Photograph, Bert Graham Collection, 10 ladies seated with a younger boy at the left. Written on back in pencil; see later photo.bendigo, clubs, bendigo east swimming club

Newspaper article describing the performance of Marjorie Lawrence at the Capital Theatre in Bendigo, July 12, 1939. See Lydia Chancellor Collection.bendigo, history, wartime entertainment, lydia chancellor collection, collection, music, theatre, capital theatre, singing

Shows trams 6, 19, 1, 25 and 18 at the front of the Geelong tram depot - late 1920's. Each tram has the MESCo destination lights on the roof. Printed by the donor from a negative from Lindsay Crow.Shows Geelong tram depot and some of the trams operated by the Melbourne Electric Supply Co. Metal framed photograph with card backing, glazed and hanging cord. See image i4 for a large size file provided by the donor.geelong, trams, tramways, tramcars, tram 6, tram 19, tram 1, tram 25, tram 18, mesco

Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Two preliminary sketches of the terrace houses at 7 and 9 Doona Avenue, Kew. See 1980.0024 for a more complete monochrome drawing. Signed: "JStewart".joy stewart, doona avenue (kew)

Note by T.H. Kneen 24 June 1992, "Can identify Mr. Talbot Chief Veterinary Officer Department of Agriculture - bald headed gentleman seated towards right. Second from his right is Mrs. D. Kneen, Principal's wife. The N.U.P.B.A. Field Days were held annually. At that time the Egg-Laying Competition was under the administrative control of the School of Horticulture." .Black and white photograph. Large group of men, women and children gathered on the lawn in front of the Administration Building. Also see B91.269On reverse, "N.U.P.B.A. Field Day Feb 1953." (National Union of Poultry Breeders Association?)men, women, children, lawn, administration building, nupba, field day, 1953, national union of poultry breeders association, mr. talbot, chief veterinary officer, department of agriculture, principal's wife, egg-laying competition, school of horticulture, mrs d kneen

Principalships of John Paul McLennan, (1917-21) Frederick James Rae (1922-5) and Alexander William Jessep (1926-41)Bound booklet of unused certificates and stubs of certificates issued to students between 1917 and 1937. (See paper catalogue for list of students.)students, part time class in horticulture, part time certificates, certificates

Used by Robin Da Costa in 'Blackburn - A Picturesque History'Black and white photo of Grades 6,7, and 8 of Blackburn state School in 1924. See page 76 of Da Costa book.blackburn state school, no. 2923

Yields information about Ballarat 's 29 decorated for the 1939 Ballarat Floral Festival and its appearance and its use and publicity.Digital image from the Wal Jack Ballarat Album of a photograph featuring the 1939 Floral Tram, Ballarat No. 29 decorated for the 1939 floral festival at the depot looking outwards towards Lake Wendouree with a motor car in the background. Wal's Album notes give the date as 4-3-1939. Very similar to Reg Item 1369, may have been another print of the same photograph that has been trimmed to suit. Printed on Kodak paper, but no other details. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative See Reg Item 7537 for another photo, at the time of the launch with the girls.trams, tramways, floral tram, decorated trams, depot, tram 29

Yields information about the appearance of No. 25 promoting Made in Australia week during 1958.Digital image from the Wal Jack Ballarat Album of a photograph of No. 25 at the City Terminus, carrying banners for Made in Australia Week. In front of the tram is a conductor with a point bar and a very cold looking driver with a great coat on. Tram has a sheet with an Australian flag painted onto it, with holes made for the lights on the front of the tram, and three panels that have been fixed to the side of the tram. Tram has the destination of Victoria St. The Town Hall is in the background. Photo by Wal Jack 18-9-1958. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative See Reg Item 7763 for another photo of the tram.On rear of photograph in ink "SEC, Ballarat No.25 with Made in Australia posters, Sturt St from Lydiard St 18th Sept. '58" and in top right hand corner, Wal Jack stamp with "T248" written in.trams, tramways, sturt st, advertisements, made in australia week, crews, conductors, drivers, tram 25

Digital Image of Geelong No. 35 at the Belmont terminus, c 1950. Tram has the destination of Belmont. The conductor is standing in one of the doorways. Photo taken by Ken McCarthy, via Bill Parkinson - see email from Greg King of 13-9-2018. See Reg Item 7836 for a similar image by Wal Jacktrams, tramways, geelong, belmont, conductors, tram 35

Colour photograph of John Phillips welding a track joint just before the Carlton St. terminus, watched by Barry McCandlish on 30/1/1993. Photo by Richard Gilbert. On Kodak paper. See March 1993 issue of Fares Please! for another photograph and the story on page 8. See March 1993 Fares Please!trackwork, wendouree parade, carlton st., welding

Demonstrates the use of the trams in the city area of Ballarat, late 1950's and their use.Black and white photograph of Ballarat 28 and a bogie tram at the Sturt St City stop, south side. No. 28 has the destination of Bell St. The driver is awaiting the bells to proceed. Photographer unknown - see history of object. See Keith Kings, The Bendigo Tramways, re the fitting of reflective tape in 1956, page 59.In the rear in pencil - "Ballarat"trams, tramways, city, sturt st, lydiard st, tram 28

Yields information about how bogie trams were transported to Ballarat from Geelong.Negative and Digital images of the Wal Jack Ballarat Negative file of Geelong No. 39 being delivered to Ballarat, later became Ballarat 41 - see Reg Item 5343 also. Photographed by Wal Jack 15-2-1956. Has destination of Newtown. See also Reg Item 5341 for another photograph of the event. trams, tramways, delivery of tramcars, bogie trams, depot, tram 39 tram 41

These original columns are marble, made in 113AD. They come from Rome, Italy and are held in the Cast Courts at the Victoria & Albert Museum, London. The collection of casts at the museum is one of the most important in the world. Their original purpose was educational when it was not easy to trail and see original works. they thus provided an opportunity for students to study. The Cast Courts opened in 1873 and allowed the display of large monuments. These galleries are currently divided by nationality. Photograph of a cast of Trajan's Column at the Victoria & Albert Museum, London. The column has been displayed in two parts. he massive cast is a tremendous feat of both engineering and casting. Displayed in the Architectural Courts from the time of their opening in 1873, it provided the opportunity for students (and others not able to travel to Rome) to see this iconic monument of the classical world. The cast of the column is made up of sections of plaster reliefs that are attached to an inner chimney built of brick. Each section was individually numbered so that the column could easily be assembled like a giant jigsaw puzzle. (http://www.vam.ac.uk/content/articles/t/trajans-column/)trajan's column, roman forum, plaster casts

This White Goshawk is the white colour morph of the Grey Goshawk. Is a moderate-sized hawk that measures 38 - 55 cm in length, and has a wingspan of 70 - 110 cm. It is native to Australia, and found in rainforest, forests, open forest and thickly-wooded watercourses. It mostly occurs in southeastern and northwestern Australia, and in Tasmania, all Grey Goshawks are white-phase. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This White Goshawk is white all over, with hints of beige around its eyes. The bird's legs are a yellow-beige colour, and its beak grey and white. This specimen stands on a perch, mounted upon a wooden platform, and has an identification tag tied around its leg.Swing tag: 5. / White Goshawk / See Catalogue, page 2 / Mount: 5 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, hawk, white goshawk, accipitridae

Interestingly, the name "Hardhead" does not refer to the density of this species skull. Instead, it refers to the difficulty encountered by early taxidermies in styling the bird's head. This particular breed of Duck is smaller than average and are often found in the coastal regions of Australia. They are also known to reside in New Guinea, New Zealand and the Pacific Islands. This species was formerly known as the 'White-eyed Duck"; however, since the female Hardhead have dark eyes, this species was renamed the "Hardhead" Duck. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Hardhead specimen is a stocky medium-sized duck with chocolate brown colouring. The bird has paler white/ cream coloured plumage on the stomach and neck. The bill is a grey black colour and the eyes are made of a grey glass with a black pupil. The lighter brown colour of this specimen's head could refer to its identification as female or could be due to the taxidermy process or the impact of age on the colouring of the specimen. Female Hardheads have brown eyes, while the male have strikingly pale white/grey eyes. The bird has large webbed feet which are attached to the wooden platform it stands upon. The platform is inscribed on the left with the number 138.7a. / White-eyed Duck / See Catalogue, Page 39. / 138 on the wooden platformtaxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, heron, duck, australaisian shovelor, shovelor

Black and white photograph of Marianne Hardidge standing in garden. Circa 1940's"Written on back of photograph" Marianne Hardidge See also Registration no 4822 - Nurse Maggs.

Folded printed paper souvenir of a sports tournament held aboard the HMAT ORSOVA (A67) whilst transporting Australian troops from Fremantle to Suez in April 1916. The document records the winning participants and results of a variety of sporting events held on Wednesday, March 22nd, Wednesday, March 29th and Wednesday, April 5th. There are also results of a boxing competition. The events concluded on Friday, 7th April, 1916. this is damaged having torn along fold lines in the paper.This souvenir was printed at sea aboard the HMAT ORSOVA. See digital images for full details.

Unable to determine a specific company that manufactured this doll many Japanese companies manufactured dolls of this type for export and these were only marked "Nippon" to show country of manufacture. These dolls marked this way were in production from around 1920 until 1941 when Japanese toy factories began to manufacturing items for war.Unable to be determined provenance relating to specific Japanese manufacturer. The doll is an example of a children's toy from the 1920s-1940s.Porcelain Doll in white fabric dress Doll, female, has porcelain face, composite body with swivel head and limbs. Head has long brown curly mohair wig attached into a hole in the pate; several doll-sized hairpins hold hair in place. Face has open mouth showing two porcelain front teeth, brown eyes of hand blown glass and hand painted features. Back of neck has two pressed holes above maker’s mark. Doll has removable white silk socks and brown shoes with tied ankle strap and hard soles. Doll is wearing old fashioned cream coloured knitted woollen singlet, cream flannel vest with draw-string cotton bodice and scalloped edge. The doll also has a more modern style white cotton dress with pink smocking. Inscription pressed into back of neck, shaded with pencil, "Nippon"Maker’s Mark “NIPPON” (See media section this document for a list of possible manufactures of doll)flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, doll, nippon, nippon novelty company, porcelain, japanese doll manufacturer, porcelain doll, vintage doll

Machete with cord loop through handleLEGITIMUS COLLINS & CO MADE IN U.S.A. No 1250 1943 (see Media for further detail)

The RAAF retained the Ballarat airfield as its Radio School until 1961. The then-Shire of Ballarat negotiated with the Department of Interior to become the civil operator of the airfield and sought the maintenance on site of the hangars and other structures, however a majority of the P Huts were sold by the Commonwealth. (Wikipedia) Sir William Hudson was a New Zealand-born engineer who headed construction of the Snowy Mountains Scheme for hydroelectricity and irrigation in Australia from 1949 to 1967, when he reluctantly retired at 71. The scheme was completed in 1974, under budget and before time. (Wikipedia)A car with the registration plates HFP949 is stopped by a number of male students from the Ballarat School of Mines. It is a reception for Sir William Hudson at the RAAF station (Ballarat airport). Verso: R.A.A.F. Station 1961. See Magazine Reception for Sir William Hudson Visit. ballarat school of mines, raaf, ballarat airport, students, william hudson, sir william hudson, raaf bas, student activity

Black and white photograph mounted on board of Williamstown High School, Form 3B 1946.On back of photograph: 1946 Alex P????e 397 6528 (see PDF above).williamstown high school, 1946, class photographs, form 3b, students

Grey cloth covered book used by Barbara Muster in her studies at Williamstown High School, whilst in Form 3B, 1964. 231 pages.See JPG's above for inscription inside front ocover and other notes made on the endpapers.williamstown high school, 1964, textbooks, barbara muster

Hand tinted photo print. One of two of 4 portraits of grandparents of Baillieu - Latham descendants: water colour portraits in plain wooden frame. Signed Foster and Martin. See bk288 - The Colony and its People in 1888, p.518.

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.Style / "Favourite" / See page 2 / Vol. 10 / A Patons & Baldwins' Publication - 1'-knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments. This issue has a London theme - all the garments are named after London streets or districts and there are small sketches of London locations throughout.Style / "MAYFAIR" / See page 10 / Vol. 12 / A Patons & Baldwins' Publication / 1'4knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This knitting pattern leaflet was published by Patons and Baldwins and contains knitting patterns for womens garments in larger sizes.Patons / KNITTING BOOK / NO. 230 / O.S. SIZES / "GLORIA" / See page 10 / 6d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history