Set of 3 The Met - Metropolitan Transit folded sheet timetables, printed on white paper, gives a map, time points, route description, notes and contact details. Note the contact times have been altered in hand writing. Folded by the half by half method. .1 - Routes 1 and 2 - South Melbourne Beach via Swanston St and Route 4 - South Melbourne Depot - City - October 1984. .2 - Routes 10 and 11 - West Preston via Collins St and route 13 - via Latrobe St - dated May 1984. .3 - Route 15 and 16 - St Kilda Beach - City via Swanston St - July 1983.trams, tramways, timetables, tickets, tram services, la trobe st, latrobe st, route 10, route 11, route 13, route 15, route 16, route 1, route 2, route 4

Young Farmers Club Open Day 1953 Left to right Pat Grachan, Marie McGuigan, Jenny Jones Other photos from this donation are Monday Flag Ceremony,1954, At the Beach 1952, The Puppeteers 1953Black and white photograph of three girls with a lamb at the Young Farmers Club Open Day 1953. Girls are: L-R Pat Grachan, Marie McGuigan, Jenny Jones.young farmers club, young farmers club open day 1953, ian hannan

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as a 'Carriage Tour' featured on this ticket.Lilac card with black print. Sunday 14 November down left hand sidecelebrations - centenaries, wilbraham frederick evelyn liardet, liardet family, city of port phillip cultural programs board

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as sandcastle building featured on this ticket.Dark orange card with black print.Permit to build a sandcastle.celebrations - centenaries, wilbraham frederick evelyn liardet, liardet family, city of port phillip cultural programs board

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as sandcastle building featured on this ticket.Pale orange card with black print.Permit to build a sandcastle.celebrations - centenaries, wilbraham frederick evelyn liardet, liardet family, city of port phillip cultural programs board

From Information book; "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting with pencil on wood. Depicts a cove with sea, sand and hills. Ruined buildings and structures visible on the beach. Horse eating grass in the foreground. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; " GEORGE W LAMBERT (1873-1930) Anzac Cove, 1919" “GEORGE W LAMBERT, unable to enlist in the Australian Imperial Force in London, joined Voluntary Training Corps". Appointed an official Australia War Artist, Australian Imperial Force 1917. framed accessories, prints, ww1, gallipoli, centenary

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

Port of Portland CollectionFront: Portland from the Bay (lower centre, printed) Back: 18 UL Pencil, 1996 UR Pencilport of portland

This handmade picture has been painted on a cast plaster or composition frame. Plaster frames were popular in the e19th century. The material is quite fragile and many pictures from this era suffer from damage such as chips and cracks.This simple handmade painting on cast composite frame is typical of 19th century art work found in middle and upper class Victorian homes of that era. It cannot be attributed to a particular artist due to lack of inscriptons.Painting, oil on composite material, handmade Pink coloured cast composite oval frame with decorative border. Painting depicts two figures in a small green boat on the shore, sandy beach, rocks nearby, small surf waves, mild sea, two sailing vessels in background. No inscription on front of painting. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, victorian art work, maritime scen, composite material, plaster, cast frame, oval frame, victorian era

A coloured photograph of Lt Patricia Ferguson walks up 'Back' beach after talking to her brother Trooper Peter Ferguson the driver, seen bending over the left most Armoured Personnel Carrier. Both carriers had just been collected form workshops after being "up-armoured:.photograph, lt patricia ferguson, trooper peter ferguson, apc, back beach, gibbons collection catalogue

This book presents a pictorial and written record of Warrnambool in 1891.It covers a wide range of topics. It provides statistical evidence relating to public buildings and organisations of that era, as well as basic information about district points of interest. The Mechanics Institute, the Common, Albert Park, the rivers, the Museum and the Sea Baths are all mentioned. The various drawings and advertisements provide a list of businesses which were prevalent at the time. As this book is one of only two complete copies documented to be still in existence, it is of considerable significance and importance to our collection. The drawings and text are artistically very much of the era and are aesthetically pleasing. Cardboard cover with picture of people on beach in tones of yellow, pink and blue sitting within a circle. Dark purple cloth spine binding. Back cover has drawing of Western Hotel. Pages are not numbered and there are a number of coloured and black and white drawings. Title is in dark purple and Warrnambool is in pink and blue tonesOn front cover “The Mermaids Caves” 1896. 1891 written in pen beneath roman numerals on bottom of title page. List of numbers written down title page in black pen.warrnambool, picturesque warrnambool, warrnambool 1891,, warrnambool, warrnambool 1891

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of Carmel O'Shea, from the 1st Australian Field Hospital, Vung Tau, South Vietnam. She is a Red Cross staff person and is assisting Private Dave Henderson, a wounded forward scout from 8 RAR, return to the Red Cross vehicle for the trip back from the beach.photograph, carmel o'shea, 1st australian field hospital, vung tau, red cross, pte dave henderson, 8 rar, combi van, gibbons collection catalogue, denis gibbons, photographer, vietnam war, wounded servicemen, back beach

The Peterborough Sandcastle competition has been running for at least 80 years. Wokka Moore was the first "Lady Mayoress", judge of the competition, who arrived with great ceremony using different means of transport over the years - always accompanied by a "Lady in Waiting". Traditionally, this was held on the Australia Day long weekend. Competition was divided into age groups, and the venue depended on whether the river was open or closed. (If it was open there is no sand on the Front Beach). Materials used could only be what was found on the beach. Currently (2021) the Sandcastle Committee is calling for photos, memorabilia and details of winners from over the years.This event has been running for a very long time , apparently uninterrupted. It is significant to the town because of its inclusive nature - there was high anticipation and planning by the children. The roles of Lady Mayoress and Lady in Waiting were keenly sought. Wokka Moore did the job for a long time then passed the baton. Others who were honoured over the years include Alec Calvert, eight posters of various sizes with hand drawn pictures, some with dates but not year of event.sandcastle competition, peterborough, peterborough sandcastle competition, traditional summer event peterborough

Photo taken of eager Junior Legatee’s on their arrival at Lord Somers Camp. The date is unknown. Summer camps were conducted at Somers Camp, Somers, Victoria, for many years for the children of deceased ex-servicemen. The camps started back in the early days of Legacy when the founder of Legacy, Stan Savige, had a beach side property in Balnarring (Palm Beach, Somers) that he allowed to be used for summer camps and outings by Legacy. Initially there were outings and picnics. In the 1930s permanent camp buildings were erected. There was an official handover of a long leasehold to Legacy and formal documents are in the archive.A record of the camps run by Melbourne Legacy for the children. Legacy arranged many outings and events for the junior legatees.Black and white photo of Junior Legatees arriving with their suitcases at Lord Somers Camp.junior legatee outing, somers camp, camp

0007-013. Bream A Project , Bass Strait 1987. The project is just starting. This photograph shows Anchor Handling Tug Supply (AHTS) vessels Lady Lorraine, Lady Cynthia, and Lady Carojine, Anchor Handling Tug (AHT)Lady Florence, and Derrick Barge DB 29 alongside Barry Beach Marine Terminal, Gippsland, Victoria. The DB 21 is taking on board equipment for the project prior to be towed out and positioned at the location in Bass Strait where the production platform Bream A will be installed. 0007-014. Bream A Project , Bass Strait 1987. Derrick barge DB 29 loading project equipment with Lady Lorraine alongside Barry Beach Marine Terminal, Gippsland Victoria. Also alongside the wharf is the barge Intermac 256 which is being prepared to having the Bream A Jacket (a Jacket is the base of the platform that will be landed on the sea floor and will then be pinned in place with piles driven down into the sea bed). 0007-017. Bream A Project , Bass Strait 1987. Helicopter on DB 29 helipad ready for take off with Lady Lorraine, Lady Gay and Lady Cynthia at Barry Beach Marine Terminal, Gippsland, Victoria. 0007-016. Bream A Project , Bass Strait 1987. Helicopter taking off from DB 29 with Lady Lorraine and Lady Gay at Barry Beach Marine Terminal, Gippsland, Victoria.Green, with gold border trimming photo album, containing 38 photographs depicting ships, barges and the construction of the Bream A oil and gas production platform in Bass Strait, Victoria, Australia 1987.

Written during the 1960s when surfing was burgeoning across Australia’s coast and Phillip Island surf beaches had become extremely popular, few management strategies were in place to control interaction of the public with the delicate flora and fauna of the coastal environments. There were few good access tracks, car parks, bins, toilets etc at coastal/surfing hotspots around the Phillip Island coast. A number of management issues occurred with the influx of surfers. These included dune erosion caused by surfers climbing dunes to see the surf before going on the beach; informal parking on wildlife habitat; numerous access paths from wherever cars were parked down to the beach cutting through habitat; illegal camping on foreshores; illegal lighting of fires on beach and in dunes; surfers’ dogs let out of the car while surfers were out on the water. The dogs were uncontrolled. Certainly some surfers behaved responsibly, as is almost invariably the case these days. However, in that era of this article few people understood the delicate nature of the coastal environment and that it need to be protected through public education, infrastructure and enforcement of regulations. As now, most rural Fire services were run by dedicated volunteers who faced many challenges in their roles as Country Fire Authority firefighters. However, it was not uncommon for visitors and locals to also assist with fire-fighting efforts.The article is significant in containing quotes from both sides of the discussion who were directly involved in coastal fire incidents on Phillip Island in the 1960s. It also indicates the large number of surfers visiting Phillip Island beaches, the volunteer nature of the firefighting service and the extra challenges they faced on Phillip Island as a visitor destination. The anonymous university student surfer who is quoted, also describes possible causes of the fires, methods he and his fellow surfers used to extinguish the fires and raise the alarm, and the way they assisted the volunteer firefighters . The reference to him breaking into one of the Summerland housing estate holiday houses is also significant because that housing estate was purchased over 2 decades by successive Victorian governments to remove management issues caused to the wildlife habitat on Summerland Peninsula.Photocopy of newspaper cuttings including 2 related articles. Five columns of black text on white paper with one poorly reproduced photo bottom rightphillip island, cat bay, country fire authority, artie murdoch, alf towns, frank dixon, barry thompson, newhaven-san remo rural fire brigade, penguin parade, cowrie beach, surfers, coastal fires

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as a Horse & Carriage Journey featured on this ticket.Red card with black print for a Horse and Carriage Journey. Sunday 14 November down left hand side.celebrations - centenaries, wilbraham frederick evelyn liardet, liardet family, city of port phillip cultural programs board

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as Liardet Carriage Tour featured on this ticket.Yellow card with black print for Liardet Carraiage Tour. Sunday 14 November down left hand side.celebrations - centenaries, wilbraham frederick evelyn liardet, liardet family, city of port phillip cultural programs board

The photo shows Geelong tram No. 10 at the Newtown terminus, showing the return destination of Beach. Note the large overhead pan to assist the crew in locating the trolley pole, particularly at night. Photo by Ken Winney May 1947.Yields information about the Geelong Newtown terminus and tram 10Black and white photograph with typed details on rear.Typed on rear "Car No 10 at the Newtown terminus (Geelong), May 1947". Ken Magor stamp and "K Winney" tramways, trams, geelong, newtown, tram 10

A square, souvenir tablecloth from the Channel Islands. On an azure background, all the islands are printed and named on the tablecloth, as well as the names of the towns, villages and the bays of both Jersey and Guernsey. There are four rectangular pictures, surrounded by a white border, representing significant places and buildings, as well as others, without borders, depicting old and modern ships, a compass, a coat of arms and the distinctive Jersey and Guernsey cow.There is a red and white border, almost at the edge of the azure background and in each corner is printed a white anchor and rope. There is also a 3 cm. plain white outer border around the tablecloth.Names of places, beaches and bays on the Channel islands. Pictorial representations of significant places and buildings and a white anchor and rope in each of the four corners. "Exclusive to Creaseys of Guernsey" is printed at the bottom left hand corner of the tablecloth.table ware., household textiles., table linen.

A group of 26 photographs collected by Ralph Andrews, father of Michele Spencer donor. Michele sent the photographs with a covering letter explaining how her father had kept to collection for many years so she felt they should go to a good home for safe keeping. Michele's husband's uncle, Frank Spencer, was the Post Master at Cowes for many years.219-01. Photograph of lady standing on rocks at San Remo 219-02. Photograph of rocks at Back Beach San Remo 219-03. Photograph of rocks at Back Beach San Remo 219-04. Photograph of the San Remo Camping Ground 219-05. Photograph of Merv Horkings in tent at San Remo Camping Ground 219-06. Photograph of Merv Horkings in tent at San Remo Camping Ground 219-07. Photograph of three men on the beach at San Remo 219-08. Photograph of coastal scene San Remo at low tide 219-09. Photograph of rocks at San Remo 219-10. Photograph of shoreline with trees at San Remo 219-11. Photograph of Jetty at San Remo with boats moored 219-12. Photograph of the back view of a man on the beach at San Remo 219-13. Photograph of coastal scene looking towards the eastern entrance to Westernport 219-14. Photograph of Merv Horkings standing outside a tent at the San Remo Camping Ground 219-15. Photograph of people standing and sitting on rocks at San Remo 219-16. Photograph of coastal scene looking towards the eastern entrance to Westernport 219-17. Photograph of foreshore with rocks and lonely tree on land at San Remo 219-18. Photograph taken from San Remo looking towards Newhaven with breakwater. 219-19. Photograph of rock platform at San Remo 219-20. Photograph of coastal scene at San Remo 219-21. Photograph of the breakwater at San Remo 219-22. Photograph of a man sitting on the beach at San Remo with groyns on the foreshore 219-23. Photograph of coastal scene at San Remo 219-24. Photograph of coastal scene at San Remo 219-25. Photograph of the San Remo Punt 219-26. Photograph of a vehicle waiting for the Punt to travel across to Newhavensan remo coastline, san remo punt, newhaven-san remo punt, san remo camping ground, ralph andrews, frank spencer, michele spencer

Yields information about Geelong trams in the late 1940's and the AETA Tour Group at the Beech Terminus.Black and white print of Geelong 23 at the Beach terminus with the AETA tour group participants in front of the tram. Note the AETA Tour boards. Photo dated 29/3/1948. Based on the handwriting on btm5869i, the photo is by Leon Marshal-Wood. Negative scanned at 3200dpi 9/6/2020 9/6/2020.On the rear in ink or pencil "29/3/1948, Geelong No. 23, Keith Kings suspended"trams, tramways, geelong, aeta, beach, tram 23

Agfachrome Professional plastic mount (blue base, white cover) reproduction slide of a colour slide of Geelong Pengelley No. 16 at the Beach terminus - Bellarine St and Corio Tce (now Brougham St). Photo taken after 1951. Dave O'Neil notes remark that the corner is virtually unchanged, except for traffic lights. "G 14" and "1 -14" in pencil.tramways, trams, geelong, beach, corio tce, tram 16