Methodist kindergarten Sunday School Pupils in a garden c 1912. It was custom to take the kindgarden Sunday School children (Methodist) before the older senior Sunday school. The picture was taken beside the Anglican church in Dr. Aitkens Garden. Dr. Aitkens dwelling later became the Anglican Manse now demolished and replaced by a new Manse. Adult center back row. Left to Right Triss Phillips (Later Mrs. Mac Neil) Back row Ruby Peart, XX Shepherd, Fred Smit, Jean Smith, Jean and Win Langsford, Vernon Hill, Jean Tomlinson, Mary Moulden, Phyliss Wood, Richards (Female), Kit Wilson, Jim McLeod, Eric Phillips, Ann Leyshon, Wilfred Waters. XX Female Phillips, Female Collins, Amy Lewis, Thelma Williams, XX Williams, Muriel Shepherd, Bob Phillips. Black & white photograph depicting a group of children in a garden.stawell religion

Presbyterian Girls’ Association. This photograph belonged to M. Robson, Seaby Street before being donated to the society. The group of ladies belong to the Presbyterian Girls Association. J. Ure (Mrs. David Phillips) Miss M. Williams (Sister of Ross) E. Robson (Mrs. H.J. Powe) L. Bearup (Father Manager Gas Works) E. Bigmore. Edna Gray (Sister Mrs. McMullin) Miss Freda Mahnke (Dau of Gustan) Mrs. Widmer (Rev Phillip Widmer, Presby.) E. Francis, M. Gray. Black & White Photograph of a group of ladies. One row standing and one row sitting. Dressed in white blouses and dark skirts, one has a dark top one has a check skirt.Presbyterian Girls. Acc. Back row J. URE, M. Williams, E. Robson, L. Bearup, E. Bigmore. Front row, E. Gray, F. Mahnke. Mrs. Widmer, E. Francis, M. Gray Jean Ure - Mrs. Dave Phillips Elsie Robson - Mrs. Harry Rowestawell portrait religion

Salvation Army Songsters Brigade 1959 in uniform. Worksheet states the group was on the Norwood trip. The leader of the Stawell Corp at this time 1959 was Captain B. Corfield and Mrs. Corfield. The leader of the Songsters was Mr. Lindsay Brown, second from left standing back row. Black & white photograph of a group of people in uniform, standing in front of a building.Reeve written in pencilstawell religion

Salvation Army Citadel Opening 1934. People in front of Citadel. Front Row from Left Mrs. Wilkinson, Mrs. Haines, Capt. Morris, Brig. Smalley, Col. Henry Mrs. Maxwell, Comm. Maxwell, Cr. Freeland, (Mayor), Col. Haines, Cr. R. McCracken, Rev. Ewin, Rev. Graham, Mr. Sharpley, Major Wilkinson. Black and white photograph of a group of people in uniform at an entrance to a brick building. The man in the center of the group appears to be opening the door to the building.. W.J. Chapman Photo artist Stawell. Col. A. Henry, Commissioner Maxwell, Col. W. Haines, Brig. F. Smalley, Mr. S. Freeland, Mayor of Stawell, Mr. R McCracken, Capt. F. Morris, Mrs. Col Haines, Mrs. Major Wilkinson, Town Clerk Mr. Sharpley, Major F. Wilkinson.stawell religion

Salvation Army Group, four standing two seated in front of a paling fence. Adjutant John Perry seated next to this wife Mrs. Perry was the leader of the Stawell Salvation Army at this time in 1911. The post card was donated to the society by Mrs. Ruth Pickering from Dadswell's Bridge and the daughter of John Perry. A black & white Post card with four people standing and two seated in front of a paling fence. The five woman have long dresses and four have hats on. One of the women has a white shirt & white hat where the other women are in dark clothing. The male in the photograph is dressed in a uniform.Post Empire Card. Handwritten - Standing from left Jean Chandler, Sadie Mathews, Mrs. Moy. adj. John Perry & Mrs. Perry, Stawell 1911.stawell religion

Salvation Army Group mainly young people 1911-1912. Back row, Mrs. Moy, Miss Sadie Mathews, Jean Chandler, (rest unknown) Second row, Adj. John Perry, (next 3 unknown) Hector Perry, Stan. Jones, (boy unknown) next 2 boys Moy boys, Rosie Moy, Herb Perry, (next 2 unknown). Front row, (girl unknown), girl Moy, (next 2 unknown), Eunice Perry, Rowland Perry, (3 girls unknown), Mrs. Adj. Perry.Black & white photograph of a large group of people mostly children. The adults appear to be the same as in photo in 0137. The group is standing in front of a wooden fence with trees behind the fence.stawell religion

Doll (Dorothy) Bearup. Not much is known of the family. Records shows the Bearup Family came to Stawell around 1908 -1913 from Hamelton (502 School index). RM2 (1908 - 1913). Mr. Robert Bearup was employed by the Gas Company, as manager (Municipal Directory 1923 Mag Box 6 RM2.Black & white portrait photograph of young woman. The photo is oval with a plain background. O'Shannessy & Falk (or Fall) Elizabeth St. (Cardboard frame of photograph has been cut, only these letters shown). In pencil on back Doll Bearup.stawell

Mr. “Brickie” Thomas of Clifton Ave and his wife. (4 snaps). Mr. Thomas was affectionally know as Bricky Thomas. He and his wife were early Stawell resident of 17 Clifton Ave. Stawell. Mrs. Pickering sister (Vera Perry) cared for Mr. and Mrs. Thomas in their later years. Four photographs, three are of an elderly gentleman with a white beard and the fourth of a woman seated in a long dress. The elderly man is seated beside a two-tiered cake on a table and holding what looks to be another cake. 1. Grandpa Thomas. 2. Grandpa Thomas. The man Vera (Perry) worked for. 3. Grandpa Thomas (known as bricky Thomas). They lived in Clifton Ave. 4. Great Grandma Thomas Since the 8th Dec 1923. stawell

Portrait of Nicholas & Kate Scallan with Daughter c 1865 -1870. The Scallan brothers Patrick, David, Phillip and Nicholas were pioneer reefs minors and storekeepers. "The Golden Years of Stawell" by Robert Murray and Kate White mentions the Scallan Clan see page 71 Photograph of a male and female with a young child. The male standing with hand on shoulder of seated female. The child standing by her knee. An enlarged copy of the same photo also exists. stawell

This original photograph is printed on Kodak photo postcard paper dating from 1908-1914. It belonged to the Anthony family who sent six children to Williamstown Grammar. The eldest, Queenie Anthony, commenced in 1908. In 1914, when the original building was gifted to the Education Department to establish Williamstown High School, Queenie and her siblings remained with Mabel Molland, moving to Holy Trinity Hall, to complete their primary school years. The teacher seated at the right is not Mabel Molland, who commenced in 1911. This is possibly Miss Molland's predecessor, Miss Towl. Research is underway to identify students in the photograph.Black and white photograph of a group of students in four rows with Denis Gerity standing at the left and a woman seated at the right. A board is placed before the front row with the letter 'WGS'. The photograph is printed onto postcard stock branded Kodak Austral.Handwritten inscriptions on the back include the word 'Anthony' three times (one in the top half, two in the bottom half) and a large smudge in the bottom right corner - all in light blue ink. Also possibly 'Old Grammar School Pupils of Mr. Gerity' and 'Mrs' in black ink. There is name and address inscribed in dark blue writing ink along the left edge. A number '14' in graphite in the stamp box and a further number '1' encircled and underlined in dark blue ink in the bottom right corner.

Mrs. Maria Kowshek was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1968 to 1976.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Photo has been laminated.maria kowshek, principal, ukrainian saturday school, ivan franko, sunshine

Stained Brown Frame. Sepia B/W. Photograph. Group in Natural Bush Setting. Back of Photo and Below Front Back Row L to R: Jeani white, James Paton, Doris, Dave Painter, Daisy Barnes, George M Painter, Miss Sweatman, Mabel McMuulin Miss Sweatman. Middle Row: Miss ?, Mrs & Mr Greenwood, George Annie, Miss Calder, Simon Calder (Father). Bottom Row: Uncle Pat, Ve, ev & Lilla Greenwood, Nett, Harry Greenwoodgreenwood family group

Partnered with young man in Pinstripe Suit, paisley tie, wearing Glasses B/W Studio bust from same StudioSepia Bust of a young woman - dark short wavy hair, wearing glasses in a white blouse and Dark JacketEmbossed Print reading Hilda Mitchell Paisley St Footsgray on front. To Mrs Hamilton with love from Elanor. on rear

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo possibly taken at Bests Vineyard, Great Western. The lady is possibly Mrs Berlich (see photo 6640)

B/W copy from Grampians Community Health Centre Book Thelma is wearing glasses & chain around her neck. White collar & top has two buttons.

James Tiller married Grace Stewart in 1921Photocopy of James Tiler and wife standing together in front of house. James is wearing shirt, buttoned vest, jacket, trousers and has a piece of leather across his hand, moustache. Mrs Tilley has white collar, white buttoned dark coloured dress with belt and round buckle, has light coloured jacket, hair is pinned back and wearing glasses.

Black and White portrait of man seated and woman standing. James and Sarah (Prior) Rathgeber. c1900James + Sarah (nee Prior) Rathgeber Concongellaengine, industry, forrest, ww1

Slovenians are very proud of their mountain Mt Triglav, towering 2864m high in the Alps region of Slovenia. It is their symbol of greatness, might, power and strength. They love to sing songs about Mt Triglav, they used the mountain as the emblem and in many ways culturally.The Aljaž tower was built with card and painted for the occasionBlack and white photo of some participants of the Mountaineers dance in 1955 held at Prahran Town hall. Some people who attended: Mici Hartman, Max Hartman senior, Mima Adamic, Martin Adamic, Marijan Persic, Franc Hartman, Tinka Verbic, Zladko Verbic, Zerdoner Vekoslav, Mrs Potocnik.The photo showcases the Aljaž tover, which stands on top of Mt Triglav, the highest mountain in Slovenia (2984m) and the participants enjoying the eventmt trigla, aljaž tower, slovenian alps, slovenian club melbourne

Gathering at Baraga HouseFriends at Baraga House relaxing in company of Fr. Basil and the cooks - Mrs Kregar and Anica (Cinc) KregarBlack and white photo

In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

Norma Dessent (the donor) was cleaning out her Mother-in-law Amy Dessent’s home, after she passed away in 1995. She came across a collection of gunny sacks for chicken feed, potatoes, and flour. Norma gave the bags to her good friend Beryl Andersen, thinking she might be able to make use of the material in her quilting. Many years later in 2001, Beryl gave Norma this quilt made in a wagga style out of the bags. This was both a great surprise and a great delight for Norma. Amy Dessent was a housewife. Her chickens were her friends, keeping her company as she worked in her renowned garden and while she cooked and maintained a beautiful home. Typically, Amy would have a dozen chickens clucking around at a time. In the style of the time, everything was kept for a possible repurposing later in life, such as these gunny sacks. The Chicken Feed Wagga was created in Ballarat by Mrs Beryl Andersen. Beryl was the inaugural president of the Hamilton Quilters Guild and is a well-known quilter. Perhaps her best-known work was the “Quilt for Hope”, a living memorial for victims of institutional church-related sexual abuse. More information about this quilt can be found on the following link. https://www.nationalquiltregister.org.au/quilts/quilt-of-hope/). The wool blanket used as a backing belonged to Beryl’s mother. Beryl’s mother married in 1930 and the blanket is thought to have been a present from this wedding, making the blanket close to a century old. Norma donated the quilt to the National Wool Museum in 2021 as a result of downsizing. She no longer had room for the quilt to hang on her wall. Before downsizing, the quilt had hung in the entryway to her home for the last two decades.Wagga style quilt made with a appliqué top layer of gunny sacks that once held chicken feed, flour, and potatoes. The insulating internal material is not known. The backing fabric is made from a cream woollen blanket. The edges are bound with a material of a red and white plaid. The gunny sacks are quilted together with a machine stitch of red thread. The sacks contain imagery pertaining to their previous use. Some sacks have an image of a chicken applied with blue, red, or green ink. Other sacks contain imagery of potatoes. While other sacks contain information “Minimum Crude Protein 14%, Minimum Crude Fat 3%, Maximum Crude Fibre 7%”. One of the sacks shows a handwritten price for a bag of chicken feed in a red ink.Numerous. See multimediaquilts, wagga, gunny sacks, upcycle

Two items of newborn clothing dating to 1944. The first item is a dress and the second is a singlet. Both items are made from wool and are in new, unused condition. The clothing was owned by Mrs L. Brawdrup and was donated to the National Wool Museum in 2022 by Lila Gore.Clothing item one is a cream woven dress. It is finished at the sleeves, neck, and hem with a white lace trim. The trim is formed from a thread that has a metallic gleam, presumably cotton. The dress is styled under the neck with a stitched patterned of frills and flowers in the same white metallic thread. The dress gathers under the armpits, similar in style to a dirndl. At the rear, the dress is loosened and fastened by 3 press stud buttons in an opening at the centre. Clothing item two is a cream woven singlet. It is finished at the sleeves, neck, and hem with a white lace trim. The trim is formed from a thread that has a metallic gleam, presumably cotton. The lace is like the dress; however, it is less intricate. baby clothing, 1940s, 1940s baby clothing

Made by Godfrey Hirst and hand embroidered by Wendy Hillman. Given to Ron and Sylvia Maidment for Ian Maidment (donor) by Mr and Mrs Buckley, Bordertown, South Australia in April, 1948.Light blue wool baby blanket embroidered with pink and white flowers, a white rabbit and two white mushrooms.An all wool Exclesior baby blanket by Godfrey Hirst Geelong hand embroidered by Wendy Hillman 30" x 40"embroidery, maidment, mr ian maidment, ms sylvia

Photographs are all from the 1930s as below: 1. Nellie Bawden; 2. Federal Mill Basketball Team (pre WWII) from left to right: Eva Fagen (Ball), ? Darling, Glad. Rand, Nellie Bawden, Jean Devlin, Beryl Haddon, Mavis Anderson; 3. Inter-house Sports Team from right to left: Mollie O'Brien (Ball), Beryl Haddon, Jean Devlin, Ann Lagan, N.Bawden. 4. the New Zealand Team who played against Geelong Unity Clubs; 5. Mixed Geelong Federal Basketball team, from right to left: Phylis Bryant (Ball), ?, ?, Eva Fagen, Nellie Bawden, Lorna Farrell, ? Hose. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Photograph album sheet of heavy brown paper. Contains five black and white photographs and a space where one has been removed. Four of the photos depict teams of female basketball players and one depicts a single basketball player holding a ball.Fed. Team / Fed. Team / N. Zealand Team. / Geelong Team.textile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Worked and used by Mrs Jean AshcroftWhite linen butterfly shaped cloth, folded to form tea cosy cover. Cover is embroidered with eyelet and cut work. Edge is finished with scalloped buttonhole work.nilmanchester, table linen

Worked and used by Mrs Jean Ashcroft (nee Broad)White linen oblong cloth with cut and button hole work in centre and each cornermanchester, table linen