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Stawell Historical Society Inc
Photograph, Stawell Brass Band members with Mr Albert Holloway front left -- Studio Portrait
Studio portrait of Five Band Members of Stawell Brass Band. Albert Holloway front left.stawell entertainment -
Greensborough Historical Society
Advertising Leaflet, 102c/116 Main Drive Macleod, 23/05/2018
102c/116 Main Drive Macleod, Studio apartment in secure complex. Sold May 2018 for $124,900Real estate advertising leaflet, 1 sheet, printed in colour.main drive macleod -
Nillumbik Shire Council
Clay: Leanne Mooney, Leanne Mooney, Tiles from the Boomerang Studio, 2002
'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters -
Kew Historical Society Inc
Photograph, 'D'Estaville', 7 Barry Street, c.1950
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.The east side of D'Estaville (built for Sir William Stawell). It was the home of the Figuerola sisters from the 1940s to the 1990s. The large ground floor room at centre was used by the artist as her studio. The photograph is from the Alma Figuerola photo album. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic) -
Robin Boyd Foundation
Slide, Robin Boyd, 1950
Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Monument to the Fallen in the Nazi Extermination Camps (Monumento ai caduti), Monumental Cemetary, Milan, Italy, 1946 and modified several times later. (Architects: BBPR architecture studio (Banfi, Belgiojoso, Peressutti, Rogers).)haddon travelling scholarship, haddon, robin boyd, slide -
Whitehorse Historical Society Inc.
Photograph, Till & Maggs wedding
Studio photograph of wedding of Sydney Norman Till & Evelyn Victoria Maggs, 12 June 1920. His dress is formal & she is wearing a white suit & hat. Mounted sepia photograph of a wedding couple, both standing up.maggs, evelyn, till, sydney clothing & dress -
Whitehorse Historical Society Inc.
Photograph - Coloured Photograph, Alwyn Till
The donors of this photograph - the Vernon family - were close friends with the Till family and Don Vernon was the boyhood friend of Alwyn Till. This information is on the back of the photograph.Coloured studio portrait of Alwyn Terrence Till in uniform. Photograph mounted in frame and under glass. Includes name plaque. Inscription: Alwyn Terrence Till 410756 Warrant Officer.9/5/1921 - 13/8/1944till, alwyn -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - grand children of Stephen George Henty, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing group of 5 people (4 women, 1 man) posed on studio setting. Women in centre is seated, the others are standing. The women in full-length dresses, the 3 standing are holding open fans.Front: (no inscriptions) Back: (Many inscriptions, including:) "Grand children of Stephen George Henty 1934."portrait photography, esther winifred hall, henty, portland centenary -
University of Melbourne, Burnley Campus Archives
Flyer, Climate Adaptation Along the Birrarung: A Day for Learning
exhibition, yarra river, birrarung, ballerrt mooroop, wurrundjerri country, university of melbourne, birrarung council, yarra riverkeeper, merri-bek city council -
University of Melbourne, Burnley Campus Archives
Flyer, The University of Melbourne et al, Climate Adaptation Along the Birrarung: A Day For Learning, 30.11.2023
climate adaptation, birrarung, ballerrt mooroop, yarra riverkeeper, merri-bek city council -
Bendigo Historical Society Inc.
Photograph - COLOUR PHOTOGRAPH: 'MR FREEDMAN STATE ARTIST / JULY 1981, July 1981
photograph - colour -'Mr Freedman -State artist / July 1981 /photograph - colour - picture of artist studio - rear details 'Mr Freedman -State artist / July 1981 ,Beverley Whipp , 12 lowbrook ave Sth Caulfield.photograph, person, male, 'mr freedman -state artist / -
Bendigo Historical Society Inc.
Document - YOUNG JANIE: IN BENDIGO'S GOLDEN DAYS''
Single sheet '' Young Janie - In Bendigo's Golden Days'' published by Bendigo Branch RHSV 1961. Photograph and family/personal details of Janie Houston Cruikshank, (second?) daughter of Dr and Mrs John Cruikshank. Photo by Batchelder's Studios..person, individual, jane cruikshank, batchelder's studios, jane houston cruikshank. sandhurst, reverend james nish. john buston gould -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: PHOTOGRAPH MALE, Nineteenth Century
Sepia studio portrait. Head shoulders young male. Stewart & Co 40 & 42 Bourke St East , near Parliament House Melbourne printed on front. Pencilled caption on reverse. Master Bath 10/4/ 90Stewart & Co 40 & 41 Bourke St Melbourne.photograph, person, male -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Nineteenth Century
Black & White Studio photograph male aged approx early forties head shoulders . Printed on front. Johnstone O'Shannessy & Company Limited, 55 & 57 Collins Street East, Melbourne. Scrolled ornately same information on reverse.Johnstone O'Shannessy & Company limited.photograph, person, male -
Women's Art Register
Book, Cindy Nemser, Art Talk. Conversations with 12 Women Artists, !975
Interviews with 12 significant women artists, predominantly working in North America. The interviews start include a brief biography and black and white photos of each artist,and images of their work.Booknon-fictionInterviews with 12 significant women artists, predominantly working in North America. The interviews start include a brief biography and black and white photos of each artist,and images of their work.sonia delaunay, louise nevelson, lee krasner, alice neel, grace hartigan, marisol, lila katzen, elanor antin, audrey flack, nancy grossman, barbara hepworth, eva hesse -
Federation University Historical Collection
Photograph, Eden Studio, Frank Wright and his sister Laura, 30/6/1920
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A black and white photograph showing a man holding a cornet and a woman holding a scroll of paper. The man is Frank Wright and the woman is Laura Wright his sister.Frank Wright (18), Laura Wright (24) 30/6/1020. Eden Studio, Sturt St., Ballarat. Post Cardfrank wright, laura wright, cornet player, brass band -
Bendigo Military Museum
Photograph - PHOTOGRAPH, BRITISH SOLDIER, POST BOER WAR, E. Dennison- Binns, c1899-1903
Believed to be "George Goulding No. 4886" Britain. The collar badge is that of the Suffolk Regiment. Service of George Frederick Goulding, British Army Boer, South Africa. He was NR 4886 Suffolk Regiment DOB c1878. POB White Chapel, London. Served 1899-1902 Cape Colony, Colesberg, Transvaal - with the Mounted Infantry. WW1 - DOE 11 Dec 15, Middlesex Regiment 5 Bm. (A Reserve Bn). Discharged from Middlesex 19 Apr 1916. M.U. Number 1710 Pte. The British I.W.M. also shows he served in the Royal Field Artillery in WW1. That info is not available. Rank Gunner NR L/10626.This is a black and white portrait of a British soldier waist upwards. He is in uniform, wearing two medals. One medal on the soldier has 3 bars, the other has 2 bars. His belt is probably white. The badges on his collar appear to be a Castle with gate. The soldier is hatless. The photo is glued onto a cardboard surround.The bottom of the cardboard backing has written in white ink "The Imperial Studio - E. Dennison. Binns, 44 Measea Road, Colchester"boer war, south africa, british soldier -
Ringwood and District Historical Society
Photograph, Ringwood Mayoral Ball, Graham Corr and wife
Catalogue card reads, 'Mayoral Ball, Graham Corr and wife'. (no date). Stamped on back of picture 'Peter Payens of Ringwood Studios'. -
National Wool Museum
Photograph, [Sladen's in residence]
Sladen House was built by Sir Charles Sladen in 1850 and it served as the amenities section of the R S & R Mill after World War 2.Geelong R S & S Woollen & Worsted Co-operative Manufacturing Coy lLimited Robert Pockley Studios/ photographers... Copy by/woollen mills - history textile mills - staff textile mills, returned soldiers and sailors mill, kidman, mr g. l., sladen house, geelong, woollen mills - history, textile mills - staff, textile mills -
National Wool Museum
Photograph, Opening Day of Sydney Wool Sales Season 1936 - 1937
This image was taken on 31 August 1936 on the opening day of sales for the 1936-1937 season. Approximately 300 wool buyers are present. The image belonged to Wilhelm Eckels who worked for 43 years in the wool industry. Wilhelm arrived in Australia from Germany in 1937, and the image taken before his arrival. Over his career, Wilhelm worked for a number of wool buying firms and also had his own business. Some of these businesses failed and he had to move to other firms, it is assumed he took this image with him while leaving one of these companies.Black and white photograph showing approximately 300 wool buyers waiting for the start of the day's bidding at Sydney Wool Sales, 1936.Lettering: Opening Day of Sydney Wool Sales Season 1936 - 1937 31.8.36 Hall Studio 20 Hunter Street Sydneywool sales, 1936 - 1937 -
Ringwood and District Historical Society
Photograph, Ringwood Chamber of Commerce, 1956
Black and white photographWritten on back of photograph- 'Presenting cheque to manager of Coles'. 26/1/56. Stamped on back of photograph, 'Photograph by The Ringwood Studio'. -
Clunes Museum
Photograph - PHOTOGRAPH LAURA HUDSON
LAURA HUDSON LIVED TO THE AGE OF 105 YEARSBLACK AND WHITE PHOTOGRAPH OF LAURA HUDSON AGED 100, MOUNTED ON A BOARD ALSO A FRAMED COPY WITH DETAILS ON MATT BOARDMRS LAURA HUDSON: FIRST CLUNES RESIDENT TO REACH THE AGE OF 100 YEARS 11TH MARCH 1948; RIALTO STUDIOS BALLARATlaura hudson, photograph -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small portrait of a lady standing beside a chair with her left hand resting on the back of the chair. She is wearing a long, high neck dress with a brooch at the neckline. The skirt of her dress is very wide at the hemline. She also has a belt with a buckle at the waistline. Photographer's name and address printed on the back. Also a Coat of Arms with a kangaroo and an emu with their backs to the shield in the centre.F. H. Dufty & I. V. Caroline, New Carte de Visite Studios, Piper St., Kyneton, Vic. Aust.photograph, portrait, female, portrait of a lady, new carte de visite studios, f h dufty, i v caroline -
Bendigo Historical Society Inc.
Ephemera - CHRISTMAS GREETING CARD
Christmas Greeting Card: Embossed card oval in shape with two birds on branches with leaves. Christmas is written in the centre on the front page. The card is in yellow green and brown. Inside the card is inscribed 'With every good wish fro a happy Christmas From: Hand written in ink is 'Mother with love to Alice'. On the back is Artistic Series' By Special Appointment Publishers to Her Majesty The Queen. Box 625RAPHAEL TUCK & SONS Ltd London, Paris, New York. Designed at the Studios in England and printed at the Fine Art Works in Bavaria.ephemera, mementoes, christmas cards, christmas greeting card -
Bendigo Historical Society Inc.
Ephemera - HAPPY NEW YEAR GREETING CARD
Happy New Year Greeting Card: Embossed Greeting card with Castle a scene and three blue Iris's with the words 'Wishing You A Happy New Year'. On the back is the Artistic Series Trade Mark of an easel with RTS on it and below is a paint board with six paint brushes with Artistic Series printed on the board all done in gold ink. At the bottom is 'By Special appointment' Publishers to Her Majesty the Queen. Hand written is 'George from Dav' Box 625Raphael Tuck & Sons, London ,Paris, New York. Designed at the Studios in England and Printed at the Fine Art Works in Saxony. Copyright.ephemera, mementoes, celebrations, happy new year greeting card -
Bendigo Historical Society Inc.
Ephemera - HAPPY NEW YEAR GREETING CARD
Happy New Year Greeting Card: Embossed card with a ring of pink flowers inside the ring is a bunch of blue and yellow pansies. The words 'To give you Greeting' Inside the card reads Á bright and happy New Year to you' From in gold. Hand written in ink is, Alice to Emily with love. On the back is an Artistic Series Trade Mark with 'By special appointment Publishers to Her Majesty the Queen'. Box 625RAPHAEL TUCK & SONS, LONDON, PARIS, New York. Designed the Studios in England and Printed at the Fine Art Works Saxony. Copyright.ephemera, mementoes, celebrations, greeting card happy new year -
Bendigo Historical Society Inc.
Ephemera - CHRISTMAS GREETING CARD
Christmas Greeting Card: A cream coloured embossed card opening in the centre with yellow flowers, lace work, pink sparkles and the word Remembrance in gold. On the back is a Trade Mark with 'Publishers To Her Majesty The Queen. The words are hand written *To Ellen with Mothers Love*. Box 625RAPHAEL TUCK & SONS In London, Paris, New York. Designed At the Studios in England and printed at the Fine Art Works Germany. COPYRIGHTephemera, mementoes, christmas cards, christmas greeting cart -
Williamstown High School
Committed to soul CD - 1993, Committed to soul, 1993
Band members: Anthony Bethell - bass guitar; Jamila Brogan - brass; Aicha Brogan - brass; Milisa Inglis - backing vocals; Steven Jones - guitar, brass, keyboard; Jeremy King - guitar; Finn Koren - keyboard; Timothy Miedecke - vocals, guitar, bass; Shaun Murray - brass; Samantha Simpson - vocals, drum; George Smpyrakis - brass; Deidre Waight - backing vocals. Also: Ian, Penny and Lex (horn arrangements) Aydin Abdullah (horn director) Colin Wiseman (photography.1 CD in jewel case. Includes playlist on the reverse and list of band members with black and white photograph inside the front cover. Produced by Milisa Inglis & Finn Koren. Engineered by Neil Gray at Trueform Studios. Made in Australia by Disctronics.See 2 images attached.music, williamstown high school, the wet reeds, committed to soul, mustang sally, destination anywhere, i feel good, take me to the river, chain of fools, shake your tailfeather, 1993 -
Uniting Church Archives - Synod of Victoria
Photograph, Talma & Co, C. 1900
William Webster was born in England in 1848. He was ordained into the Presbyterian ministry in Melbourne for Middle Darling-Wilcannia, N.S.W. in 1880. He served in Inglewood Vic. from 1884; Kerang from 1889; St. Andrew's Oakleigh from 1900-1912. He was demitted in 1912 and died in 1919.Matte, sepia toned head and shoulders studio portrait of Rev. William Webster. The photograph is mounted on a textured and patterned grey card which bears the photographer's details. The Rev Webster is looking directly at the camera and is wearing his clerical clothes.On the front "Talma & Co. 119 SWANSTON ST. MELBOURNE."rev william webster presbyterian minister, st andrew's presbyterian church oakleigh -
Surrey Hills Historical Society Collection
Photograph, Dave and Lily Mair, 1909
David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A coloured photocopy of a couple identified as Lily Vipond Deakin and David Miller Mair. The original is a studio portrait of a couple behind a balustrade decorated with swags of flowers. She is wearing a hat with a large brim. He is holding a straw boater hat.On rear in grey lead pencil: "Lily Vipond (nee Deakin) / and Dave Millar Mair / 1909 (all underlined) / They were married / on 5.5.1910". david miller mair, dave mair, lily vipond mair, lily vipond deakin