The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance.FANNY LAGAL (nee THOMPSON): Fanny arrived in Australia in the early 1920s. After her husband died she arrived on Phillip Island. She worked at "Summerland House" and later at the "Isle of Wight Hotel". She took great pride in keeping the altar linen and generally looking after the Anglican Church. Those who knew her said she was a gracious lady with a great sense of humour. Fanny went to a nursing home at Frankston where she resided until she died in February 1980, aged 90. Friends arranged for her to be buried at the Cemetery.phillip island cemetery, fanny lagal nee thompson, nancy mchaffie, edith jeffery

Between 1920 and 1930, moustaches progressively began to go out of fashion and hence moustache cup production gradually dwindled. This cup is an example of a common domestic item of its time.An ornate designed cup. Lower half is pink, edged all over in gold. Top is white. The moustache bridge is white. The saucer is plain white. The moustache cup is a drinking cup with a semicircular ledge inside. The ledge has a half moon-shaped opening to allow the passage of liquids and serves as a guard to keep moustaches dry. Saucer - Fine bone china, Shelley, Englandmoustache-cup domestic-items-crockery shelley

Cream coloured pure silk ladies' peticoat with shoe string straps and embroidered crossover front. Scalloped hemline.Label 'Pure Silk. Hand embroidered in China'

This plate came from St Ann’s School, Warrnambool. It was probably used in the boarding house section and may have been used for either soup or cereal. St Ann’s School opened in 1872 as St Mary’s Convent of Mercy School, Wyton, with the latter name being the name of the ex-John Ardlie house in which the school was initially established. There were eight foundation Sisters of Mercy. The name changed to St Ann’s Convent School in 1888 and in 1991 it amalgamated with the Warrnambool Christian Brothers College to form Emmanuel College.This plate is an interesting memento of St. Ann’s School in Warrnambool in the mid 20th century.This is a round china plate with a green and yellow band around the inner edge of the plate. There is also the emblem of the school with the name and motto. The plate has a dip or recess in the middle. The china is slightly crazed. ‘St. Anns Warrnambool Omnia Vincit Labor’ st ann’s school, warrnambool, emmanuel college, warrnambool

The Early Days of the Woolshed. A history of the early days of Woolshed, Reid's Creek, and Sebastopol of the owners of the Ovens Goldfield, North Eastern Victoria.G. F. Craiggoldfields, gold woolshed, reid's creek, sebpol

Correspondence from Harley W Forster re Book to be published - 'The Central Goldfields'. And request for financial support in publishing it. January 1969.person, individual, harley w forester, the central gold fields.

Photograph of a painting B L Becker ? Depicting goldfields commissioner J. Panton checking diggers licenses at the government camp Sandhurst.organization, government, official, goldfields commissioner. government camp, camp hill, early bendigo, j. panton

Colour photograph of a landscape known as Agitation Hill, Chewton. It was here that goldfields meetings against the license tax were held in 1851.chewton, agitation hill, goldfields agitation league

Joan O'Shea Collection. Locality diagram and notes for goldfield maps. Dunolly map set. Wedderburn, Berlin, Dunolly, Maryborough, Avoca.mining, company exploration, dunolly map set.

After gold was discovered to be deposited "for miles along Woolshed Valley" in the early 1850s, the Woolshed became a major site of mining activity in the north-east . This region was divided into large claims of 80 yards long, one of which was the one depicted in this photograph, called 'Big Johnson's Claim'. Claims such as this utilised a range of technology, including water wheels, steam engines, sluices and toms, most of which would not arrive until after 1856 when this photograph was taken. The Woolshed initially became prosperous in 1855, and labourers, such as the ones depicted in this photograph, engaged in sinking work for 7 pounds a week, whilst other mining labourers could earn up to nine. The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about the operations of mining claims, particularly of the Woolshed Valley area that this photograph documents. This image is important for current research into the history of Woolshed, which was a major site of mining significance and operations. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to gold sluicing and the Woolshed area which can be analysed and studied alongside images like this one. A black and white rectangular photograph printed on matte photographic paper.Reverse: 7791 / page 34. / 52% / Big Johnstone / Claim on Woolshed Goldfields / 1856 / Note canvas [illegible] building / Burke Museum /woolshed, mining, claims, mining claims, big johnson, gold

The Hotel Mansions was formerly the Grand Ozone Coffee Palace, erected in 1890 at a cost of around ten thousand pounds at the corner of Kepler and Koroit Streets by a group of local businessmen and leased out. Within 12 months of construction, it was granted a wine licence and was renamed the Ozone Hotel. Coffee Palaces were temperance hotels which were popular in the latter part of the 19th century. They offered recreation and superior accommodation. The Ozone Hotel operated until 1915 and was then closed before re-opening in 1920 as the Hotel Mansions. It had major renovations including a large theatre area. February 23rd 1929 saw the most spectacular fire in Warrnambool's history when the Hotel Mansions was burnt to the ground. Evelyn O'Brien was granted a temporary licence and in September 1930 she was given permission to rebuild. The new hotel, named Hotel Warrnambool was opened in March 1931. This piece of china is a relic from the fire.This piece of china is a small relic from the biggest fire ever to occur in Warrnambool and as such has strong historical significance.Fragment of burnt white, china plate from Hotel Mansions. There is a Hotel Mansions symbol etched inside an oval design on the front of the plate. The hotel side plate, heavily crazed and brown stained on both front and back.Stamp of "Ironstone Ch..." on back also an etched, sand blasted Hotel Mansions on front too faint to photograph effectively.warrnambool, ozone coffee palace warrnambool, grand ozone coffee palace, hotel mansions warrnambool, fire at the ozone, ozone hotel

The sketch was made by A.C. MacDonald, F.R.G.S. and presented to James Oddie, who was one of the earliest gold diggers at Ballarat..1) Reproduction of a line sketch plan of the Ballarat goldfield as it was on 11 October 1851 as drawn by A.C. MacDonald, and recopied by C.M. Yelland. The dots indicate appoximate extent of the Ballarat Goldfield in 1851. The dot and dash line indicates approximate area covered with tents. .2) Includes an indication of the locality of the Township of Baallarat West in 1867. Verso of cat. No. 4296.2, and written by Keith Rash - "On 10th October 1851, 1,300 licenses had been issued. 30th October 1851 2246 licenses. Lieut. Gov. LaTobe letter to Earl Grey." james oddie, a c macdonald, gold commissioner, mcleod, alfred clark, kavanagh, willis, highett, yarrowee river, a.c. macdonald, ballarat goldfield, ballaarat goldfield, lamda, c.m. yelland

One page document with a diagram showing reef lines and lease holdings in the central area of the Bendigo Goldfield. Reef lines shown are Sheepshead Line, Deborah Line, Garden Gully Line, Paddy's Gully Line, Hustlers Line. Sourced from Bendigo Goldfields Library, Central area. CD Rom 622.3422 BENbendigo, mining, lease holdings and reef lines

Laminated copy of two page newspaper article. Bendigo Advertiser Monday 24 July 2006."Bendigo's City of Gold is unearthed", article about the revival of production of gold from the Bendigo Goldfields. Plans include cross section through the mines/goldfield covering the New Chum, Sheepshead, Deborah and Garden Gully tunnelling. gold production in bendigo, kangaroo flat decline, aerial photo, revival

House hold item, 164.1- China cream blue flowers, 164.2- China white blue handles, 164.3- China brown 164.4- metal Sheffield #1004 6, 164.5- Coffee jug used in the film 'lost in the bush' 164.6-grey metal tea pot, 164.7- copper pot from Mrs Schurmanntea, pot, teapot, coffee, jug

Photograph of the Bendigo Cemetery showing some headstones among the trees. Caretakers cottage ?, Chapel ?, on the left of the shot with some children and an older man in front. There is a picket fence along the front of the cemetery and a cow standing on the roadway at the right hand edge of the photo.Batchelderplace, cemetery, bendigo cemetery, carpenter street, bendigo cemetery, batchelder

Alfred William Eustace (1820-1907), an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped beside the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. A.W. Eustace was a significant member of the Chiltern community during the 19th century and his artwork was displayed widely, even in European royal homes.Copy of sepia photograph of A.W. Eustace in a brown wooden oval frame with a copy of A.W. Eustace's signature across the bottom of the photograph.Sticker on back: 194 Sticker on back: MADE IN/ CHINA/ FABRIQUE 'AU/CHINEa.w.eustace, photograph, chiltern

Colour photograph of Eltham valley looking north west from Eltham Cemetery, December 1984eltham, eltham cemetery, cemeteries

Black and white photograph of view of Diamond Creek Cemetery through wrought iron gate 1965cemeteries, diamond creek, nillumbik cemetery, george w bell collection

Collection of information gathered by family members on their ancestors who lay in unmarked graves at the Lilydale Cemetery.

Six letters from 1994 to 1998 from the Friends of Bendigo Cemeteries to various Government Department.