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Warrnambool and District Historical Society Inc.
Coin - Token, W.W. Jamieson Store token
William Wilson Jamieson came to Warrnambool around 1857 after running a Ironmongers business in Hawthorne died . He opened his store in Liebig St which he operated until his death in 1882. He was quite active in the community serving on the town council for a number of years and also the Oddfellows Lodge and the Mechanics Institute. He came to Warrnambool in 1857, after running an Ironmonger's business in Hawthorn and having worked for the hardware company McEwan & Co. in Melbourne. He bought a weatherboard building that had previously been a 'bowling saloon' in Liebig Street and opened a business that Gardner describes as a general store and Turnbull describes as a drapery store. He was a member of the town council from 1862 to 1874 and from 1877 to 1880 and also served as mayor for two terms. He was also active in community organisations including the Mechanics institute and the Oddfellows This token is of great importance. It is significant for three reasons: 1. It is an example of an 1850s Australian token, demonstrating an early business practice in our history. 2. It is an example of a Warrnambool token produced by an important Warrnambool business (only two firms in Warrnambool produced tokens)A round copper token. The token was issued by: W.W. Jamieson & Co.. Liebeg St. Warrnambool, Storekeepers 1862 which is in raised lettering on the obverse of the token. The reverse features a blindfolded woman with the scales of Justice in her raised right hand. She is standing beside the seashore with a sailing ship in the background AUSTRALIA is stampedabove the figure anf the date 1862 is stamped below.W.W. JAMIESON & CO STOREKEEPERS LIEBEG STREET WARRNAMBOOL. AUSTRALIA1862jamieson token, warrnambool, william wilson jamieson, warrnambool ironmonger -
Ballarat and District Irish Association
Image, Lord Spencer, c1864, 1864
John Poyntz Spencer, 5th Earl Spencer, KG, PC (27 October 1835 – 13 August 1910), known as Viscount Althorp from 1845 to 1857 (and also known as the Red Earl because of his distinctive long red beard), was a British Liberal Party politician under, and close friend of, British prime minister William Ewart Gladstone. He was twice Lord Lieutenant of Ireland. (Wikipedia) John Poyntz Spencer, 5th Earl Spencer, KG, PC (27 October 1835 – 13 August 1910), known as Viscount Althorp from 1845 to 1857 (and also known as the Red Earl because of his distinctive long red beard), was a British Liberal Party politician under, and close friend of, British prime minister William Ewart Gladstone. He was twice Lord Lieutenant of Ireland. (Wikipedia)Image of a bearded man known as Lord John Poyntz Spencer.ballarat irish, spencer, red earl, john spencer -
Orbost & District Historical Society
PMG telephone line strainer
This was used by PMG technicians in Orbost from 1957. These strainers were used until the end of open aerial routes which were phased out over many years at a guess right into the 1980’s. They were a standard and necessary issue device for any linesman working on open aerial routes. A leather strap with metal fittings. It consists of two flat steel surfaces operated by a lever action to grip the wire without causing damage.pmg telephone communication wire-strainer wire-tensioner telecommunications -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Warren Clarnette, Editor of Church & Nation, Undated
Ordained 1958. Huon-Channel 1955-57; Queenstown 1957-58; Devonport 1958-61; Ballarat East 1962-66; W/S 1966-68; Carnegie 1968-70; Dept of Communication 1971-77; Board of Communication 1977-? Concluded as Editor of C&N February 1988.Clarnette, taken looking at him across his paper-laden desk."Warren Clarnette" and reference to C&N.clarnette, warren, church & nation -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. Warren Clarnette, Editor of Church & Nation, 24/09/1986
Ordained 1958. Huon-Channel 1955-57; Queenstown 1957-58; Devonport 1958-61; Ballarat East 1962-66; W/S 1966-68; Carnegie 1968-70; Dept of Communication 1971-77; Board of Communication 1977-? Concluded as Editor of C&N February 1988.Side view of Clarnette sitting at his desk."Warren Clarnette" and reference to C&N.clarnette, warren, church & nation -
Stawell Historical Society Inc
Realia, Girl Guides Inter Patrol Competition. 1st Stawell Company Shield. Be Prepared Award Shield
Guirl Guides. 1932-33 Blue Wren & Skylark, 1933-1934 Skylark Patrol, 1934-1935 Blue Wren Patrol, 1956 Magpie Patrol, 1957-1958 Robin Patrol, 1959 Magpie Patrol, 1961 Blue Wren Patrol, 1962 Robin Patrol. Girl Guides Company Wooden Shield with metal Ribbon. Below is a large Shield with Smaller shields round 3/4's of Shield.1St Stawell Be Prepared Company. Shield with inter patrol competition. Presented by Miss M Gray. Guide Logo with uniformed guide underneath. Individual Shields are around shield. Dates and winners engraved on shield. -
International House, The University of Melbourne
Photograph (Item), Australian News and Information Bureau, Brian Jones (Warden) and Paul Foo Yoon Sen (resident) in a study-bedroom in the Clunies Ross Wing, International House, 1958
Brian Jones, pictured sitting on the desk, was the first Warden at International House, from 1957 to 1959. Paul Foo Yoon Sen was one of the first students at International House. This photograph features one of the forty-two study-bedrooms in the Clunies Ross Wing, the first building to house IH residents.students, brian jones, accommodation -
Queenscliffe Maritime Museum
Painting - Water colour painting of the schooner Argosy Lemal, Argosy Lemal, c. 1930's
Arthur V Gregory b.1867, d.1957 worked from studio at 326 Albert Road South Melbourne established by his father G F Gregory in 1852. As Argosy Lemal the ship served as one of the early United States Army communications ships from 1942–1949.Water colour painting in painted gilt frameArgosy Lemal off Cape Otway A.V. Gregorya.v. gregory, water colour, argosy lemal -
Disability Sport & Recreation Victoria
Photo, Photo of wheelchair basketballers, 1960s
The Austin Hospital in Melbourne established a Spinal Injuries Unit in 1957, and soon after helped pioneer the development of wheelchair sports in Australia. This photo is related to item no. 00080 in this collection, which contains an anomaly - in 00080, the middle wheelchair athlete is listed as "A. Yeomans", whereas here he is listed as "Ron Hepburn".Black and white photo of wheelchair basketballers, 1960s.Reverse of the photo lists the photo subjects as follows: Butch Schmidt Kevin Coombs Ron Hepburn Robin Lucas Fred Martinwheelchair basketball, wheelchair sport, disabled sports, austin hospital, kevin coombs, ron hepburn, fred martin, robin lucas, butch schmidt -
Disability Sport & Recreation Victoria
Photo, Photo of wheelchair basketballers at Austin Hospital, 1960s
The Austin Hospital in Melbourne established a Spinal Injuries Unit in 1957, and soon after helped pioneer the development of wheelchair sports in Australia. This photo is related to item no. 00079 in this collection, which contains an anomaly - in 00079, the middle wheelchair athlete is listed as "Ron Hepburn", whereas here he is listed as "A. Yeomans".Black and white photo of wheelchair basketballers, 1960s.Reverse of the photo lists the photo subjects as follows: R. Schmid, K/C, A. Yeomans, R. Lucas, F. Martin, Standing: Harrow Morgan, Physio.wheelchair basketball, wheelchair sport, disabled sports, austin hospital, butch schmidt, kevin coombs, robin lucas, a. yeomans, fred martin, ron hepburn -
Warrnambool and District Historical Society Inc.
Book, City Poundkeeper's Book, C 1950
This book records the impounding of animals which have been found wandering on local roads or trespassing on land. Many are farm animals and give the various breeds of animals from red Ayrshire cows to bay ponies, and nanny goats. Impounded animals were either claimed by their owners after payment of a fee or if unclaimed , they were sold. The Warrnambool pound was situated on Merrivale Drive.This book is a record of a practice which was necessary to remove stock which were wandering on local roads or trespassing on neighbours. It contains many local names and is of social interest. Rectangular book with hard cover Fawn cloth with red leather spine. Pages are lined in blue and red and pages are headed in black . It dates from 1957 to 1998 with one entry for 2004.Entries are hand written in blue and black. The entries give particulars of the animal impounded and where found with name of council officer and owner, if known, of the animal.various pieces of paper pasted inside front cover.There are many names included in this journal. Among the earlier entries are James P O'KeefeH C Bidmade, Keith Nixon, C Eccles, I Carmody,warrnambool, warrnambool pound -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: FLOAT SEES 9% HERALD? 1958?
Newspaper cutting with the headline 'Cohn Bros. float sees 9%'. In blue ink across the top is written 'from Roy Ireland? 17-9-73. Herald 1957 1958?'. The article includes a photo of Mr F. M. W. Levy (Chairman and director of Cohns, and a director of Carlton & United Breweries). The article is about the floating of Cohn Bros. as a public company. Soft drink manufacturers.bendigo, industry, cohn bros., cohn bros. limited. cohns limited. carlton & united breweries. levy, frank m. w. -
Bendigo Historical Society Inc.
Photograph - BENDIGO BUTTER FACTORY PHOTOGRAPH
Colour photograph of a farm with cattle grazing beside a river. 20cm x 25cm and mounted on cardboard. It appears to have been part of a display, with explanatory notes attached to each photograph. See 11011.4. On the reverse of the Title photograph is the date 1950-1955 and a blue registration stamp with the words 'Pure creamery, Australia, Victoria regd'. An interior photograph shows a calendar with the date March 1957.bendigo, industry, bendigo butter factory. -
Canterbury Primary School
Pupils Register
Great use to Family Historians - contains names, dates, addresses and occupation. Also gives clues to previous location or destination of families.Pupils register covering enrollment years 1954 - 1957. Register numbers 11397 - 12113. Columns include :- Reg.No., Name, DOB, Date of Enrollment, Name of Parent or Guardian, Residence of Parent or Guardian, Occupation of Parent or Guardian, School Last Attended, Date of Last Attendance at former School, Date of obtaining Qualifying Certificate, Date of obtaining Merit Certificate, Date of Last Attendance, Destination. PUPILS REGISTER/STATE PRIMARY SCHOOL/ School No. 3572, Canterburypupils, school, canterbury, register -
Canterbury Primary School
Pupils Register
Great use to Family Historians - contains names, dates, addresses and occupation. Also gives clues to previous location or destination of families.Pupils register covering enrollment years 1957 - 1958. Register numbers 12114 - 12478. Columns include :- Reg.No., Name, DOB, Date of Enrollment, Name of Parent or Guardian, Residence of Parent or Guardian, Occupation of Parent or Guardian, School Last Attended, Date of Last Attendance at former School, Date of obtaining Qualifying Certificate, Date of obtaining Merit Certificate, Date of Last Attendance, Destination.PUPILS REGISTER/STATE PRIMARY SCHOOL/ School No. 3572, Canterburypupils, school, canterbury, register -
Bendigo Historical Society Inc.
Administrative record - Photographer's record book Vincent Kelly
The Rosenberg Collection of Vincent Kelly Photographs is held by State Library Victoria.Large book with green cover and brown spine. It is a record book of photographer Vincent Kelly, with the headings: Neg. No, Journal, Name and address, size, deposit, date of order, description of order, amount of order, balance due, balance paid, remarks. On the second page there is a receipt glued to the page for a refund and the receipt has the name Kelly printed on it. The book covers the years from 1952 to 1957. photographer, vincent kelly -
Kew Historical Society Inc
Photograph - 'Tara Hall', Studley Park Road, Marc Strizic (attrib), c.1960
'Lost Glories: a memorial to forgotten Australian buildings' was published by David Latta in 1986. It tells the story of a number of significant Australian buildings that had previously been demolished. A chapter in the book was devoted to Goathland, later known as Tara Hall. To supplement the text, he sourced photographs from a range of suppliers, chiefly the Royal Women's Hospital which had once owned Tara Hall, but had sold it in 1960. This is one of the photographs donated to KHS by the author.Tara Hall, Studley Park Road, circa 1957. The front of Tara Hall (previously named Byram, Goathland and Lowan). This triple-storey mansion with its elaborate gabled, steeply-pitched roofs and verandah was set back from Studley Park Road and concealed by a high brick fence. E. G. Kilburn, of Ellerker & Kilburn, designed Byram for the industrialist George Ramsden in 1888. Typed inscription on reverse: "Tara Hall at the time it was a home for nurses from the Royal Women's Hospital, Melbourne. (Royal Women's Hospital, Melbourne)."byram, goathland, tara hall, lowan, studley park (kew), george ramsden, sir malcolm mceacharn, edward george kilburn (architect), studley park road (kew) -
Glen Eira Historical Society
Plan - Clarinda Street, 27, Caulfield South
A one page typed letter from Plante and Henty Solicitors on behalf of the Executor of the will of the late Grace Ellen Gillespie, to W V Scott of S P Simmonds and Co, dated 04/03/1957, requesting valuation of 27 Clarinda Street, Caulfield South for Probate purposes. The letter is accompanied by the Certificate of Title for the property which includes a map (87mm x 67mm) of the property. It is also accompanied by a floor plan (300mm x 205mm) of the house. The file also includes a two page copy of correspondence from W V Scott to Plante and Henty, dated 22/03/1957, providing the valuation of 27 Clarinda Street. The file also includes three pages of handwritten working notes for the purposes of the valuation which provide dimensions and estimated value of the property.scott w v, gillespie grace ellen, clarinda street, solicitors, s p simmonds and co estate agents, property values, land values, plans, architectural features, land titles, certificates, caulfield south, prahran east, elsternwick county of bourke, sycamore road, south caulfield, glenhuntly road -
Mission to Seafarers Victoria
Photograph, Melbourne Harbour Trust, Dance in the Flying Angel Club, 1959
The life buoy from the Largs Bay located above the bar helps dating the photograph to post 1957: Largs Bay was launched in 1921, as a mixed passenger/cargo ship. During WW2 she took part in a large number of convoys.nIt was scrapped in 1957 so had a service life of 36 years. Her sister ships were Jervis Bay, Moreton Bay, Esperance Bay and Hobsons Bay. She carried many passengers to Australia to start new lives after WW2. In the bar we can notice advertising helping dating: Peters ice cream Choc Wedge (launched in 1949) at 6d, Cottee's flavoured drinks (Passiona, Lime Coola, Orange, Lemon) In the 1950s, the ladies from the LHLG were still active and dancing with seamen was part of their activities.BW photograph depicting couples dancing in the Flying Angel Club of the Flinders Street Mission.lhlg, dance, seamen, flinders street, cottees, lime coola, passiona, orange, lemon, choc wedge, life buoy, largs bay, ice cream, peters -
Eltham District Historical Society Inc
Photograph, Coleman family and home, Main Road, Eltham, c.1909
Coleman family and home, Coleman’s Corner, Eltham, c.1909 L-R: Tom Newton (school teacher and nephew of Mrs Coleman), Mary Agnes Coleman (later Mrs Dawes 1904-1957), Mrs Mary Ann Coleman nee Bourke (1877-1927); mother of Jack (John Lawrence 1895-1969), George Lawrence (1906-1953) and Mary Agnes (1904-1957). John (Jack) Coleman was father of John Jnr and father in law to Margaret (nee Dare). The cottage was located on a bend of Wattletree Rd near Main Road. Built about 1905 and later extended. Demolished c.2000 for development of units. Main Road before it was realigned used to take in the current Coleman Crescent. Same as 1678A. Not in register. Source: Mrs. M. Coleman, Coleman's Corner, Eltham This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg Print 16.5 x 25 cmshire of eltham pioneers photograph collection, coleman cottage, coleman crescent, coleman family, coleman's corner, eltham, george lawrence coleman, jack coleman, john lawrence coleman, main road, mary agnes dawes (nee coleman), mary ann coleman (nee bourke), tom newton, wattletree road, 1909 -
Eltham District Historical Society Inc
Photograph, St. Katherine's Church, St. Helena, Vic
Located at 277-279 St Helena Road Saint Helena, Victoria. In 1841 Anthony Beale, born on the Island if St Helena took a pastoral lease on the Plenty River where he built a cottage, St Helena, which ultimately gave this area its name. Beale's wife Katherine Rose, nee Young died in 1856 and he erected "The rose Chapel" to her memory. After his death in 1865 the chapel was willed to the Church of England and consecrated in 1876. It was severely damaged by bushfire in 1957. It was fully restored and rededicated in November 1957. The bell calls parishoners to Sunday services is believed to a have come from the Island of St Helena. Source: Mr. A.E. Parsons, Pryor St., Eltham (Mrs. Glasgow - daughter)Statement of Significance Last updated on - October 10, 2005 St Helena's is a rare surviving example of a churchyard cemetery. It is of local historical significance because of its association with the local pioneering family, the Beales, and other notable citizens including Walter Withers and Graham Webster. The cemetery is also the oldest in the municipality, of State significance. The high level of maintenance and the rural ambience contribute to the overall significance of the site. St Katherine's Church building has been reconstructed and is of local historical interest, principally for its value in interpreting the original setting within the Cemetery. It contains stained glass windows of local historical significance, commemorating casualties of the Beale family in World War One. - Victorian Heritage Database This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image"St Katharine's Church, St Helena, Victoria"sepp, shire of eltham pioneers photograph collection, other areas, st katherine's church, st helena -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The annotation underneath the photo identifies the two men as Ian Young and Bernard Meagher who played Don Cesar and the Alcade Marchese.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Iaan Young, Burne Meagher".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. An annotation underneath the photo identifies two of the leads: Carla Jeffries and Alan Wilson. The photograph was taken on the night of 21 or 27 June when Jeffries performed the title role, a role she shared with Val Breen. Stan Wilson played Don Jose on these same nights.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson, Carla Jeffries". Tilley also records that: "Carla sang a solo at Joan's Wedding".Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".marion tilley, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia, "q" theatre guild -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stan Wilson in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 21, 23, 26, 27 or 28 June when Wilson performed the Don Jose, a role he shared with James Dinsdale.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of cast members of The "Q" Theatre Guild in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley in 1959. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria