Photo of Market Street in Trentham, probably taken about early 1900sEarly photo of TrenthamPostcard"Real Photo series M2723 Valentines Real Photo Series Numbers in red pencil: C305613, C305614, C305615 "market street, trentham, postcard

Main Street Stawell looking West across Layzell Street intersection. J Chadwick Drapers sign visible in centre of photo. Patrick Street runs off to the left of the photo behind wooden building the Foresters Hotel . Turf Hotel on left of photo. Horse drawn buggy near centre of photo. Circa 1900's. Same as 6730-2 & 0539 Turf Hotel on left, Forester Hotel on corner of Patrick Street, verandah of D. Fern Hotel / Times Office, McKeller Building. Across Main street in distance is J Allingham Draper, New Union Bank, Chadwick Drapers / Liddiard's , D. Telford Produce, Bank of Victoria, Oriental Bank / O'Driscoll's, J. Punchard furniture, A.B. Clemes, Bennett & Briston, Union Bank Australia, R.W, Dane Grocer on corner of Layzell Street. Same as 6730-2 0539 PostcardMAIN STREET STAWELL - on front stawell businesses streetscape

Murray Comrie Collection. Information collated by Murray Comrie: Photo after 1886 and before 1899. Shows bakers shop at corner of Commercial Rd and Poverty St, bakery stables and horse. Clouston's, Renshaw's Victoria House, Golden Age Hotel, Renshaw's Commerce House and Post Office. This is an original photographic postcard. Monochrome photographic postcard. View of part of Commercial Road and Poverty Streets, Tarnagulla, from a position on Poverty Street behind the Bank site. Premises on Commercial Road which are visible include the Golden Age Hotel and Renshaw's Drapers.Text near bottom edge: 'Johnsn & Co. Ararat' and 'Tarnagulla'.tarnagulla, commerce, shops, businesses, streetscapes, horses, stables, poverty street, commercial road, main street, golden age hotel, renshaw's, bakery, clouston's

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment. The regulatory pondage on the northern aspect of the village had no water over-spill from the unfinished power station.This rural region in 1950 (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap. The couple shown in this photograph would have been employed by the S.E.C. under the Kiewa Hydro-Electricity Scheme.This item is a scanned black and white photograph of a panoramic view of Mount Beauty Village in 1950 (a closed village, entry by pass only). The regulatory pondage has earthen walls but no water.See 0480 (A) -(D) and (F) for other photos of similar postcards"MT. BEAUTY VILLAGE KIEWA HYDRO-ELECTRIC PROJECT"kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth

Hardcover w/ Dust JacketBook review newspaper clipping and postcard in between the pages of the bookbiography, fiction, walsh st library

SoftcoverInserted in front cover: postcard of Sages Cottage, Baxter, Victoriascience, walsh st library

NOTE THE STIFF CELLULOID COLLAR TYPICAL OF THE 1920s PHOTO TAKEN BY HORNBY PHOTOGRAPHERS CLUNES.BLACK & WHITE ORIGINAL PHOTOGRAPH OF CORPORAL NORMAN McDONALD TAKEN IN CIVILIAN CLOTHES.CPL. NORMAN McDONALD CLUNES, STUDIO HORNBY CLUNES POSTCARDlocal history, photography, photographs, military

One of 15 A3 pages with copies of postcards on each page. From The Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: View of Phillip Island from San Remo Jetty. The Beach at Rhyll, Phillip Island. The Isle of Wight Hotel, Cowes, Phillip Island. The Beach Road at Cowes, Phillip Island. Right side from top to bottom: The Isle of Wight Hotel, Cowes, Phillip Island. View at Rhyll, Phillip Island. Man of beach at Eastern Rocks Phillip Island, Forest Reserve Cowes, Phillip Island.Left side from top to bottom. Photograph 1 - "Phillip Island from San Remo" Photograph 2 - "The Rose Series P 3431 The Beach Rhyll Phillip Island Vic". Photograph 3 - "Isle of Wight Hotel Cowes Phillip Island". Photograph 4 - "The Rose Series P674 The Beach Road Cowes Phillip Island Victoria". Right side from top to bottom. Photograph 1 - "Photo Shop Series, Isle of Wight Hotel Cowes". Photograph 2 - "The Rose Series P3419 View at Rhyll Phillip Island Vic.". Photograph 3 - "Eastern Rocks (Smiths Point) Phillip Island" Message written on the side. Photograph 4 - "Forest Reserve Cowes".the isle of wight hotel cowes phillip island, sand remo jetty, jetty san remo, rhyll phillip island, beach road cowes, eastern rocks smiths point phillip island, forrest reserve phillip island, shirley jones collection, thelma astbury

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Rural scene of a cottage and punt beside a lake Addressed to Miss Shatford, Beach North, Black Rock, Victoria, from Harry McGair Undated.postcard, collector, alice mcgregor

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400 Colour photo of beach and promenade at Sorrento, Victoria Addressed to Miss Stapleton, Arcade, Bendigo Sender - May, Hotel Continental Stamp date Feb 5, 1906 postcard, collector, alice mcgregor

An item from the collection of Diocesan Historian Fr T. Linane that reflects his interest in the Kelly story as well as its place in Ballarat's history. Fr Linane gathered a great deal of secondary material relating to the Kelly's, Mahogany Ship and other Victorian history and folklore. small Regal Postcard Co's series, Sydney postcard printed in Malta.postcard, kelly gang, ballarat. steve hart, ned kelly, dan kelly, regal postcard co, malta.

1 x Faded miniature postcard 6.5 x 8.5|1 x Black and white 9.5 x 12 copied from album in private hands|1 x Sepia toned 10 x 15|1 x Black and white 12 x 17.5Black and white small format postcard of Bullock Island. It shows the approaches to the concrete North Arm Bridge over North Arm, the footbridge to Bullock Island, the entrance to the Gippsland Lakes from Bass Strait and part of the township on the hummocks. Lakes Entrance VictoriaLakes Entrancewaterways, topography, islands, jetties

This postcard was found loose in the first of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Photographic postcard with black and white image of a ram with white background, and black printed text.Front: CAPPEEDEE STUD RAM - / “WOODROW WILSON” / - Scott, photo Back: POST CARD / CORRESPONDENCE / ADDRESS ONLY / KODAK / AUSTRALIA / KODAK / AUSTRALIA / 16world tour, sheep, graziers, photograph, agriculture, capeedee, rams, stud, south australia, hallett, walter s murray

This postcard was found loose in the first of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Photographic postcard with black and white image of a ram with white background, and black printed text.Front: CAPEEDEE STUD MERINOS, 1926 / Special Stud Ram “Gunner” (2 ½ years). / Bred by and the property of Walter S. Murray, “Capeedee,” Hallett, / South Australia / Chas. P. Scott, Photo, Adelaide Back: POST CARD / CORRESPONDENCE / ADDRESS ONLY / KODAK / AUSTRALIA / KODAK / AUSTRALIAworld tour, sheep, graziers, photograph, agriculture, capeedee, rams, stud, south australia, hallett, walter s murray

Murray Views Postcard No. 51, of No. 30 passing the Sturt St shelter stop at Grenville St. Has Gear Chemist, Thomas's Gifts, Millegrens Union Hotel, Ballarat Gas Company, Patersons stores and on the Mechanics Institute Building, signs for Davies Bread and Robur Tea. Has another single trucker tram stored in the City Loop.Has a strong association with a Melbourne tram driver who assembled the scrap book and series of photos of Ballarat trams at the time of closure and with the collector of the 2nd card - Keith Kings.Postcard contained with Reg item 5988, a Stamford Kiwi School Scrap Book - card covers, 23 sheets, spiral bound, titled "Ballarat", prepared by Ellen Butland of Auckland following the closure of the SEC Ballarat Tramway system.In ink on rear of 2nd copy - "Ballarat No. 30 in Sturt St looking west over Grenville St, City" and the "KSK Collection" stamp.trams, tramways, ballarat, sturt st, city loop, tram 30, grenville st

There is a single record with the RAN for a John Kidd, who commenced service in 1909 and left in 1912. Kidd was born in 1885 in Sydney and his mother lived in Queenscliff. He served on the HMAS Parramatta from 1911-1912. There is no evidence of him having served on the HMAS Melbourne. Kidd served from 1911-1912 on the HMAS Parramatta, the first ship launched for the Royal Australian Navy (RAN).A wooden box with mortise and tenon joins, brass fittings, circular handles, silver hinges and a name plate on the front. The box has a lift out section creating compartments. On the inside lid of the box is a postcard of the HMAS Melbourne surrounded by small rope decoration. A number of keepsakes are inside including a fidd for splicing ropes, a Capstan Wills tobacco tin, 3 postcards, a "Bengall Imperial" cut throat razor (T.R. Cadman & Sons, Sheffield England), black and white bakelite buttons with embossed crown and anchor and brass shank (either for war time or junior officers), gold naval buttons with embossed naval anchor and 2 piece shank (from a coat and cuffs), a bullet casing (Webley '45), a petty officers cloth badge (crossed anchors with a Crown), 4 shells, a good conduct badge (black with gold embroidery) and a red/brown vulcanized asbestos fibre fireproof dog- tag with rope attached."John Kidd" on front of box. "20171" stamped on edge of box. Tobacco tin: "Medium/"Capstan"/Registered/Ready Rubbed Fine Cut Tobacco/-1 oz net weight when packed/W.D. & H.O. Wills/(Australia) Ltd., Sydney. Postcard: Main Street, Samarai. Postcard: Sydney from Lavender Bay Kerry (Copyright) Sydney. Postcard: "Docks showing cathedral, Bristol BL 193. Copyright Lilywhite (1932) Ltd, Sowerby Bridge". Buttons: "AUSTRALIA/Y6-298", "Buttons Ltd B'HAM mark trade" "AUSTRALIA Stokes & Son Melbourne". Bullet casing "WEB WRA 45". Dog-Tag may read "L/Ford" written in ink?ditty box, john kidd, dog-tag, wwi identification tag, lilywhite ltd, w.d & h.o wills, stokes & son melbourne, naval buttons, hmas melbourne

Early 1900's. "Boiling the billy". The term billy or billycan is particularly associated with Australian usage, but is also used in the UK and Ireland. It is widely accepted that the term "billycan" is derived from the large cans used for transporting bouilli or bully beef on Australia-bound ships or during exploration of the outback, which after use were modified for boiling water over a camp fire. Postcards developed out of the complex tradition of nineteenth-century printed calling cards, beginning with the advent of the Cartes-de-Visite in France. In the 1850s, Parisian photographer Andre Adolphe Eugene Disderi invented a photographic process involving egg white, albumen, and silver nitrate to create inexpensive portraits on paper cards. These photographic Cartes-de-Visites were 2 1/2 (75mm) by 4 inches (98mm) and became a popular, collectable form of "visiting cards" world-wide. Photographers would reprint portraits of famous individuals they had taken at their studios or during travel and sell them as collectable cards. Postcards as we know them now first began in 1861 as cards mailed by private post. In the 1870s picture postcards grew in popularity throughout the United States, Britain, Europe, and Japan. Cards were first permitted to have a "Divided Back," with text written on the left half of a dividing line and the address on the right half, beginning in England in 1902. Around 1900 the first postcards made of "Real Photos" rather than artwork began to circulate, aided in by advances in amateur photography equipment by companies such as Kodak. Kodak also introduced postcard paper for photographic development and photography studios began to offer portraits printed as postcards Many local town, countryside, and architectural images were captured during this period by local photographers, then printed and sold as postcards . Advances in amateur photography all contributed to a postcard craze that lasted from 1900 to the First World War. Postcards were the preferred means to send a quick note, whether across town or across a continent.Postcard with a black and white Photograph on the front and a 'Divided Back ' for the message and address. There are seven men surrounding the billy suspended over a camp fire. The ground has a lot of dead branches around. One man is bending down towards the billy. Two men on either side of the camp fire are carrying either a white bag across their shoulders or the fish in their hands. You can see, that there is some steam also coming out of the billy, which means that its hot. Court Post Card. / this space may be used for correspondence. / The address only to be written here.1900's, boiling the billy , postcards, photographers, england, hungary, america, cartes-de-visite, visiting cards, moorabbin, cheltenham, bentleigh, market gardeners, early settlers, pioneers,

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Colour photo of Marine Parade from the Pier, Worthing Addressed to Mr & Mrs H. G. Littler (?), 32 Brunel St, Mornington, Dunedin, New Zealand Message dated 6/6/61to Mum & Dad from Popspostcard, collector, alice mcgregor

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor containing 86 post cards. See 1400 Colour photo of the City Hall, Montreal, Canada. kground Addressed to Miss A. Stapleton, Arcade, Bendigo, Victoria, Australia Sender - Edythe Andrews, 184 Hutchison St, Montreal, Quebec, Canada Date stamp Aug 30, 1905 postcard, collector, alice mcgregor

CLUNES QUEEN'S PARK GARDEN'S.1 ORIGINAL POSTCARD OF CLUNES QUEEN'S GARDEN. FOUNTAIN IN THE FOREGROUND. JUBILEE BRIDGE IN THE BACKGROUND .2 PHOTOCOPY OF POSTCARD .3 ENLARGED PHOTOCOPY OF POSTCARDQUEEN'S GARDENS AND JUBILEE BRIDGE.postcard, queen's park garden

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

This was a souvenir postcard made specifically for the "Back To Orbost" celebrations in 1937. The week-long celebrations were held from February 27 to March 6 in 1937 and included dances, picnics,concerts, sports, the Orbost Show and Ball. President of the organising committee was Councillor J. Perry and thesecretary was Mr M.W. Cowell.The Back To Orbost celebration in 1937 was a significant event in Orbost's history.A black / white photograph / postcard. On the left side is a collection of Australian native flowers. Net to it, inside a white circle, are two ears of corn and some pumpkins beneath a photograph of a bridge across a river (the Snowy River) with a boomerang above and "BACK TO ORBOST 1937" inside. orbost-back-to-1937 celebration postcard

Coloured image of the intersection of Sturt and Lydiard Streets looking north along Lydiard St. North giving a high view of the Post Office building with its tower. Has an ESCo tram southbound in Lydiard St North, a motor car and several horse-drawn vehicles. Shows the verandahs along Lydiard St, centre poles, and looks towards a rather desolate Black Hill following extensive mining works. The Post Office time ball is in the down position. Possibly c1910. Summerscales building - photographer, postcards is next door to the Post Office in Sturt St. On the rear is a handwritten note from Wal Jack to Ken Magor about the tram in the photo, the time ball on the post office flagstaff, Railway station tower to the left of the Post Office, carriage sheds in the long building behind the oval type roof of old mining exchange. See item 8411 for a coloured version. Yields information about the intersection of Sturt and Lydiard Streets in the early ESCo era and the Post Office building.Postcard - black and white- divided back, undated - Valentine & Sons, Printed in Great Britain. Card Number "20-2"Notes by Wal Jack on the rear - see image 2nd image.sturt street, post office, ballarat, tramways, lydiard st, esco, black hill

One of series of photographs taken of military uniforms of World War 1, from the collection of the Australian War Memorial.Colour postcardAustralian War memorial - Series 2world war 1, military uniforms

The view is looking southeast from near Eltham Road (present-day Sherbourne Road) across Bolton and Bridge streets towards the village of Little Eltham running down the main road (Maria Street) . On the immediate right is Mrs Mary Jane Smart's family home located on the north side of Bridge Street at the intersection with Bolton Street, facing Bolton Street (now part of present day Brisbane Street and occupied by the Kitchen Design Centre). An original early settler's cottage, it was built by Mary Jane Smart's parents, Edwin Bailey and Jane (nee Matthews). Mary Jane Smart was born in the cottage. She married an Englishman, Alexander Wilson Smart who disappeared to Western Australia in the early 1900s in search of gold. He ultimately married again in W.A., committing bigamy and then committed murder and was hung in 1911. Visible at the top left are Watson's (two-storey) Eltham Hotel at the corner of Pitt Street and Maria Street and the Evelyn Hotel directly opposite.Sepia postcardNotations in biro 'A. Petrie', rest in pencil as follows St Margarets N end Shows Wesleyan Church Small Bank Double Storey on Hotel's south end Pearsons house Note roof structure Surface damage to lower left corner1910, bridge street, cba bank, church, clark bros. photo, early settlers, eltham, eltham hotel, evelyn hotel, fountain of friendship hotel, greensborough, mary jane smart (nee bailey), pearson house, pre 1900, road no 1, smart family home, smart home, st margarets, watsons hotel, wesleyan church