Showing 7701 items
matching style
-
Frankston RSL Sub Branch
Photograph
Posed studio photograph of Private A. C. Hill in Australian Army uniform. This photograph is printed in typical post card style by the photographer, Wilkie & Son, King St., Cork, Ireland. The reverse side of this post card is a letter to his wife dated 6th June, 1917 and posted from Cork, Ireland. (refer item 00325). -
Kiewa Valley Historical Society
Book - Reference Teaching Infants, The Teacher in the Modern Elementary School, 1941
This teacher's aid publication was used by the teachers in the The Bogong Primary School from 1941 and also the Mount Beauty Primary School from its establishment in 1947. Both had most of their pupils recruited from SEC(Victoria) Hydro Electricity Scheme employees working for a limited time scale. Rural based children benefited greatly by the decision by the SEC to provide these facilities for their worker's families. This bypass of the "typical rural provisions" offered to other schools, by the Victorian Department of Education was a bonus to the Kiewa Valley educational community. These schools had a higher level of facilities available to them than other "typical" rural schools. Treasured facilities such as a comprehensive library, movie projector, tape recorder and public address system placed these two schools at the level of the Greater Public School of city or the larger towns rather than the small rural schools in Victoria.This item was used in Mount Beauty Primary School as part of a teacher's curriculum. The fact that it is in a rural area, in an enclosed SEC construction worker's village in the Kiewa Valley did present a slightly different learning atmosphere than in the larger towns and cities. The majority of parents within the Kiewa Valley, had a slight resentment of the "high and mighty" attitude of city dwellers with a "plum in their mouths" and the effectiveness that city bred teachers had to achieve was to overcome these ingrained mores. The majority of students at this primary school had parents who were working for (the closed "village" of the SEC Hydro Electricity Scheme. In the 1940s this school would have children from multi-cultural backgrounds as many of the parents were recruited as labourers or with European technical backgrounds. In the book,the black and white photographs detailing the classroom sizes and configurations point to larger classes and slightly different teaching methods than that which existed in Australia. This teacher's aid book presents the Australian rural teachers with an advanced American approach to teaching methods. These methods were based on the then modern "group" psychological teachings and were a good guide in the development of a more effective and progressive teaching platform. The one thing that it did not address was the easy going Australian psyche of "she'll be right mate" of the Australia rural community. The socio-economic identity of the Kiewa Valley rural community was not that of the typical city community (American) and this was a challenge for city based and trained teachers. The principles that the book presents is not constrained by the date of publication or its time of use (1954).This hard cardboard covered book is sleeveless but bound by a red cloth glued onto a thick cardboard base. It has the title printed in gold script on the spine with horizontal and fifteen black horizontal lines at the top and bottom. The front cover has the title printed in gold coloured letters (the first and last words are in freehand script style)On the spine and front cover is printed "The TEACHER IN THE MODERN ELEMENTARY School" school organisation, developmental stages of children, subliminal classroom mental and physical stimulation, usa 1940s teacher aids. -
Federation University Historical Collection
Book of sheet music, Beethoven's Works, Solo Cornet B flat, Early 1900's
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A four page book of sheet music with a dark red cover. In the style of the early twentieth century, it was a printed copy of hand written music. The arrangement was by A. Owen. This music was owned by Frank Wright and was possibly the music he played to win the gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years in 1919.Throughout the music there are pencil notations and on the inside front cover is written in pen, 'Frank Wright, Smeaton. 29/3/1919'.frank wright, sheet music, beethoven's works, solo cornet b flat music, a. owen -
Federation University Historical Collection
Poster - Ballarat Teachers' College Ceremonial Collar, Welcome to: Ballarat Teachers College: Class of 1971: 45 Year Reunion: 5 & 6 November 2016, 2016
The Ballarat Teachers College held a 45 year Reunion for the class of 1971 on the 5 & 6 November 2016. All students plus their four teachers were invited. Three sticky notes are attached to the poster to identify famous persons.This is a photographic collage poster featuring many mug-shot style photographs of the members of the class of 1971, with a note to identify which classroom they were a part of. Sticky notes with hand-written labels identify three members of the group with a personal achievement. A poem titled 'Extra Muros' is displayed verso inbetween two logos of the Ballarat Teachers College.Ballarat Teachers College logo as part of a flag.ballarat teachers' college, denis spielvogel, marg heffernand, joy dunstan, rachel smith, alumni, reunion, john mildren, ian fryar, ian gribble, geoff mcrea -
Federation University Historical Collection
Costume, Professional, Nurse uniform and apron, 1980s
This uniform was made for the students of the Ballarat College of Advanced Education, School of Nursing. It was probably used in about 1986, then put on display in the School of Nursing until 2005..1) White princess style uniform with central front zipper and set in side pockets. It has machine embroidery around the collar and short sleeves. It has a back yoke with side pleats. .2) The apron is junior navy in colour with green binding and an orange emblem on the front left breast. It has a full back and front with ties at the side. Apron is printed in orange with - Ballarat C.A.E. Nursingnursing, ballarat college of advanced education, school of nursing, student nurse uniform, nurse uniform, nurse apron, apron, costume, textiles -
Federation University Historical Collection
Decorative object - Rose Bowl, Silcraft, Ballarat Teachers' College Rose Bowl, 1949
This rose bowl was presented to the Ballarat Teachers College by the students of 1949, particularly, Peter Fryar, J McIntosh, J McIntyre and J Holloway as a trophy for the Dimboola Regatta Relay. It was subsequently used to hold '49er' roses for the reunions of the students , the last being their 60th reunion. This three piece vase is made up of 1). a silver bowl with two handles in an art deco style sitting on three feet 2). a green glass vase with a central depression and domed walls which sits into the silver bowl 3). a dome of green glass containing 19 open ended cylinders in which the flowers sit.Engraved into the base - Ballarat Teachers College 1949, Presented to the college by P. Fryar, T. McIntosh, J. Holloway, T. McIntyre, Dimboola Regatta Relay. Stamped into one handle - Silcraft, E.P., N.S, A 1, Melb.rose bowl, vase, silver and glass vase, ballarat teachers college, p fyrar, j mcintosh, j mcintyre, j holloway, peter fryar, ballarat teachers' college, 49ers -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the double collar lip. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, green glass, cork-top style. Applied mouth, lip has double collar; wide upper and flared lower. Vertical bubble in bulbous neck. Long diagonal discolouration along neck. Body has ripples around it and no seams. Heel is thick, base is shallow, has bubbles and is very uneven on a flat surface.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, green glass bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, c. 1840s - 1870s
This broken black glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late 1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a cylindrical dip mould. The molten glass was blown into the mould to give the body a uniform symmetrical shape and size. After the body was blown, the glassblower removed it from the mould and formed the shoulder and neck by free-blowing the glass. The base was pushed up with a pontil tool that gave it the concave shape. The finish for the mouth was added by hand to form the collar. The mould gives the body a slightly textured surface. There is usually a line around the shoulder where the mould meet the base, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, black glass, 'gallon' style. Applied lip, straight collar with circular lines from being hand moulded. Shoulder seam, body tapers inwards towards base. Heel has varied width, shallow base has small pontil mark. Mouth is chipped. Glass is discoloured and has uneven surface and encrustations. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, black glass -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: ASYLUM
Bendigo Advertiser ''The way we were'' from 2000. Asylum: Bendigo Benevolent Asylum circa 1880s. The Ionic style building in Barnard Street was opened in March 1860. The building was set on 11 acres and complemented with fruit, ornamental trees and flowers. It changed its name in 1963 to the Bendigo Home and Hospital for the Aged. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: MALMO
Bendigo Advertiser ''The way we were'' from 2000. Malmo: View and Valentine streets, Bendigo. The Queen Anne-style of architecture meant roofs became an important component of design. Malmo had many unusual features such as an oval window above the mantelpiece and ground floor verandah posts built to simulate turned wood. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Photograph - T C WATTS & SON - MARLO WILLS STREET, 1929
Black and white photograph mounted on rectangular grey board. House, Victorian style pointed brick double fronted large window on left with arched centre, sash windows, 2 narrow window ones either side, decorative tile work columns, galvanised iron roof with chimney. Marlo Wills Street written on back.Frank A. Jeffree Photo Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch'' -
Bendigo Historical Society Inc.
Photograph - PART COLLECTION OF CATS OF LYDIA CHANCELLOR
Black and white photograph of 4 shelves with ornamental cats of various sized and shapes including Chinese temple dog type. Two Staffordshire style. More likely dogs rather than cats. Inscriptions: on back - 'part collection of cats' Lydia Chancellor, Taraxville, Golden Square. History: part of Lydia Chancellor's collection of cats.topic, objects, collection of ornamental cats, lydia chancellor, cats, ceramics, pottery -
Bendigo Historical Society Inc.
Photograph - MAHER HOME
Black and white photograph: 'Maher Home', McIvor Road. 317 (printed numbers on back, possibly from developing). Old cottage style home with gable roof and one chimney on left. Set in an untidy garden, behind a broken-down picket fence. Physical condition: unmounted. Inscriptions/Markings: Maher Home, McIvor Road.buildings, residential, victorian -
Bendigo Historical Society Inc.
Photograph - NORTH DEBORAH GOLD MINE GOLDEN SQUARE
Black and white photograph of North Deborah Gold Mine, 1940's. View of entire site showing poppet head, trestleway, engine house, chimney stack. Two ore bins to the right of poppet head. 1920's vehicle on far right of photo. Country style outhgouse in foreground of photo. Chimney stack on RH side. -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: INTERIOR OF MUSIC ROOM
Black and white photograph ( copy) of interior of Music Room at Fortuna Villa, possibly 1890's. Room decorated in Victorian era style furnishings. Chandelier on patterned ceiling, two stained glass windows at end of room. Many tables and chairs scattered through room. Family portraits on left hand side wall in photograph.bendigo, house, fortuna villa -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: FEMALE PHOTO, Nineteenth Century
Black & White photograph D Wood , near Town Hall South Melbourne printed on front of studio portrait. Seaside back drop behind seated young woman. Umbrella, Button up boots, handbag, numerous bangles, peaked hat with tassels, kid gloves, apparel. Lace collar combined with outdoors style period dress.D Wood, near South Melbourne .photograph, person, female -
Bendigo Historical Society Inc.
Document - CAMBRIDGE PRESS COLLECTION: LABEL - W. G. ROSS PHARMACY
Gummed paper with two sets of four labels. Three of the labels are different size round ones and the fourth is an unequal octagonal shape. Each has W. G. Ross, Late D. Anderson, View St, Pharmacy, Bendigo and the phone number. Some have Chemist instead of Pharmacy. Also two different styles of printing for the name.business, printers, cambridge press, cambridge press collection, w g ross, d anderson, chemist -
Anglesea and District Historical Society
Tobacco Cutter, Pre 1920's
Antique cast iron tobacco cutter (almost certainly a McMillan cutter). It is a guillotine style cutter used to cut plugs of tobacco to put into smoking pipes. The cutter is held to a wooden base with screws and has a well worn wooden strker plate. (Originally painted black). May have been used in Anglesea to slice beans.None visible.tobacco cutter -
Sunshine and District Historical Society Incorporated
Pennant - SUNSHINE HIGH SCHOOL, Circa 1959
These pennants were introduced by Sunshine High School around 1959 in an attempt to instil among the students, a greater pride for the school. This particular pennant was hung for many years on the bedroom wall of the original student who bought it. It was later in the possession of a younger sibling who commenced going to Sunshine High School 19 years after the original student.Sunshine High School existed in its own right for a relatively short time from 1955 to 1991. The school buildings now form part of the Sunshine Campus of Victoria University. This pennant is one of the few items in our possession which serve as a reminder that Sunshine High School was once part of the secondary education system in the Western suburbs of Melbourne.Triangular shaped pennant made mainly from maroon coloured felt material, with yellow felt material used to make an edging stripe and two suspension loops along the short side of the triangle. Blue and yellow coloured inks are used to print the Sunshine High School 'SEEK LIGHT' logo and 'Sunshine hs' in antique style lettering."Sunshine hs"sunshine high school, pennant, seek light, felt, maroon. -
Buda Historic Home & Garden Castlemaine
Drawing - Illustration - Design for Jewellery, Ernest Leviny - Britannia pendant jewellery design, c1851
Original jewellery design for 'Britannia' pendant by Ernest Leviny, designed when he was living in London c1851, before travelling to the Australian goldfields of Castlemaine in late 1852. Leviny and his partner, Frederick Boocke, supplied jewellery designs to Watherston and Brogden in London. This design was made into a pendant by another London company, S.H. & D. Gass and was awarded a prize medal at the Great Exhibition of 1851 at the Crystal Palace in London. Leviny brought many of his original jewellery designs with him when he came out to Australia from Britain. See Schofield, Anne & Fahy, Kevin (1991), 'Australian jewellery: 19th and early 20th century'; Woodbridge, Suffolk, Antique Collectors Club, p. 39; Gere, Charalotte & Rudoe, Judy (2010), 'Jewellery in the Age of Queen Victoria', Pub.The British Museum p.340.This original jewellery design for the 'Britannia' pendant by noted colonial silversmith and jewellery, Ernest Leviny, is significant due to its link with the 'Britannia Pendant' awarded a prize medal at Great Exhibition of 1851, held at the Crystal Palace in London.Original jewellery design for a pendant featuring a standing woman (Britannia) holding a trident in her left hand and possible oar in her right hand, with Gothic style ornate pillars on each side and an archway overhead. Beneath the figure are three pearl drops. Drawn in pencil on grey card with gold ink highlights and red watercolour tinting.ernest leviny, jewellery, design, illustration, brittania, 1851, great exhibition of 1851 -
Whitehorse Historical Society Inc.
Clothing - Apron, approx 1940's
not knownCalico hand embroidered apron with two patch pockets. Blue bias binding neck loop, ties and edging on apron and pockets. Embroidery - young woman in full length blue gown with red trim at neckline, hem and cuffs of short sleeves. 1940's hair style. Flowers in hair and at waistline. Standing on a flower decorated balcony.costume, female working, handcrafts, embroidery -
Whitehorse Historical Society Inc.
Uniform - Army uniform, 1940
From Mitcham RSLShort khaki blouse style jacket. Tab belt and metal buckle . Royal Engineers Material badge at top of sleeves. Rats of Tobruk- Lance Corporal chevron on sleeves. Internal label. Battle dress blouse 1940 pattern. Size No 13. Cohen and Co. Stamp 28 Oct 194-.Beige coloured lanyard on right shoulder.uniforms, army -
Whitehorse Historical Society Inc.
Container - Tin, 1950s
Household budgeting from the 1950s. Used by the donor's mother in the 1950s.A "Willow" Budget tin with orange lid containing slots for money - Bread, Insurance, Gas, Electricity, Milk, Phone, Housekeeping, House payments and Rates. Inside is a cream plastic insert with eight compartments. Sides of tin are white with pictures and writing describing what slots are to be used for and it has a small silver coloured suitcase style lock.Willow Budget Tin Willow on bottom of tin. Slots are Bread, Insurance, Gas, Electricity, Milk, Phone, Housekeeping, House payments and Rates.budgeting, willow, housekeeping, 1950s -
Circa Vintage Archive
Gold lame' 1920s jacket, Gold and bronze silk lame' evening jacket 1920s, 1920s
Sourced from the private collection of fashion designer Lisa Ho, purchased at Moss Green auctions.A good example of the silk and metallic lame' fabrics available in the 1920s.Evening jacket of rich lame' in burnished autumn tones of gold, bronze and olive. Ruched square collar, long sleeves with turned back ruched cuffs. No openings, is worn open. Fully lined in chinoise style rayon jacquard in a cafe au lait colour - lining dates to the 1940s and probably replaced a delicate silk original lining.None -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1920c
This image was photographed from an original oval framed photograph in possession of Mrs Vi Symmons, nee Coate, daughter of Joseph and Isabella Coate. The Coate home was moved to Kalimna West 1960-1970c.Sepia photograph of the family home of Joseph and Isabella Coate, situated on Esplanade. It shows a tile roofed California style bungalow residence, two internal chimneys each topped with twin chimney pots. Veranda has decorative frieze under roof, seven men standing in front of house, five in workman's aprons. Lakes Entrance Victoriatownship, architecture, people, clothing, room display -
Ballarat Tramway Museum
Ephemera - Ticket, Ballarat Tramway Preservation Society (BTPS), "Guest Pass", 1975
Set of two "Ballarat Tourist Tramway Guest Pass" printed on light yellow card in the same style as an All Day Ticket (See Reg. Item 2727), with space for the name who issued to and who by on card. Has space for day and month to be punched out. 3272.1 - stamped with handstamp - "009" in black ink. 3272.2 - ditto "010"trams, tramways, btps, ballarat tourist tramway, tickets, all day tickets -
Tennis Australia
Collage of cartooons, 24-Jun-54
Collage of original cartoon style drawings by Mullin and clippings of the same cartoons reproduced in New York World Telegram and The Sun, Thursday June 24, 1954. Cartoons and article refer to Rosewall's victory over Trabert in Wimbledon mens singles semi-finals 1954. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felttennis -
Tennis Australia
Figurine, 1999
Small ornamental figurine of seated bear holding a racquet and ball. Text on base states: 'BOYD'S BEARS AND FRIENDS/THE BEARSTONE COLLECTION/"LOVE MEANS NEVER WINNING A GAME"/-E.E.SMITH/EDITION/PC IE/3330/STYLE # 227717 CHRISSIE...GAME SET, MATCH/1999 THE BOYDS COLLECTION LTD/HANDMADE IN CHINA'. Materials: Ceramic, Pigmenttennis -
Kew Historical Society Inc
Badge - Fundraising Button, Discharged Soldiers’ Fund for Returned Soldiers, 1918-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring a gold-bordered art nouveau style heart within a green wreath, surmounted by a yellow seven-pointed star, all on a brown background. The words ‘Discharged Soldiers’ Fund For Our Returned Soldiers’ feature within the heart, on a buff background. A gold and white border encloses the whole design.first world war (1914-18), patriotic buttons, badges -
Kew Historical Society Inc
Slide - Architectural Features: Kew Post Office, 1980
A civic campaign for new public offices developed in Kew in the 1880s. After much deliberation, the location chosen was the junction of Bulleen and Cotham Roads. The buildings were designed by George Watson and John Henry Harvey, architects within the Department of Public Works (Victoria). Building was commenced in 1887, and after one year, the buildings were opened. The Post Office was transferred to the new Commonwealth Government in 1901. The Police Station and Court House, sold by the Victorian Government to the City of Boroondara in 2007, are now a community cultural centre and performing arts venue.The buildings were listed on the Victorian Heritage Register Register (HO885) in 1991. They are historically and architecturally significant to the State of Victoria because Watson and Harvey's designs exhibit diversity in integrating civil offices, they accommodate the apex of road junctions, and they demonstrate a departure from the contemporaneously favoured High Victorian Classical to the Queen Anne style in the design of civic buildings. 35mm colour transparency of the red brick walls, recessed balconies and ornamental rendered and painted architectural features of a section of the Cotham Road facade of the Kew Post Office. The [former] post office is a significant example of the English Queen Anne Revival style. The photograph was taken as part of a series by Ralph Andrews (Department of Building, RMIT) in April 1980.kew post office, khs - slides, new public offices -- kew (vic.), architectural styles -- english queen anne revival