Showing 1881 items
matching sample
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National Wool Museum
Sample, Yarn
Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.lau, mr alexander - alexander lau pty ltd alexander lau pty ltd, mr alexander - alexander lau pty ltd -
University of Melbourne, Burnley Campus Archives
Document, Samples for analysis and examination, 1945
Reprint from Journal of Dept. of Agriculture, 10027/45burnley horticultural college, analysis, examination -
Victorian Aboriginal Corporation for Languages
Book, Lynne Dent, Samples of work created and used by Lynne Dent in the teaching of traditional language, 1997
b&w illustrations, word listsganai, gunai, language learning, curriculum development -
Creswick Campus Historical Collection - University of Melbourne
Unknown - Radiata Pine core from veneer production, Veneer production - Radiata Pine core
Veneer production radiata pine specimenWood SpecimenVictorian School of Forestry Reference Collectiontimber sample. teaching resource. -
National Wool Museum
Book, cloth sample, Physician Standard Shades Spring 1933 Collins Bros Pty. Ltd. Geelong
Part of Collins Bros collection. -
Duldig Studio museum + sculpture garden
Fabric, Mathilda Flogl, Falter designed by Mathilda Flogl 1924-31, 1924-31
This piece of fabric, known Fälter (butterfly), was designed by Mathilda Flögl (1893-1958), who worked in the textile department of the Wiener Werkstätte in Vienna. It is a remnant of the fabric that was used to make a bedspread for Karl and Slawa’s bed in their Vienna apartment where it lay decoratively over a gold brocade eiderdown. The purchase demonstrated Slawa’s interest in and knowledge of modern design and her commitment to the idea of enriching everyday life with beautiful objects, a principal of the Viennese Secession. Following the Duldigs removal from Vienna, the original bedspread and remnant were safeguarded and preserved by Slawa’s sister, Rella, in the basement of her Paris apartment. In 1948 the bedspread and this remnant were sent to Australia. The bedspread was a much-loved item but deteriorated over the years. In 1955 it was made into curtains, which are held in the Duldig Studio Collection. The Photographs of the bedspread in its original location are also held in the collection. The remnant is in pristine condition. The Wiener Werkstätte (Vienna Workshop) was a guild of designers and craftsmen that was founded by the architect Josef Hoffman (1879-1956) and the designer Koloman Moser (1868-1918). The firm manufactured a range of interior furnishings between 1903 and 1932. The textile department opened in 1900, and produced about 1,800 designs, mainly for printed fabrics for furnishings and apparel. The designs were characterised by simplified forms and vivid colours, and inspired by Eastern European peasant art and geometric motifs in contemporary painting. The workshop had a profound impact of European art and design, and its work is still celebrated today. Mathilde Flögl was born in the Czech Republic in 1893, and studied at the Kunstgerwerbeschule in Vienna. In 1916 she began working at the Weiner Werkstätte, and where she designed more than 120 textile patterns. This fabric Fälter or Butterfly was designed in 1924. The butterfly was a favourite motif of Flögl. In this design she plays with a variety of whimsical abstractions and arrangement of both the butterfly and the snail on a background of abstract colour stripes and blocks. Ann Carew 2016The fabric is of great aesthetic interest as an example of the work of the Viennese workshops, and the noted designer textile designer Mathilde Flögl. The original pencil drawings, pencil and gouache designs, and fabric swatches for Fälter are held in the MAK Museum in Vienna, and the Victorian and Albert Museum in London have a sample of piece of the silk fabric in an alternate colour wave. The Museum of Applied Arts in Sydney holds a swatch book of textiles from the Wiener Werkstätte, however Flögl’s work is not represented. The National Gallery of Victoria holds a similar swatch book. The remnant has an excellent provenance, is associated with a powerful personal narrative, and is significant and rare item relating to history of the Wiener Werkstätte in Vienna, and the oeuvre of Matilda Flögl. Ann Carew 2016Remnant of a block-printed silk fabric used to make the bedspread for Karl Duldig and Slawa Horowitz-Duldig's bed in Vienna. -
Duldig Studio museum + sculpture garden
Ceramic, Karl Duldig, Gumnut Bowl by Karl Duldig c.1948, c. 1948
Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under. -
National Wool Museum
Sample, Textile
Fred Murgatroyd's twed fabric to be used in conjunction with Nino at Foster Valley for Loom in G2textile industry textile mills, foster valley mill pty ltd valley worsted mill, tweed, murgatroyd, mr fred, textile industry, textile mills -
National Wool Museum
Book, Yarn sample, Children's wear colour card: basic range for knitwear
"Children's wear colour card: basic range for knitwear", British Colour Council, 1960.dyeing knitting yarn production, alexander lau pty ltd british colour council, lau, mr alexander - alexander lau pty ltd, dyeing, knitting, yarn production -
National Wool Museum
Sample, Textile, "Alexana"
"Alexana"/ 90%wool 10% mohair/ exclusive fabric/ by ALEXANDER LAUtextile design fashion textile industry - history, alexander lau pty ltd, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample, Pure Wool Skirtings
Cloth made by Redpath's millPURE WOOL SKIRTINGS/ BY ALEXANDER LAU QUALITY/ 100% PURE WOOL/ WIDTH CMStextile design fashion textile industry - history, alexander lau pty ltd w.r. redpath and sons, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
Cloth made by Redpath's millQUALITY/ 100% PURE WOOL/ WIDTH CMStextile design fashion textile industry - history, alexander lau pty ltd w.r. redpath and sons, lau, mr alexander - alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample
ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Textile
ALEXANDER LAU PTY LTD PATTERN BOOK SHETS/NOS 2153 TO 2392/2209 TO 3369textile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Book, Cloth Sample, Trichromatic dyeing with Lanasol dyes on wool
Trichromatic dyeing with Lanasol dyes on wool - Ciba, 1968."Trichromatic dyeing with Lanasol dyes on wool" - Ciba, 1968.dyeing, ciba limited -
National Wool Museum
Book, Cloth Sample, Lanasyn Dyestuffs Lanasyn Brilliant Dyestuffs Chemicals for Dyeing and Finishing Wool - Lanasyn
Lanasyn Dyestuffs Lanasyn Brilliant Dyestuffs Chemicals for Dyeing and Finishing Wool - Ciba, 1968Lanasyn Dyestuffs Lanasyn Brilliant Dyestuffs Chemicals for Dyeing and Finishing Wool - Ciba, 1968dyeing, sandoz limited, acrylic -
National Wool Museum
Book, Cloth Sample, Pastel and fashion shades on wool with Erioclarite B
Pastel and fashion shades on wool with Erioclarite B - J.R. Geigy A.G., Basel (Schweiz)"Pastel and fashion shades on wool with Erioclarite B" - J.R. Geigy A.G., Basel (Schweiz)dyeing, j.r. geigy soc. an. -
National Wool Museum
Book, Cloth Sample, Cibalan and Cibalan Brilliant Dyes in Wool Dyeing
"Cibalan and Cibalan Brilliant Dyes in Wool Dyeing" - Ciba, 1964."Cibalan and Cibalan Brilliant Dyes in Wool Dyeing" - Ciba, 1964.dyeing, ciba limited -
National Wool Museum
Sample, Wool
15.3 micron wool, from Kadinia/Brim, near Horsham, Victoria.15.3 micron wool, from Kadinia/Brim, near Horsham, Victoria.wool growing, jackson, mr keith - victorian producers' co-operative limited, mr keith - victorian producers' co-operative limited appledore, mr ian - kadinia -
National Wool Museum
Sample, Carpet
Belmont Axminster pattern no. 46/8562, made by Brintons Geelong. Part of ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Belmont Axminster pattern no. 46/8562, made by Brintons Geelong. Belmont Axminster pattern no. 46/8562, made by Brintons Geelong.Brintons Geelong 46/8526 10 Belmont 82weaving, brintons pty ltd (geelong), carpet -
National Wool Museum
Sample, Carpet
Heavy Aminster produced for the Australian Wool Board pavilion at Expo Japan in 1970 by Brintons, Geelong. This piece is believed to have had 600,000 pairs of feet walk over it. Part of a ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Heavy Aminster produced for the Australian Wool Board pavilion at Expo Japan in 1970 by Brintons, Geelong. Heavy Aminster produced for the Australian Wool Board pavilion at Expo Japan in 1970 by Brintons, Geelong.(Brintons Brisbane) G4498 Natural JF Expo Loom 22 Dye 4 30 8 J.J. Expo Osaka Japan '70 82weaving, brintons pty ltd (geelong), carpet -
National Wool Museum
Sample, Carpet
Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland. Pattern no 581/61486 Wilton made by Blackwood Morten Kilmarnoch Scotland.581/6/1486 5weaving, blackwood norton, carpet -
National Wool Museum
Sample, Carpet
Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. The border framed the edge to stripe of object 88.0048 (old registration number), laid to fill floor space. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England.Sultana worsted 3 1' 10 1/2" 5/8 Border Carpetweaving, john crossley and sons, carpet -
National Wool Museum
Sample, Carpet
Test weave from first lot of carpet made on all Australian Loom, in Australia, in 1945. Made at Springvale, Victorian by the Carpet Weaving Company (on the loom pictured in W1520). Originally part of the ten piece collection presented to the Queensland Museum by Mr Doug Glanville.Test weave from first lot of carpet made on all Australian Loom, in Australia, in 1945. Test weave from first lot of carpet made on all Australian Loom, in Australia, in 1945.1st run off on 100% Australian made loom (Wilton) Carpet Weaving Co. Springvale Victoria E & D Glanville 1945 2weaving, carpet weaving company, carpet -
National Wool Museum
Sample, Wool
Possibly from Camden Park stocksheep breeding, wool history, elizabeth macarthur agricultural institute, camden park estate, nsw, wool - history -
National Wool Museum
Sample, Wool
From Ian and Janet Harrison's Camden Park, N.S.W. direct descendant flock, shorn 2 Nov, 1987. (Tom Crocker)sheep breeding, wool history, camden park estate, nsw, wool - history -
National Wool Museum
Sample, Wool
From Ian and Janet Harrison's Camden Park property, N.S.W. direct descendant flock, shorn 2nd Nov, 1987. (Tom Crocker)sheep breeding, wool history, camden park estate, nsw, wool - history