This recorded play of the book 'The Weaver from Meltham' - The story of Godfrey Hirst was made circa 1951 and aired on ABC radio. It was handed down to Ken Hirst from his father Ivan Hirst, grandson of Godfrey Hirst. At the end there is an additional recording . It is a speech and presentation to HRH Queen Elizabeth II on the occasion of the birth of Princess Anne of a baby blanket made by the employees of Godfrey Hirst woollen mills circa 1951Light green record slip containing a double sided record of the radio play of The Weaver from MelthamAWA custom long play Microgroove recording

The coat along with matching hat and dress ensemble was made in 1980 at the Deniliquin TAFE 'Garment Assembly' course which was 2 years in duration. Mrs Sayer was always crafty but not great at other subjects. Coat is lined with a petticoat which Mrs Sayer wore in 1958. The seal fur collar was purchased by Mrs Sayer's mother at the shop 'Manly Corso' in Sydney, after WW1 with money from her father.Light brown wool coat with seal fur collar attached. Lined with red fabric from the petticoat of a taffeta and lace dress that was worn by Mrs Sayer in 1958. Wooden buttons down coat and on sleeves. Coat has been handmade and has no label.coat, wool, fur, fashion

Part of a collection of items donated by Mrs Robyn Adams. Mrs Adams' father, Victor Clyde, was a wool grower who owned and used all of the items donated.Light pale blue/green lined paper page. Top part of page has typed black ink describing instructions on how to fill in lined section below, beneath headings reading -GOLSBROUGH, MORT & COMPANY LTD, MELBOUNRE- and -OWNER'S OR CLASSER'S SPECIFICATION OF WOOL CLIP-. Lower two-thirds of page is bordered with pink lines and split into six coloumns under headings. Fields can be filled in with information about wool lip/size/wiehgt/quality/bale stencil number/etc. Reverse of page is the same. Page has one vertical fold line in the centre and three horizontal fold lines. There is a dark blue line on the front and matching larger stain on the back, most likely from a carbon copy paper.elder smith goldsbrough mort limited, waybill, wool sales, wool clip, mrs robyn adams

Entered for, and winner of, 2012 Expression: The Wool Quilt Prize. Artists statement: "Out there" refers to the wide view of the undulating land extending from our home acreage towards the escarpment and the coast. There are also the millions of small organisms that live out there. As well, out there is the vast Australian landscape which I find thrilling"Wool quilt in landscape orientation with three distinct design patterns, primarily orange/brown/red in colour. Top panel is a light brown background with paler circles inset. Middle panel is an ochre colour with horizontal uneven lines. Bottom panel is an orange colour with pale bordered square shapes. Artists panel on back bottom right corner.

Photograph was found by a friend of the donor. Rear of photo has a stamp for "Ritter-Jeppesen Studio, 111 Lonsdale Street Melbourne", which would indicate that it was made between 1940-1962. Image appears to be of staff working at mending tables in an unknown woollen mill.Black and white photo attached to a light brown backing board. Photo shows women seated at desks in an unknown woollen mill, presumably working on 'mending' cloth. Roof appears to have a sawtooth design.

Display board was once property of Port Macquarie Historical Society & Museum, but they de-accessioned it in 2016 before donating it to the National Wool Museum. Reason for de-accession was that it no longer fit with their collection aims, nor was it relevant to their location. Item appears to have been made in 1963, or at least using wool samples from 1963. Wool samples were grown by a S.F. PICKER at 'BIGGA' in New South Wales. No further information was given by donor.Light brown timber framed display board with glass cover. Light brown backing board with 25 wool samples taped to the board, each with a paper lable with printed text. Main label reads -WORLD RECORD PRICE / 1963...468d / SUPER FINE MERINO. / COUNT. 74/80. / GROWN BY. / S.F. PICKER. BIGGA. / N.S.W.-wool samples, wool sorting, wool breading

HUttley - Martin FamilyB/W/ photo. Older Woman in yard, dark Skirt, jacket with fur, light bucket hat holding dark handbag nest to body, light gloves Mum Huttley D'Arcy Street home Stawell West Madge Huttley's mother at D'Arcy St Home.huttley, martin

Stawell Post Office on corner of Wimmera and Main Streets. Erected 1875. Telegraph pole and streetlamp in foreground. Akins store visible at right of photo. The building has 3 arched doors & 6 arched windows on the ground floor and 8 square windows on the top story. Two chimneys on the roof and a wrought iron square fence on the roof. The outside of the building has not changed while the interior has been remodelled several times. The early Postmasters and their families lived upstairs. The main room originally included the Telegraph office where operators worked at machines, sending and receiving Morse code messages. Later alterations were made for a telephone switchboard room downstairs, with trunk line equipment upstairs. In 1965 the telephone system was converted to automatic.Black & white photo of a two story building on the corner of Wimmera & Main St. The building the Stawell Post and Telegraph Office. Out the front of the Post office is a telegraph pole and a light post. Next door in Main St is a single story building with a sign over the building Argus Australasian, underneath Akins, Age/Leader possible a newsagent. stawell

Postcard original Congregational Church Scallan St. Stawell with picket fence and double gateway. Postcard No 21. The church in this photograph was built in 1874 and opened on Sunday September 13th. The Rev. S.C. Kent, of Melbourne was the Preacher. The building was intended to accommodate 250 people. The cost, exclusive of the land was 800 pounds. The building was designed and supervised by Rev J.G. Wilson. The Church was the first to be lit with gas in Stawell. Note gas light on the porch. This building is now used by the Lutheran Church.One post card of a church with 3 enlarged photos of the post card. The image is the Congregational Church in Stawell. The church is brick with a picket fence and double gateway with a black dog lying beside the gateway. Enlargements donated by Congregational Church.Congregational Church Stawell 21. (On the back) Empire post card real photograph by T. R. G. Williams Araratstawell

Commonwealth Federation Memorial unveiled 1903 corner of Lower Main St and Barnes Street Stawell. The memorial commemorates the Federation of the Australian States into the Commonwealth of Australia on the 1st January 1901. The memorial cost 100 pounds and has a foundation supporting 4 columns of Scottish rose granite. The base & caps of these columns are of black marble. Around the tops of the columns are the names of the six States. George Robson and George Gray, Stawell's monumental masons who carried out the work were also thought to be responsible for the design. Black & White photograph of a glass light memorial, supported on four columns. A fence of white posts and chains surround the memorial.Sign post in background "Atlantic Ethyl Service Station."stawell

Portrait of David Scallan & his Wife. David Scallan was a mining broker. David was also the first Shire President 1864 - 65. In 1864 he was a member of the Roads Board. Also, the first Committee of Management of Central Park. One of the main Stawell inner streets is Scallan St.Photograph of a woman and gentleman standing in a studio setting. Womans frock has a frilled skirt with long sleeves. Gentleman had light coloured trousers with a long dark coat buttoned at the neck. c 1865 - 70'sstawell

The fragments of pot were found in 20 meters of water off of the South Channel Light, Port Phillip Bay. They are believed to be from the ship 'Hurricane' that sank in the vicinity on April 22,1864. The Hurricane was a three-masted iron ship, weighing 1198/979 tons. Built on the Clyde, Scotland in 1853. Lbd 214.9 x 30.7 x 20 ft. It was one of the first large iron sailing ships built for the Australian trade during the gold rush, and one of the fastest clippers on the Australian run. Her maiden voyage from Glasgow to Melbourne with 256 passengers took eighty-seven days, and the return to London eighty-three days. In 1856 she was converted to an auxiliary screw vessel and continued in the Australian trade until lost. Under Captain D.H. Johnston (former master of the Lightning), inward bound from Liverpool with 2000 tons of general cargo and 19 passengers, grazed a rock entering Port Phillip, sank off Arthurs seat, 21 April 1869. Passengers and crew transferred to the tug Titan. The wreck was relatively intact until the late 1960s, when it was blasted by Ports and Harbours engineers who considered it to be a navigational hazard, spreading wreckage over a wide area. Despite this, the stern of the ship still stands about three metres above the sand. The wreck of the "Hurricane" in Port Phillip Bay and the accompanying story of the nearby lighthouse, the South Channel Pile Light, tell the story of early shipping within Port Phillip Bay, pre federation. 3 pieces of encrusted pot fragment all roughly A5 paper sizeshipwreck, port phillip bay, ship hurricane, south channel light

A porthole, sometimes called bull's-eye window or bull's-eye, is a circular window used on the hull of ships to admit light and air. Though the term is of maritime origin, it is also used to describe round windows on armoured vehicles, aircraft, automobiles (the Ford Thunderbird a notable example) and even spacecraft. On a ship, the function of a porthole, when open, is to permit light and fresh air to enter the dark and often damp below-deck quarters of the vessel. It also affords below-deck occupants a limited view to the outside world. When closed, the porthole provides a strong water-tight, weather-tight and sometimes light-tight barrier (not in the case however). A porthole on a ship may also be called a side scuttle (side hole), as officially termed in the International Convention for the Safety of Life at Sea. This term is used in the U.S. Code of Federal Regulations. It is also used in related rules and regulations for the construction of ships. The use of the word "side scuttle" instead of "porthole" is meant to be broad, including any covered or uncovered hole in the side of the vessel. This porthole is a useful demonstration of naval technology to give people an insight into life at see. Small windows such as this example could be all people would see on long see voyage across rough seas. Commanding officers scuttle made of brass with glass opening windowmaritime technology

Mr Dmitro Nosiara was the first principal of Ukrainian Saturday School 'Ivan Franko in Sunshine. Mr. Nosiara was principal from 1953 to 1960, and again from 1963 to 1964.Black and White photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with a light blue patterned border. Photo has be laminated.dmitro nosiara, principal, ukrainian saturday school, ivan franko, sunshine

Mr. Gregory Vyshnevij was principal of Ukrainian Saturday school 'Ivan Franko' in Sunshine from 1961 to 1962.Black and white photo, with dates typed under photo. Photo is attached to cardboard backing,is also framed with light blue patterned border. Photo has been laminated.gregory vyshnevij, principal, ukrainian, saturday school, ivan franko, sunshine

Mr. Ivan Brozntskyy was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1965 to 1966.Black and white photo, with date typed under photo. photo is attached to cardboard backing, is also framed with light blue patterned border. photo has been laminated.ivan brozntskyy, principal, ukrainian saturday school, ivan franko, sunshine

Mr. Stephen Lysenko was principal of Ukrainian Saturday School 'Ivan Franko' Sunshine during 1967.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with a light blue patterned border. photo has been laminated.stephen lysenko, principal, ukrainiansaturday school, ivan franko, sunshine

Mrs. Maria Kowshek was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1968 to 1976.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Photo has been laminated.maria kowshek, principal, ukrainian saturday school, ivan franko, sunshine

Mr. Vlodymir Muc was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1977 to 1983.Black and white photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with a light blue patterned border. Photo has been laminatedvlodymir muc, principal, ukrainian saturday school, ivan franko, sunshine

Mrs Olya Jursa was principal of Ukrainian Saturday school, 'Ivan Franko' Sunshine from 1984 to 1989.Coloured photo, with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. Mrs Jursa is wearing a red top and large framed black glasses.olya jursa, principal, ukrainian saturday school, ivan franko, sunshine

M/s Maria Tsikoya was principal of Ukrainian Saturday school 'Ivan Franko' Sunshine from 1990 to 1998Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Tsikoya is wearing a light violet top and is standing in front of a green hedge.maria tsikoya, principal, ukrainian saturday school, ivan franko

M/s Natalie Sakowskyj was principal of Ukrainian Saturday school 'Ivan Franko' during 1999.Coloured photo , with date typed under photo. Photo is attached to cardboard backing, is also framed with light blue patterned border. M/s Sakowskyj is wearing and orange top in the photo. Photo has been laminated. natalie sakowskyj, principal, ukrainian saturday school, ivan franko

Mosaic boarder 3cm wide. Black tiny tiles - 2 straight lines. D.ark green and light green tiles form the ivy pattern

First elected committee from 30th March 1952 to 29th March 1953.Mosaic edge boarder 3cm wide. Black tiny tiles - 2 straight lines. Dark green and light green tiles form ivy pattern.

Mosaic outer boarder 3cm wide. black tiny tiles - 2 straight lines. Dark green and light green tiles form ivy pattern.

Marching Girls with light blue Vests and hats in Wimmera Street.parades

This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Image of two birds sitting on a tree branch with flowers. The background is light blue, the branch is dark blue and the birds and flowers are made from cut-out pieces of metal.e justine cromb, 69 smith street gallery, artist-run initiative, artist-run space, mixed media, birdlife in art, melbourne art galleries

This paper lantern was used by Australian athletes in the ‘Lantern Dance’, the last program of the closing ceremony, the lantern is called “Ch’ong sa ch’orong” and is traditionally used during weddings and festivals.When closed the lantern appears as a large, red spiral bound book with detailed inscriptions describing the way to correctly use the lantern in the ceremony. This description appears in several languages as well as a drawn depiction. When opened latticed crepe paper forms a cylinder. The two thirds of the paper is dyed dyed blue and the last third is dyed red. A small battery pack is used to light the lantern.GAMES OF THE XXIVTH OLYMPIAD SEOUL 1988 o The last program of the Closing Ceremony is called “Lantern Dance”. When all the performers enter the stadium holding lanterns, turn the paper board inside out and press the ends so that they snap shut. This will then allow the lanterns to light up. Hold the lantern by the handle at the centre and gently rock it above your head as shown in the picture. o Listen to the announcements via the ear-phones and follow the signals from the guides for further instructions. o* This lantern is called “Ch’ong sa ch’orong” and was traditionally used during weddings and festivals. This inscription is repeated several times in various languages on the cover of the lantern.1988 seoul olympic games, closing ceremony, lantern dance