This souvenir plate was sold to tourists in Warrnambool in the 20th century. It features an image of a popular tourist spot off the coast of Warrnambool – Thunder Point. Tourism has always been an important industry in Warrnambool and souvenir items such as this one continue to be sold, although colour images would most likely be used now. This plate is of interest as an example of items sold to local tourists in the 20th century. It will be useful for display. This is a circular glass plate with a ripple pattern on the rim and an outer edge with the glass heavily-impressed and patterned. The base of the plate has a sepia-coloured image of Thunder Point, Warrnambool. The image has been taken from a photograph. This has been affixed to the back of the plate and has a dark blue backing. ‘Thunder Point Warrnambool’ tourism in warrnambool

This book (a reprint of a book first published in 1986) was written by Jean MacKenzie and details the life of her grandmother, Jessie MacGillivray. Much of the information on Jessie MacGillivray comes directly from the diaries she kept. The book is also a great social history of 19th century and early 20th century Peterborough and district. This book is of considerable interest as it contains historical information on one family in particular and a region (Peterborough and district). Many of the people and events mentioned had a direct bearing on Warrnambool’s history (eg. James McKain Meek, local shipwrecks). This is a soft cover book of 144 pages plus 16 pages of black and white photographs and other images. The front cover has a buff-coloured background featuring some original diary writing with an inset of a black and white photograph of Jessie MacGillivray. The back cover has a black and white photograph of the Peterborough coastline. The book has 16 chapters of text.peterborough (vic.) history, history of warrnambool, jessie macgillivray

Description of the project being carried out by the Springthorpe community in partnership with La Trobe University and others, to gather historical information about the Springthorpe/Mont Park area during the 20th century [report by Anne Paul on a talk given by Nicholas Abbey to Greensborough Historical Society meeting 25 February 2017]2 p typescriptspringthorpe estate, nicholas abbey, mont park, macleod, springthorpe and la trobe heritage project

Black and white image of Cheltenham in the early 20th Century depicts an almost idyllic life. This photo was taken by Percy Fairlam, who climbed a tall pine tree to achieve the aerial view. The tree was a well recognised feature of the Cheltenham skyline but was cut down some time before World War II.Cheltenham was established as a rural market gardening community. The development of the railway was crucial to the ongoing development of the area. Community life sprung up around the railway line which is evident in the proximity of shopping and leisure.Black and white image depicting aerial view down Charman Road, Cheltenham, including the unsealed road, level crossing and shopping centre. What appears to be a cricket pitch is located behind the shops.Handwritten in black ink on a red round sticker adhered to the reverse, and then crossed out: X14 Handwritten in blue ink on reverse: A8 Handwritten in red ink on reverse: 85%cheltenham, railway crossing, roads, housing, shopping strip

These items are original records from the Warrnambool City Council and contain information on land sales and sub-divisions within the city area for the second half of the 20th century. The ledger contains the names of those involved in the sale and transfer of land and the file cards give illustrative details of the allotments – plans, maps etc. These items are of considerable significance as they are Warrnambool City Council records dealing with land sales and sub-divisions in the second half of the 20th century. They will be useful for research. .1 A metal-bound ledger with a dark red leather cover and pages printed with red and blue lines. There are red alphabetical tabs with gold print attached to the outer edges of the pages. The entries are handwritten in blue ink. .2 A grey metal cabinet, rectangular in shape and rusted on the base. The cabinet has two drawers with handles and these drawers contain file cards. The cards have a negative or transparency inserted into the top corner. .3 File cards with a negative inserted and a green backing .4 File cards similar to .3 above but of a different size. .5 A packet of unused file cards with tabs land sales and sub-divisions, warrnambool city council

There were many vessels named "Endeavour". There are no details attached to this item. The Australian Civil Ensign, or Australian Red Ensign, is simply a red version of the Australian National flag. It is for use only at sea and officially never on land, but can be used by private citizens. It was in use in Australia and overseas during the first half of the 20th century.A coloured print of a painting of a ship (schooner?) in full sail. It is flying a red ensign.on back -' Endeavour"ship transport

These items are a collection of paints etc for those artists wanting to produce lustroleum and crystoleum works of art in the late 19th century and early 20th century. These works of art using lustroleum and crystoleum which were mainly metallic paints, were produced on a variety of surfaces, including glass, wood, tapestry, china and ivory. These items have no known provenance but it is known that lustroleum and crystoleum painting were popular pastimes with women in Warrnambool in the late 19th century. There are several records of women advertising classes in lustroleum and crystoleum painting in the 1880s and 90s in Warrnambool. One was these was Annie Newcombe, an art teacher who offered classes at her studio in Timor Street in 1884.This is a metal tin with a metal catch and a hinged lid. The tin contains 10 items - four glass bottles of Lustroleum, one glass bottle of gold paint, one glass bottle of purple metallic paint, one tube of green paint, one china bowl with a lip for pouring, one dish to hold paint with a broken base and one small dish for holding paint. There is also a sheet of paper containing information on the Crystoleum Company of London advertising that they supplied photographs, price list for classes, silk frames and crystal glasses. On bottles: ‘Lustroleum Registered’ ; ‘H. Bessemer, Gold Paint’, ‘Purple’, On tube: ‘Winsor & Newton, Chrome Green, Vert Anglais, London England’ crystoleum and lustroleum painting, warrnambool, paint set, artist's paints

This book containing the 17 cantos of Don Juan, was owned by Con O’Mahony a lawyer who lived in Warrnambool at the turn of the 20th century He won the Bowen prize for essay writing in 1883. He operated from Royal Chambers in Kepler St Warrnambool for some time in partnership with Mr E W Klingender. An item which belonged to one of Warrnambool’s most prominent citizens at the time.Blue linen over card embossed in gold with crest and mermaid on front cover with overall pattern of crowns and the letter “B” Title Poet and publisher’s name in gold on spine of book. Back cover plain. 612 pages with 4 black and white plates included.Stamped C O’Mahony Solicitors Warrnambool in purple ink. Dedication: to Algernon Charles Swinburne. MDCCCC11(1902)Printed by William Clowes and sons Limited London and Beccles.warrnambool, con o’mahony, byron’s works,

Nothing is known about the ownership of this locket which has been in the collection for many years. In the 19th and early 20th centuries it was a common practice to own a locket as a piece of jewellery. It was also common to include in a locket either a photograph or an image of a loved one or a piece of hair, especially the hair of a child who had died.This locket has no known local significance but is retained as a fine example of a locket from many years ago.This is a round gold locket, heavily patterned on both sides. Inside is a piece of light brown hair covered with plain glass. There is some slight damage on the outside near the opening catch. The clip to attach the locket to a chain is missing.warrnambool history, antique lockets

The Orbost football club players were known as the Busters and wore green and gold guernseys. An Orbost football team has participated in the East Gippsland League since the early 20th century. In 2003 in response to a dwindling population, the Snowy Rovers and Orbost Football Clubs were driven to merge into the Orbost Snowy Rovers Football clubs, through their many changes, have always been an important social fabric of the community. Sport is often regarded as an important part of life in rural Australia, contributing to community identity, sense of place, social interaction and good health.A black / white photograph of men playing football. Three men are jumping for the ball. The goal posts are on the right side. A large group of spectators are at the rear behind a fence.recreation sport-football orbost-football-club

Postcard advertising the Scarlet Troubadours, a troupe of around 9 entertainers that were popular in Australia and New Zealand over a period of 5 years in the early 20th century. They performed light opera and vaudeville. Managed by Edward Branscombe, who pioneered the use of open air venues with his 1909 season at St Kilda.Unused postcard printed in colour on the front, and in blue on the back. the scarlet troubadours, edward branscombe

THE CARRON COMPANY The Carron Company established its ironworks on the banks of the River Carron in Falkirk, Stirlingshire, Scotland, in 1759, and became an incorporated company in 1773. The company was the largest ironworks in Europe during the 19th century. It supplied ammunition and armaments, steamboat engines, pig iron, cast iron goods such as flat irons, balustrades, fire grates and bath tubs, pillar boxes and telephone boxes, and even cast iron rings for underground tunnels. In 1982 it became insolvent and was taken over by the Franke Corporation, using the brand Carron Phoenix.This iron is representative of the domestic appliances used throughout Australia up until electricity became widely available for domestic use.An antique Carron iron made of solid cast iron. These types of iron were nicknamed "sad irons" from the Old English where "sad" was originally a word which meant "heavy and solid". Typically, there would be two irons simultaneously in use: one to iron with and one being heated up on the stove or in the fire. This iron has a flat bottom and back and it curves to a point at the front. It has a goose neck handle which has a twist. Irons such as this were often given the name "goose" irons. Near the front of the iron on its top '11' is marked. These irons were used from the late 18th to mid 20th centuries before electricity was widely available in all areas, particularly in rural environments.On top of iron "CARRON"flat irons, domestic appliances

St. Matthew's Church has historic significance as the town's church and physical and social focus for the community. The standard design buildings are good examples and important streetscape elements. The war memorial cross is the area's monument to the 20th century wars and its modest scale in comparison with the granite Eltham and towered Kangaroo Ground memorials illustrates the lack of affluence in the town and surrounding area. The grouping of church, school, store and post office is typical of country villages throughout Victoria. The Radiata Pine plantings are significant as an intact line of shelterbelt planting typical of the early 20th century. (Bick Study 1992) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p63 Panton Hill’s first church services were held in a simple building made of paling timber, opposite the Hotel de France. The building was also used for Sunday School, a school and a hall.1 The St Matthew’s Church and hall at the corner of Church Road and Kangaroo Ground-St Andrews Road, were built in the early 20th century in the standard rectangular style of the times. The intact belt of Radiata Pines was common at that time. The war memorial concrete cross is the area’s monument for the 20th century wars. It is much more modest than those in Eltham, and particularly in Kangaroo Ground, demonstrating those townships’ comparative affluence.2 Early settler J Hughes, who donated the land to the Church of England, was the first to be married at St Matthews when he married Rachel Coutie. In later life he became a minister of religion.3 One much-liked preacher was George Hollow, who with his sister playing the harmonium, conducted church services at Panton Hill, St Andrews and Christmas Hills, for many years.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, panton hill, st matthew's church, panton hill war memorial

This bean slicer is one of the household labour-saving devices that became increasingly popular in the early to mid 20th century. In those times vegetables such as beans were often grown in the backyard of a house or farm and bean-cutting was a laborious task, especially when providing for a large family. Processed sliced beans were not then freely available.This bean slicer has no known local provenance but is retained as an interesting example of a 20th century household labour-saving device. This is a metal object with a round disc with three metal blades underneath on a turntable for slicing. The blades are attached by six screws. There are two funnels on the top of the disc for inserting the beans. A handle that turns the blades is attached by a screw to the round disc. Attached to the disc also is a vice that enables the slicer to be bolted to a bench or table. The slicer has been painted green but the paint is wearing off and the whole object is rustywarrnambool, bean slicer, household items

This is the story of Greensborough Uniting Church's first 150 years 1850-2000. The church's first services were held in Maygar's barn and later moved to the Methodist Church in Main Street. In the 1960s the Methodist and Presbyterian churches were merged to form the Uniting Church. This is the history of the early churches and the Uniting Church in the late 20th century.This is a detailed history of these churches in Greensborough and is illustrated with many old photos of historical interest.Paperback book, 58 p., illus. Cover depicts a sketch of 'Maygars's barn' by Denise Klinger. 2 copiesuniting church greensborough, lindsay mann, greensborough methodist church, greensborough presbyterian church

Gallagher's was a tobacco factory established in 1857 by Thomas Gallagher in Belfast, Northern Ireland. It's continual expansion, saw it become the largest tobacco factory in the world by the 20th century. It held a Royal Warrant for 122 years until it was revoked by the Queen in 1999. The Belfast factory was closed in 1988 although it no longer remained in the Gallagher family. Gallaher's Genuine Irish Snuff, small tin boxGallaher's Genuine Irish Snuff, by Gallaher's Limited, Irelandsnuff taking, small tin box

Dr. Allen De Vilbiss (1841-1917) of Toledo, Ohio, developed his first atomiser around 1887. This device was designed to allow for dissolving cocaine, as a local anaesthetic agent, in oil, and spraying into the nose and throat. In the early to mid 20th Century, The DeVilbiss Company began making perfume atomisers instead of medical ones. Red, heavy cardboard box with manufacturer's label at one end, containing a glass bottle with metal spray attachment, and a khaki rubber bulb for pumping liquid through the atomiser.Stamped into top of metal atomiser: DE VILBISS TOLEDO USAatomiser, local anaesthetic

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).‘Oak Tree’ pattern. Sample of original Morris & Co wallpaper, designed circa 1896 by John Henry Dearle (1859–1932). Oakleaf and acorns in pale blue on cream ground. Sample manufactured ca.1920–ca.1930. Printed border : OAK TREE / MORRIS & COdecorative arts & design, wallpapers -- morris & co, john henry dearle, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Chrysanthemum’ pattern. Original pattern created 1876–1877 by William Morris (1834-1896). Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the drawing room at Villa Alba. The decorative tiles depict pink clematis flowers, buds and foliage. The tiles were produced by Mintons Ltd.fireplaces, villa alba - drawing room, mintons, mintons - tiles

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles in the fireplace of the drawing room at Villa Alba. The gold, white and blue decorative tiles depict abstract flowers within a quatrefoil design. The tiles were produced by Mintons Ltd. In the Minton's Ltd Tile Catalogue, this tile is listed as No. 1427 G. Sin. Tiles. / End Tile. It can be viewed in the flipbook viewer of the original catalogue published by The Minton Archive on page 44/206.fireplaces, villa alba - drawing room, mintons, mintons - tiles

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the fireplace in the dining room at Villa Alba. The original 1880s black marble mantel surround is inset with plain and decorative tiles produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the dining room at Villa Alba. The decorative tiles placed on the left and right of the centrally-placed tile panel depict pink and yellow flowers, set within plain maroon and teal blue rectangular tiles. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain and decorative hearth tiles in the fireplace of the dining room at Villa Alba. The centrally-placed decorative tiles depict a surround of pink and yellow flowers with a corner decoration, once assembled, that features cobalt blue fern leaves, chrysanthemums and foliage, , set within plain maroon and teal blue rectangular tiles. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of plain hearth tiles in the fireplace of the dining room at Villa Alba. The square majolica plain tiles, positioned under where the original cast iron grill sat, are in shades of brown, green and blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the left side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the right side of the fireplace in the dining room at Villa Alba. The figurative tiles depict young girls surrounded by blossoms. These two figurative tiles are surrounded by rectangular plain majolica tiles in shades of maroon, blues and green. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Digital photograph of the pattern of decorative surround tiles on the rear panel of the fireplace in the dining room at Villa Alba. The central decorative tiles depict pears and pomegranates. Above and below this central pair are abstract floral tiles in shades of olive green, blue and white. These six decorative tiles are surrounded by rectangular plain majolica tiles in shades of maroon and teal blue. The tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- dining room