Yields information about the streetscape at the terminus of the Mount Pleasant route with the milk bar in the background, people and the trolley pole being turned.Black and White photograph of a trammie commencing to swing the pole at the Mt Pleasant terminus of No. 31, with the Milk Bar at the terminus in the background along with other people. The tram has two roof advertisements for Johnnie Walker Whiskey and a front dash panel advertisement for "Twin Lakes". The Milk bar has advertisements for Robur Tea, Peters Ice Cream, Women's Weekly, Coca Cola and The Sun Newspaper (obscured). Stamped on rear in black ink "Donated to BTPS by and Photo By" / "Chris Wurr 12 Truscott Street, Ararat 3377 (053) 52 3403.tramways, trams, mt pleasant, milk bar, trolley poles, tram 31

Newspaper clipping from The Courier, Saturday 10 January 2015, titled "Four decades on track", report by Melissa Cunningham about the 40 years of operations by the BTPS / BTM. Looks at the history of the Museum, its future plans, solar panels, heritage tramways, Sovereign Hill. Quotes Roger Gosney and Peter Waugh. Has photos of 1, 27, 12, 18 and the interior of the display tram 39. btm, ballarat, btm depot, btps

Fold out pamphlet with a drawing of Ballarat Botanical Gardens. Included in far left of drawing is Tramway Museum sheds, labelled No. 27, "Ballarat Tramway Museum" Included is notable features is a paragraph on the Ballarat Tramway Museum and details of operations. Remaining 4 panels include introduction, history and events, notable features and contacts. Printed off white heavy paper. See Reg Item 6126 for following issue. trams, tramways, btm, ballarat botanical gardens, city of ballarat

Photo of 10 trams in Lydiard St., with No. 20 at north end for Australian Railway Historical Society visit on 7-4-1962. Taken from west side of Lydiard St. looking south. Photo includes Vauxhall and Morris built cars. No. 20 fitted with dash canopy lights, small white strip, and has an ad for 'The Age' on front panel. Destination shown is 'Special'. Photo is over exposed.'SEC Ballarat ARHS Specials, 10 trams in Lydiard St. Nth. 7/4/62.' in blue ink.tramways, trams, lydiard st., specials, arhs, tram 20

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', were the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Two-piece white silk wedding dress comprised of a short tailored bodice and a bell shaped skirt. The most prominent feature of the bodice is the wide pagoda sleeves, with false undersleeves of muslin. The edge of the sleeves includes small posies of orange blossom. Separate panels of lace, dropping from the waist are the only form of decoration on the skirt. The round high neckline was later converted to v-line in the 19th century.coombs collection, women's clothing, australian fashion, fashion & design collection, costumes, wedding dresses

This late 19th century maritime lamp is an example of lighting on ships, wharfs and other outside areas around docks and shipyards as well as on vessels.Lamp; grass and glass, with flat metal back and three glass windows. Has metal handle and wood hand piece. A brass lug on the back makes provision for attaching to a socket on a wall. The chimney lid flips upwards. The right-side door frame has a sliding latch, and the edge behind has a sliding panel to allow air flow. Made in Birmingham by Alderson & Gyde Limited in 1886."Alderson & Gyde LTD 1886 Birmingham" flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, maritime museum, maritime village, alderson & gyde ltd, birmingham, lamp, lantern, wall lamp, marine equipment, maritime light, wall light, 1886, ship lighting

Colour postcard, three panels: 1 - B class turning from Bourke into Spring St 2 - Walkway bridge (Evan Walker Bridge) over the Yarra 3 - City Skyline Back has space for name and address, stamp and a message and details of the postcard. Produced by Wayne Zerbe / North Australian Trading Co. for Kangaroo Gifts. Card No. KGL8 Has "Melbourne Australia" along the bottom edge.trams, tramways, bourke st, b class, melbourne

Colour print of SW5 843 running into Kew Depot with two crews (driver and conductor) and the tram conductor standing in to the door way indicating to motorists that the tram is turning in. Tram has the Destination of Kew Depot, route No. 47, depot run indicate K58 and a RESI Permanent building society advert on the front panel. Note the Tram waiting shelter in Barkers Road. Printed on Kodak paper, c1985.trams, tramways, route 47, kew depot, conductors, drivers, tram 843, tram shelters, sw5 class, the met

Black and white photo of a display panel at a TMSV event, showing the horse tram in Riversdale Road, meeting a P&MTT electric tram (No. 36) in Glenferrie Road, c1915. Has the photo caption underneath. Caption to the item says 1917, but given HTT dates, c1915. Photo reproduced c1970 by the TMSV from an original photo. See Reg Item 5081 for a negative image - far better.On the rear is a TMSV 332 Flinders St Melbourne stamp.trams, tramways, riversdale rd, glenferrie rd, horse trams, pmtt, tram 36

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five yellow buttons and button holes at front. The fabric is of stretch cotton. Dress has a white label with 'Florgale Uniforms, Permanent Press' and washing instructions printed in red and blue and stitched to left rear neck facing. A trade mark, a ball in red and blue with the word 'Koratron' is also on this label. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, rendered, verandah with brick balustrade and barley sugar pillars, tiled roof, 2 chimneys, small panelled windows, double central door, woven crinkled wire fence and gate. Patrick Street. On backof photo: ' Geo De Araugo, Patrick St., £850' Date Stamp 30 May, 1933. 2012 photo of house attached.Frank A. Jeffree, Bendigobendigo, business, t c watts and son

BHS CollectionWaist length dark green cotton bodice. Fabric has alternating stripes of pulled thread pattern and wider stripes of small dot pattern. Front opening with deep V to waist with lined lace insert extending from throat to waist. LHS of bodice fastened to lace insert with five press studs. Stand up collar of lined black lace (%cm) fastened with two hook and eyes. The bodice is made from five pieces. The two front sections have three knife pleats facing out and falling from the shoulder. The pleats are stitched down for twenty cms from the shoulders. On either side of the front opening is decorative embroidered black lace that extends across the shoulders to the back of the collar. There are two side panels from under the arm. The back section has three box pleats falling from the collars and tapering to the waist. The hem of the bodice is fastened with black cotton tape. Leg of mutton sleeves are trimmed with black embroidered brais at elbow and wrist. Lower sleeves have pintucks from elbow to wrist. The sleeves are lined with black cotton fabric. The back of the bodice is lined with black cotton fabric almost to the hem. A three cm piece of white and blue cotton tape is attached across the lower back with cotton ties at either end. The underarm panels are lined with brown cotton fabric and green satin inserted sections. The front has a separate lining with front opening and shaped with darts. Fastened with six buttons and buttonholes. Two shoulder pads on each side- one white piece under the shoulder and a green satin piece under the gathered section of each sleeve. Dark green full length skirt. Cotton fabric with alternating stripes of pulled thread pattern and wider stripe of small dot pattern. Skirt is made of three sections. Centre front panel widens slightly to hemline. Side panels continue around to join at centre back. Darts at both hips to shape sides. Panels widen to hemline. Inverted pleats at either side of back opening create fullness. Back opening(30cm) has insert of black satin joined to LHS of opening to enlarge the opening. Insert attached to waist band with two press studs. Two other press studs attach skirt to RHS of insert. Brown cotton waistband hand stitched to skirt. Ties attached to waistband at back opening- one cotton tape, one satin ribbon. Front centre panel has a piece of black satin stitched as lining from eighteen cm below waist (57cm deep). Stitched across and attached to side seams. Lower edge trimmed with black lace. Second piece of satin lining stitched to centre seam and stitched around the hip to partway across back.(Looks like a nylon petticoat cut in two pieces and stitched inside skirt as a lining). Hemline has fifteen cm piece of cotton lining attached and lower edge of hem has fringed cotton binding attached.. Side seams of front panel have decorative trim of embroidered braid extending seventy-six cms from waist. Braid then turned ninety degrees and continued in a horizontal zig zag line around to centre back seam (both sides) twenty cms above hem. Hand and machine stitched.costume, female, ladies dress- bodice.

Clothing. Fine white cotton lawn nightgown. Round neck, with back opening. 12 cm deep yoke, and tiny cap sleeves of embroidered cotton. A V shaped panel of embroidered cotton at the centre front of the yoke. A drawstring in a casing fastens at the back neckline. A tiny .75 cm button, fastens the back yoke. Nightgown is machine stitched, with some hand stitched decorative stitching. The long skirt has two bands of narrow tucks-one tuck of 1.04 cm and six bands of .04 cm. This is edged with a band of hand stitched embroidery. This band of tucking is repeated, and edged with a 6 cm wide band of eyelet embroidery. This panel is repeated with the lower edge of embroidered cotton finished with a scalloped shaped edge. A scalloped braid edges the neckline. Skirt is two-tiered-top tier very finely gathered to yoke is 15 cm deep. Lower tier is 71 cm deep.costume, children's, toddlers nightgown.

Very fine embroidered silk, three tier skirt - silk embroidery in a swirl design, and featuring small tufts of pink silk. Front placket, and narrow 1.25cm tape waistband. Metal hook and eye fasteners, and two metak hooks at back waistband to fasten bodice. Back sweeps into a small train. Two rows of joined lace form three panels from waist to lower tier. This lace also forms two L shaped decorative panels on upper section of skirt. Lower edge of silk lining has a band of stiffening, which then has an 18cm wide band of pink silk lining the hemline. This pink fabric matches the pink tufts on the fine silk outer layer, and possibly protects the finer fabric at the hemline level. Embroidered silk lace, in two bands sewn together, trims the hemline. PART OF WEDDING OUTFIT 11400.780; 782costume, female, cream silk full length wedding skirt

The Grand Order of Oddfellows was a friendly Society founded in Manchester in 1798. It began in Australia in 1844 with the first Victorian branch established in 1854. The first mention of the Eaglehawk group was in 1868.Small ceremonial apron for the "Grand United order of Odd Fellows" on white/cream silk cotton sateen with blue tape border. Centre to screen print main panel has large printed crest showing quartered shield (top left) hour glass (top right) crossed keys (bottom right) dove with olive branch (bottom left) Noah's Ark. In centre of shield is a right hand palm forward with heart symbol. Supporters to shield, woman left holding sword and scales next to seated lion, woman on right holding mirror and flaming torch next to seated sheep. In centre above the shield is a seated women with four children, one at breast. Banner at base of women and shield reads "Amicitia Amor et Veritas". Long tapes top left and top right corners. At base of print are two hands joined in a handshake in a panel surrounded by flowers.In pen and ink on back "George Braysher"?grand united order of odd fellows, ceremonial apron

Gunther Jahnke graduated in 1980. Trevor Adams graduated in 1978. Subsequently he was employed by ALCOA Australia, and by 2000 was general manager at the Portland (Vic.) plant..1) Two men, one wearing a leather jacket .2) Three men at a metallurgical apparatus .3) A handwritten note by Brian Sunter, relevant to the above photo..3) A. A group of Metallurgy students from Ballarat CAE working on equipment designed for melting metals and alloys under high vacuum conditions. (From left to right Athol Shelton, Gunther Jahnke, Trevor Adams) B. Metallurgy students operating a control panel for equipment designed to analyse crystal structure. (From left: Gunther Jahnke, Trevor Adams) alumni, brian sunter, gunther jahnke, trevor adams, athol shelton, student activity, metallurgy

Date based on other similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987. 20 x 25 cm Shire of Eltham Engineering Department Providing the resources to undertake • Survey, design, consultation • Road construction and maintenance • Bridge construction and maintenance • Street sweeping • Drain and pit cleaning • Traffic engineering installation and maintenance • Garbage collection • Tip management, land reclamation and beautification • Maintenance of community buildings • Provision of community and recreation facilitiesunidentified, display panel, eltham festival, footpaths and gutters, infrastructure, residential, roads, shire of eltham, streets, 1987

Date based on other similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987. 20 x 25 cm Shire of Eltham Engineering Department Providing the resources to undertake • Survey, design, consultation • Road construction and maintenance • Bridge construction and maintenance • Street sweeping • Drain and pit cleaning • Traffic engineering installation and maintenance • Garbage collection • Tip management, land reclamation and beautification • Maintenance of community buildings • Provision of community and recreation facilitiesunidentified, display panel, eltham festival, footpaths and gutters, infrastructure, residential, roads, shire of eltham, streets, 1987

Date based on other similar display panels visible in images of the Shire of Eltham display at the Eltham Community Festival, 7 November 1987. 20 x 25 cm Shire of Eltham Engineering Department Providing the resources to undertake • Survey, design, consultation • Road construction and maintenance • Bridge construction and maintenance • Street sweeping • Drain and pit cleaning • Traffic engineering installation and maintenance • Garbage collection • Tip management, land reclamation and beautification • Maintenance of community buildings • Provision of community and recreation facilitiesunidentified, display panel, eltham festival, footpaths and gutters, infrastructure, residential, roads, shire of eltham, streets, 1987

This file contains three black and white photographs of the property 'Craigellachie': 1/An undated black and white photograph of the west front exterior of the house. 2/An undated black and white interior photograph of the Chinese drawing room. 3/An undated black and white photograph showing detail of the etched glass panels in the entrance door. File also contains a research note about the possible provenance of the photographs being either previous resident Mrs C. S. Elliott, or a photographer member of the then Caulfield Historical Society.craigellachie, lynedoch avenue, st kilda east, house names, mansions, elliott c s mrs, green r w

This lamp pattern was originally made in USA between 1880 and 1900. The pattern is called Feathered Cartouche and generally had a painted motif on each of the panels on the front. This lamp is probably a copy of the American lamp and made in Australia sometime in the first half of the 20th century. The lamp has an English style collar rather than an American one and the pattern is not as crisp as the American ones. There were several lamp patterns made here that were copies of American patterns and that style of collar was used on most of them. (ref Oil Lamp Antiques)This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.Ornate clear glass kerosene lamp. Glass chimney is missing. Base is square and patterned with raised oval shapes, as is the stem. Both base and stem are hollow. At the top, the kerosene holder is squarish with round corners.. The wick holder is of brass and has a small wick adjustor.lamp, kerosene lamp, lighting - domestic

Made from a large, heavy, irregular shaped piece of stone. One fascia has been cut lengthwise at an oblique angle & polished. On this face are 2 bronze medallions. One shows 2 hands and the other, 'Braille Book of the Year' is written in Braille. This award was presented for the first time at a presentation dinner on the 3rd May 1974 to Mr. Keith Dunstan. Mr. Barrett Reid of State Library, Dr. Stephen Murray - Smith from Melbourne University and Mr. Lloyd O'Neil, publisher formed the literary panel.1 stone block with 2 bronze medallions, one inlaid with hands and the other with BrailleBraille Book of the Year (in Braille)braille and talking book library, awards, sculpture

Rose Series postcard No. P 200, "Flinders St, Station and St Kilda Road, Melbourne" looking south from the roof top of the Nicholas Building in Swanston Street. Has at least eight trams in the view. The trams have a white panel under the driver's windows indicating a war time black out precaution. Has adverts for buying bonds and savings certificates and The Herald learn to Swim advertisement on the end of the verandah for Friday next January 10th at Princes Bridge. This gives a year of 1941.Yields information about St Kilda Road 1941Postcard - printed real photograph with Rose Stereograph Co. name on the rear.tramways, flinders st station, st kilda road, railways, world war ii, trams, mmtb

Photo of a cable tram set - saloon trailer No. 63 in Collins St at Spencer St. The grip car is not fitted with staunchions and there are no destination signs on it. The trailer is lettered for the "Spencer & Brunswick St Fitzroy" route with its rocker panel highly decorated. In the background are a building for the Agency Company Limited and an advert on a hoarding for The Age newspaper. The grip man and conductor are standing on their respective platforms. Photo possibly soon after the line opened on 2-10-1886. Photo by John William Lindt c1890 - see reference. Yields information about cable trams in Collins St.Black and white photograph on paper.trams, tramways, cable trams, collins st, spencer st, tram 63, j w lindt

Wilma Hall (later Hobbs) wore this blazer while studying at the Ballarat Teachers' College in 1954-55. The college was established after the Victorian State Government and the State Education Department decided to establish two provincial teachers' colleges, at Ballarat and Bendigo. On 04 May 1926 W.H. Ellwood (Principal), Miss A. Bouchier, and Mr A.B. Jones, welcomed the first enrolment of 61 students to undertake the one year course. In 1927 the College moved to the former Ballarat East Town Hall in Barkly Street, which was remodelled for their use. It closed in December 1931 due to the Great Depression. In 1946 Ballarat Teachers' College reopened and relocated to the Dana Street State School. It was originally planned to open as a women's college, for whom the residence at 130 Victoria Street was purchased, but the decision was made to admit resident men from Ballarat. Mr T.W. Turner was appointed as Principal in 1951 and directed the introduction of a two year course for the Trained Primary Teachers' Certificate. The former one year course was terminated at the end of 1951. In 1958 the College was relocated to a custom built facility at Gillies Street, in close proximity to the Ballarat Botanical Gardens. Numbers increased with the introduction of the Trained Infant Teachers' Certificate course under the guidance of Mary Egan. With the introduction of a three year Diploma Course in 1968 accommodation became cramped. The introduction of the Diploma of Teaching (Primary) led to the Trained Infant Teachers' Certificate being discontinued in 1969, and the end of the Trained Primary Teachers' Certificate in 1969. Secondary Art and Craft students began studies at Ballarat Teachers' College in 1969 under Mr Ted Doney. In 1971 Mr D. Watson was appointed Principal. The State College of Victoria was proclaimed by Order in Council on 24 July 1973, and Ballarat Teachers' College became a constituent college of the State College of Victoria, and was known as State College of Victoria, Ballarat. By 1975 the College moved to Mount Helen as part of the Ballarat College of Advanced Education. Pre service teachers currently undertake their studies on the Mount Helen Campus of Federation University. ("Ruffians Attempted to Carry off the School Tent: A History of State Education in Ballarat", 1974, p73-4.)Blue unlined, woollen Ballarat Teachers' College blazer with embroidered pocket. The jacket had three buttons at the front although two are missing. The edges are all bound with tape including the pocket and the sleeve binding is 12cm from the cuff edge. The seam edges are either turned back and stitched or cut with pinking shears. There is a small panel on either side of the inside between the side seam and the facing which reinforces the pockets.Embroidered emblem of the Ballarat Teachers College and woven makers patch - The Myer Store for Menballarat teachers' college, blazer, wilma hall, wilma hobbs, textiles, costume, embroidery, uniform

The beach cart was hand drawn by a team of six people; two in front, one on each side and two behind. The wide iron tyres on the the wheels helped prevent the cart from sinking into the sand. The load of heavy beach apparatus equipment was held in place by the hand worked rope net cover. It would be stored in the Rocket House packed and ready to use for practice or rescue. Beach apparatus equipment - In the mid-1800s the equipment could include a line throwing set, coiled line in wooden carrying case, rockets, cartridges, breeches buoy, hawser and traveller block, line-throwing pistol, beach cart, hand barrow, sand anchor, crotch pole, and tools such as spade, pick, mallet and hawser cutter. Around the 1860s Warrnambool had a Rocket House installed beside the Harbour. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. This cart and cover set is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Beach cart; a blue and white painted, wooden cart with two, red coloured metal wheels. The wheels have twelve spokes and wide iron tyres. The cart has a long draw bar with T- handles at the end. It was pulled by two people, usually steered by another two and pushed by a further two. It was supplied by the Government of Victoria. There is an inscription on the front end panel. The cart has a removable hand worked rope cover. Stencilled in white paint “G of V” flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, flagstaff hill maritime museum and village, lady bay, warrnambool harbour, port of warrnambool, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, beach rescue, rescue equipment, rocket rescue equipment, rocket equipment, marine technology, lifeboat, volunteer lifesavers, volunteer crew, lifesaving rescue crew, rocket apparatus, shore to ship, stranded vessel, rocket rescue apparatus, line thrower, beach apparatus, breeches buoy, life jacket, rocket house, rocket shed, rocket machine, rocket head, rocket launcher, rocket line, beach rescue set, rocket set, beach cart, hand barrow, welsh hand barrow, harbour board, government of victoria, harbour master, l.s.r.c., lsrc

Camisole.Woven lace at neck, and armhole edge. Bodice in four sections: Upper bodice - voile, joined to an 8cm band of woven lace, joined to an 8cm band of voile. Front has two inserts of the lace 8cm X 7cm. Delicate robia voile. Another 7cm deep band forms a finish similar to a peplum. A drawstring passes through a casing to form this panel. Woven lace shows a ''leaf'' shaped design.In ink Bendigo Historical Soccostume, female, underwear

Black and white photograph :2 storey and basement stone building with gable roof, 4 chimneys projecting . Second storey has a central windows with three windows to right and leftr. Ground floor has central porch, door with glass, fanlight above and glass panels on each side. Basement with 3 small windows on each side of door. Post and rail fence on left. 5 males near door.Batchelderbuildings, hospital, bendigo goldfields hospital

Black & white photograph of a bride. She is wearing a long, white dress with a lace panel starting at about knee length. The bodice is lace and the dress has elbow length sleeves. She has elbow length gloves with a bracelet on her right arm. She has a long veil with embroidery at the lower edge. Her bouquet with it's large white bow is on a pedestal in front of her. Photo is mounted on white cardboard.The Muntz Studio, Puckle St., Moonee Pondsphoto, individual, wedding, foster & wilson collection, photograph

Black and white photograph of Emily Margaret Matilda Lee and David Carstairs on their wedding day, she is wearing a dark dress, tight waist, bodice gathered from shoulders to waist and embroidered centre panel, long sleeves with tight cuffs. Fine chain necklace with heart shaped locket, plain unadorned hairstyle. He is wearing a three piece suite, white shirt and dark necktie. Lakes Entrance Victoriaclothing, genealogy