Peter Jensen came to Martin's Creek (35 miles north of Orbost) in 1890 having been told that Martin's Creek would be on the railway line. He was a cooper who made the casks from silver wattles. He cleared the area for farming and then built an accommodation house, Danebo., which was well used by travellers to Bonang and Bendoc. . Gippsland was a relatively less developed part of Victoria in the nineteenth century. Danebo Hotel, Martin’s Creek, would have been an important stopping point for travellers to Bonang and Bendoc. The hotel is no longer standing A black / white photograph of a timber building - a house and another building at an angle. There are three people standing in front - a man. woman and child. On the left is a flag on a mast. In the background is bush.danebo-hotel-martins-creek jensen-peter

The photo shows a small weir on the Stoney Creek which used to supply water to a number of early businesses in Halls Gap, such as the general store and Grampians House. Each business ran a pipe from the weir to their premises and three outlets can still be seen embedded in the wall. Record 248 was taken at the same time.Photograph of a woman approaching a small weir with three large boulders behind it. The original level of the weir can be seen on the boulders. The additional image is a description of how to get to the weir.scenery, stoney creek

This is the second Delley''s Bridge. A new and more substantial bridge was built in 1911, only to be badly damaged in a 1917 flood. The collapsed western end was rebuilt, this time supported by concrete pillars.The photo shows a dirt road crossing a creek via a wooden bridge. A woman is driving a horse and buggy onto the far end of the bridge. There are ferns in the foreground and trees in the background.access routes, roads, structures, bridges

Under-bodices were first made of silk, though cotton was the fabric of most underwear from the second half of the century. These bodices were worn to protect against wear and soiling but more often for modesty. Undergarments such as this item were seen as essential to wear under blouses. This item is an example of a handcrafted item and reflects the needlework skills of women in the early 20th centuryA hand made white cotton woman's undergarment (chemisette) - an underbodice. It is of fine cotton with lace insertions at back and front. It has four buttons for the front opening. The bottom is gathered.women's-undergarments chemise bodice

Photograph - Black and white. Portrait of a woman, from shoulders upward, wearing a high neck, velvet type material, puffed sleeves. She has tight curly hair.Alan Spicer, Bendigo.person, individual, female portrait, photograph. portrait of a woman. unknown family collection.

black and white photograph of man and woman wearing Victorian era clothing / old and stained / rear shows Logo - Wm Murray Photographer , 74 Broomielaw St Glasgowphotograph, person, male / female, black and white photograph of man and woman wearing victorian era clothing / old and stained / rear shows logo - wm murray photographer , 74 broomielaw st glasgow

Sepia, bust portrait of a young woman. She is wearing a light blouse, necklace and a light hat. Oval photo is mounted on light brown cardboard with dark brown border.W. Vincent Kelly, Mitchell St., Bendigophotograph, portrait, female, foster & wilson collection, photograph

Colour photograph in a black and gold frame. A wounded soldier, bandaged around the torso and right arm lies in bed. A photo of a young woman is included above his head.vietnam war, 1961 - 1975, personal narratives - australian, vietnam war, 1961-1975 - casualties, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a woman wearing a long white semi-sheet wrapper, standing to the left of the fireplace in the Amess House drawing room, with her right hand resting on the mantel.catalogue number on reverse in pencilchurchill island, photograph

Black matt painted oval frame with scalloped edge and floral decoration. Picture of 1900s+ woman singing wearing long skirt with jacket and hat. Black and white photograph.

Cardboard box with lid, covered with paper labels reading Lewis & Whittys Heliotrope Rice Starch with illustration of a woman in period costume & flowers on lid, contains instruction sheet.Diamond Trade Mark Roedel & Codomestic equipment, laundering, starch

Black and white photograph on card showing a very ornate Victorian weatherboard house with iron lace, brick chimney, picket fence and a woman a man & a boy standing of verandah.photograph, house, victorian, house-victorian

Slide. Bendigo Easter Parade. A Chinese woman in costume riding a black horse which is lead by a young lad, along Mollison Street past the Bendigo Timber Co.slide, bendigo, bendigo easter parade., bendigo easter parade.

Black and white photo of a woman sitting in the conservatory gardens in bendigo with the law courts b\visable in the background, markings on rear of photo read 'Conservatory Gardens Law Courts'person, individual, gardens, conservatory gardens, law courts, woma in gardens

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. VDNH, Moscow, Russia. Worker and Kolkhoz Woman sculpture, the symbol of the VDNH, designed by Vera Mukhina - first exhibited at the Paris World’s Fair in 1937Made in Australia / 9 / AUG 64M / 5 (Handwritten) / USSR (Handwritten) / 5 (Handwritten)russia, slide

Newspaper cutting about Gillian Armstrong former Mitcham girl who is a woman film director in an otherwise male field. Nunawading Gazette, 4/5/1997. Photoarmstrong gillian, films

In 1960, the University's Student Representative Council produced a thirty minute colour film called 'Don't Send Your Daughter', designed to showcase the activities of first year students ("freshers") for high school students and their parents. The film starred Susan Stone and Christopher Carr as "two typical freshers", and some scenes were shot at International House, with the film played for a University audience in September 1960. This photograph comes from an 'Album of Student Activities 1960', compiled and presented to International House by Soedjadi Satrosoegito & Richard Shiell.film, residential college

Opened March 1889, centre lifting span unsuccessful so shipping trade up Nicholson River effectivly terminatedPink toned scanned photograph of the first bridge across the Nicholson River. Shows a timber bridge with centre designed as a drawbridge. Woman in rowing boat in foreground. Nicholson VictoriaNicholson River Bridgebridges, waterways

Sepia toned photograph of Clara Blake who later became Mrs B Rowe as a young woman in dark ankle length pinafore dress over white blouseClara Blake now Mrs B Rowe on reversegenealogy

The tenant lived at the mercy of the resident landlord. Home was a one-roomed house, a chimney of wicker work plastered over with mud or just a hole in the roof. The walls might consist of mud too, or sods of grass. Any windows, were rarely glazed and would be open to the elements all year round. The Pig, if any, was kept in the house, the most valuable possession. Sold for cash at local market. The main items in the house were a potato pot and water bucket. As well as mother, father and children, there could well be grandparents all living in the same cramped conditions. The family would sleep on rushes or straw lain on the floor. Most tenants were tenants 'at will ', which meant they could be evicted at the 'will' of the landlord. Some had a lease for the life of the father and the eldest son, and this meant they were relatively safe from eviction as long as they could pay their rent. There was a tradition of passing on a portion of your land from father to each of the sons, who would build a small dwelling, and in turn pass a portion onto their own sons. This cycle of subdivision meant that many families were surviving on a tiny plot of land from which to derive a crop of potatoes for the year. Women worked hard in this environment, rearing children, cooking, cleaning, tending to any animals such a pigs or chicken and when needed, helping in the potato field. Life was dictated by the annual rent due to the landlord. Other typical expenses could be the Hearth Tax (actually charged by the number of fire places in a house) Turf, Hay (for any farm animals) and tithes. A tax known as the tithes were calculated at one tenth the value of everything saleable. Tithes were a bitter issue. They were for the support of the Church of Ireland, Protestant Bishops and Ministers, and a cess tax for the construction and maintenance of Protestant Church buildings. The problem being that the vast majority of those paying the Tax were Catholic and paying to support something that was contrary to their beliefs. Potatoes were the staple diet from September through to the end of Spring of the following year. But the summer months were months of hunger and hardship as they waited for the following harvest to come in Autumn. During these months people had to resort to eating anything they could find; turnips, cabbage, even wild grass, nettles, wild berries and dandelions. Those who lived close to the sea would collect seaweed and use it spread on their land as a form of manure. The dependency of so much of the population on the Potato as their sole source of food was to prove disastrous during the Famine years. [http://www.youririshroots.com/irishhistory/tenant.php, accessed 14 December 2013]A woman spins wools, while another cards fleece in preparation for spinning. I man smokes a pipe by an open fireplace, while a cow takes shelter in the cabin for warmth. ballarat irish, cabin, spinning, wool, cow

The men on the motorbikes have goggles on their heads but no helmets. They are parked at the Five Ways intersection at Kalorama. The building behind them is the FiveWays Cafe. The image is from the album of Ivy Child and would be late 1920s. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing two men on motorcycles parked with a woman standing between them. Three old cars, a building, road and trees are visible behind them.Written below photograph in album: FIVE WAYSmotorcycle, motorbike, fiveways, five ways, fiveways cafe

Postcard showing a woman wearing a long dress and wide brimmed hat standing on a footbridge that crosses the Olinda Creek. Tree ferns and bushes are in the background. Taken early 1900s.On front of postcard: View near the Falls, Mount Dandenong. On back of post card: Mason, Firth & McCutcheon, Printers, Melbourne.mason, firth & mccutcheon, olinda falls, footbridge, bridge, mt dandenong, olinda creek