Showing 8238 items
matching 2018-07-04
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Greensborough Historical SocietyAdvertising Leaflet, Barry Plant Greensborough, 78 Diamond Creek Road Greensborough, 26/09/2018
Real estate advertisement for 78 Diamond Creek Road Greensborough, a 3 bedroom house. Originally listed by Barry Plant, this house was sold 03/11/2018 for $630,000 by Nelson Alexander. Previous sales: June 2007 for $290,250; April 1983 $49,500 and June 1979 for $34,000.Real estate advertisement black text and colour photographdiamond creek road greensborough -
National Vietnam Veterans Museum (NVVM)Craft - Craft, Diorama, Framed Display
In a black wooden framed box with Navy cloth badge on Nave camouflaged background. Also has a gold metal Coat Of Arms top right of display.Presented to National Vietnam Veterans Museum, Phillip Island from HMAS Cerberus Technical Training Facility 2018 in appreciation of our friendshipframed display, royal australian navy, hmas cerberus -
Ballarat Tramway MuseumEphemera - Membership Card/s, Ballarat Tramway Museum (BTM), 2018
Colour photograph printed onto white card as a BTM Membership card for 2018 - 2019. Photo of Cuthberts939 at Depot Junction with Roger Gosney and Arthur Adams. Has the words "Ballarat Tramway Museum" in white block printing on the lower edge of the card. On rear along bottom edge, has words "Roger and Arthur Cuthberts 939. Photo Peter Waugh" Two copies held. No label on rear.trams, tramways, membership cards, depot junction, btm, wendouree parade, cuthberts 939 -
Melbourne Tram MuseumEphemera - Ticket, Melbourne Tram Museum, Adult ticket for the Melbourne Tram Museum @ Hawthorn Depot, 2015 and 2018
2804.1 - Adult ticket for the Melbourne Tram Museum @ Hawthorn Depot in the form of a day ticket giving month and date. Has the Friends of Hawthorn logo printed on it. Ticket Nos. Adult 008999 and 009000. 2804.2 - ditto for the Melbourne Tram Museum, as above with the Melbourne Tram Museum - ticket Nos. Adult 009001 and 009002. Both tickets printed by Milldean Press, 2804.1 late 2015, 2804.1 - March 2018.trams, tramways, melbourne tram museum, tickets -
Melbourne Tram MuseumNewspaper, Natage, "Art on the Tracks", 2018
Set of three news paper clippings from The Age? Natage? about the launch of the 2018-2019 Melbourne Art Trams Project. .1 - item written by Oslo Davis, with a photo of 3003 Oli Ruskidd standing in front of the tram. .2 - Photos Hayley Millar Baker, Oslo Davies, Michael Leunig and Mirka Mora, which art trams are which .3 - image of four of the trams - titled Tramspotting.Has a $15 price label on rear.trams, tramways, transporting art, art trams, decorated trams, tram 3003 -
Greensborough Historical SocietyAdvertising Leaflet, Buckingham and Company Estate Agents, 3 Karee Court Greensborough; and, 14 Natimuk Street Greensborough, 2018_08
Advertising for 3 Karee Court Greensborough, 3 bedroom house, sold October 2018 for $759,000; previous sale: July 2018 $541,000; and, 14 Natimuk Street Greensborough 3 bedroom house, sold 10/11/2018 for $803,000. Colour page from real estate magazine, printed both sides.karee court greensborough, natimuk street greensborough -
Eltham District Historical Society IncPhotograph, Fay Bridge, EDHS Heritage Excursion, Eltham Cemetery, 3 March 2018
March Excursion - Eltham Cemetery Artworks Newsletter No 236 October 2017 contained a report on the unveiling of a significant new art project at the Eltham Cemetery. Titled “Our Eltham – Artistic Recollections” it features 31 ceramic panels containing artwork with a local history theme. The work is the joint creation of artist Nerina Lascelles and ceramicist Linda Detoma, supported with stonework by Leigh Wykes and steelwork by Neil Carter, all skilled local Nillumbik artisans. The main purpose of our excursion on Saturday 3rd March 2018 at 2.00pm will be to view the panels and will include readings from the interpretive booklet published by the Cemetery Trust. There will also be the opportunity to inspect other artworks within the cemetery. - EDHS Newsletter No. 238 February 2018fay bridge collection, 2018-03-03, eltham cemetery, eltham district historical society, heritage excursion, our eltham artistic recollections, public art -
Eltham District Historical Society IncPhotograph, Peter Pidgeon, EDHS Heritage Excursion, Eltham Cemetery, 3 March 2018
March Excursion - Eltham Cemetery Artworks Newsletter No 236 October 2017 contained a report on the unveiling of a significant new art project at the Eltham Cemetery. Titled “Our Eltham – Artistic Recollections” it features 31 ceramic panels containing artwork with a local history theme. The work is the joint creation of artist Nerina Lascelles and ceramicist Linda Detoma, supported with stonework by Leigh Wykes and steelwork by Neil Carter, all skilled local Nillumbik artisans. The main purpose of our excursion on Saturday 3rd March 2018 at 2.00pm will be to view the panels and will include readings from the interpretive booklet published by the Cemetery Trust. There will also be the opportunity to inspect other artworks within the cemetery. - EDHS Newsletter No. 238 February 20182018-03-03, eltham cemetery, eltham district historical society, heritage excursion, our eltham artistic recollections, public art, peter & elizabeth pidgeon collection -
Mission to Seafarers VictoriaFlyer, Melbourne Symphony Orchestra, Secret Symphony, 2018
Showcasing classical music in unexpected location across Melbourne, Secret Symphony presents free pop-up performances promoted exclusively through social media. The Melbourne Symphony Orchestra chose the Mission to Seafarers for one of their concerts held up to four times a year, on the 29th of June 2018.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Small flyer printed on blue paper advertising for an concert by the MSO at the Mission to Seafarerscultural events, concerts, norla dome, classical music, mso, melbourne symphony orchestra, secret symphony, 2018 -
8th/13th Victorian Mounted Rifles Regimental CollectionBook - Diary, On patrol, nothing doing, very hot, 2018
The diaries and notebooks of 2678 Lance Corporal George Hall, Anzac Provost Corps were lodged with the 8th/13th Victorian Mounted Rifles Collection in the 1990s. Only in 2018 were they transcribed by Albury social historian Jan Hunter and published with the ISBN 978-0-992496-96-8.Rare diaries & notebooks of a WWI military policeman.Diary and notebooks of 2678 Lance Corporal George A Hall, Anzac Provost Corps, AIF, World War One (1914-1918).diary, hall -
South West HealthcareTrousseau Trachael Dilator, Medical Equipment, 20th Century
The dilator is designed to fascilitate the tracheostomy tube into the trachea via the initial incision http://entinstruments.blogspot.com.au/2011/07/trousseaus-tracheal-dilator.html#!/2011/07/trousseaus-tracheal-dilator.htmlCurved end stainless steel percutaneous dilator "STAINLESS STEEL" "Martin" "568"trousseau dilator, tracheostomy -
Mission to Seafarers Victoria
Letter - Correspondence, 23/04/1952
Quinn CollectionA pale blue self-folding letter (0897.a1) headed 8 Gloucester Walk, London W 8 and dated 23/04/52. Letter is typed using a very small font. The print is uneven and difficult to read. It is addressed to Mrs K Hayes, 14 Fitzroy Street, St Kilda, Victoria, Australia. It is postmarked Kensington. The return address is Allan Quinn, 8 Gloucester Walk, London W8. letters-from-abroad, allan quinn, alette andersen, london 1952 -
Nillumbik Shire CouncilPrint (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire CouncilPrint (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire CouncilPrint (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire CouncilAlice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire CouncilPrint (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire CouncilPrint (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Gate 1, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph -
Nillumbik Shire CouncilPrint (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire CouncilPrint (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph -
Nillumbik Shire CouncilPrint (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Nillumbik Shire CouncilPrint (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, My Cottage, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph -
Bendigo Historical Society Inc.Book - Aileen and John Ellison Collection: Holy Trinity Marong - Centenary 1878-1978
The foundation stone of the Holy Trinity Church in Marong was laid on 10/4/1878 by the Anglican Bishop of Melbourne.A sixty pages book. "Brickmaking for God, Built in Faith", Holy Trinity Marong Centenary 1878-1978. Written by the rector, the Reverend Peter D. Kissick Th.L. A picture of the inside of the church is on the front cover.Inside the front cover in blue pen: John Ellison In appreciation of your help, signed by Peter Kissick 16/04/76marong, holy trinity centenary -
Brighton Historical SocietyJacket, c1990s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. This jacket originally belonged to Australian singer, actress and philanthropist Olivia Newton-John, who autographed it and donated it to be auctioned at a Leather and Lace Ball for the Austin Health Olivia Newton-John Cancer Centre Appeal on 15 May 2004. Newton-John has long been an advocate for cancer research and awareness, having undergone multiple treatments for cancer, a disease Di also battled for many years. Di's husband David purchased the jacket at the auction for around $1,000, and it has since been much worn by Di and her daughter Kathryn. The nature of the jacket - which is faux-leather, with glued-on diamantés, suggests that it was likely part of a stage costume rather than an item from Olivia Newton-John's personal wardrobe.Black polyester leather look jacket with black polyester lining. The jacket features a centre front opening secured by six black press studs, two bust height flap pockets with press studs, and collar. Full length sleeves with band and black press stud closure. The jacket features diamanté decorative finish along the collar and shoulder placket. "IMMAGINE, Made in Italy" "40" "Made in Italy, Fabrique en Italie, 100% Polyiestere, Polyestere, Polyester, Polyester" Personal signature of Olivia Newton John in fine silver pen, "Love Olivia Newton John, 04".olivia newton john, stage costume, olivia newton john cancer centre, austin health, di reidie, immagine, 1990s -
Glen Eira Historical Society
Article - Caulfield South Bowling Club
This file contains eleven items. Caulfield Bowling Club cashbook 1993-1998. Caulfield South Bowling Club Foundation Opening day programme dated 11/09/1948 in Princes Park, Caulfield South. Caulfield South Bowling Club Opening day programme dated 27/08/1949. Caulfield South Bowling Club Sixth Opening day programme dated 05/09/1953. Caulfield South Bowling Club Seventh Opening day programme dated 04/09/1954. Caulfield South Bowling Club Eighth Opening day programme dated 10/09/1955. Caulfield South Bowling Club Annual Report dated 1950-1951. An article from the Caulfield Port Phillip Leader detailing the Battle of the Bowls event that was held to raise money for the Bowls Disaster Relief Fund dated 12/04/2011. An article from the Melbourne Weekly Bayside on the use of Caulfield Racecourse dated 04/05/2011. Esternwick District Bowling Club and Elsternwick District Ladies Bowlng Club invitation for the combined official opening of the Green Ceremony for the 75th Anniversary of the clubs’ opening, dated 31/08/1984. An article from the Caulfield Leader on the demolition of two Melbourne Racing Club buildings in Glen Eira, dated 05/07/2011.miller elizabeth, southwick david, dodds d.a., norris c.e., gainey j., parton e.m., morris t.w., caulfield, victorian bowling association, sims howard, caulfield south ladies bowls, caulfield south bowling club, joske p.e., caulfield park, caulfield junior citizens band, bowls disaster relief fund, mckinnon, glen eira, elsternwick, murrumbeena park, penhalluriack frank, caulfield racecourse, carnegie, supporters of caulfield reserve, caulfield village, battle of the bowls, pennant competition, house committee, station street, caulfield north, caulfield north tabaret, booran road, caulfield south, glen eira road, dover street, don john, crown land, clubs, associations, societies, sports, recreations, leisure, cultural events, bowling clubs, sports establishments, recreations establishments, cultural structures, sports grounds, playing fields, parks, reserves, sports people, r.b.v.a., caulfield port phillip leader, nation robert, nation bob, caldwell j.s., mccormack garnet, thompson jenny, berriman ann, hird s.j. mrs., fuller robert, knott l.j. mrs., squire george, paton george, dalmon glad, nimon kath, grimwood n., haysey jean, schwartzman mary, bond kay, robinson kath, morris t.w. mrs., williams w., roberts klem, aarons joe, gold roslyn, mcloghlin j., govett y., discombe brian, esakoff margaret, osborne roy, brentwood harry, vickers stan, hogben les, maxwell billy, mccauley j., johannesen a., grieves k., hird s.j., currie w., osborne w.r., ankerson h., herbert c., knott j.l., mclaren j., thornton c., shugg l., williams c., ritchie h., tinkler howard v., bunny d.h., parton e.m. mrs., don j. mrs., sims h.e. mrs., osborne margaret, tinkler pam, tucker joy, bland roy, reynolds alex, simmons harry -
Glen Eira Historical SocietyArticle - Elm Avenue, 21, Elsternwick
1/One small black and white photograph of the residential property in 21 Elm Avenue. 2/Two advertisements for the sale of Flat 3, 21 Elm Avenue from unknown publications dated 07/03/2006 and 14/03/2006. The auction was to be held on 01/04/2006. Includes two exterior and one interior photograph Recent sale notice of 2/21 Elm Avenue dated 2013. Includes colour exterior photograph 4/Copy of letter dated 17/02/1998 from Heritage Victoria to J and B Chi Lok Wong, owners of 21 Elm Avenue, concerning nomination of the property for the Heritage Registerelm avenue, elsternwick, chimneys, brick houses, victorian style, architectural styles, architectural features, flats, hopetoun street, walton manor -
St Kilda Historical SocietyPhotograph, City of St Kilda Centenary 1990 - images collection #2, 02/12/1990
St Kilda was declared a city on 2/12/1890 by the Governor of Victoria The Right Hon. John Adrian Louis Hope, the Earl of Hopetoun, GCMG (28/11/1889 - 12/07/1895). This event was commemorated 100 years later, on 2/12/1990, by the unveiling of a plaque by the current Governor Dr J. Davis McCaughey AC (18/02/1986 - 22/04/1992). Also in commemoration of the centenary, a conservatory in the St Kilda Botanical Gardens was opened that day by the Mayor, Cr. Melanie Eagle. Four years later, in 1994, the City of St Kilda was amalgamated with the cities of South Melbourne and Port Melbourne to form the City of Port Phillip.Colour photographst kilda, st kilda town hall, governor davis mccaughey, st kilda city centenary, 1990, john callanan, j davis mccaughey, melanie eagle -
Bendigo Historical Society Inc.Document - H.A. & S.R. WILKINSON COLLECTION: RECEIPT
A copy of a receipt dated 31st July 1954. under the date the words: rs. E. Plant, 83 Sternberg Street Bendigo. Possibly for rent due by McKerlie, L. I. period 24/06/1954 to 29/07/1954 6 pounds 5 shillings and Walkerdon, R. A. period 28/06/1954 to 26/07/1954 6 pounds. A deduction of 12 shillings 3 penny is applied to bring the total to 11 pounds 12 shillings 9 penny. The document is in a manilla folder.organization, business, h.a. & s.r wilkinson real estate, yellow label 594. -
Seaworks Maritime MuseumGas Detector
1990 -24/04: To "Salvageman Ltd" at Douglas (IOM)One gas detector housed inside a black leather carry case, with a carry strap, and a pocket at back of carry case.1993 circa.on detector: "OMA-3/ON/OFF/ TYPE OMA-3/ KOMYO Paper card inserted in case, written with pen: "1) Turn on/off switch "ON"/ 2) Battery Check:/ Hold down smaller/ Button. Needle must be / within lower red scale/ 3 Zero Calibration Scale/ Press Larger Dial and Turn to Set Needle on/ Green on Lower Scale" handwritten on case: "PWO 3076" Sticker on case: "GASTECH/CALIBRATED/ Date 31-8-93/ Next Due/ 31-2-94/ Initials MW/ Serial no. 6479" Card attached by string, written in pencil: " PWO 3076/ Gas Detector/ Model no. 6479 [From the Howard Smith Collection]" -
Ballarat Heritage ServicesImage, Site of the Eureka Pageant, 1954, 1954
The Eureka Pageant was held on Saturday 04 December 1954.A black and white image of Ballarat's Sovereign Hill in 1854. Sovereign Hill was the site of the Eureka Pageant held as part of the Eureka Stockade centenary celebrations.Original caption: This will be the scene of to-day's Eureka pageant at Sovereign Hill, where a clearance and levelling job has been done to allow for the slabbed stokade (left foreground), and the small hillock (centre), where the soldiery will be situated. The actual Eureka battle site is in the centre background, a mile or so away. This area of Golden Point is also historic ground. Just in front of the "Stockade" to the left is Poverty Point, where Dunlop and Egan made their first gold finds in this vicinity.eureka stockade, eureka stockade centenary, sovereign hill, poverty point, eureka pageant
