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Clunes Museum
Document - DOCUMENTS
.1 TYPED EXTRACTS FROM CLUNES GAZETTE 1863-1962, 16 A5 PAGES .2 POPULATION 1872-1877. DWELLINGS AND RATE PAYERS .3 8 PAGES ON CLUNES GROUPS.1 clunes tourist information, .2 population statistics -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Petrus Spronk, 'Memory of Place' - Petrus Spronk. 2000, 2005
Local Artist CV Artist StatementSignificant artwork by nationally renowned local artist Petrus Spronk.Large Scale Outdoor Sculpture made up of a bronze chair with an open book, a bronze shadow and 6 story rocksArtist signature - underneathlocal artist, petrus spronk, sculpture, public art, victoria, daylesford, mineral springs reserve, environmental art, hepburn shire public art collection, hepburn shire, hepburn springs, hepburn springs mineral reserve, bronze, granite, tourist attraction, art, clare gervasoni, joan mcewen, marie butler, laurie sullivan, bonnie howell, vera, lutea, merv keating, silent -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, 'Wombat' - Miriam Porter. 2013, 2012 - 2013
Commissioned by the Friends of Wombat Hill Botanical Gardens and gifted to the Hepburn Shire in 2012. Historical Significance - In 1848, Irish immigrant John Egan took up land on the future town site then known as Wombat Flat. He and a party of searchers found alluvial gold in 1851 on ground now covered by Lake Daylesford initiating the local gold rush. Other finds quickly followed. With the finding of alluvial gold a town site was surveyed and founded in 1852. Initially called Wombat, it was renamed Daylesford. Cultural and Artistic Significance - Miriam Porter's 'Wombat' is a symbol of the Wombat Hill Botanical Gardens where visitors and locals alike love being photographed. Large scale solid redgum wombat sculpture.Artist intends to sign the work with 'M' on one leg.daylesford, hepburn shire, public art, miriam porter, wombat, art, sculpture, red gum, australian wood, australia, tourist attraction -
Hepburn Shire Council Art and Heritage Collection
Public Art Work, Jason Waterhouse, 'Cottage' - Jason Waterhouse. 2015, 2014 - 15
The iconic bush surrounds of Lake Daylesford are now home to a new permanent artwork titled Cottage, by artist Jason Waterhouse. The artwork has been months in the making, thousands of S-shaped pieces have been hand crafted from three kilometres of wrought iron, then joined together to form a scaled-down miners cottage. ‘Cottage’ is a highly decorative wrought iron sculpture inspired by the gates at the Convent in Daylesford, “ said Waterhouse. “This work references the rich opulence of the Victorian gold rush and pre-war spa resort era in its patterning. In its form ‘cottage’ pays homage to the miners, workers and farmers on whose backs the riches of Daylesford were built.” Cottage is the first in a series of significant public artworks to be commissioned by Hepburn Shire Council. Cottage will enhance one of Victoria’s premier tourist destinations, Lake Daylesford. Large scale wrought iron public sculpture referencing the worker's cottage of the Goldrush period in Daylesford. 203cm (height) x 382cm (width) x 353cm (depth) verandah 159.5cm (height) wrought iron 32mm x 2.5mmpublic art, sculpture, jason waterhouse, stockroom, daylesford, hepburn shire, daylesford lake, cottage, site-specific art, art, wrought iron, hepburn, hepburn shire public art collection -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, A Subtle New State Aid to Culture, 1971
Discusses the hotel and motel accommodation situation in Victoria and lack of first class hotels, overall, in Australia. Sir Henry Bolte's 10% tax on hotel and motel accommodation saw many proposals for new hotels being shelved.Original manuscript of an article published in "The Sunday Australian" as ‘Bolte’s Victorian Melodrama’, 26.9.1971.Typewritten (carbon copy), quarto, 8 pages.hotel, motel, accommodation, australia, sir henry bolte, victoria, tourist industry, robin boyd, manuscript -
Melbourne Athenaeum Archives
Theatre program, Cass & Clothier (Printers), The Last Warning (play in three acts) by Thomas S Fallon performed at the Athenaeum Theatre in 1927, 1927
The plot of the play is concerned with the performance of a play "The snare" at the imaginary Woodford Theatre; a separate, small paper program for this play within a play is included with the program. The play was based on the novel "House of fear" by Wadsworth Camp and was presented at the Athenaeum Theatre by E.J. Carroll Staged by Eric Edgley (Theatrical family); advertisements show cost of living of the period - two course meal for 2 shillings and 3 pence; holiday suggestions by Government Tourist Bureau are to Mt Buffalo and Gippsland Lakes. Paper program for a play performed at the Athenaeum Theatre Saturday September 24 1927; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, the last warning, e j carroll, richard white, eric edgley, frank talbot pty ltd, thomas f fallon -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 280HP Walker Railcar, Victorian Railways, 91RM, December 1950
Victorian Railways 280HP Walker RailcarVictorian Railways livery circa. 1968victorian railways, railcar -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 153HP Walker Railcar, Victorian Railways, 32RM, 1953
Victorian Railways 153hp Walker Railcar 32RMVictorian Railways livery circ 1955victorian railways, rail car -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Walker Railcar Trailer, Victorian Railways, 56MT, 1953
Second series Walker Railcar TrailerVictorian Railways livery circ.1955victorian railways, rail trailer -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Diesel Electric Rail Motor (DERM), Victorian Railways, 63RM, November 1930
Victorian Railways Diesel Electric Rail Motor 63RMVictorian Railways livery as per 1934 painting diagramvictorian railways, diesel electric, rail motor -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Double Ended Leyland Rail Motor, Victorian Railways, 53RM, 1926
Double Ended Leyland Rail Motorvictorian railways, rail motor -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 600HP Diesel Rail Car, Tulloch Ltd, DRC40, 1970
600hp Diesel Rail Car DRC 40Polished aluminum and lettering circa 1977victorian railways, diesel, rail car -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Passenger Mail Motor, T.J. Richards, RM74, 1936
Dodge Passenger Mail Motor RM74Victorian Railway 1936 livery of Black and Chrome Yellow stripesvictorian railways, dodge, mail motor -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Diesel Electric Rail Motor (DERM) Trailer, 26MT
Diesel Electric Rail Motor Trailer Victorian Railways 1934 painting diagramvictorian railways, rail motor -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Brill Rail Motor Trailer, South Australian Railways, 200MT, 1928
Brill Rail Motor Trailer 200MTVictorian Railways livery circa. 1955brill, rail motor, trailer -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 102HP Walker Railcar, Walker Railcar Company, Wigan England, 7RM, 1949
Victorian Railways 102HP Walker Railcarvictorian railways, railcar -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - Diesel Electric Rail Motor (DERM), Victorian Railways, 62RM, November 1930
Victorian Railways Diesel Electric Rail Motorvictorian railways, rail motor -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 280HP Walker Railcar, Victorian Railways, 82RM, September 1950
280HP Walker Railcar Victorian RailwaysVictorian Railways livery circa. 1968victorian railways, railcar -
Central Highlands Tourist Railway (Daylesford Spa Country Railway)
Vehicle - 280HP Walker Railcar, Victorian Railways, 85RM, September 1950
280 HP Walker Railcar 85RMVictorian Railways livery circa. 1968victorian railways, railcar -
Duldig Studio museum + sculpture garden
Ceramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
Peterborough History Group
Book - Book, Paperback, Images of The Great Ocean Road: Surf & Shipwreck Coast, c 2000
320 Page glossy book about the Great Ocean Road from Torquay to Port Fairy by Alexandra & Barry Stevens. Includes shipwreck information.non-fictionpeterborough 3270, images great ocean road, great ocean road, shipwreck coast -
Peterborough History Group
Newspaper, London Bridge Falls Down, 16th January 1990
The collapse of one arch of the London Bridge rock formation on January 15th 1990 was a significant event for Peterborough residents.London Bridge is a major local tourist attraction. Prior to the collapse tourists could walk across the arches onto the rock platform and it was a regular fishing spot. The collapse of the arch was a significant event for the town. The site is still an important tourist stop. The rockfall occurred after two recent events - a helicopter hit the arch and crashed, no one injured; and the earthquake in Newcastle NSW.Two full page articles about the rock formation London Bridge falling down, and the people who were stranded on the rock platformlondon bridge, london bridge rock formation, rock collapse, great ocean road, peterborough -
Torquay and District Historical Society
copy photo, Torquay History Exhibition 2016, Produced for exhibition 2016
Photo shows Edward Molyneux's first Hot Water Depot on Spring Creek, Torquay, with the Coffee Palace, which became the Palace Hotel on the hill (Bell Street) in the background.Evidence of the beginnings of a service industry for residents and tourists. Note the absence of any motor vehicles.Black and white copy photo -
Torquay and District Historical Society
Copy Photo, Torquay History Exhibition 2016, Produced for the exhibition
Photo taken on new years day 1900 shows Edward Molyneux's Hot Water Depot, established on the bank of Spring Creek,Torquay to cater for the growing number of visitors to the area. Note the conveyances of the day in the foreground.The Hot Water Depot was an innovative response to the demands of an embryonic tourist industry in Torquay.Black and white photo -
Whitehorse Historical Society Inc.
Document, Melbourne's Valley of the Arts, 2002
Map, brochure and copy of 'Melbourne's Valley of the Arts Tourism Newsletter Jan 2002Map, brochure and copy of 'Melbourne's Valley of the Arts Tourism Newsletter Jan 2002Map, brochure and copy of 'Melbourne's Valley of the Arts Tourism Newsletter Jan 2002tourist attractions, map -
City of Ballarat Libraries
Glass Slide, Ballarat Post Office
It is believed the ball on the tower flag pole was raised and lowered to indicate when mail had been sorted and was ready.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Post Office, ne corner Sturt and Lydiard Streets, image not dated but tower erected 1885. In foreground Burke and Wills memorial fountain, erected 1867.horse and cart, fountain, telegraph pole -
City of Ballarat Libraries
Glass Slide, Ballarat Town Hall
Town Hall completed 1872. Thomas Moore statue erected 1889. No evidence of electric trams indicates the photograph is pre-1905.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Town Hall, se corner Sturt and Armstrong Streets, image not dated. gas lamps, statue -
City of Ballarat Libraries
Glass Slide, Ballarat Hospital
The blue gums originally planted in Sturt St in the 1860s were grown from seed gifted by Baron von Mueller. About 20 years later shopkeepers complained that the trees shaded their shops too well, and made the street damp. The bluegums were then replaced with exotics.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Ballarat Hospital, nw corner Sturt and Drummond Streets, image not dated.gas lamps, horse and cart -
City of Ballarat Libraries
Glass Slide, The Statuary Pavilion, Ballarat Botanic Gardens
This pavilion is a major feature of the Ballarat Botanic Gardens and is unique in Victoria and possibly Australia.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.The Statuary Pavilion, erected in 1887, houses classically derived sculptures donated to the city by Mr James Russell Thompson. Image not dated. -
City of Ballarat Libraries
Glass Slide, Woman strolling at Lake Wendouree
The lady's clothes help us to date these images, circa early 1890s. She is standing at the steamer landing place; the first steam boat on the Lake was built in 1865 - from 1880 to 1910 the Lake was the social centre of the district, particularly on Sundays, when many people would arrive by steamer from the eastern shore. Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Lake Wendouree, originally Yuille's Swamp, pictured from the western, or Gardens side.