The Boroondara General Cemetery is registered by Heritage Victoria. The Henty's were some of the earliest settlers in Victoria.From Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty, james henty

Early image of Buninyong c1852 showing evidence of land clearing, cultivation, residential and farm buildings and Mount Buninyong with tree coverBuninyong was one of the earliest settlements Victoria and became a very important place in the history of the goldrushColour reproduction of lithograph "Township of Buninyong" c1852 from the cover of "Three Times Blest"Henry Winkles Township of Buninyong c 1852 Lithograph, originally published in Montgomery Martin's "Australia" Reproduced "Three Times Blest"early settlement, henry winkles, mount buninyong, buninyong

Also another black and white photograph of same scene different angle crop of maize shown, boat on river possibly PS TanjilSepia toned photograph of view across the Tambo River looking eastward from Stephensons Road corner of Riversdale farm on right Redenback House in distance Swan Reach to Bruthen road shown with rinbarked trees on hill Tambo Upper Victoriaagriculture, settlement

Sepia toned postcard showing farmland in the Bridle Creek Kilmorie area maize crop with building on flat Bruthen VictoriaCGRagriculture, settlement

Sepia toned postcard showing farmland in Bruthen Tambo Upper area Bruthen VictoriaCGRsettlement, agriculture

Barry Heard tells of life in Swifts Creek area in mid 1900'ssettlement, social history

non-fictionAutobiography of a First World War veteran ; includes account of trip made to Central Australia in 1927-28 and the author's encounters with and impressions of Aboriginal people. john frederick edey, mallee (vic.), soldier settlement

Black and white postcard of a general view of town taken from railway station, Bruthen Hotel top right background, railway crossing lower right, Bruthen VictoriaGeneral View Bruthentownship, land settlement

Black and white photograph of early view of town with church on far left Bruthen Victoria. Also another back and white copy of photograph 04487.agriculture, settlement, towns

Letter on back written by Bruthen rail survey camp worker dated 28/ 6 /14Sepia toned postcard of view of Bruthen showing R C Church on left Congregational Church centre and Church of England just beyond it, Tambo River in the distance Bruthen Victoria. Also a larger black and white copy plus details of letter on the back of original cardBruthen 1914township, transport, land settlement

Fawkner was one of the founders of the City of Melbourne, an avid book collector who conducted a circulating library in the town. He was one of those who was in the first settlement at Sullivans Bay, Sorrento in 1803. Fawkner was also a member of parliament in Victoria and sat on the Commission of Enquiry into the Goldfields following the events of the Eureka Stockade.Inscribed with John Pascoe Fawkner's name and date of 1853 in his handwriting on first title page and publisher, Bohn's name also. Fawkner has inscribed his name on three other pages throughout.john pascoe fawkner, melbourne, circulating libraries

Black and white photograph of fishermans cottage in a rural setting beside a waterway, frame for nets in foreground. Lake Tyers Victoriasettlement, fishing, waterways

john pascoe fawkner, melbourne, libraries, european pioneers,

The original painting of Waylett's Cottage was done by the artist Bill Walls. He did many paintings of buildings and places in and around Sunbury and further afield. James Waylett is thought to have built and settled in the cottage in Greenvale in the 1850s. The cottage is one of three mud-brick buildings build in the area in the early days of European settlement.A scanned copy of a watercolour painting of an old slab and mud-brick cottage with a verandah across the front of the building.waylett's cottage, greenvale, james waylett, mud-brick cottages, bill walls

The photograph is of one of the Sunbury Cultural Rings sites. There are three Aboriginal earthen rings. The one in the foreground which is clear of weeds has been formed as a round dip in the earth and it is thought it was used as an Aboriginal gathering place. They are owned and managed by the Wurundjeri Tribe Land Council.The rings bear evidence of Aboriginal settlement and land use in the area. A coloured landscape photograph of open grassland and hills across the valley with a few native trees growing . aboriginal cultural rings, sunbury, jacksons creek, wurundjeri people

Colour photograph taken at the rear of Roders House Schnapper Cottage on lake at western side of entrance at Lakes Entrance Victoria. Also three colour photographs taken same timesettlement, gippsland lakes

Colour photograph of Schnapper Cottage a small white painted dwelling with a red roof situated on the edge of lake edged with rock groyne and remains of timber railing at western side of entrance at Lakes Entrance Victoria.Also two photographs taken inside Schnappers Cottage showing tongue and groove lining, coved ceiling, dado above wide vertical wall boardsgippsland lakes, settlement, houses

A woven bookmark produced by J. J. Cash, Australia in 1988 to commemorate the Bi-Centenary of European settlement.australian bi-centenary, bookmark, silk, j. cash

non-fictionjohn pascoe fawkner, melbourne, taffe fawkner collection, hymettus library, ballarat, kirsop, book collectors' society of australia

non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history, ballarat, eureka

Nehemiah Guthridge peioneer of Gippsland shipping died at Emerald Hill Melbourne in June 1878Black and white photograph of Nehemiah Guthridge pioneer of Gippsland Shipping between Melbourne and Sale. transport, shipping, boats and boating, settlement

A small hardcovered book of 181 pages and an index including information of early settlers and runs in Northeast Victoria.non-fictionA history of settlement on and around the Upper Murray River, covering the period of 1835 to 1845, including "A short account of over two hundred runs 1835 to 1880". An excellent source of information on the colonial settlement of the Murray River. Detailed information of the first white settlers and the challenges they faced. Interesting account of conflict between settlers and indigenous population. Many indigenous words and their meaning recorded. It includes a foreword written by Rosemary Boyes, a prominent Albury-Wodonga historian.upper murray district, settlement victoria, colonial settlement, pastoral industry victoria

Black and white photograph of Frenchman's Gully, track to Wyanga Winery showing group of people walking towards designated pickup spot for Winery bus Lakes Entrance Victoriaaerial photograph, topography, settlement, lakes entrance

Black and white photograph of pioneer iron bark slab hut typical of early settlers dwellings with chimney and skillion at end with early garden shown East Gippsland Victoriasettlement, housing

Blue embossed cardboard cover with darker blue type and illustration. 120 pages - no index.non-fictionLook to the Rising Sun: A History of Cardinia 1984 explores the history of the Cardinia district. It covers the area's development, including its early settlement, the role of the Bunurong people and the Kulin tribe, and the impact of colonisation. The book also includes details about the local communities of Rythdale and Pakenham South, featuring maps, photographs, and personal stories to bring the history to life.cardinia (vic.), rythdale (vic.), pakenham south (vic.), cardinia school no. 3689, lisbaun school no. 4196, rythdale school no. 4231

xv, 416 p.; 26 cmnon-fictionHistory of European settlement of Dandenong ranges; minimal references to Aboriginal occupation. dandenong ranges, land settlement, ferntree gully, scoresby (vic.), lysterfield (vic.), macclesfield (vic.), avonsleigh (vic.), wantirna (vic.), bayswater (vic.), rowville (vic.), emerald (vic.), yellingbo (vic.), cockatoo (vic.), early pastoralists