Hilda Horne (b 06/05/1888 in Yendon) was the 10th child of Thomas William Watson and Emma Eliza Jane Phillips (who was one of the first white children born in the Barrabool Hills area (Geelong). Thomas worked on the Victorian Railways and was stationed at Yendon where they acquired a small farmlet named Graceland. Hilda married George Horne in. They lived in a small cottage in Windermere Street, Ballarat.Three black and white photographs of the Horne family .1 Hilda Horne b Watson 06/05/1888 at Yendon, the daughter of Thomas William and Emma Eliza Jane (b Phillips)Watson. .2 Three Watson sisters - Emma Jacka b Watson 30/08/1866 - 03/04/1904, died in childbirth in South Africa (standing); Hilda Horne b Watson 06/05/1888 (seated L); Eva Watson b 4/06/1890 - 08/07/1959 (seated R) married Leo Wise. .3 George Horne aged 6 months, married Hilda Watson..1 Verso: upper Hilda 1910 Horne; Jack in pencil (her brother John Richard Watson) .2 Verso: upper L - The Yeoman Studios ; C- POST CARD; R - postage stamp outline. CORRESPONDENCE / ADRESS ONLY LHS - handwritten "To Jack with love from Eva"; All Watson sisters; RHS Emma Batt( believe incorrect surname) Eva Watson Hilda Horne .3 Verso: Upper L - Eden Studios; C POST CARD; R - postage stamp outline CORRESPONDENCE / ADDRESS ONLY LHS - EDEN STUDIO Sturt Street Ballarat; handwritten in biro -George Horne; in pencil - Georgie 6 months hilda horne, hilda watson, eva watson, emma jacka, emma watson, eden studio, the yeoman studios, yeoman & co

Property sketches done for Frank Gordon Real Estate in the 1990s. .01 - 175 Stokes Street 21/6/1991 (ex grocery store) .02 - 381 Bay Street .03 - 101 Spring Street "Clareville" 27.8.1998 .04 - corner Stokes and Rouse Streets - Counting House .05 - Bay Street delicatessen and sandwich bar .06 - Centre Road, Garden City - shops .07 - Esplanade East "Guernsey House" .08 - 201- 205 Ross Street (corner Bridge Street) 19/8/1992 . Milk Bar .09 - 370-372 Bay Street "Quinns" formerly hotelbuilt environment - domestic, built environment - commercial, frank gordon & co, stokes street, bay street, esplanade east, spring street, centre road, ross street, clareville, guernsey house, counting house, quinns hotel, swallow & ariell ltd, hotels

The original photograph was missing from the folder at the time of scanning on 5 October 2018. The low resolution copy shown here is from a scan done in September 2001.

Series of photos loaned for copying by Thelma Nixon Edgar and Emily Nixon Davis .04 - large group of children (and some parents) gathered outside cottage in possibly Thistlethwaite or Gladstone Street.families, montague, sam nixon, mary nixon, thelma nixon edgar, emily nixon davis

Awards such as this trophy were presented at all important race meetings. This award highlights the significance of the presence of women in cycling and to the Club during this period.Trophy depicting a woman cyclist in a silver/gold colour on top of two small wooden pedestals. There is a 04 outline representing the year 2004 on the base pedestal and an inscription in gold on the front of the base. "Geelong West Cycling Club/2004/Women's Aggregate/Natalie Clark"geelong west cycling club; 2004; women's aggregate; natalie clark;

Councillor Joseph Haweil spoke to a Legacy Comradeship Luncheon on 27 June 2023. Cr Haweil is Mayor of Hume City and a member of the Assyrian community in Melbourne. He spoke about the actions of Stanley Savige during World War 1 that lead to him saving over 50,000 Assyrian refugees in Persia. After the speech he presented President Kerry Jenke with this artwork by Mr Furat Yosip.The artworks shows that the Assyrian Community are grateful for the life of Stan Savige.Wooden board with burnt etching of Stanley Savige with a gold coloured plaque.Plaque says "Presented to Melbourne Legacy / In Eternal Gratitude and Remembrance of Lieutenant General Sir Stanley George Savige, KBE CB DSO MC / By the Assyrian Community of Victoria at the Assyrian Martys Day Commemoration, Coolaroo - 5 August 2018 / Artist: Mr Furat Yosip"stan savige, assyrians

A recording of Seven Last Words, an oratorio by Clement Francois Theodore Dubois as Les Sept paroles du Christ (The seven last words of Christ), first performed at Easter 1867. This performance is by the Diamond Valley Choral Society on 01/04/1983, at St Andrews Box Hill.1 audio cassette in clear plastic caseHandwritten on cassette: "Seven last words - Dubois - St Andrews Box Hill. Good Friday 1.4.83".diamond valley choral society, seven last words (oratorio), clement dubois

This folder contains 6 items about this educational institution: 1/Undated colour slides showing various angles of two different building facades of Monash Caulfield Campus. 2/Article 'Martens Matters' re launch of exhibition of covesr of OASE 33 Magazine by Designer Karel Martens. Date noted as 01/04/2011 in 'The Age'. 3/Collection of 6 separate cards, all Priority Development Panel Submissions, Design Visualization, dated May 2006 (Architectural drafts) dated 31/03/2006 plus 2 identical cards dated 01/05/2006 - all drawings and one plan for NHArchitecture. 4/Collection of 4 colour separate cards, all Priority Development Panel Submissions, Design Visualization for Architect Wojciech Huszek of existing buildingsdated 31/03/2006. 5/Collection of 4 colour separate cards all Priority Development Panel Submissions, Design Visualization of existing buildings by photographer Andrius Lipsys, dated March 2006. (No architect stated.) 6/Article 'Uni rank sign of the Times' from Glen Eira Port Phillip Leader dated 12/03/2013 concerning Monash University’s world ranking in 100 best universities.nharchitecture, altoon and porter (master planner and urban designer ), huczek wojciech (architect), lipsys andrius (photographer), martens karel, station square development, campus map, derby lane, princess lane, post office place, caulfield station, sir john monash drive, derby road, the hub, the mat, post office square, station square, zagame’s hotel, dandenong road, oase 33, art and design building, monash university, caulfield campus, caulfield east, universities, tertiary education

Real estate advertisement for 5 Erang Close Greensborough, a 3 bedroom house. Originally listed with Barry Plant, this house was sold on 05/11/2018 by Morrison Kleeman for $720,000. Previous sales: October 2001 for $242,500; and April 1993 for $121,500. Real estate advertisement black text and colour photographerang close greensborough

Real estate advertisement for 11 Frances Avenue Greensborough, a 3 bedroom house. Originally listed with Barry Plant, this house was sold on 13/10/2018 by Jellis Craig for $765,000. Previous sales: March 2011 for $551,000; and November 1998 for $136,000. Real estate advertisement black text and colour photographfrances avenue greensborough

Real estate advertisement for 33 Diamond Boulevard Greensborough, a 3 bedroom townhouse.This house was sold in July 2018 for $651,250. Previous sales: April 2017 for $282,150 (property divided into two townhouses); December 2014 for $139,922; September 2003 for $140,000.Real estate advertisement black text and colour photographdiamond boulevard greensborough

Real estate advertisement for 10 Ellen Court Greensborough, a 3 bedroom house. This house was sold on 14/12/2018 for $890,000. Previous sales: September 2003 for $325,000; May 1984 $73,500; December 1983, $21,000; and March 1980 for $13,500.Real estate advertisement black text and colour photographellen court greensborough

Handmade cocoon sculpture made from wool. The sculpture appeared in Kathy Holowko's exhibition "Spidergoat and the Insect Electro" on show at the National Wool Museum from 4th May to 29th July 2018. the sculpture is representative of the other pieces that appeared in the exhibition.The cocoon is constructed with armature wire and pure wool from the National Wool Museum. The wool was looped over the armature wire and hand sewn at each intersecting wire ring.kathy holowko, 2018

Digital images of a set 8 pamphlets for the provision of a new sub-station at St Kilda Junction from early 2016 to late 2018 including architectural treatments of the building done after a lot of adverse criticism. .1 - Pamphlet - PTV049 - 17 - titled "Power Supply Upgrade Project" .2 - Update on the St Kilda Junction sub-station - has a project timeline - c April 2017 .3 - Letter to residents dated 13/4/2017, providing information and time for an information session. .4 - ditto 16/10/2017 .5 - ditto dated 28/11/2017 providing options for the facade. .6 - local community group report - JAAG providing information on the options put forward and why they were rejected. .7 - Architectural options by Jacksons Architecture .8 - Update on the St Kilda Junction Facade Project for completion late 2018.trams, tramways, substation, power supply, yarra trams, st kilda junction

.1 - Digital pdf file from the Yarra Trams Web file for the 2018 - 2019 Art Trams, Transporting Art - list the tram and artists and gives a background for each artist. Also has links to find the tram on TramTracker. Was part of the Melbourne International Arts Festival. .2 - digital pdf file - providing details of each tram, the artist, tram number and details along with images. Tram and Artist 2009 - Hayley Millar Baker 273 - David Larwill 2054 - Stephan Baker 2012 - Valerie Tang 3003 - Oli Ruskidd 5106 - Troy Innocent 5002 - Nick Howson 3532 - Oslo Davis .3 - Award Announcement 13/12/2018 accessed 9/5/2019 from http://artsreview.com.au/melbourne-art-trams-peoples-choice-award-announced/ Winner Valerie Tang See Reg item 5542 for newspaper cuttings.trams, tramways, transporting art, art trams, decorated trams, tram 2009, tram 273, tram 2054, tram 2012, tram 3003, tram 5106, tram 5002, tram 3532

Grave of William Poulter (died 16/03/1888) and Mary Chapman Poulter (died 18/09/1899) in Plot# B6/B7 Greensborough Cemetery. This monument replaces an earlier damaged headstone. Replacement made by descendants of the family.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.william poulter, mary chapman poulter, greensborough cemetery

Visiting seafarers signed the books on arriving at the mission.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne from 1999 to 2004. On the cover is a yellow post-it note bearing the words: Melbourne Visitors Log 27/10/99 06/08/04visitor, logbook, seamen, sailors, seafarers, mission to seafarers, seamen mission, flinders street, nationality, ship

The donor, Ada Barclay, was a member of the Flying Angel Club, Missions to Seamen (which is now Mission to Seafarers) in Townsville and Sydney. One of the badges connects her with the Ladies' Harbour Lights Guild in Queensland. The Sanctuary Window and other items at Flagstaff Hill Maritime Village are part of the St Nicholas Seamen’s Church Williamstown Collection. The window is dedicated to the seamen from the Merchant Navy and was organised by a group of women, some of whom were also in the Ladies’ Harbour Lights Guild, dedicated to the care of seafarers across the world. The Sanctuary Window above the altar in Flagstaff Hill Maritime Village's St Nicholas Seamen’s Church’ is titled "Christ Showing the Helmsman the Way". This round, stained glass window was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The window was donated to St Nicholas Seamen’s Church as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen. Some of the members of this Auxiliary were also members of the Ladies’ Harbour Lights Guild. This set of badges is significant historically for its connection to the Merchant Navy organisation, the Ladies’ Harbour Lights Guild and the Flying Angels Club. Through this connection, the badges are also connected to the history of the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this set of badges to the Ladies’ Harbour Lights Guild and what is now the Mission to Seafarers, highlights the strong historical and continuing community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of four metal and enamel badges pinned in a vertical row to a red ribbon. Each badge is connected with seafarers. Three badges have a crown on the top of a circular badge, a wreath around the circle and the letters "MN" in the centre. One of these also has "Australia" below the circle. The remaining badge has the words "The Ladies' Harbour Lights Guild" around the border on a blue background, and a blue flag in the centre on a gold background. The flag has a gold angelic figure on it. The figure has wings and is holding a book. "MN" "AUSTRALIA". "THE LADIES' HARBOUR LIGHTS GUILD" Badge 02 - "ANGUS & COOTE / SYDNEY" Badge 04 "MANAFOLD / BRISBANE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, sailors rest, bethel sailors’ church, bethel floating church, ladies’ harbour lights guild, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen's church williamstown collection, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, ethel godfrey, alice sibthorpe, pin badge, lapel badge, merchant navy, flying angel mission sydney, angus & coote sydney, manafold brisbane

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Photo taken in 2018 when reunion held for BCOF (British Commonwealth Occupation Forces) 1945-52. Shows surviving servicemen in attendance. Items in the collection of Richard William McGILVERY, RAAF. Ref Cat. No 7287P for his service details, photos and awards.Large laminated landscape photo of members of BCOF. Picture of 9 Ex- servicemen in civilian clothes, wearing their service ribbons and standing in front of cenotaph at Corowa. Picture laminated in hard plastic on both sides.bcof, reunion, richard william mcgilvery

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, Jillian Riley is shown the plaque of the Ashril Theatre, which belonged to her father Stan Riley. Jill is accompanied by Rosie Bray and GHS President Noel Withers.The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 3 colour photographs.main street plaques project, ashril theatre

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster, accompanied by GHS President Noel Withers, has photographed the installation of the 'Changing face of Main Street' plaque on Main Street Greensborough. The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 3 colour photographs.main street plaques project, main street greensborough

Real estate advertising for 1 Patonga Place Greensborough, 3 bedroom house. Originally listed by Barry Plant, sold 13/12/2018 by Darren Jones real estate for $720,000. Previous sales: October 1979 for $46,990 and March 1979, $16,600.Real estate advertisement black text and colour photographpatonga place greensborough

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital