This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates St Aloysius is architecturally important as an exceptionally imposing red brick church in the Early English Gothic Style from the inter-war period. Its significance, however, is compromised by the recent removal of its Pyrmont stone spire. It is locally important as a focus of Catholic worship in Caulfield.Page 23 of Photograph Album with two black and white photographs of front views of a church. There is also a photo missing on the bottom left. Hand written: 233 [above top right photo] / St Aloysius R C Church [under top right photo] / 23[bottom left]trevor hart, caulfield north, balaclava road, st aloysius, early english gothic, inter-war period, catholic church, towers, red brick

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From the Victorian Heritage Register Database - Citation for Halstead, 23 Bambra Road as at (as at 12/10/2020) https://vhd.heritagecouncil.vic.gov.au/places/276 Halstead is believed to be the oldest standing residence in Caulfield constructed in 1857 with subsequent additions during the 19th Century. The house was built for and owned by James Dickson, a stock agent, until his death in 1880. Although on a much reduced parcel of land, Halstead is one of the few remaining remnants of Caulfield when it was an area of mansion houses occupied by town residing squatters, professional and business men. It is important for its place in the socio-economic history of south eastern suburban Melbourne, the inland pattern of development stretching from Malvern through Murrumbeena. Architecturally the single storey building displays a history of alteration and addition. Its main front presents with a single storey cast iron verandah across the full width, including the two pavilion wings at each end. Located towards the rear on the Halstead Street side is the substantial three storey tower with its Mansard roof and cast-iron balustrade which makes the house clearly visible from Halstead Street and Bambra Road. Because of internal alteration the importance of the building relates to the exterior only of the main house. Halstead is believed to be the oldest standing residence in the city of Caulfield. https://vhd.heritagecouncil.vic.gov.au/places/43645 "Halstead" is regionally important as a surviving large villa from the early Victorian (1850's) period, offering insights into the lifestyles of the privileged in Caulfield at that time. The later tower is of architectural interest for its use of Medieval Romanesque enrichment.Page 32 of Photograph Album with four photographs of the exterior of this double storey house, focussing on different angles for the house's tower.Hand written: "Halstead" Bambra Road [top right] / 32 [bottom right] trevor hart, caulfield north, bambra road, 1850's, halstead, james dickson, mansion, villa residence, cast iron verandah, pavillion wings, halstead street, victorian, tower, balustrading, decorative brackets, mansard roof, brick, cast iron, slate roof, curved windows, single storey mansions, streetscapes, medieval romanesque style, slate roofs, gardens, cast iron work

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From the Victorian Heritage Register Database - Citation for Halstead, 23 Bambra Road as at (as at 12/10/2020) https://vhd.heritagecouncil.vic.gov.au/places/276: Halstead is believed to be the oldest standing residence in Caulfield constructed in 1857 with subsequent additions during the 19th Century. The house was built for and owned by James Dickson, a stock agent, until his death in 1880. Although on a much reduced parcel of land, Halstead is one of the few remaining remnants of Caulfield when it was an area of mansion houses occupied by town residing squatters, professional and business men. It is important for its place in the socio-economic history of south eastern suburban Melbourne, the inland pattern of development stretching from Malvern through Murrumbeena. Architecturally the single storey building displays a history of alteration and addition. Its main front presents with a single storey cast iron verandah across the full width, including the two pavilion wings at each end. Located towards the rear on the Halstead Street side is the substantial three storey tower with its Mansard roof and cast-iron balustrade which makes the house clearly visible from Halstead Street and Bambra Road. Because of internal alteration the importance of the building relates to the exterior only of the main house. Halstead is believed to be the oldest standing residence in the city of Caulfield. https://vhd.heritagecouncil.vic.gov.au/places/43645: "Halstead" is regionally important as a surviving large villa from the early Victorian (1850's) period, offering insights into the lifestyles of the privileged in Caulfield at that time. The later tower is of architectural interest for its use of Medieval Romanesque enrichment.Page 33 of Photograph Album with one landscape photograph of the exterior of Halstead, taken from the street.Hand written: 33 [bottom left] trevor hart, caulfield north, bambra road, 1850's, halstead, james dickson, mansion, villa residence, cast iron verandah, pavillion wings, halstead street, victorian, tower, balustrading, decorative brackets, mansard roof, brick, slate roof, curved windows, single storey mansions, cast iron work, medieval romanesque style, slate roofs, gardens

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.https://vhd.heritagecouncil.vic.gov.au/places/35575 From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates Significance: "Kynaston" is locally important as a large late Victorian villa residence, demonstrating something of the lifestyle to which a senior government bureaucrat could aspire during the late nineteenth century boom period. The design of the verandah, though defaced, is unusual in Caulfield and, therefore, important. A substantial late Victorian stuccoed Bool11 style villa residence with tower surmounting the entrance porch, fluted columns to the ground level verandah and parapeted balcony over, now built in with a sympathetic addition at the north-west corner. The principal rooms and staircase are intact and representative of the period.Page 34 of Photograph Album with two portrait photographs of exterior of Kynaston - 2 views highlighting the front of the mansionHand written: "Kynaston" now "Kahlyn" Bambra Road [top right] / 34 [bottom right] trevor hart, caulfield north, bambra road, 1850's, mansion, villa residence, cast iron verandah, victorian, decorative brackets, slate roof, curved windows, 1880's, kynaston, kynaston l murray, kahlyn private hospital, kahlyn, return verandah, enclosed verandah, cast iron work, double storey mansions, towers, balconies

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 37 of Photograph Album with one landscape photograph of the Methodist church.Handwritten: METHODIST CHURCH 55 BAMBRA ROAD 14 DEC 1972 / 37 [bottom left]trevor hart, caulfield north, bambra road, methodist church

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 46 of Photograph Album with one photograph of Kinloch, a double storey house.Hand written: "Kinloch" 7 Cobden Street [top right] / 46 [bottom right] trevor hart, caulfield north, kinloch, cobden street, double storey houses, cars

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 48 of Photograph Album with two landscape photographs of 2 different houses in Elizabeth Street.Hand written: Elizabeth Street [top right] / Corner of Bent Street [under top right photo] / 22 Elizabeth St [under bottom right photo] / 48 [bottom right] trevor hart, elsternwick, elizabeth street, houses, verandahs, fences

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From the Victorian Heritage Register Database - Citation for St Mary's Anglican Church https://vhd.heritagecouncil.vic.gov.au/places/43715 (as at 14/10/2020) St Mary's has architectural significance as a representative example of French influenced Low and Mixed Gothic (see stylistic Typology in National Trust's Historic Churches Study) and is further distinguished by its use of bluestone, entirely without relief. French influence is demonstrated by the high nave, apsidal sanctuary, spirelet and trumeau. The building is locally important as a historic focus for Anglican worship and early mission activity whilst its architectural grandeur is expressive of mid Victorian Caulfield's status as a suburban location for the Metropolis gentry.Page 56 of Photograph Album with three exterior photographs (two portrait and one landscape) of St Mary's Anglican Church.Hand written: St Mary's Anglican Church Eira Road [top right] / Neg 235 8 Oct 1966 [under top left photo] / 3 Sep 1972 [under bottom left photo] / 56 [bottom right] trevor hart, 1880's, elsternwick, glen eira road, st kilda east, church of england, gothic, st mary's, bluestone, apsidal sanctuary, spirelet, trumeau, anglican, 1870's, caulfield north, french-influenced low and mixed gothic style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 58 of Photograph Album with four photographs of three different properties on Glen Eira Road.Hand written: Glen Eira Road [top right] / 105 Glen Eira Rd 3rd July 1972 [under top left photo] / 245 Glen Eira Road [under top right photo] / 356 Glen Eira Road [under bottom left photo] / 356 Glen Eira Rd [under bottom right photo] / 58 [bottom right] trevor hart, glen eira road, caulfield north, victorian, streetscape, cars, verandahs

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 62 of Photograph Album with three photographs (one landscape and two portrait) of the Elsternwick Hotel exterior (front, rear and side); plus one of the first floor exteriors for 5 adjacent shops on Glen Huntly Road.Hand written: Glen Huntly Road [top right] / 62 [bottom right] trevor hart, caulfield north, glen huntly road, elsternwick, hotels, elsternwick hotel, shops, glenhuntly road

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.Page 38 of Photograph Album with one landscape photograph of a timber house at 87 Bealiba Road.Handwritten: Bealiba Road [top right hand corner] / 87 Bealiba Road [underneath photograph] / 38 [bottom right]trevor hart, caulfield south, bealiba road, verandah, edwardian, woodworking, towers, chimneys, weatherboard houses

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 44 of Photograph Album with one photograph of a house at 14 Clarinda Street.Handwritten: Clarinda Street [top right hand corner] / 14 Clarinda Street Elsternwick with Caulfield South written in different pen underneath / 44 [bottom right]trevor hart, caulfield south, clarinda street, verandahs, cast iron work, slate roofs

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From: Glen Eira Heritage Management Plan (1996) by Andrew Ward and Associates Caulfield State School No. 773 is important at the State level as the first of similar designs for small schools prepared by the Education Department under H.R. Bastow at Little Bendigo (1878), Glen Waverley (1880), Ascot (1882), Sandringham (1885) and Carlsrich (1892)·. It is a representative example of the Department's Gothic Revival designs, distinguished, however, by the semicircular treatment of the master's office, which compares with Portland (1879), Queensberry St Carlton (1880) and Footscray (1881). It has local significance as the earliest surviving Government School in Caulfield and as a centre for education from 1877, comparing with St. Mary's Jubilee School (qv) of 1887. The Caulfield State School of 1877, the horse tramway of 1889 and subsequently the electric trams were all events confirming the importance of Glenhuntly Road and the fledgling community of "Camden Town" wherein the City's commercial centre has its origins.Page 68 of Photograph Album with three exterior photographs (two portrait and one landscape) of one side of Caulfield State School with a fourth photo missing from the page.Hand written: Caulfield State School No. 773 Glenhuntly Road [top right] / 68 [bottom right] trevor hart, glen huntly road, caulfield state school, caulfield primary school, gothic revival, schools, caulfield south, arched window, tower, 1870's, camden town, red brick, curved windows, terracotta tiles, master's office, education, primary school, glenhuntly road, h r bastow

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From: https://vhd.heritagecouncil.vic.gov.au/places/65624 (as of 20/01/2021) National Trust listing for the Classic Cinema Property No. B7027 The Elsternwick Theatre, established in 1911 in an earlier hall, is of Regional historical and social significance. Historically, the Elsternwick Theatre is important as the longest continuously operating cinema in Victoria. However, the building itself was not purpose built as a cinema, and little remains of the early cinema interior. It is also notable as one of a handful of early cinemas in Victoria to still operate. The Elsternwick Theatre is socially significant for its association with cinema, the major form of popular entertainment in the early twentieth century. Prior to the conversion of the premises into a picture theatre in 1911, the building was an important community gathering place; as a public hall and lodge rooms. Architectural interest is restricted to the late Victorian facade, with its relatively unusual three bay arrangement, each topped by large triangular pediments that project beyond the parapet, providing an interesting silhouette.Page 70 of Photograph Album with two portrait photographs (external views) of properties on Gordon StreetHand written: Gordon Street [top right] / CLASSIC THEATRE [under top photo] / 70[bottom right] trevor hart, glen huntly road, gordon street, elsternwick, theatre, corner shops, classic cinema, elsternwick theatre, shops, cars, glenhuntly road, chinese cafes, kum san restaurant, p calandro & co real estate agents

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 84 of Photograph Album with one portrait photograph of a house on Hobart Road. Handwritten: Hobart Street RD - the word Street has been crossed out [top right] / 40 HOBART ROAD [Under photo] / 84 [bottom right]trevor hart, 1880's, cast iron verandah, murrumbeena, hobart road, victorian, columns, cast iron frieze, decorative brackets, iron roof, cast iron work, houses, chimneys

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Page 87 of Photograph Album with two photographs (portrait and landscape) plus a photo of a photograph of St Mary's Old Vicarage.Handwritten: Hood Cres St Mary's Old Vicarage[top left] / bottom photo of photograph is titled "St Mary's Vicarage" / 87 [bottom left]trevor hart, elsternwick, hood crescent, helenslea, c.e.g.g.s., school, 1860's, sir george stephen, shelford, glen eira road, st mary's vicarage, st mary's old vicarage, vicarage, church of england, gardens, chimneys, caulfield north

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.HO35 Hopetoun Private Hospital, Part of 2 - 6 Hopetoun Street in the City of Glen Eira From Victorian Heritage Database citation for Hopetoun Private Hospital https://vhd.heritagecouncil.vic.gov.au/places/43647 as at (21/10/2020) "Melrose" is of regional importance as a surviving and substantially intact example of a large villa residence designed by the noted Melbourne architect, Charles Webb. Its importance is enhanced by the use of unusually fine cast iron balustrading. As a surviving large villa designed by Charles Webb, it compares with his own home "Farleigh" (1865), in Brighton whilst the tower compares with his first home "Chilton" (c.l853)Page 88 of Photograph Album with one landscape photograph of a double storey mansion.Handwritten: Hopetoun Street [top right] / 88 [bottom left]trevor hart, elsternwick, hopetoun street, melrose, hospital, private hospital, victorian, charles webb, cast iron lacework, villa residence, tower, verandah, cars, curved windows, balcony, decorative brackets, cast iron work, mansions, architects

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails

B: England 23/10/1829, trained at the Richmond Theological Institution, then spent 5 years as a missionary in Fiji. When his health broke down he became a circuit minister in Australia. He became a supernumerary in 1887 and died 29/09/1907 at Geelong. Married Elizabeth Jenkins Berry, father of Archibald John Royce and T.W. Royce (Principal of Geelong Ladies' College) who was tragically drowned in 1893. Children: Elizabeth Mary Jane (1856 - 1939), Frances Ellen Gough (1858 - 1937, James Hamilton (1860 - 1927), Thomas William Arthur (1862 - 1893), Charlotte Louisa (1865 - 1933), Archibald John (1868 - 1944), Florence Annie (1874 - 1957)Oval inset, sepia toned head and shoulders studio portrait of the Rev. J.S.H. Royce. Carte de visite format.Rev. J.S.H. Royceroyce, j. s. h., wesleyan minister, fiji

The photograph was taken in the Board Room of Royal District Nursing Service (RDNS) 452 St. Kilda Road, Melbourne. It was taken after Sister Pat (Paddy) Rowley received her Fellowship of the Australian College of Nursing. The Australian College of Nursing describes the Fellowship as follows: "Fellowship of the Australian College of Nursing (ACN), is a prestigious member status awarded to nurses in recognition of significant professional achievement. Fellowship recognizes the experience and contribution of nurse leaders to ACN and the profession".The regalia worn by Sr. Rowley as a Fellow, is a black gown with the wide trim to the front edges of scarlet satin and the regalia hood of inner white and outer scarlet satin. Sr. Rowley is the Principal Nurse Educator at RDNS.Sister Rowley commenced at Melbourne District Nursing Society (MDNS) in 1956 working as a District Nurse in a large district covering South Melbourne, Albert Park, Middle Park, and suburbs bordering from St. Kilda to Port Melbourne. In 1961 she was asked to be a Control Sister answering the telephones in Headquarters. She left MDNS for a short period, and after being asked to return was accepted, in August 1962 to take the MDNS 2nd Post Basic Course written by Miss Mary Evans; during this time Sr. Rowley wrote a paper on Liaison which led to continuity of care of patients between hospitals and RDNS. Following the course she commenced in Education and rewrote the Post Basic Course. In 1964 Sr. Rowley commenced, on a part time basis, working as a Liaison Officer at the Alfred Hospital. She attended the Teachers College, doing the 12 month course in 6 months, but this course did not have a health component, so she applied, and received, a Florence Nightingale Scholarship to the College of Nursing, gaining her Diploma of Nursing Education in 1968. Following this she became the, now named, Royal District Nursing Service (RDNS), Education Officer. In 1969 Sr. Rowley, with Miss Mary Evans, DON, attended the quadrennial Congress of the International Council of Nurses in Montreal, Canada and then Sr. Rowley visited USA looking at Public Health Nursing Education programs. As well as her RDNS work, Sr. Rowley became Nursing Consultant to the St. John's Ambulance Association in 1970, assisting in planning their Home Nursing Course book. In July 1971 Sister Pat (Paddy) Rowley, was awarded Fellowship of the Australian College of Nursing (ACN). The Australian College of Nursing describes the Fellowship as follows: "Fellowship of the Australian College of Nursing (ACN), is a prestigious member status awarded to nurses in recognition of significant professional achievement. Fellowship recognizes the experience and contribution of nurse leaders to ACN and the profession”. Sr. Rowley was then appointed as Principal Nurse Educator and wrote many of the programs for the Education department. Working as an Educator she travelled to regional hospitals, e.g. in Geelong and Ballarat to give lectures on District Nursing. When the Education Department relocated to 488 St. Kilda Road, she arranged the floor plan of the rooms. Sister Rowley retired from RDNS in 1988 having worked for 26 years in Education and a total of 32 years with the Melbourne, later named Royal, District Nursing Service. . Black and white photograph of a three quarter length view of Royal District Nursing Service (RDNS), Sister Pat (Paddy) Rowley. Sister Rowley, who has her head turned slightly toward the left of the photograph, is wearing dark rimmed glasses and has short dark straight hair. Over her light coloured top, she is wearing a black long open gown with wide trim, and regalia hood of white inner and dark outer satin. Her hands are clasped to the front holding a rolled white certificate held closed with a ribbon and bow. In the background the left edge of a framed landscape painting is seen on the wall. Part of Photographer stamp. Quote No. KJ 57royal district nursing service, rdns, fellowship of the acn, melbourne district nursing service, sister pat (paddy) rowley

BENDIGO. Golden Square State school choir won three of the principal shields at the recent Bendigo musical and elocutionary competitions. The choir's victories were celebrated by a social at which the prizes were presented. In presenting the trophies, Mr. R. S. V. Cocking, president of the competitions committee, referred to the popularity of the children's choir contests, which the musical adjudicator, .Mr, James, had characterised as the most important sections on the programme. Of the whole of the competitions held throughout Australia none had a school section to equal that at Bendigo. The head master of the school, Mr. A. M. Parratt,. who conducted the choirs, was presented with a grandfather's clock and photographs of the choirs, by the residents of Golden Square. The Age 23 June 1927Black and white photo of thirty children - twenty five girls and five boys, and one adult male. The girls appear to be all dressed in white dresses and long white socks, and the boys and adult are dressed in suits with white shirts and ties. The adult male is seated centre front with a shield propped in front of his feet. Joan McDonald Collection. Bendigo Competitions 1927 Golden Square State School Senior Choir Winner of the Advertiser ShieldPrinted on the cardboard frame "Bendigo Competitions 1927 Golden Square State School Senior Choir - Winners of the Advertiser Shield" "Kalman 57 & 59 Pall Mall Bendigo".golden square primary school, choir, bendigo competitions

Dr George James Scantlebury practised as a doctor in Linton in the 1880s. He married Catherine Millington Baynes who was Postmistress at Linton. The family moved from Linton to Cheltenham in 1889. Vera Scantlebury was born in Linton in 1889 just before the family left for Cheltenham. The Scantlebury's other three children were all born in Cheltenham - George Clifford (Cliff) in 1890, Dorothy (Dot) in 1893, and Ethel Eileen (Eileen) in 1899. Vera Scantlebury (afterwards Vera Scantlebury Brown) also became a doctor. She was instrumental in the establishment of the Infant Welfare Division of the Victorian Health Department, and was first Director of Infant Welfare. Dorothy Scantlebury became Principal of Toorak College in 1942.Black and white copy of original photograph. Family portrait shows Dr George Scantlebury, his wife Catherine (nee Baynes) and their four children, Vera b. 1889, Cliff b. 1890, Dorothy b. 1893, and Eileen b. 1899. L-R: Eileen, George, Vera, Catherine, Dorothy, Cliff.dr george scantlebury, catherine scantlebury (née baynes), vera scantlebury-brown, cliff scantlebury, dorothy scantlebury, eileen scantlebury

Grade 5/6 1996 Top Row: (L to R) Kurt Herdina, Majd Rezkallah, Khushboo Thakkar, Ruoran Fu, Dela Clark, Lauren Grigg, Kylie McNeil, Ilana Perrin. 3rd Row: Stewart Leigh, G. L. Fairbairn {Teacher), Sara Nickson, Erin White, Solazy Noy, Tin Dang. 2nd Row: Rhys McKee, Tim Waite, Luke Puamau, Manarin Ouk, Brent Senton. 1st Row: Camilla Crocker, Natalie Vita, Lynette Chand, Julian Furzer, Raymond Mollison, Matthew Clark, Kym Pongho, Tina Chen, Jessie Baker. Absent: Jessica Davies. Teacher: G. L. Fairbairn Principal: Mr. Geoff Buzaglo.

Vacuum Road Map of New South Wales with Interstate Routes with the Compliments of the Vacuum Oil Company Pty. Ltd. Coloured map of NSW with car, trucks, aeroplane and petrol bowsers around the margin. Has a list of principal Towns and Distances from Sydney. On the back is Beauty Spots around Sydney, Traffic Hints, Sydney-Melbourne Routes, Short Tours Around Sydney, Outlets of Sydney, Canberra and Newcastle, What to See in Sydney, Vacuum Products, Making Sure of a Trouble-Free Trip, Super Plume or Plume and the front picture of the folded map which has a car with a lady, child and a man at the petrol bowser. Map folds up and has a brown card pocket to keep it in.map, bill ashman collection - correspondence, vacuum road map of new south wales, vacuum oil company pty ltd, clive barass

A Bendigo advertiser article titled 'Children's Colourful Display given at The National Fitness Youth Rally'. The Bendigo Branch of the Victorian National Fitness Council held its second annual youth rally. The article includes two photos (1) Young women from the Bendigo Teachers' College marching before the rally at the Upper Reserve. They are marching in front of a shop called 'Wanda - Inn Milk Bar'. To the right behind them is a business titled 'R. White'. (11) The second photo is of a vaulting display given by the Mackenzie Street Methodist Senior Group at the rally. The Principal of Bendigo Teachers' College Mr. G.R. Mills was an official visitor at the proceedings. Dated 14-10-46.bendigo, sporting clubs, youth rally, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo teachers' college students, mr. g.r. mills, bendigo teachers' college staff, tertiary education, education, bendigo, national fitness youth rally, victorian national fitness council, sport, sports, athletics, marching, recreation, ' wanda-inn ' milk bar, r. white, physical culture, folk dancing, youth rally, clubs, sporting clubs, photo, photograph