, benefactor, statues, eureka stockade, grave restoration, friends of the ballarat botanical gardens, trustees, scottish miner., gardens, ballarat, thomson, courier, john garner collection

This is a very old photograph of the Broken Hill City Band. it was most likely taken on their visit to Ballarat where they competed in the 1906 South Street Eisteddfod. One of the other bands that competed in their section was the 'Kalgoorlie and Goldfields Infantry and Regimental Band'. The speculation being that this photo was presented to, or was supposed to be presented to the Kalgoorlie Band. The Broken Hill City Band won many prizes at South Street in the band sections and the solo sections over the years. Their modern iteration is the Barrier Industrial Unions (BIU) Brass Band.This photo shows the Broken Hill City Band when it was still relatively young. It is unknown just how many photos exist of the Broken Hill City Band from this era, however, it is very special to the banding movement. It is even more significant because of the handwritten message to the Kalgoorlie Band as it signifies a link between these two ensembles, and the similarities in the towns - both very remote and based on mining.Rectangular black and white photograph mounted on card.Top: Broken Hill City Band 1906 Bottom: with Compliments to Kalgoorlie Bandbroken hill city band, kalgoorlie and goldfields infantry and regimental band, broken hill, kalgoorlie, victoria, victorian bands' association, ballarat, royal south street society

Bandmaster Hugh McMahon is noted for conducing the McMahon's Brass Band (Hillgrove Brass Band) from 1892 - 1900. He was a very famous bandmaster and he, and his brothers, were all extremely competent musicians. In 1897 the McMahon's band competed in Tamworth and won the competition. Their closet rival, the Hillgrove Town Band was placed third. Unfortunately the McMahon's Band was wound up in 1900 when the six McMahon brother followed their brother John to the Western Australia goldfields at Kalgoorlie-Boulder.The photo is remarkable for its condition and completeness. Here we have a photo of 20 bandsmen who have just won a competition dressed in very neat suits. We can also see a distinctive crest on the bass drum and the two trombone players are playing valve trombones. The photo is also significant as it shows one of the two Hillgrove brass bands that were in existence at the time and this was while Hillgrove was a bustling mining town. The six famous McMahon brothers are all in this photo and this would be one of the rare photos of them playing in the one band.Sepia photo mounted on card.hugh mcmahon, harry mcmahon, john mcmahon, edward mcmahon, will mcmahon, alick mcmahon, mcmahon's band (hillgrove), hillgrove, hillgrove town band, tamworth, victorian bands' league

Murray Comrie Collection. Information collated by Murray Comrie: This photograph shows the Treloar Foundry with its chimney, employees and the Treloar home in Commercial Road Tarnagulla H.W. (Henry) Treloar was a native of Redruth in Cornwall, where he was born in 1811. He worked as a blacksmith in his father's Cornwall foundry and then in 1840 went to work in Cuba as a foreman smith to the Royal Santiago Copper Mining Co. Returning to England in 1851 he remained for two years just as the reports of rich Victorian goldfields began to be heard there. He brought his family to Australia in September 1853, arriving in Geelong and then working in Heidelberg for eighteen months. He returned to Geelong to set up a business but after three months was drawn to the Maryborough goldfields, then Dunolly and then Sandy Creek (as Tarnagulla was then known), arriving in March 1855. He remained in Tarnagulla until his death. He established the Foundry in Tarnagulla in 1855 and was known as the best 'mining' smith in the district. After the decline of mining he turned to production of agricultural implements and the firm built a reputation in the field, through devices such as the 'NONPARIEL' tree and stump extractor, double furrow ploughs, seed harrows and scarifiers. On 26th October 1878 the firm won three first prizes for their implements at the North Western Agricultural Show at Ingelwood. The business of Treloar & Son was taken over by the James Bros in November 1894. This photograph is a reasonable copy created from an older original, owned by Miss Doris Nicholls. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph of five men and a young girl standing in front of a house with white verandah posts and two brick chimneys. In the background a much taller brick chimney is visible.tarnagulla, commerce, industry, blacksmithing, smithing, foundry, businesses, treloar, james, buildings, commercial road, main street

Murray Comrie Collection. This photograph shows the Treloar Foundry employees (possibly Henry Treloar with hand resting on the stump extractor) conducting a demonstration of their tree and stump extracting device on a farm in Inglewood while a large crowd watches. Information collated by Murray Comrie: H.W. (Henry) Treloar was a native of Redruth in Cornwall, where he was born in 1811. He worked as a blacksmith in his father's Cornwall foundry and then in 1840 went to work in Cuba as a foreman smith to the Royal Santiago Copper Mining Co. Returning to England in 1851 he remained for two years just as the reports of rich Victorian goldfields began to be heard there. He brought his family to Australia in September 1853, arriving in Geelong and then working in Heidelberg for eighteen months. He returned to Geelong to set up a business but after three months was drawn to the Maryborough goldfields, then Dunolly and then Sandy Creek (as Tarnagulla was then known), arriving in March 1855. He remained in Tarnagulla until his death. He established the Foundry in Tarnagulla in 1855 and was known as the best 'mining' smith in the district. After the decline of mining he turned to production of agricultural implements and the firm built a reputation in the field, through devices such as the 'NONPARIEL' tree and stump extractor, double furrow ploughs, seed harrows and scarifiers. On 26th October 1878 the firm won three first prizes for their implements at the North Western Agricultural Show at Inglewood. The business of Treloar & Son was taken over by the James Bros in November 1894. This photograph is a reasonable copy created from an older original, owned by Miss Doris Nicholls. Copy probably made by Murray Comrie in the 1970s. Monochrome photograph of a large crowd of people watching a stump-removal demonstration in a bush setting.tarnagulla, commerce, industry, blacksmithing, smithing, foundry, businesses, treloar, james, buildings, commercial road, main street

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. This photograph is a reasonable copy created from an older original.A black and white photograph depicting six men with two horse-drawn carts at the Jim Crow Cyanide Plant, Tarnagullatarnagulla, mining, cyanide plant, jim crow, work, employment, industry

Murray Comrie Collection. This photograph is a black and white copy created from a colour original.Black and white photograph being a copy of an Intercolonial Exhibition certificate, won by Tarnagulla Borough Council for mineral specimenstarnagulla, awards, mining, mineralogy, intercolonial exhibition, borough council