The photograph features Anastasios Vlassopoulos (Kioukiouris) with his three daughters-in-law, Ekaterini, Korina and Elena, and three little grandsons. They are from L-R: Ekaterina (nee Paxinos), Korina (nee Raftopoulos), John, Anastasios, baby Aleko held by his grandfather Anastasios, Elena (nee Raftopoulos) and Peter. The photograph was taken in the village of Lahos shortly before Ekaterina and son Peter emigrated to Australia to be reunited with her husband, John. Elena remained in Ithaca, as did Korina whose son Aleko Vlassopoulos migrated to Australia following World War 2. Ithacan migration to Australia before World War 2 was unassisted. Generally it followed a pattern of chain migration with family members following one another. The men arrived first with the intention of either returning or saving enough money to bring their wives and families out when they had become financially established. Most men did not return. Some families were reunited while some wives and children never saw their husbands and fathers again.A black and white photograph of a family group of seven people - an elderly man, three young women, two little boys and and a baby.chain. migration

Photographed from L-R Eleni Paliogiannis, Anthi Chilianis, Artemis Scotis (Sikiotis) at a restaurant whilst on a day trip to regional Victoria organised by the IPS. Events such as day trips and picnics were a very important means through which many Ithacans stayed connected. In particular, for the senior members, activities such as day trips were a welcome social outing. A coloured photograph of three ladies in a restaurant. Two ladies are sitting down and the other is standing behind them talking to one of the women.

This is a photograph of eight of the nine first elected Councillors of Carrum 1920/21Black and white photograph of men, women and children c1920. The men are eight of nine first elected councillors of Carrum. Original framed.chelsea, local government

Also a second black and white postcard showing two rowboats on river at wide bend 05350.1 8.5 x 13.5 cmBlack and white postcard showing view of Upper Nicholson River with three women shown, water level low Nicholson VictoriaNicholson River waterways, boats and boating

See 405-01Sepia photograph of 5 women and a young girl sitting on a bench and the ground outdoors. Girl is eating fruit and a basket of fruit is on the ground.Fruit Gardens French Islandphotographs, french island, fashions

Account of the indexing project providing an index to the names and addresses of the women who signed the Women's Petition in 1891, which is available online on the Parliament of Victoria's website. The Women's Petition sought equal voting rights for women.1 p. article from Ancestor, Vol. 29, No. 4, December 2008womens suffrage petition, monster petition, womens suffrage, women's petition 1891

Part of the Bennetts Collection. Personnel named in 5. also appear in 4. See Catalogue No. 9726P for details of service for "Alva Marie Bennetts".Five black and white and sepia photographs. 1. Black and white photograph of a woman in uniform, standing in an open field. Photograph has a white border. 2. Black and white photograph of two women in uniform in front of a building. Photo has a white border. 3. Sepia toned photograph of three women. Woman in middle is in uniform. Photo has a white border. 4. Sepia toned photo of a group of men and women standing in the doorway of a weatherboard building. Two women in uniform and two men in uniform. Photo has a white border. 5. Sepia toned photograph of four men stranding and kneeling in front of a weatherboard building labelled "Canteen". Half of lady in uniform in No. 4 is visible on RHS of photo.1. Handwritten on back in blue ink: 'JAPAN'. 2 & 4. Stamped on back of each: 'KODAK PRINT' (in a circle. 5. Handwritten on back in black ink: 'Standing from left: - Jim, Harold, Behenna (S.A.), "Scotty" and front Laurie!bennetts collection, alva bennetts, photographs, aamws, bcof

Photograph of three men and two women. The women are wearing long formal frocks buttoned up at the front, and the men are wearing formal 3-piece suits, . The names are written on the back; A.J. Hicks, minister MLC, Albert Hooper (died at 31), Ada Hooper, John Hooper (Grandpa), Mrs. Hooper (nee Tonkin)Bloomfield Rees, Eaglehawkperson, family, hooper, a.j. hicks, albert hooper, john hooper, mrs hooper, tonkin

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Vietnamese refugees from the war in North Vietnam, mainly women construct a refugee village at Tuy Hoa, in 2 Corps, of South Vietnam. The absence of males amongst the regugees was very notable and to some, even more suspicious. The women are wearing tradional black pyjamas the unofficial uniform of the Viet Cong.photograph, refugee village, tuy hoa, viet cong, gibbons collection catalogue, vietnamese refugees, 2 corps, denis gibbons

These items do not necessarily form a set. Several of the items are of miniature size and may have been samples for commercial travellers or shop displays or possibly used by women travelling. All of the items have their modern-day equivalents though hand fans are not widely used today.These items are retained as examples of women’s accessories as used in past years. The sample-size items have a particular appeal to us today.This is a collection of women’s accessories and make-up items with most of the items being of miniature or sample size. .1 Green bakelite fan with a white ribbon insert and fretwork at the top curved end of the fan. .2 Three lipsticks with red lids and black and gold metal inserts. .3 One lipstick with a pink lid and a silver and red metal insert. .4 Two lipsticks with gold lids and gold metal inserts. .5 Green tin of talcum powder with a white lid .6 Manicure set in a green bakelite container with four metal manicure items with green handles and an emery board. This set holder also contains a 5d. tramway ticket from Melbourne. These items above are in an old metal chocolate tin but this is not the container that would have housed the items originally. ‘Michel’ ‘Anne Page’ ‘Starlet’ ‘Judith Aden’ ‘Cashmere Bouquet Colgate’ ‘Pascall Claremont Tasmania’ vintage women’s accessories, history of warrnambool

Photo taken at the Grinton home at Tragowel near Kerang in 1919. JACK GRINTON. Refer Cat No. 1280 for his service history. BERT GRINTON No. 5024 38th Bn - Refer to Cat No. 1320P for service history.Photograph - framed. Photograph - black and white photograph on paper depicts an informal group portrait of two men and four women; two women seated. 3rd left, Bert Grinton. Background - verandah of timber house with a "WELCOME" banner suspended from verandah posts. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "C. Welcome Home". framed accessories, camera on the somme, ww1, 38th bn, grinton

Con Konker CollectionBlack & white photo of women in bathers, standing on a platform, in front of a building with a striped roof. People standing between platform and building. Women are all wearing shashes which read : L to R. Miss Henty Beach 1953; Miss Dutton Beach 1953; Miss Portland 1953 ; Miss Coleraine 1953; ? ; ? ; Miss Hamilton 1953

Photograph (Proof 63) of a group of six adults standing in front of the verandah of a farmhouse. There are three men and three women , one of the women is holding and infant. In the foreground there is an unpainted picket fence. VERY faded names can be seen written around the edges of the photo, viz., Samuel and Sarah, Henrietta Wright, Samuel , Robert, Frank, Blanchebuildings, house, farn huose, farm house

Copies of two photos. Top, Mothers' Club Concert, left to right Billie Bell, Ettie Hawley, May Stephens, unknown, Lois Harley. Women are dressed in striped costumes. Bottom: Mothers' Club concert: left to right Ettie Hawley, Bess Rofe ?, Lois Hawley, Glad Rowe. Women dressed in oriental costumes.education, primary, golden square laurel st p.s.

Colour photograph. Rooftop during restoration works. Five women standing by the south east turret in white hard hats during a tour of the building. Left to right: Chair Janet England, Minister for the Arts Lorraine Elliot, Architect Yvonne von Hartel, Minister for Women's Affairs Jan Wade, General Manager Glenys Sharma. official events, historic buildings, parliamentary representatives, architects, building construction

A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. Opening Ceremony Uniform included a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy.8120.1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag. 8120.2 - unnumbered- mounted on green card this sketchbook page depicts a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt and yellow gloves. 8120.3 - unnumbered- A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Women's Opening/Closing Ceremony Uniform. The main drawing shows the design for a dark green skirt, a yellow printed sleeveless button up shirt, a matching headband and scarf, yellow gloves and brown leather shoes. To the right of the main image are five detail drawings of the skirt, gloves, shoes and scarf as well as a depiction of a brown leather bag.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform

This trophy was presented by the Country Women's Association (C.W.A) Kiewa Valley Branch circa 1950's and 1960s. This was in a period when the C.W.A. was the major women's organisation which had the greatest influence among rural women (especially in isolated areas). This was a period when broad based communications were mainly by radio,women orientated magazines and the telephone. The CWA was an organisation that catered exclusively to women's needs. The C.W.A. motto; "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."The atmosphere was one of "sisterhood" and covered nearly all the needs of rural based women. This one organisation incorporated knowledge and learning targeting women who physically may be isolated but not mentally. This particular trophy was for the "most outstanding Item" in the years: 1956,1958, 1959, 1961, 1963, 1964, 1965.The Kiewa Valley Group of the C.W.A. was a focal point for women in this still relatively isolated rural region a place of refuge from the heavy domestic demands that family and business exerted. It provided for women needs of a time and space to gain all the mental relaxation and group bonding necessary to balance the sometimes harsh environment that rural life presented. It provided companionship and "self worth" avenues through competitions in various activities. Unlike the rural males retreat to the local pub for male bonding women's retreat to the CWA provided a greater facility to interact with other women, of like minds, which for the majority of time benefited their families as well.This item has been manufactured in the form of a "flower" vase. It is made from bronze and is silver plated. It resembles the ancient Olympic torch, with a wide rim at the top and narrowing to the base. The base is circular and has three wave like forms cascading from the base of the "stem" to the bottom of the base."HICKEN TROPHY 1956"mementos, acknowledgement, cwa awards, trophies, rural women's club

Relates the story of Australian women in politics, the women’s movement and the role played by women from inside and outside of politics from the 1920’s to the 1980’s This book provides an account of the influence women have had on the political agenda in the period 1920 to 1980. White paperback with green text and purple figure a a woman standing at a microphone on front cover. Text in purple on the back cover. 235 pages Lesley Scholes written in black pen inside front cover.australian women's movement 1920-1980, warrnambool, marian sawer, marian simms, a woman's place

Home Cookery for Australia compiled and issued under auspices of the Presbyterian Women's Missionary Union of Victoria Publisher: Gordon & Gotch Date: 1904 warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, cook book, home cookery for australia, presbyterian women's missionary union of victoria, pwmu

One of a collection of 13 photographs donated by Ralph Correy.Coloured photograph of the Shelter at The Nobbies. Three women sitting on the ground near the back of a horse drawn carriage. Three men walking away.the nobbies phillip island, ralph correy, shelter at the nobbies, the nobbies shelter

Lillie and Olive Duncan are sisters. Unknown if "Father" is their father, David Hood Duncan or the photographer's father.Small black and white photograph depicting three young women sitting on the grass and an older man standing behind them. In the background a house.lillie duncan, olive duncan, david hood duncan, lillian duncan, duncan album

assortment of badges. NSW Country Women's Association ; Royal Victorian Institute For The blind Auxiliary ; Orbost Memorial Hall-1926 ; Red CrossCWA badge - Angus & Coote RVIB - Stokes + Son Melb. Red Cross - Parkes Bris. 2/-badges costume-accessories nsw-country-womens-association royal-victorian-institute-for-the-blind orbost-memorial-hall red-cross

First croquet committee in Orbost started up in 1919. (ref : The Whos' Who of Orbost Settlers - Mary Gilbert). Often croquet lawns were in private gardens eg. at Connort (now Moogji). (Date on photograph?)This item is part of the history of Orbost Croquet Club. In the museum, there is also a mallet, a trophy and a photo of the first committee.A framed black/white photograph. It is of six women standing on a croquet lawn holding mallets. All are wearing hats. The frame is brown wood.On a glued sheet of paper - First Croquet Committee Orbost - 1929 Mrs Neil Edgar..........Mrs Dave Pardew Mrs Molly Dreverman Mrs Carl Dreverman (President) Miss M. Reynolds Mrs A. Nixon Mrs G. Hovey

An early black and white photograph taken near the entrance gatehouse to "The Hermitage" at Narbethong in Victoria.An early black and white photograph taken near the entrance gatehouse to "The Hermitage" at Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt