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National Wool Museum
Book, Knitting, Patons Knitting Book no. 341
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. Book produced by Patons and Baldwins and containing knitting patterns for women's garments. It was sold by Buckley and Nunn Ltd, a Melbourne department store.Patons KNITTING BOOK NO. 341 / "LORRAINE" - See page 12 / P&B / WOOLS / 1'4d. BUCKLEY & NUNN LIMITEDhandicrafts - history knitting, patons and baldwins (australia) ltd buckley and nunn limited, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 455
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for men's garments. It was sold by Buckley and Nunn Limited, the Melbourne department store.No. / 455 / Patons / KNITTING BOOK / No. / 455 / P&B / WOOLS / PATONS / BLUEBELL or CAIRN . TOTEM . PATONYLE . BEEHIVE 3-PLY / BEEHIVE 4-PLY . HIGHLAND SPORTS . HEYDAY SPORTS / 1'9 BUCKLEY & NUNN LIMITEDhandicrafts - history knitting, patons and baldwins (australia) ltd buckley and nunn limited, handicrafts - history, knitting -
Bendigo Military Museum
Uniform - CAP, PEAKED
World War 2 German Police Hat (Schutzpolizei) of an NCO pattern for the Munich District.Hard round peaked cap. Top one centimetre black leather, next 9 cm green felt attached to firm backing and bottom peak again black leather. Metal studs on side with black leather buckled strap going around the back. Attached to back is a large golden emblem of an eagle with wings spread, sitting on a shield with a Swaztika on it and gold laurel leaves coming off to the side. Mounted on the top at back is a silver oval shaped object with red markings. Lining on inside of hat is dark brown leather.german uniform, police hat, ww2 -
Bendigo Military Museum
Uniform - UNIFORMS CAMOUFLAGE
The uniforms belonged to Shai NOKES Australian Army Afghanistan. “DP”, meaning Desert Pattern..1) US Army Shirt grey camouflage colours, has four velcro areas for patches, central patch has 3 stripes, arm patch has a half crescent and crossed swords. .2) US Army pants grey camouflage colours .3) Australian Army Camouflage shirt DP. .4) Australian Army Camouflage pants DP.1) velcro areas, “US Army”uniforms, us army, camouflage, desert pattern -
Phillip Island and District Historical Society Inc.
Photograph, Anderson Family Homestead, 1868
Small section of Glen Isla Drawing Room, open door and patterned floor covering.Small section of Drawing Room - Glen Islalocal history, photography, photographs, slides, film, buildings, historic, glen isla drawing room, sepia photograph, mrs emma anderson jacobs -
Greensborough Historical Society
Booklet, Toward the municipal mapping of traditional aboriginal land use, by Jim Poulter, 2017c
Using Manningham as an example, aboriginal land use patterns are shown, together with interconnecting songlines.10 p., typescriptmanningham, songlines, aborigines -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Boots, ankle, brown
This pattern boot is very close to that worn by Australian soldiers from WW1 to the 1930'sThe boots are very close in appearance to Australian Army Boots of the WW1 period even though it is doubtful these boots are Australian Army issue.Boots, Pair, Brown leather, square toed. Leather SoleStitch line across the front of the boot just behind the toe area. boots ankle -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 285
This book was produced by Patons and Baldwins and contains knitting patterns for mens, womens and childrens garments.Patons / KNITTING BOOK / NO. 285 / "PAULINE" / See page 12 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Book, Knitting, Lincoln Knitting Book no. 682
This book was produced by the Lincoln Mills and contains fair isle knitting patterns for womens garments.Fair Isle DESIGNS / IN / Stylish Handknits / BY / LINCOLN / MODEL No. 1333 / SEE PAGE 4 / BOOK No. 682 / 8D.handicrafts - history knitting - fair isle, lincoln mills (australia) limited, handicrafts - history, knitting - fair isle -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 645
Patons knitting book from the early 1960s. Contains knitting patterns for childrens garments.JET . TOTEM . BLUEBELL . FUZZY WUZZY . DOUBLE QUICK / CONFETTI FLECKS . HIGHLAND . PATONYLE, 3 and 4 PLY / For Tiny Tots, / 6 months to 4 years, / 17 to 24 inches / PATONS BOOK / No. 645 / Patons / KNITTING BOOK 645 / WITH T.V. DESIGNS / 2'3handicrafts - history knitting, coats patons (australia) limited, handicrafts - history, knitting -
National Wool Museum
Folder, sample
Weaving sample folder: "WORSTED SPORTS COATING" pattern sheet with 3 cloth samples.GEOFF ROBINSON (pencil) WOOLLEN UPHOLSTERY (ink)weaving textile industry textile design, weaving, textile industry, textile design -
8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - Bayonet 1907 pattern
This pattern bayonet was used by Australian troops in World War One and Two and the Korean War. British model 1907 bayonet with leather scabbard - overall length 550mmMA 1907 x MA 4 42wwi, wwii, korea, australian -
National Wool Museum
Book, Knitting, Patons and Baldwins' Specialty Knitting Book no. 120
This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. The front cover illustrates a knitted convalescent jacket (with extra room for bandages, etc) and there are other patterns suitable for men in the services which could be knitted for the Red Cross or Comfort Funds. The back is illustrated with a photo of two men (one in a flying cap, one in army uniform) reading a sign on a wall which states: "Don't help the enemy! Careless talk may give away vital secrets".Front cover, Patons and Baldwins' Specialty Knitting Book no. 120, WWII. Back cover of Patons and Baldwins Specialty Knitting Book no. 120, WWII.MEN'S SERVICE AND CIVILIAN KNITWEAR / No. 120 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Book / THIS IS A SPECIALLY DESIGNED CONVALESCENT JACKETknitting, world war ii, patons and baldwins (australia) ltd -
National Wool Museum
Book, Knitting, Villawool Knitting Book no. 91
This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens knitted garments. The photographs were taken inside Villawoods own knitting mill, in the dye house, the spinning department and the winding and knot detecting rooms. The mill manager, Stanley Harrison, can be seen on the back cover.BOOK 91 / LADY'S DESIGNS IN / 12 PLY EQUIVALENTS / BY / Villawool / 2'9knitting handicrafts - history textile mills, villawood textile company, knitting, handicrafts - history, textile mills -
Warrnambool and District Historical Society Inc.
Artefact, Pipes x 4, Mid 20th century
These pipes came from the Warrnambool firm of Peter Hand Tobacco Company Pty Ltd and were typical of the pipes sold by that firm. The Peter Hand Tobacco Company commenced in 1958 and was a wholesale distributor of tobacco and cigarettes throughout the Western District until early in the 21st century when tobacco smoking was no longer a widespread habit in any community in Australia. The retail shop was at 97 Liebig Street Warrnambool. These pipes are of interest as they came from the Peter Hand Tobacco Company, a prominent business in Warrnambool for 50 years. They are also a memento of the times when pipe-smoking amongst men was prevalent. These are briar pipes with black Bakelite mouth pieces. All appear to be unused. .1 A brown briar pipe with an indented pattern .2 A brown briar pipe with a polished wood .3 A light brown briar pipe with a mottled pattern finish .4 A brown briar pipe with a smooth polished finish1 ‘Seville Special’ .2 ‘Real Briar’ .3 ‘Nording Danmark N 118’ .4 ‘Vavrs VZ’ (?) peter hand tobacco company (warrnambool), history of warrnambool -
Warrnambool and District Historical Society Inc.
Household, Souvenir Plate, 1920s
This souvenir plate was sold to tourists in Warrnambool in the 20th century. It features an image of a popular tourist spot off the coast of Warrnambool – Thunder Point. Tourism has always been an important industry in Warrnambool and souvenir items such as this one continue to be sold, although colour images would most likely be used now. This plate is of interest as an example of items sold to local tourists in the 20th century. It will be useful for display. This is a circular glass plate with a ripple pattern on the rim and an outer edge with the glass heavily-impressed and patterned. The base of the plate has a sepia-coloured image of Thunder Point, Warrnambool. The image has been taken from a photograph. This has been affixed to the back of the plate and has a dark blue backing. ‘Thunder Point Warrnambool’ tourism in warrnambool -
Glenelg Shire Council Cultural Collection
Functional object - Cup and saucer, n.d
Displayed at History House.378.1 Large teacup with a "willow pattern" style design around outside edge and at base of cup. Blue and white. Worn gold rim around edge and on handle. 378.2 "Willow pattern" style design in blue and white on saucer, with decorative gold line on edge and set 2cms within edge. -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY VEST
Salmon pink hand knitted woollen baby vest. Patterned yolk with rib pattern body. Cap sleeves with crocheted edges. Neckline with crocheted edge. Twisted wool tie around neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Textile - CUSHION COVER
Textiles, brown coloured cushion cover of tapestry fabric on one side and yellow cotton fabric on reverse side. Edged with 5 mm cotton cord with loops and pom poms at corners. Tapestry fabric side has a pattern of concentric squares of yellow embroidered lines, squares and leaf patterns.textiles, domestic, cushion cover -
Bendigo Historical Society Inc.
Clothing - MERLE BUSH COLLECTION: LADIES SCARF
Clothing. Cream coloured triangular ladies silk scarf. Mid blue border on two short sides with pattern of triangles and vine. Cream coloured centre has printed pattern of vines and leaves. Long edge of scarf is a raw edge that has been over locked. Old box 573.costume accessories, female, triangular silk scarf -
Bendigo Historical Society Inc.
Textile - Pillow cases
Pair of pin-tucked and cotton lace trimmed pillow cases. Cream linen fabric with a 3.5cm deep scalloped cotton lace on opening edge featuring a floral pattern. There is a ribbon insert of same pattern 6.5cm from the edge. There are four and five rows of pin-tucking either side of insert.favaloro, pin-tucks, cotton lace -
Brighton Historical Society
Swimsuit ensemble, Watersun
Polish-born designer David Waters first began producing swimwear in 1952. His mother Halina had recently opened a stall at Melbourne Queen Victoria Markets and was looking for swimsuits to sell; unable to find any she liked, she asked David to design something. He began making swimming costumes using his mother's sewing machine, in between his shifts working at a knitting factory. He had soon set up a small business in his parents' home, cutting patterns in one room while a machinist sewed them together in the next. His company, which he named Watersun, would become an iconic Australian swimwear label. During the early 1960s, Watersun developed its "Unquestionable Bra", an inbuilt moulded bra which was marketed as giving wearers a more natural bustline than other labels. The company was also known for its matching swimwear and beachwear, producing dresses, kaftans, tops and skirts in identical colours and prints to those used for many of its swimsuits. By 1967, the company was reportedly one of Australia's two biggest swimwear manufacturers, with over one hundred employees. Watersun was sold to Ada Productions in 1984 and was later acquired by Trackerjack Australasia. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Backless lamé one-piece swimsuit (.1) with pattern of silver, blue and bronze circles in various sizes. Waist ties knotted at front for cinched-in waist. Built-in underwire bra. Sleeveless A-line jacket (.2) in same fabric, falling past hips. Front zip and close-fitting hood.Label in bra, blue with yellow sunburst logo containing the word “Watersun” in red, above the text: “32 / Unquestionable Bra”.swimwear, watersun, david waters, ada productions, melbourne designers -
National Wool Museum
Book - Notebook, c.1920
Nino Corda was a Geelong based textile designer who worked at various textile mills between 1957 & 2003. He travelled the world in search of the latest fashions and techniques and developed timeless designs that were much loved by Australians. These items are on rotational display at the National Wool Museum’s ‘In the Factory’ exhibition. For many years, Nino also worked as part of the Honorary Staff of the National Wool Museum. His passion for the world of textiles provided energy and knowledge to the visitors and staff of the museum. Although Nino has now retired from his honorary position and has hung up his Australian Tartan vest, these items will continue to serve the community in sharing the stories of Australian Textile design. This notebook contains information on how to calculate and enlarge a small sample pattern into a larger textile. It is a hand-written notebook that was passed from a master to an apprentice. This notebook is written in German and belonged to George Snchabel and was given to Nino Corda, who eventually donated it to the National Wool Museum. Nino only spoke basic German so many of the passages of writing were lost to him, regardless the illustrations and little bits of German he did know made this a useful resource which was often looked upon for inspiration and guidance.The notebook has a black cover on both the front and back with no writing. The spine is in bad condition and is being held together by three strips of tape. Internally, the pages have faded to a pale peach colour with a background blue square pattern. The notebook is completed with black ink used for writing and illustration. Occasional red ink is used for highlighting and illustration.textile calculations, textile design -
Orbost & District Historical Society
emu egg
Emu eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and its aesthetic appeal.An emu egg which has been painted white and decorated with glued on cord/thread to make a pattern of flowers and leaves.emu-egg ornament handcraft -
Flagstaff Hill Maritime Museum and Village
Pattern
Pattern-hanging bracket slightly pyramid shaped object with wide base. Has square attachment both painted white. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Warrnambool and District Historical Society Inc.
Buildings- Decoration, Plaster fragment from Criterion Hotel, Circa late 19th century
The Criterion Hotel was located on the western side of Kepler Street near the corner of Lava Street. John Tate of Woodford was the first licensee of the Criterion Hotel in 1873. The Humm family and the McGennan families were licensees for a considerable amount of time in the late 19th and 20th centuries. It was one of the last venues in the town to host live music. The last publican, John Palmer remembered it as a workers pub popular with local truckies and football clubs, in particular, Bushfield, Russell’s Creek and South Rovers. The Criterion closed in 2008 with the aim of turning it into office space but it was burnt beyond repair in 2010 and the remains were demolished in 2013.The Criterion Hotel was one of the earliest and longest licensed hotels in Warrnambool. As such it has local historical significance. The original building was an impressive landmark and the hotel itself has significant social importanceWhite plaster fragment with floral pattern enclosed within two plain borders. It is roughly five sided but edges are broken.criterion hotel, history of warrnambool, warrnambool hotels -
Warrnambool and District Historical Society Inc.
Journal - Diary, Diary of Augustus Bostock 1904-1907, Circa 1904
Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. This diary shows the daily entries over a long period of time with activities ranging from fencing, visiting neighbours and weather details. It mentions many local people and many properties he visited. Augustus Bostock along with a number of his brothers was one of the earliest pioneers in the Western District of Victoria. This diary sheds considerable light onto the life of Augustus and people of his era. There is a wealth of information on a range of topics relating to early life in Warrnambool and district.Cardboard cover, water- waved patterned in black and grey with orange cloth binding. Pages are all handwritten with dates in margin. Augustus Bostock Diary for 1904.diary of augustus bostock 1904-1907, warrnambool -
Warrnambool and District Historical Society Inc.
textile, Crocheted Fillet Lace Warrnambool Centenary 1847-1947, Circa 1947
The Centenary of Warrnambool in 1947 drew crowds of 20000. It was generally felt that the celebrations excelled anything that had been seen in the city in the last 100 years. There were numerous activities held over the weekend including an elaborate street parade which was followed by joining the 4500 children at sports and picnic celebrations at the showgrounds. The Warrnambool and District Turf club also held a race meeting to aid the Hospital and raised 740 pounds. It was estimated that 20000 attended the finale bonfire and fireworks in Albert Park. This is a hand made item to commemorate the occasion. This item has local historical, artistic and social significance as it relates to a major event in the history of the city.Crocheted rectangular with angled corners, doyley with Warrnambool centenary 1847- 1947 worked in pattern in centre of piece. Cream linen.Warrnambool 1847 Centenary 1947warrnambool, warrnambool centenary , warrnambool centenary 1947, centenary doyley 1947, -
Warrnambool and District Historical Society Inc.
Functional object - Glass Lamp Base, c. 1920
This lamp base would have had a glass chimney clipped to the burner. It is a portable kerosene lamp used in the 19th century and the early 20th century for household lighting before the advent of electricity.This item is retained for display purposes as an example of household lighting a hundred years ago.This is a clear glass lamp base with a metal burner attached to the top. The bottom of the base is hollow. The glass on the stem and bulb is patterned. A BLIXTENvintage household lighting, kerosene lamps -
Bendigo Military Museum
Uniform - SLIDE SHOULDER BOARD
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Four slide shoulder boards in camouflage pattern. Each has three pips embroidered in black signifying the rank of captain.army chaplain, rank insignia, major thomas bruce williams