This tall piece of equipment was used in the theatre room of the Tawonga District Hospital to move (by rolling it) to the bedside of the patient and then to adjust the large light over the area of operation as required by the surgeon.The Tawonga District Hospital's theatre room was well equipped with up to date technical equipment.Stainless steel metal tube attached to 4 legs of steel that spray out into a 'star' and have a roller coaster attached at their end. On the 5th end of the star a steel arm comes up and has a tray attached to its end. At the top of the cylinder is attached a cream metal opened ended cap with a wheel which has thick wire around it. Below this top and on the cylinder a cream metal arm comes out like a spanner, the end of which a large light could be fitted. This arm can be moved up and down the tube. This stand also has a control 'radiation control unit' that can be attached to it and to the power.medical equipment. operation. surgeon. tawonga district hospital. theatre room., x-ray, falls creek medical centre

Hat-pins were worn to anchor hats to the head and could be considered a functional piece of jewellery. Traditionally inserted into the crown of the hat and through the hair piled atop the head.Hat-pins were needed to secure the large, lady’s hats fashionable at the time. The Maggs family were early settlers in Moorabbin Shirec1910, 2 lady's silver hat-pins, with hollow circular silver surround, around a thistle flowerHallmark Birmingham Assay Office Englandjewellery, clothing, dressmaking, craftwork, silversmiths, maggs geoff, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton

Example of a shuttle used for a loom in the weaving process. This shuttle was probably used as an advertising piece for Waddington's company as it is constructed differently to other examples of working shuttles in the museum collection. This shuttle is a a unique item in the collection as a shuttle made for advertising purposes instead of being made for use on a loom. Wooden loom with metal tips on either end. Loom is rectangular. One side has a green sticker. Metal pieces inside loom are not present.WADDINGTON'S/ FOR/ SHUTTLES OF QUALITY/ Phone Bradford 27668waddingston's, weaving, shuttle, loom, advertising, geelong, wool

Suit jacket, cream, natural, wool and cream silk lining. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing

When it was decided to replace the verandah at the Mining Exchange the large detailed piece was found in a junk yard. The pillars were caste in Castlemaine from one remaining original pillar.Colour photograph of the wrought iron at the front of the Ballarat Mining Exchange.ballarat mining exchange, wrought iron, verandah

Robin Pleydell looks on as an AFB worker reads from a Braille volume whilst sitting in front of a computer, and also with a vision impaired older woman working on a piece of pottery.Col. transparencies of Robin Pleydell in a pottery class and at a workdesk.association for the blind, robin pleydell

This model was part of a panorama 11 piece designs from an almanac in 1892 Port Fairy Gazette. The Panorama was used in a Historical Display in the historical society rooms in Bank Street This Panorama was part of an eleven piece Panorama of the Streetscape of Port Fairy in 1982. Made by a local resident.Large handmade model of a Factory front from the 1892 almanac.Webb Bros Cordial Makers Port Fairy Aerorated Water and Cordial Factory Webb Bros. William Street Port Fairypanorama, webb bros, model, almanac, a mewkill

This piece represents the landscapes of Wadawurrung Country. It involves the oceans, the cliffs, the river, the mighty You Yangs. The circles depict gathering on Country. Be this Indigenous, Non Indigenous or both entwined.Painting of series of mountains and rivers. Brown, blue, green, yellow, white used.On bottom right-side of canvas - AJ Howellwadawurrung country, you yangs

Born in Melbourne in 1950, Vafiadis studied at Prahran College of Advanced Education and has been exhibiting since 1971. Solo shows include Rigoletto at Fitzroy Gallery, Melbourne in 2005 and Mary Chirnside at Wyndham Cultural Centre in 2004. She has participated in various group exhibitions. She won the Wyndham Now Acquisitive Art Prize in 2000 and her work is held in several state and local council collections.This piece was acquired by our human rights lawyer and Mayor at the time of our campaign, Frank Purcell. Frank organised the plaque and for many years, it was hung in Wyndam council chambers. australian art, painting

The spider harness was specifically designed for fall protection at heights and in any hanging direction.It can be used in rescue situations. It is a fully adjustable harness.A leather harness with chains (called a spider). A round piece with leather straps threaded through and chains attached to both sides. It has metal (brass?) rivets. On each end is a large hook.harness-spider

Female children played with tea sets such as this and learned the arts of hospitality. This one has been well-used. A 13 piece dolls tea set. Consists of a tea pot, sugar bowl, milk jug, 4 cups & saucers. General colours are yellow and blue with red, black and green flowers.childs-tea-set crockery

This card was produced in 1889 to advertise the Warrnambool Museum which was shifted in April 1889 from its original site in the Mechanics Institute in Liebig Street to the old Warrnambool courthouse in Timor Street. ( This building no longer exists.) The Museum remained in Timor Street until 1912 when it went back to the Mechanics Institute until its closure in 1963. The Museum was founded in 1883 by the retired Police Inspector Joseph Archibald. The card shows that the museum was open three afternoons per week and was asking for donations. The pencil writing at the bottom of the card is Joseph Archibald's writing. This card is of considerable significance as it is an original document and an important memento of the old Warrnambool Museum, a much loved institution in Warrnambool for 80 years.A piece of light card with a decorative border and black lettering. It is torn on the edges and water stained. The base has been cut for its insertion into another folder. There is pencil writing at the bottom of the card, WARRNAMBOOL MUSEUM 1883 Edward Henty arrived at Portland in the " Thistle" schooner 68 tons 19th November 1834warrnambool museum, mechanics institute, warrnambool courthouse

This is a programme for a ball and a supper conducted by the Warrnambool and District Caledonian Society in 1937. The Western Caledonian Society was formed in Warrnambool in 1864 to promote and preserve Scottish culture in the region and in the 19th century ran many highland gatherings. The Warrnambool and District Caledonian Society still operates today.The programme indicates the Society was also active in the 20th century. The motto of the Society is that of the first Stuart King of Scotland. This programme is of considerable historical importance because of its menu, its toasts and its list of office bearers of the Warrnambool and District Caledonian Society in 1937.A piece of light weight card folded in two to make four pages with blue printing on each page on a buff coloured background. The front page has a decorative border and a society crest.Warrnambool & District CALEDONIAN SOCIETY Grand Highland Ball and Haggis Supperwarrnambool, warrnambool & district caledonian society, haggis supper

This is number 22 of 27 items in the Daisy Vickers collection of World War One memorabilia. These items were sent or given to Daisy Ogier (nee Vickers) during World War One by Corporal Arthur Anderson who enlisted from Warrnambool in 1915 at the age of 21. He served in Egypt and France and returned to Australia in 1919. Daisy Ogier (1907-1987) was a student and then a teacher at Warrnambool Technical School with her early teaching years there from 1925 to 1936 and in 1949. She became the head mistress from 1950 to 1963 and in 1968. She officially retired in 1976. Daisy Vickers was one of the best loved and dedicated teachers that the school ever had. She married the Reverend Fred Ogier and continued her association with the school after her husband's death. This card is interesting because of its association with World War One and with two local people: Daisy Vickers and Arthur Anderson. This is a coloured postcard with a sketch of three children dressed in military outfits. The child dressed as a nurse is giving a piece of fruit to a child dressed as a wounded soldier. On the back it has space for correspondence and an address.Les Grenadesdaisy vickers, warrnambool, world war one post card, postcard ww1

These two flyers concern the Warrnambool Mechanics' Institute Exhibition of Arts and Manufactures held in the Orderly Room over eight days in 1879-1880. The exhibition aimed to encourage local industries and to stimulate young people to manufacture and exhibit specimens of their skills in the various industries and arts. The admission was one shilling for adults and half price for children under 14. The exhibition was not very profitable with only seven pounds going into the Mechanics' Institute funds. These two flyers are of some interest as mementoes of a minor exhibition of arts and manufactures held in Warrnambool in 1879-1880.1 a single sheet of paper with black printing on a faded pink background .2 a single sheet of paper with black printing pasted on a piece of lightweight cardboard. The edges of the sheet of paper are torn.warrnambool exhibition 1879-1880, mechanics institute, warrnambool exhibition 1880, nullawarre state school

The original owner of this pendant is unknown but its quality suggests that it belonged to a member of an affluent family .It was never inscribed. It was probably a gift to a lady on a special occasionThis is a vintage item kept for its attractive quality.This is a silver pendant with fret work and scroll work surrounding a small silver piece in the centre on which to etch an inscription. There is a circular hook at the top on which to attach a chain. On the back are indecipherable hallmarks.vintage accessory., warrnambool history

The arm belonged to Herbert Arthur Dower, VX21917, enlisted 4.6.1940 and posted to 2/14th Bn, embarked for the Middle East 19.10.1940, WIA 24.6.1941 GSW left Arm, amputation, embark for Australia 18.8.1941, discharged 2.2.1942.Prosthetic arm, two piece, yellow colour, Brown glove on hand, pivoted joint at elbow with leather strap, shoulder recess has leather lining, webbing strap for attachment to torso.prosthetics, artificial,

Item belonged to Robert James Tibbett No 148003 90th Operational Base unit R.A.A.F. He enlisted on 22.3.44 in the RAAF age 22 years. At discharge he held the rank of LAC at Central Flying School on 18.3.46. Refer 489.Carved wooden propeller, stained made from 2 different woods pressed together, dark & light. Base is the same. On face of propellor is an "RAAF" badge on a round piece of stained wood,military history - souvenirs, numismatics - badges - military - raaf, metalcraft

Small spherical piece of glass, likely a broken part of a lid for another glass container, similar to those which it is located near, i.e., within the front storage location of the parent item.volum collection

The origin and owner of this album are unknown but the name’ Vickers’ suggests some local connection. There are twelve photographs of people and twenty-nine photographs of buildings and scenes, mostly of places in England (Nottinghamshire and Derbyshire). The photographers’ names listed are from Nottingham. The photographs probably date from the 1860s and 1870s. This is most likely an album of some significance as the name ‘Vickers’ on the inside cover of this album suggests that the photographs belonged to the Vickers family. Robert Vickers, who came from Nottingham, was a farmer at Summerside in Panmure in the 1860s, 70s and 80s so the photographs in the album are likely to be of his family members. This is a small photograph album with a brown leather cover There is a raised gold-coloured metal belt motif on the front cover and one piece of gold-coloured metal on the lower side of the front cover,Inside the front cover, in blue biro, the handwritten name ‘Vickers’ The word ‘Album’ is printed on the spine. warrnambool, vickers, robert vickers

These photographs were part of a framed display in the kitchen of Orbost House, a guest house in McLeod Street, Orbost. historical record of Marlo township and surrounding estuary of the Snowy RiverTwo b/w photographs/postcards set on to backing board. These photos are of scenery at Marlo. Photographs appear to have been cut from a larger piece of cardboard, possibly a display board.2682.1 is titled LOOKING ALONG THE BACKWATER AT MARLO. 2682.2 is titled MARLO, EAST GIPPSLAND. Both have the marking of Bulmer, Bairnsdale (the photographer)marlo

Mr R.C.Wright was a relative of Mr Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a three piece suit holding a little girl in his right arm. They are standing in the garden of a timber house with wrought iron features. The man is Mr R.C.Wright.Written on the back - Mr R.C.Wright. Northcote, 9/4/1922, F.W.frank wright, r.c.wright, cornet, ballarat, timber house

Before the invention of woven baskets, people used tree bark to make simple containers. These containers could be used to transport gathered food and other items but crumbled after only a few uses. Weaving strips of bark or other plant material to support the bark containers would be the next step, followed by entirely woven baskets. The last innovation appears to be baskets so tightly woven that they could hold water. Depending on soil conditions, baskets may or may not be preserved in the archaeological record. Sites in the Middle East show that weaving techniques were used to make mats and possibly also baskets, circa 8000 BCE. Twined baskets date back to 7000 in Oasisamerica. Baskets made with interwoven techniques were common at 3000 BCE. Baskets were originally designed as multi-purpose vessels to carry and store materials and to keep stray items about the home. The plant life available in a region affects the choice of material, which in turn influences the weaving technique. Rattan and other members of the Arecaceae or palm tree family, the thin grasses of temperate regions, and broad-leaved tropical bromeliads each require a different method of twisting and braiding to be made into a basket. The practice of basket making has evolved into an art. Artistic freedom allows basket makers with a wide choice of colours, materials, sizes, patterns, and details.Before the advent of plastics (1907), the is now used for many different types and styles of storage container rattan, wicker or cane was used to make containers with a lid for the storage of linens etc. The subject item was probability used at the end of the Victorian era and into the Edwardian period around the 1900s as a household storage facility. These types of wicker or cane containers started to go out of fashion due to their fragility around the 1920s into the 1940s due as well to the introduction of synthetic materials. Wicker cane rectangular shaped domestic storage container with reinforced leather pads on 4 corner sides. lid fits inside the other. Black cane piece around top edge.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This object and the set of five items is believed to have been made in or around the Staffordshire area in the United Kingdom. Over 1500 pottery firms have operated in Stoke-on-Trent since the early 1700's - Some lasted only a few years and some for well over 200 years. Some potters built and owned their own works. Many others were tenants in works built by others and a succession of potters occupied the same works. It was also a common practice for a works to be split between two different pottery companies or for a larger manufacturer to let out a smaller section of his works to a potter who would make wares which were not of interest to the pot works owner. Some potters purchased 'blanks' from other manufacturers and put their own decoration on them some items have two back stamps some have no marks at all. This adds to the confusion and frustration of trying to trace details of a particular manufacturer such as the subject item.The subject item at this time cannot be associated with an historical event, person or place, provenance regards manufacturer is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Ewer or jug, cream ironstone with brown flower spray floral decoration.(Part of 5 piece set containing ewer, bowl, brush vase, soap dish lid and soap dish)Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, porcelain container, toilet container, beauty container, ceramic, decorative object, pottery object

Small portrait of a man seated on a chair with his left elbow resting on a cupboard. He is wearing a three piece suit with a bow tie and a watch chain. He also has a beard.J. Kirkley, 193 Gilesgate. Durhamphotograph, portrait, male, portrait of a man, j kirkley

Carte de Visite Photographed by Batchelder Pall Mall Sandhurst. B & W Photograph of a young man in a three piece suit. Wearing a cap.Facing the camera with one hand resting on a pillar.Batchelder