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Federation University Historical Collection
Document - Music Score, Music for a Graduation, 1997, 01/1997
This work was commissioned by the University of Ballarat (later Federation University Australia) at the suggestion of University lecturer Janice Newton.The composers brief was to provide fanfare/processional - type music that reflected both something of the early history of Ballarat and something of the goldfields. 'Look Out Below' and the medieval university tune 'Gaudeamus Igitar' has been incorporated into the body of the music. The discerning ear may pick out these tunes being played independently or together, in snatches or longer segments, throughout the piece. Rosalie Boninghton (9.4.1946 - 21.12.2011) was born in Ballarat. She studied composition under Keith Humble, Ian Bonington, Theodore Dollarhide and Lawrence Whiffen from the University of Melbourne and completed her Master of Arts (Music) at LaTrobe University in composition with a thesis on 'Contemporary Liturgical Music and the Composer. In 1967 Rosalie was awarded the Coutts Memorial Prize for Composition from the University of Melbourne. She has also won the national Song of Jubilee competition (1999), and was co-winner of the national Competition for Liturgical Psalm-Setting (1983). An A3 score of fourteen A3 pages for brass, woodwind and timpani. The pages have been inserted into an A3 display book. An collections of A4 scores for each musical instrument is also located in the A3 display book. The music has been designed for flexi-length options to suit each particular occasion, ranging from approximately 2 minutes and 35 seconds minimum length to approximately 3 minutes and 37 seconds maximum, and including a range of intermediate lengths possible. graduation, music, music score, rosalie bonighton, processional hymn, janice newton, fanfare -
Bendigo Historical Society Inc.
Book - BOOK - ZENITH LODGE NO 52 - INSTALLATION
Pale bluish booklet with gold printing on the front and dark blue printing inside. Booklet is for the installation of Bro. Thomas Richard Doble, S. W. and Investiture of Officers. Inside front cover has list of Past Masters for Zenith Lodge No 52, Bendigo for the years 1866 to 1933. The installation took place at the Masonic Temple, View Street, Bendigo on Saturday, June 23rd, 1934. Included in the booklet is Ceremonial, List of Officers 1934- 35, Toast List and Menu.book, masonic, investiture of officers, book, zenith lodge no 52 installation, bro thomas richard doble -
Bendigo Historical Society Inc.
Document - BASIL MILLER COLLECTION: TRAMS - 'RUNNING JOURNAL', April 1971
Journal of the Tramway Museum Society of Victoria Ltd. Volume 8, No. 2, April 1971, 35 cents. Sixteen pages. Cover photo (right) show D class no. 99 sits at the side of the road at Inglewood. On back cover (left), show A class no. 121 sitting in front on an E car and D car at the siding in 1958. Article in this journal wrote about electric trams transport in Perth, include planning routes map. History of object: Part of 'Basil Miller Tramways Collection'cottage, miners -
Tatura Irrigation & Wartime Camps Museum
Document, Record of Life in Camp 1A and 1 B, 1944
Life in an internment campa 35 page record in a plastic folder, clear plastic front and 3 cm black margin left hand side extending to the back cover. Some of the content headlines or places are Orange, Tatura, Long Bay, Melbourne, South Australia. A map and 19 towns of WA, Northern Territory, New Guinea. Reg No is the translation as is the "Tatura Song" written by H. Sturzenhofecker to the melody good cheer comrades, on the horse and Mr Otto Herbst being awarded a certificate commanding of yachts. Written in German "Verzeuhnis Alter Internieiten De Sannellagers Tatura (1A and B) Von 5 Juni - 15 December 1940otto herbst, h. sturzenhofecker, camp 1a and 1b -
Uniting Church Archives - Synod of Victoria
Booklet - Methodist Order of Knights, Constituion
MOK238.1 Methodist Order of Knights Constitution, 1946, 31 pages. MOK238.2 Methodist Order of Knights Constitution, 1951, 31 pages. MOK238.3 Methodist Order of Knights Constitution, 1954, 35 pages. MOK238.4 Methodist Order of Knights Constitution, 1960, 36 pages. MOK238.5 Methodist Order of Knights Constitution, 1969, 43 pages. MOK238.6 Methodist Order of Knights Constitution, 1937, 23 pages. MOK238.7 Methodist Order of Knights Constitution, 1933, 23 pages.methodist orders of knights -
Ballarat Tramway Museum
Slide - 27 mm sq slide/s - set of 2, Lilian Butler, Tram crews, c1971
Has a strong association with some of the Ballarat tram crews.Set of 2 AGFA colour slides - blue and white plastic mounts: .1 - Colour of driver or motorman - R.Segrave (34) and Conductor A Morris? (cap badge 58) standing in front of a tram with the destination of Sebastopol at corner of Sturt and Lydiard Streets. See also Reg Item 6456 for a colour print of this photograph. .2 - Colour slide of conductor ?. conductor 35? and Motorman 21 - Herb Knight. Photo from the collection of Lilian Butler. Names based on list given in Reg Item 3425 ballarat, tramways, trams, crews, motormen, conductors, city -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Aug. 1971
Colour slide - Photo of SEC Ballarat Tram No. 35 crossing Sturt St. from Lydiard St. North. Photo taken from the north side of Sturt St. Photo shows the tram stop arrangements for east bound trams in Sturt St. with passengers waiting on the seats. Tram has "Everything's under control in my all electric kitchen" SEC roof advertisement panel. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in red ink "Ballarat / into Sturt St from Lydiard St." and in top left hand corner in black ink "P. Moses".tramways, trams, sturt st, lydiard st north, tram stops, tram 35 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Ben Parle, 8/04/1958 12:00:00 AM
Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 8/4/1958. Has slide No. "1" stamped in black in top corner. Photo of Ballarat No. 35 outbound in Drummond St. South, just south of Sturt St.??. Tram has the destination of Sebastopol. Photo taken after the tram has passed the photographer. For high resolution scan see btm2860h.tif "Drummond St. South Ballarat" / "8-4-58"tramways, trams, drummond st sth, tram 35 -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 2, John Phillips, early 1996
.1 - Colour print of Ballarat Tramway Museum W4 671 outside the Ballarat depot, following repainting to the blue colour scheme mid 1990's. Photographed by John Phillips for the Dept. of Transport. .2 - W4 671 running in Melbourne, during early 1996, on the City Circle in Spring St Melbourne, advertising the Ballarat Begonia Festival with the Princes Theatre and Holmes Colleges buildings in the background. Has number "96-35-25" on rear. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP"trams, tramways, ballarat, btm, w4 class, spring st, tram 671 -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - FRYERSTOWN CREEK DREDGING SYNDICATE
Two red covered auction catalogues with black printing for an auction at the Fryerstown Creek Dredging Syndicate, Fryerstown on 8th February, 1945 comprising 52 H.P. Ruston & Hornsby Diesel Engine, 35 H.P. McDonald Super Diesel Engine, 8 in. Class G Thompson Water Pump, 6 in. Thompson gravel Pump, thousands of feet of Piping, Tanks, corr. Iron Buildings, Tools, Belting and Equipment. Contains descriptions of some of the lots. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - fryerstown creek dredging syndicate, j h curnow & son, j l jamieson & co, national security (general) regulations, the cambridge press, w g wedd -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. THE GOLD LICENCE, 1850s
Diggers & Mining. The gold licence. The Government Camp. Many of the goldfields police were men of poor character, who carried out their duties with blustering arrogance, demanding the production of the licence with threatening language, and sometimes open violence; and hauling off as common criminals men who, by some mischance, did not have their licences on their persons, when, given a few minutes, they could have shown they had complied with the law. Markings: 35 994.LIF. 4. Used as a teaching aid.hanimounteducation, tertiary, goldfields -
Tennis Australia
Block puzzle, Circa 1890
Block puzzle set. Contains 35 wood blocks covered with printed paper that can be arranged to make 6 different scenes. Housed in custom wooden box with hinge lid. Hinge is cloth tape. Box also contains five picture guide cards (sixth picture guide appears on box lid). Complete set. Small swinging metal hook as box closure device. Materials: Cardboard, Paper, Ink, Wood, Glue, Cloth tape, Metaltennis -
University of Melbourne, Burnley Campus Archives
Album - Black and white negatives and prints, John L. Sutherland Collection, c. 1954
John L. Sutherland graduated in 1954. See B09.0004(42) photograph of him.1. 10 black and white photographs, some with inscriptions, in Ilford Films paper packet - Burnley and Wilson'd Promontory excursion. 2. Black and white negatives from Kodak packet containing 76 negatives, proofs made and scanned - Burnley and excursions. 3. Kodak packet containing roll of 35 negatives - Burnley and Dinner Dance.4. Cardboard Kodak negative box with roll of 34 negatives - excursion to Wilson's Promontory.5. CD of scanned 3 and 4. j. l. sutherland, students, wilson's promontory excursion, administration building, pruning, helen eastman, glasshouses, cacti, students working outside, cricket, luffmann ponds, horses, orchard, insid, students in class, locker room, changing room, excursions, dahlias, tractor, royal agricultural show, student outside classes, speech day -
Melbourne Legacy
Journal - Newsletter, Legacy Newsletter 1965-1966, 1965 and 1966
Copies of newsletters to Legacy widows in 1960s. There were usually 5 editions per year (in 1965 February, April, July, October and November). Newsletters include a notice from the Senior Widows Club coordinator F R G Strickland and information about events and meetings. The editor was Mrs B E Shephard. There were so many widows that the meetings had to be held at the Melbourne Town Hall to accomodate the numbers. November's meeting was a picnic in the Botanical Gardens and January the widows met in Fitzroy Gardens. In November there were calls for nominations for the committee members for the following year. Committee comprised of a President, 2 Vice presidents, Hon. Secretary, Hon. Treasurer, Hon. Assistant Secretary and 14 members of the committee. The first edition in the new format was in 1960, previously there had been a quarterly magazine but the distribution was limited, they changed to a 4 page newsletter format to reach more of the widows. The newsletter was priced at 1D a copy. Various pages of interest have been added to show different news items. Not all editions have been scanned.Brings to life the activities provided for the widows and the work of Melbourne Legacy in the 1960s.Black typed newsletter x 11 editions from 1965 and 1966. Edition number 31 to 41. No 31, 24 February 1965 No 32, 29 April 1965 No 33, 29 July 1965 No 34, 14 October 1965, 2 pages No 35, 25 November 1965 No 36, - MISSING No 37, 14 April 1966 No 38, 30 June 1966 No 39, - MISSING No 40, - MISSING No 41, 8 December 1966, supplement for nominating Senior Widows' Committee newsletter, activities -
Melbourne Tram Museum
Administrative Record - Table Cards, The Met, Malvern and Camberwell depots, 1980's
Set of four hand written table cards written on paper and laminated. Gives sign on times, car out, trip details and which "run" takes the tram from the crew. Not dated - could be either late 1980's. .1 - table 25 - Malvern depot - stamped Saturday - includes a requirement to do a phone test at pole 35. .2 - table 140 - Camberwell depot .3 - table 155 - Malvern depot -weekdays .4 - table 36 - Camberwell depot - weekdaystrams, tramways, table cards, malvern depot, camberwell depot, drivers -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "Proposed Huntingdale - Ferntree Gully Light Rail - Preliminary Feasibility Study", Dec. 1982
Report -A4 bound with brown comb binder, 35 pages + fawn with clear plastic covers, titled "Proposed Huntingdale - Ferntree Gully Light Rail - Preliminary Feasibility Study", dated Dec. 1982. Has a Table of Contents - includes transport proposal, patronage estimates, existing bus services, service levels, costs, financial evaluation and Community Assessment (Cost - Benefit study), maps. Says more detailed work would be required. Not all sheets scannedtrams, tramways, huntingdale, ferntree gully, proposals, new tramways, passengers, surveys -
Melbourne Tram Museum
Photograph - Set of two Colour Prints, John Phillips DOI, early 1980's to mid 1990's
.1 - Colour print of Ballarat Tramway Museum W4 671 outside the Ballarat depot, following repainting to the blue colour scheme mid 1990's. Photographed by John Phillips for the Dept. of Transport. .2 - W4 671 running in Melbourne, during early 1996, on the City Circle in Spring St Melbourne, advertising the Ballarat Begonia Festival with the Princes Theatre and Holmes Colleges buildings in the background. Has number "96-35-25" on rear. Printed on Kodak paper.Each photo has on the rear a "Copyright Department of Infrastructure with details for reordering and a hand written letters "JP" unless noted above.trams, tramways, ballarat, btm, w4 class, spring st, tram 671, city circle -
Melbourne Tram Museum
Pamphlet, Yarra Trams, Tram Service Changes, 2022
.1 - pamphlet provided at tram stops giving details of the works and bus services for 86 - Merri Creek Bridge works .2 - ditto - for provision of a super stop in William St at Collins St including replacement bus services on route 58 .3 - as for .1 - track reconstruction in Swan St between Stanley St and Stawell St Richmond or BurnleyShows the methods that Yarra Trams customers are advised of changes due to track replacement works..1 - Pamphlet - DL, three fold DL - Buses replace trams - route 86 - 28/11/2021 to 5 December 2021 - Route 86 .2 - Pamphlet - DL, four fold DL - Tram Service changes 2/2/2022 to 6/2/2022 - Routes 11, 12, 35, 48, 58 and 109 .3 - Pamphlet - DL, four fold DL - Tram Service changes - 11/2022 to 18/2/2022 - Route 70tram works, track work, route 58, yarra trams, ptv, route 86, merri creek, bridges, super stops, trams, tramways, richmond, burnley, route 70, collins st, william st -
Frankston RSL Sub Branch
Book, Readings and Prayers for Members of ARMY WOMEN'S SERVICES
Pocket book size with thick, buff, paper cover imprinted with red lettering and the Australian Commonwealth Military Forces badge. Example of the Readings and Prayers book that is issued to Australian Army Women's Services personnel during World War 2 by the Australian Army Chaplains' Department. The book has 176 pages of suggested readings and prayers for a variety of different occasions. The book was produced ca 1944.The book front cover is printed with the following text in deep red: "Readings and Prayers for Members of ARMY WOMEN'S SERVICES", "Issued by the Australian Army Chaplains' Department". There is an Australian Commonwealth Military Forces badge at the top of the page and an Australian Army Chaplains' badge at the bottom. The book has the reference number "A.A.B. 35". -
Warrnambool and District Historical Society Inc.
Document - Robert Main Letters of Administration 1881, 1881
Nothing is known of Robert Main except that he was a Warrnambool carpenter who had a wife named Jane and he died on 9th August 1880. He left an estate to the value of £35. The Warrnambool lawyers, Bayley and Higgins operated in Warrnambool in the 1880s. Mr Bayley came from Port Fairy and Jabez Higgins, well-known in Warrnambool for his sporting and community interests, purchased the legal practice of Bayley and Higgins with his brother in 1875. Jabez Higgins built the residence, ‘Corio’ in Warrnambool and died in 1886. Tait collection: item 6 of 62This document is of significance only in that it is an example of probate papers drawn up by Warrnambool solicitors for a deceased Warrnambool resident in the 1880s. This is a piece of white parchment with ruled black lines and folded and sealed at the bottom with a seal of the Supreme Court of the Colony of Victoria. The seal is attached to the document by a blue ribbon. There is also a red stamp of the Master in Equity of the Supreme Court. The document is dated 1881. Apart from some minor staining the document is in good condition. The material is handwritten in black and red ink‘In the Supreme Court of the Colony of Victoria, in its Probate Jurisdiction, in the Estate of Robert Main, late of Warrnambool, in the County of Villiers in the Colony of Victoria, carpenter, deceased, Letters of Administration, Bayly and Higgins, Proctors, Warrnambool, Recd. 6/9, 25o, 8/11/81, W.A.R.’robert main, bayley and higgins, solicitors -
Warrnambool and District Historical Society Inc.
Functional object - Packaging, Photo Wallet McKinney, 1940s or 1950s
This folder came from the photographic studio of Alex Wilkins. For over 35 years in the 20th century he was one of the best-known commercial photographers in Warrnambool. In 1938 he purchased the building known as Jordan Studios (94 Liebig Street) and worked there until the 1960s. In the 1940s he became interested in producing movie films documenting local news and scenes. The name ‘McKinney’ on this folder indicates that the contents belonged to someone in the Warrnambool area as William McKinney had a general store in Lava Street in the 1870s and 80s and there are still McKinney residents in Warrnambool today. This folder is of some interest as it comes from the studio of Alex Wilkins, one of Warrnambool’s most important photographers in the 20th century. This is buff-coloured paper folded in three places to make a folder with sleeves at each end to insert photographs or photograph negatives. The folder is stitched with cotton at the top and the bottom and some of the stitching is coming undone. The inside sleeves have black printed advertising material on them and the front cover has a red and black image of two little girls. The back cover has a red and black advertisement for Kodak Verichrome film.Back Cover: ‘McKinney’ Front Cover: ‘Alex Wilkins, Photographer, 94 Liebig St., Warrnanmbool’ (stamp) alex wilkins, mckinney family, warrnambool -
Ballarat Tramway Museum
Photograph - Set of 7 - SEC 48 hour strike and Ballarat trams, A T Miles, 27/11/1969
Set of 7 photos of trams returning to the depot or in the depot at the time of a 48-hour strike by the SEC. Taken by A T Miles 27/11/1969. 1 - Tram 43 at depot junction returning to the depot 2 - Tram 34 at depot junction 3 - Tram 34 running into the depot with tram 21 alongside and two crew standing by the gate. 4 - Tram 17 crossing Wendouree Parade 5 - The depot gates are closed. 6 - All the trams are in - including 18 as the Santa tram, 35 and 21. 7 - All the doors are closed.Yields information about trams returning to the depot at the time of a 48 hour strike by the SEC in 1969.Photograph - black and white print with notes on rear - set of 7A T Miles stamp and location and date notes.tramways, trams, strike, sec depot, tram 43, industrial issues -
Wodonga & District Historical Society Inc
Functional object - Sanyo 'Sensor Touch' Colour Television, Sanyo Australia Pty. Ltd, c. 1980s
The Sanyo ‘Sensor Touch’ television was assembled in Wodonga. Sanyo was one of the international companies that set up business in Wodonga in the 1970s as part of the decentralisation of industry. It continued operation into the 1980s. The Sanyo Australia Pty. Ltd. factory in Wodonga opened in 1974 with 35 staff and production peaked in 1976-1977 when it employed 360 people. In the first ten years 350,000 televisions were assembled from Japanese parts, however by 1984 the number of staff had reduced to 112 and the factory closed in 1987. All Sanyo televisions were then imported from Japan.The Sanyo ‘Sensor Touch’ television has local, state and national significance as it is thought to have been assembled in Sanyo Australia's factory in Wodonga. Sanyo was one of the international companies that set up business in Wodonga as part of the decentralisation of industry in Australia in the 1970s-1980s.Large Sanyo 'Sensor Touch' colour television with a faux wooden veneer frame and exterior. 53 cm or 20 inch screen (diagonal measurement)."SANYO / Sensor Touch / Telecolor" on the proper left side panel. "9 / 2 / 7 /28 /10 / 3 / 1 / 0 / AV" for the channels on the proper left panel. "COLOUR / BRIGHT / ONE / BUTTON / COLOUR / PULL-ON / VOLUME" under various buttons on the proper left panel. sanyo, colour televisions, televisions, sensor touch television, wodonga, sanyo australia pty. ltd. -
Melbourne Tram Museum
Ephemera - Tram Monthly ticket book, Victorian Railways (VR), Feb. 1922
Victorian Railways Rail & Tram Monthly Periodical book of tickets with conditions of travel on the inside covers. See reference page 124/125 and Figure 6-35. Book of 60 tickets (No. 49) for Feb. 1922 from North Road to St Kilda. The traveller also had to hold a monthly rail ticket for St Kilda station to Melbourne. The conductor would tear out each ticket and hand half one portion back to the traveller. Has been stamped "cancelled". See item 1688 for a single sheet example.Demonstrates a Victorian Railways Rail and Tram monthly ticket for a specific section or trip on the St Kilda Brighton tramway. May have been used as a training sample. Shows the complexity of the monthly ticket system and the cost of printing such books for each month and each section of the tramway.Printed book, 30 pages + red cover, centre stapled with perforated tickets or coupons.tickets, vr, vr trams, victorian railways, st kilda brighton tramway, monthy -
Beechworth RSL Sub-Branch
Naval Ratings Shirt, 2004
This shirt was manufactured in 2004, and was presumably owned by a Beechworth local service personnel by the name of Cross. This piece of clothing would have been worn as part of the standard Royal Australian Naval Ratings uniform.White short sleeved shirt. Square collar with thin navy blue trim. A curved slit on either side of the lower edge (near the hip area) and an extra piece of fabric within each slit. A white label with inscriptions is stitched to the seam in the middle of the lower back seam. This has n written inscription beneath on the shirt fabric.Inscriptions on the label: CAN'T TEAR 'EM 8405-66-132-3767 R.A.N 2004 SIZE: 117 35% COTTON 65% POLYESTER GENTLE WARM MACHINE WASH. RINSE WELL. WARM IRON. DO NOT SOAK. DO NOT BLEACH. DRY CLEAN (A) MADE IN AUSTRALIA Written inscription under label: CROSSshirt, naval ratings, royal australian navy, navy -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, c. 1878
Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 35% of original electroplating remains, with some verdigris. Outlines of three makers marks are visible on the lower rear of handle (Circle, Circle, Diamond) and details of one are legible (Maltese Cross).flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoons, circa 1878
This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored teaspoons in a concreted group from the wreck of the Loch Ard. Spoons are covered in sediment and exposed section (35%) has slight verdigris. There are 2 spoons in the group. Thin layer of copper alloy (brass) electroplated onto nickel-silver base metal. Fiddle-back handle, narrow stem, flared collar and elongated bowl. William Page & Co makers mark clearly distinguishable. Four other impression shapes are also visible on lower rear of handle - 3 round and one diamond.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham brass plating, makers marks, tea spoons, william page & co -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 35% of surface area has red and cream encrustation. Minimal original plate has survived but outlines of 5 makers marks are visible - Crown, Ellipse, Rounded Square, Circle, Diamond.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons -
Bendigo Historical Society Inc.
Document - H. A. & S. R. WILKINSON COLLECTION: CONTRACT OF SALE
Contract of sale of land by public auction dated 29th August, 1956 between Farmers and Citizens Trustees Company Bendigo executor of the will of F. R. Schilling deceased (vendor) and Mr. A. C. & Mrs. A. Sprawson (purchaser). Property: land that lies above the depth of 100 feet below the surface of all that land containing 35 perches and 8/10 of a perch being allotment 20 section 49B comprised in Crown Grant volume 2193 folio 493 situate No. 120 Rowan Street, Bendigo. Price: 2,725 pounds.organization, business, h.a. & s.r wilkinson real estate -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Printed declaration from George Smith of Victoria Reef declaring that he is under the age of 35 years and that his wife does not exceed 29 years and that they do not have any infirmity likely to shorten the natural duration of life. Also signed by H. L. Atkinson that he has examined the Candidate and to the best of his belief, he is quite free of any infirmity which would tend to shorten the natural duration of life. Dated May 2nd 1866. Printed by Bro. Graham Berry, at the 'Observer' Office, Collingwood.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, george smith, h l atkinson