This is the second report by the East Gippsland Regional Planning Committees part of the Regional Studied Program in East Gippsland requested by Mrs Marion Le Cheminant.This is a useful reference tool. It documents sites of significance, including the Orbost area of East Gippsland.A stapled book with a brown/orange cover. On the front cover is a black print hand-drawn illustration of some buildings (possibly Bairnsdale Courthouse. The title, "Sites of Historical Significance in the East Gippsland Region", is in black print at the top. This is inside a black border.Sites of Historical Significance / in the East Gippsland Region / EAST GISPPSLAND REGIONAL PLANNING COMMITTEEhistoric sites, history, east gippsland, heritage

This toy monkey was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. This toy monkey is classified as Fiji 5 on the SWR Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Ceramic toy monkey salvaged from the wreck of the Fiji. The monkey is in a seated pose with its arms around its knees. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and the material is an orange colour. The surface is slightly pitted.ceramic, china, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, porcelain, moonlight head, wreck bay, bisque, toys, miniature animals, monkey, ornament

This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Figurine; unglazed white porcelain ornament, hollow inside. It is carved to represent an angel with two children, a boy and a girl. The surface is decorated with tiny gold balls and the angel wears a gold tiara. There are remnants of gold, orange, green and brown paint. No 1914. "1914"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, figurine, angel figurine, germany, angel with children

Printed invoice from Davey, McGregor & Grabasch, dated July 1966. Invoice to Supply & Fix Sliding door. Cream receipt attached, dated 20-7-1966. Orange/brown 3d Duty Stamp attached. Signed J ? Davey.person, receipts, j w swatton, j w swatton collection, davey mcgregor & grabasch, j davey

Documents: North Deborah Mine Payroll Tax forms, Orange manilla folder containing completed Return of Payroll Tax Forms, markings read: ''North Deborah Mining Co NL Payroll Tax Regestered No 8269'' handwritten on front cover.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, north deborah

Taking castings from the larynx of cadaver's, Archie Brain studied the anatomy and physiology of the upper airway in minute detail. He devised the Laryngeal Airway Marsk (LMA) as an alternative to endotracheal intubation. Since first gaining a patent in 1982, he produced over 1000 prototypes over the next 30 years in a constant effort to improve the device and patient safety. The LMA is a recent innovation and provides an alternative to endotracheal intubation and has made a significant contribution to safe airway management. Ovoid shaped black rubber layrngeal airway with orange access point stopper. Translucent rubber tube is glued into the airway and is cutaway within the internal space of the airway. The item is a prototype and the materials used to construct it are gathered from different medical items. The following text is present on the rubber tubing: 'EX 9.5 ORAL 12.9 USE ONCE Z79-IT 24 26 29'.anaesthesia, dr archie brain, laryngeal, mask, airway, medical advances, rubber, prototype, endotracheal

The Lidwill machine was designed by Mark Lidwill in 1913, for the purpose of mechanical or insufflation anaesthesia. It was manufactured by Elliott Bros. of Sydney. Shortly afterwards, the Anaesthetic and Portable Machine Company of Sydney devised a machine that was functionally the same but also contained an electric lamp heater.Colour photograph of a modified Lidwill anaesthetic machine sitting on carpet, taken from above. The vaporiser is metal and circular, and has metal valves and controls and two orange tubes. The machine has an electric cord and power plug which is coiled on the floor.anaesthetic equipment, lidwill anaesthetic machine, mark lidwill, ether vaporiser, anaesthetic and portable machine company of sydney, vaporiser

See inscription. Gift from Vietnamese Captain to an Australian Captain in 1968Orange, yellow and red colourful Painting. Water scene with ten sampans featured floating: four in foreground and six gathered together in background. Mountain range in background. Three people featured on three sampans. Painting done on board. Wooden frame.Bottom RHS of painting front: "To Capt Goodchild/ From Capt Trung & 10 M.I.D/ June 1968 Vietnam" On frame at back: 5538383 Major Bernard Goodchild 15.01.34 - 01.08.2021, Enlistment date 1965 Discharge 1990, Corps RAAMC, 1st Australian Special Service Civil Affairs Unit, Vietnam (southern zone) 21.06.1967 - 25.06.1968painting, vietnam, goodchild, trung, sampan

Circular metal fishing line with hooks and sindkrs in orange cardboard folder.(11,829) Fisherman powerised perlon fishing line on white plastic reel (30 yards).(11829.1) Small coil of fine wire (all found in pilot's pockets) (11829.2)Fisherman Brand - Powerised Perlon. HIghest quality exceptional strength. Made in Germanysurvival equipment

Worn by Gretl Hornung, daughter of internee, at Camp 3. Dress made by her mother Emma Frank.Orange knitted dress. Bodice rib pattern, embroidered white and blue flowers and white zig zag pattern on ribbed bodice. Long sleeves. Garter stitch band around neck and hem of skirt. 8 glass buttons down the back.gretl hornung, emma frank, camp 3 clothing, knitted dress

“Queenscliff (three black and white boat/ship themed set), is a depiction of a trio of sailing vessels, and a typical example of Tim Ryan’s process and style / It illustrates three images from separate editions of National Geographic – a much-loved and constantly revisited source of inspiration / Tim has reduced his subject matter to minimal line, managing to capture the form and character of the scene and the people within with delicacy and sensitivity / As is also a common trait, Tim has discarded the idea of a using a title describing the actual scenes in favour of one that holds much greater personal significance / Queenscliff is the site of his family holiday home, hence a place evoking decades of memories connected with water, horizon and water-based activity and interaction.Tim Ryan has worked within the Studio Art Program at Araluen for almost a decade / Araluen is based in the north eastern suburbs of Melbourne (Nillumbik region), that provides accommodation and day services for adults with an intellectual disability / Creating and sharing artwork is one way Araluen participants express their thoughts, personalities and abilities. The art program allows them to develop a sense of achievement and access society as equal and valued participants / Tim puts a great deal of effort into selecting his subject and arranging his page / He immerses himself in the image, studying it thoroughly and sometimes tracing over it with his finger before commencing / He focuses on the different elements and relationships that inspire, bringing out the lines, colours and shapes most fitted for translation into the picture / Favourite references are photo-laden books and magazines covering topics as broad as nature, history, archaeology, exotic foreign lands and all forms of transport.Three black and white drawings of boats/ships in Queenscliff made using watercolor, ink, fine liner, pencil and acrylic on paper. All drawings are black and white in colour with one drawing rendering a boat in warm red/orange and yellow colours. None shown, catalogue label on backdrawings / black & white / ink / boats / ships / queenscliff / araluen / ryan / disability

Kate Hudson's highly patterned and decorative prints reflect her love of Australian birds and flowers from her immediate environment, as well as oriental art and her training in textile design. Her work is influenced by the Australian artist (printmaker) Margaret Preston and the vases depicted in her prints are based on the ceramic works of her husband Stephen Hudson. The wattle depicted is the Acacia Terminalis (Sunshine Wattle), a shrub or small tree that grows to six meters in height. It’s an Australian native commonly found in New South Wales, Victoria and Tasmania.A reduction coloured lino print. A ceramic vase with a black and white target print at its' centre holds a bunch of Acacia Terminalis (Sunshine Wattle). The vase rests on an orange table cloth decorated in white stylised flowers. The background is light pink. Hand written in pencil: low left '8/26'; bottom centre ' Wattle and Circle Vase'; low right 'Kate Hudson' hudson, linocut print, sunshine wattle, acacia terminalis, still life, margaret preston, ceramics, textiles, orient

This is the program from the 10th Emerging Writers' Festival. The EWF is an independent arts organisation based in the Wheeler Centre, Melbourne. The catalogue provides information about the events and programs involved in the festival, the first EWF programmed by Artistic Director Sam Twyford-Moore.More information about the 2013 Emerging Writers' Festival can be found online at: https://web.archive.org/web/20130510133639/http://www.emergingwritersfestival.org.au/events/A green, white, brown and orange booklet which contains information about the program for the 2013 Emerging Writers' Festival. The booklet has 44 pages and the cover has two parts - with the illustration on cover a separate but larger page than the green text. Written on front of catalogue is "10th Emerging Writers' Festival / 23rd May-2nd June / 2013".10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival

Shearing time at Cooninbil Station, NSW, 2006. The Ferrier Wool Press sits among penned sheep in an old woolshed. Invented and made in Geelong, the Ferrier wool press could be found in woolsheds all over Australia and around the world.A Green large wool press reaches towards the ceiling in the centre of the image. Rays of bright orange sunlight extend around the green wool press. Surrounding the wool press are numerous sheep. The sheep are penned within a large multileveled wooden woolshed.shearing, ferrier wool press, cooninbil station

A book put out by London Stores Ltd., which contains advertisements for their products, home notes, recipes, sport records, gardening, first aid and laundry hints, beauty notes and sick room hints.Small soft covered tan book with drawing of a large department store, a book and a cartoon person pointing at the store. Also Contents at right bottom corner. All done in black and orange. Back cover has advertisement for men's hats "Tailsworth".as abovelondon stores ltd, household year book, household hints, gardening hints, beauty notes, sick room hints, laundry hints, first aid hints, recipes, 1940's

Orange covered catalogue for auction of Extensive Quarry Machinery, Plant, Equipment and Land of the Shepparton Municipal Quarries at Dookie held on 27th June, 1939. Printed by The Cambridge Press. Contains description of lots. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - shepparton municipal quarries, j h curnow & son, the cambridge press

Two tone orange Certificate of Appreciation awarded to The German Society in recognition of voluntary service to the community International Year of Volunteers 2001. Signed by The Hon., Steve Bracks MP, Premier of Victoria and The Hon Christine Campbell MP, Minister of Community Services.document, certificate, german heritage society, german heritage society collection - certification of appreciation, the german society, international year of volunteers 2001, the hon steve bracks mp, the hon christine campbell mp, jan penney, north central goldfields regional library corporation

Two part object. Two identical shuttlecocks, one used (.1) , one unused (.2). Both have natural white feathers, and orange rubber weight with cloth tape strip. Materials: Rubber, Bird feather, Cloth tape, Gluetennis

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 2010 the Men's Winner was Valerio Leccardi from Switzerland in a time of 1:42:46. The winner of the Women's event was Esther Bottomley of Australia in a time of 1:55:49. This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A poster featuring a silhouette of a skier and two kangaroos against an orange sunset. The main colour of the poster is black. The logos of AGL, Alpine Shire, Birkebeiner Nordic Ski Club, Parks Victoria, Tourism Victoria and Falls Creek are across the bottom of the poster.At the top in gold: kangaroo hoppet 20 and within a gold laurel wreath KANGAROO HOPPET 20 YEARS Beneath the skier and kangaroos: Saturday 28th August 2010 / Falls Creek, Australia beside the Worldloppet Logo, Below the line of logos: www.hoppet.com.aukangaroo hoppet, worldloppet events, falls creek, mt. beauty

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

An orange coloured plastic cover with a window in it. Through the window you can read Vampire Aircraft. the manual is held together with a cream spiral binder. Written on the binder is AAP 7291-002-4 Vampire 1PB MK3B Seats in purple ink.royal australian air force, schedule of spare parts, escape facilities vampire aircraft, ejection seat

Twenty eight drinks and food labels: J.O'Connell and Sons. Bendigo Prize Lemonade. J.O'Connell and Sons Bendigo Lime Flavor and Soda. D. Oswald Eaglehawk Hop Ale. XXXX Stout bottled by Glover and Son Chapel St. Bendigo. C.J. Glover Chapel St. Bendigo Ginger Punch. J.O'Connell Orange Vita - Ok Orange - Grapefruit and Soda - Brewed Ginger Beer - Ginger Sherry - Kola Beer - Soda Water - Pineapple. Dan Oswald tomato sauce. Glover and Son Tomato Soup. Qt Orange fruit Drops. Cottee's Sparkling Passiona. Lagoon Confection Long Toms. Bartlett Pears. The Bendigo Preserving Co. Golden Bar Orlean Plum Jam. Bendigo Preserving Co. Apricot Jam. Bendigo Preserving Co. Plum and Raspberry Jam. Golden Holme Apples. Rosella. Cottee's sparkling Drinks. Chocolate Cream Toffees. Lagoon Spearmint.business, retail

There are 2 maps: 1. Broadbent's Makers of Maps since 1896, No. 323 Across the Alps/Official Copyright Map./ The cover is blue, green and orange with advertising for Ólympic' and 'Bosch' and there is further advertising on the fold out covers/ 2/-. 2. Robinson's Kiewa Hydro-Electric Scheme & Hotham Heights Map No. 613, with Insets of: Bright, Mt Beauty, Falls Creek Ski Village, Hotham Heights Ski Village/ the cover is blue, green and orange with image of skier, hydro tower and locality map./Other fold out sides have advertising and information for tourists./ 4/-.maps, tourism, kiewa hydro electric scheme, victorian alps, skiing

This collection of leaflets were enclosed in various Volumes of the First to the Sixth years of the war in pictures. Refer Cat No 4184.6.1)- .2) Leaflet, Life and times of Winston Churchill, folded, exterior orange colour, B & W print, interior white with black & orange print with white photo. .3) .4) Leaflet, The Sun News Pictorial, folded, white paper with black print. .5) - .6) Leaflet, The first year, the second year of the war in pictures, .5) cream colour, .6) green colour both B & W print. .7) - .8) Envelopes, paper, beige colour stamped “Inscriptions”. .9 - .10) War map Section. Page of a newspaper, folded, beige colour black print. .7) & .8) Hand written on both slightly different, “Reg RUNCIMAN Rutherford St Swanhill”, .8) has “8 JL 42”leaflets, advertising

Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. These three bolts of fabric come from the same run of fabric used to tailor Suit Jacket 8045. All fabrics were designed by Nino Corda while he was working at the Foster Valley Mill. The bolts of fabric have an attached swing tag. This swing tag details information such as composition of the fabric, total amount of fabric and the design number.Three bolts of fabric with repeating pattern in 100mm grid. All three bolts have frayed edges, indicative of their need to be sent for finishing. The dominant colour in all three fabrics is grey. 8044.1 has red and green lines running vertically and horizontally and an attached swing tag. 8044.2 has red and orange lines running vertically and horizontally and an attached swing tag. Fabric bolt has yellow label attached to one edge of fabric, depicting the fabric’s number. 8044.3 has orange and blue lines running vertically and horizontally. No swing tag is attached.8044.1. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.1. Swing tag. Typed and handwritten wording. Reverse. JONO TAILORING / CALL NO……………. / DESIGN 6302-49-5 / PIECE NO 9528 / METERS 3.5 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER 8044.2. Swing tag. Typed wording. Front. foster / valley / Pty / Ltd. / (Incorporated in Victoria) 8044.2. Swing tag. Typed and handwritten wording. Reverse. left over (?unknown handwriting?) / CALL NO…………… / DESIGN 6302-49-2 / PIECE NO…………… / METERS 6.0 STRINGS…………… / NET METERS…………… / COMPOSITION / 70% WOOL 30% POLYESTER.textile design

Set of 3 pre-decimal current MMTB tram tickets. All black printing unless noted otherwise. A variety of small size (58H x 26W) or large format (68H x 31W) tickets. .1 - 3d - large, orange paper, Jr 428475 with an advert for Stamina Trousers with a piece of marketing using shorthand on the rear (ask your girlfriend to tell you what this means" .2 - 3d - large orange paper, Sk 571109 with an advert for Bushels tea ad on the rear. .3 - 1/9 small on dark blue paper, Aw 681415trams, tramways, mmtb, tickets, pre decimal currency