Ladies orange-coloured suede shoes with pale-orange "fur" and apricot-coloured ribbon on toe area. opening of shoe has gold trim. Stored in Betta shoe-boxMade by Betta 6shoes, footwear, ladies, orange suede

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Unique collection of photographs showing the first years of an armoured regiment of the post-Second World War era Citizen Military Forces showing equipment, uniforms, training and social activity and some personalities.Black and white photograph of soldier in khaki drill shirt, ribbon bar, and beret. One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951." WOII Don Fryer, Cadre Staff, A Squadron"8/13 vmr, fryer, albury

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Khaki battledress jacket and trousers uniform complete with braces, shirt and tie. Jacket has ribbon bar, Warrant Officer Class Two badges of rank and Parachute qualification badge.vmr, uniform

Federation Stick pin with ribbon of white satin with map of Australia underneath Australian & Red Ensign flags, worded Australian Commonwealth One People One Future, fringed on bottom.event, official, federation

Certificate of Appreciation presented to Girton Grammar for their collaboration to the success of the Red Ribbon Rebellion re-enactment, August 27th 2014 Signed by the President of the Bendigo Historical Society Jim Evans.bendigo, history, red ribbon rebellion

"Calvert Model" hats were designed by Frank Tisdale. A Government Gazette of the State of New South Wales on Friday 7 September 1973 (No.117), page 3941, recorded that: "CALVERT MILLINERY PTY LIMITED (In Liquidation), formerly trading as Frank S. Tisdale.—A first and final dividend is intended to be declared in the above matter. If persons claiming to be creditors have not proved their debts or had their debts admitted by the liquidator by 24th September, 1973, they will be excluded from this dividend.—Dated this 3rd day of September, 1973. P. J. WOODWARD, Liquidator, 32 York Street, Sydney." Therefore the hat must predate 1973, and given that it is in the style favoured by the actress Audrey Hepburn (the style of the hat has been called an "Audrey") the hat probably dates to the 1960s.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned brown straw hat with a downward sloping rim. The design includes brown ribbon at the base of the crown. A label on the inside back rim identifiies the hat as "a Calvert Model".Label: "a Calvert Model"milliners, women's clothing, frank tisdale, calvert model

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Sleeveless chemisette with 3 pearl buttons decorated with 4 rings of cut work flowers. Ribbon threaded around the neckline. Bodice gathered to attach to peplum at waist line. Handworked.fashion and textiles collection - kew historical society, lace, women's clothing, underwear, undergarments, chemisettes

R&M Dower was a major millinery partnership located at 146 High Street, Kew in the 1940s and 1950s. Examples of this millinery firm's hats are in other major public collections, including the National Gallery of Victoria.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Small brimless woman’s hat retailed by R & M Dower of High Street, Kew. The structure of the hat is made of stiffened net, covered with multicoloured flowers, leaves and a purple ribbon.Label: R & M Dower, 146 High St., Kew. Phone WM 8527.r & m dower, milliners -- kew (vic.), women's clothing -- hats, headwear

The embroidery has been re-mounted and it is mid 19th century style of underskirt.White cotton underskirt with hand worked eyelet embroidery and medallions of Point Lace.Deep lace hem. Drawstring waist with placquet opening. Blue ribbon at waist and threaded through eyelets.underskirts, underwear

Compiled from photos sent to Wal Jack from various correspondents of various locations and lines within Liverpool, Edinburgh, Glasgow, Manchester, Leeds, London, Birmingham, Bristol, Leeds, Coventry, Bath, Sheffield, Plymouth, Portsmouth, Newcastle, Gateshead, Sunderland, Aberdeen, Dundee, Belfast, Bolton, Blackpool, Johannesburg, Calcutta, Durban, Pretoria, java, Heliopolis, Cairo and Cape Town. Each photo has been scanned and detailed. Has a strong association with Wal Jack and tramway developments until 1964 and given their extent it is of particular significance. Features United Kingdom and South African trams.Grey covered photograph album with word "Photographs on front cover, with large blue band binding, light brown paper inside covers holding some 27 sheets of card on which photos have been mounted using photo corners of various types, captions in white ink. Has some 176 black and white photographs and some colour photographs / postcards. Includes some loose illustrations of trams cut from magazines etc. trams, tramways, uk trams, south africa

Clothing. Women's cream coloured long sleeved linen nightgown. High round neckline trimmed with 1.5 cm dark pink and white lace. Front has three vertical tab sections (6-7 cm wide0 of dark pink and cream ribbon and lace insert. Underneath the tabs is a diagonal pattern of ribbon and pin tucks. front opening (24 cm) left of centre is fastened with two 1 cm plastic buttons and cotton loops. Long straight sleeves gathered into a cuff of dark pink and white ribbon and lace inserts. Fabric yoke across shoulders at back with body of nightgown pleated at centre back below fabric yoke. ''A'' shaped garment widening to hem.costume, female, women's cream colored linen nightgown

Given to Lydia Johns, mother of donor, by her cousin who lived at Strangways.Octagonal box made of gold embossed paper serviettes, Lined with pink cotton material and thick cellophane with holes punched around edges and then crocheted together with pink cotton thread. A lid made of the same material with a floral medallion in the centre with pink ribbon threaded through flower . Finished with lace crocheted around edge. Four pink ribbon bows placed around edge. Lined with pink cotton gathered . Seven rows of pink & blue flowered braid. The name of Lydia in gold printing on pink ribbon diagonally across lid with 14 small gold medallions placed between the rows. There is a tassel of pink cotton and two crochet cord to help hold up the lid.LYDIApersonal effects, containers

Congratulatory letter sent to F.G. Davey from Air Vice Marshall H.N. Wrigley on the occasion of Davey being awarded the DFC. Enclosed with the letter was a piece of DFC ribbon. Part of the F.G. Davey Collection. See catalogue no. 3536P for his service record.Black and white photocopy of an original letter to F.G. Davey on Commonwealth of Australia and Royal Australian Air Force letterhead. Wording is in black type.Photocopy of original handwritten name: 'Davey' Photocopy of sender's handwritten signature: 'H.N. Wrigley'distinguished flying cross, medals, f.g. davey, letters, raaf

This replica set is a representation of the medal awarded for war time service. Australian Service Medal; War Medal 1939-45; Defence Medal;Pacific Star 4; 1939-45 Star; Oak Leaf attached to ribbon of the 1939/45 War MedalReplica court mounted WWII war medals comprising 5 medals Australian Service Medal , 1939/45 War Medal with Oak Leaf, Australian Defence Medal, The Pacific Star and the 1939/45 Star. ww2, world war 2, medals, court mounted medals, replica court mounted medals, oak leaf

Sympathy cards for the death of "Mervyn Clive Townsend" KIA on 15/11/41 on the sinking of HMAS SYDNEY by HSK Kormoran. Refer No. 2313P for Townsends service.Small white folded sympathy cards. 1. Double folded sheet with message inside in black writing and "Sympathy" on front. 2. 4 page card tied with black ribbon with flag and wreath on front and "In Remembrance" . 3. Double folded sheet with message on front "With Sympathy and deep regret". 4. Four page card with black ribbon. On front "Kindest Sympathy" over top some flowers. 5. Double folded sheet with "Sympathy". 1. From Mr. & Mrs. C.L. Stewart, East Melbourne. 2. From Rosemary Graham, Wedderburn. 3. From Veda Ashford. 4. From Mr. & Mrs Cowling, Bendigo. 5. From C. M. Crum, Bendigo.hmas sydney, hsk kormoran, ww2, mervyn clive townsend

Peter Ball collection, refer Cat No 4704.Hardcover book with dust cover. Cover - cardboard with adhered paper cover. White print. Dust cover - paper with white print. On front and spine with black background. Illustrated in colour - front selection of 8 ribbons worn by Australians. Back - portrait of a soldier in uniform (Field Marshal Sir Thomas Blamey) 136 pages, cut, plain, white paper. Illustrated colour photographs of ribbons and medals. Handwritten - signature of author and owner's name.Handwritten - front end paper, owner's name "Peter C Ball". Title Page, signature of author "Rick Grebert".books, reference guide, history, military warfare

Lemon coloured ribbon, 2.5 cm wide, hand stitched and gathered, over a horseshoe shape - possibly a cardboard shape. A narrow .5cm lemon ribbon bow is attached at the centre top and extends into a 70cm (total length then folded in half) to make a 35cm loop, to hang over the arm. Merle's Grandmother was married in 1892. She celebrated her Golden Wedding in 1942. This horseshoe was a gift on this occasion - Grandparents,Alice and Charles Geuer.costume accessories, clothes accessories, golden wedding celebration horseshoe

Clothing. Infant's ivory coloured waisted silk dress. High round neckline with one cm lace trim. Bodice extends to short sleeves with 2.5 cm eyelet lace at hem. Embroidered leaves and vines at centre frfont of bodice. Eyelet lace around waistline (1.5 cm) with gathered skirt. Centre back opening (22 cm) fastened at neck with one press-stud and ribbon tie at waist ( Ribbon missing).costume, children's, infant's ivory coloured silk dress

Textiles, pink cotton lingerie or stocking bag with fold over envelope style flap at back over opening. Front has overlay of cream coloured tapestry fabric with pulled thread work embroidered with pink cross stitch and line patterns. Three decorative 2 cm pink satin ribbon bows in three corners. Fourth ribbon detached (stored in bag). 4 cm gathered cream lace edging on four sides.textiles, domestic, pink cotton lingerie bag

Textiles. Cream coloured cotton pillow sham. Centre panel (60cm X 32cm) made up of six pieces of scalloped edged embroidered fabric. Scalloped edges stitched together to form one horizontal and two vertical lines of open circular shapes (2cm). Centre panel edged with threading ribbon. (No ribbon). Pillow sham has border of lace (10cm) with floral pattern.Old box 75, Yellow label 183.textiles, domestic, cream coloured cotton pillow sham

Clothing. Cardboard frame, covered with closely gathered tulle, which forms a frill on both edges of the frame. Two satin and organza, five patelled flowers decorate the horse shoe - one on either side of the lower edges. Two silk ribbon leaves are decorative on each side of the face of the horse shoe. A 5 mm wide ribbon is attached with a bow at the top and a 25 cm long loop to wear over the bride's arm.costume accessories, female, tulle covered horse shoe

MOK001.1 - MOK001.10 Methodist Order of Knights Pages yellow cotton shields with a vertical light blue ribbon and a navy blue vertical ribbon. Each shield has an officer bearer's metal symbol in the top right quadrant. The collar is of white cotton. MOK001.1 Court Leader; MOK001.2 Dean; MOK001.3 Marshall; MOK001.4 Secretary; MOK001.5 Chancellor; MOK001.6 Companion; MOK001.7 Provost Marshall; MOK001.8 Marshall; MOK001.9 Guardian; MOK001.10 Minstrel.methodist order of knights

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Two piece olive green and gold shot silk dress comprised of a skirt and top. The very full skirt has a scalloped edge front panel with bands of grey/green silk ribbon. The scalloped panels seem to be backed with later lining fabric (sic). The bodice has decorative buttons at the front from the high round neck to the waist. The bodice, like the skirt has a scalloped panel at the front, which is edged with ribbon. netta fuller, australian fashion - 1860s, women's clothing - 1860s, dresses - 1860s

A Chemold Roy Emerson tennis racquet, with ribbon whipping around shoulders and shaft, and mottled rubber handle grip. Chemold logo features across base of head. A decal image of the United States coat-of-arms features on the throat. Decal of Emerson signature features across the centre of the shaft. Plain, white plastic butt cap. Materials: Wood, Nylon, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Ribbon, Paint, Adhesive tapetennis

A Chemold Roy Emerson tennis racquet, with ribbon whipping around shoulders and shaft, and mottled rubber handle grip. Chemold logo features across base of head. A decal image of the United States coat-of-arms features on the throat. Decal of Emerson signature features across the centre of the shaft. Plain, white plastic butt cap. Materials: Wood, Nylon, Ink, Plastic, Rubber, Glue, Lacquer, Metal, Ribbon, Paint, Adhesive tapetennis

A Rawlings, Earl Buchholz Signature tennis racquet, with ribbon whipping around shoulders, and mottled leather handle grip. Rawlings logo features across base of head. Model name features across throat. Inscription: LAMINATED CONSTRUCTION, features along shaft. Rawlings 'R' trademark features on lower shaft, and plastic butt cover. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Ribbon, Adhesive tape, Paint, Rubbertennis

A Rawlings, Billy Martin Big Shot tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with X-formation perforations. Rawlings logo features across base of head. Model name features across throat and along the shaft. Cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, Ribbon, Enamel, Adhesive tapetennis

A Davis Imperial, walnut-fibreglass composite tennis racquet, with an open throat and large head. Racquet features ribbon whipping around shoulders, and plain leather handle grip. Model name features across base of head. Davis logo features along shaft TAD trademark features on rubber butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Ribbon, Leather, Adhesive tape, Rubber, Fibreglass, Painttennis

A Bancroft Billie Jean King Signature tennis racquet, with wholly laminated wood frame, ribbon whipping around shoulders, and leather handle with triangle-patterned perforations. Bancroft logo features across base of head. Throat features model name. Wreathed 'B' trademark on lower shaft, and red 'B' trademark on butt cap. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Adhesive tape, Ribbontennis

A Bancroft Bjorn Borg Monte Carlo tennis racquet, with bamboo lamination, ribbon whipping around shoulders, and leather handle with X-formation perforations. Bancroft logo features across base of head. Throat and shaft feature model name and 'Bjorn Borg' logo, along with 'BJ' trademark. 'B' trademark features on lower shaft, and butt cap. Materials: Wood, Nylon, Leather, Glue, Lacquer, Metal, Ink, Plastic, Paint, Ribbontennis