Showing 2421 items matching "street works"
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Hume City Civic Collection
Book, Letts No. 45 Diary 1898
This is a works diary used in 1898 for jobs to be carried out by the Shire of Bulla.Black cloth bound book with gold lettering and 365 plus pages."Work Diary/1898"1890s, shire of bulla, george evans collection -
Sunshine and District Historical Society Incorporated
Photograph - Three Old Sunshine Factories, Pratt, Charles Daniel, (1892 - 1968), Photographed circa late 1920's to early 1930's
These three factories clustered together and close to Albion Station provided manufacturing type of employment for several decades. All the factories have now disappeared and have been replaced by retail or service businesses. Spalding has been replaced by a Bunnings Hardware store, while the main retail outlet on the Nettlefolds site is Harvey Norman. Ironically part of the Phoenix Fireworks site is now occupied by the Metropolitan Fire Brigade, as well as other small businesses including a smash repair business, and a tyre retailer.The photograph provides a historical record of some of the types of manufacturing industries that existed in Sunshine, before retail or service industries began to replace them. Many of the younger generation do not know that fireworks, screws, or some sports items were manufactured in Sunshine not so long ago, and where the factories existed.The image depicted in this photographic copy is believed to be from circa late 1920's to early 1930's, and shows the NETTLEFOLDS, SPALDING, and the PHOENIX FIREWORKS factories. These factories were located in North Sunshine on the north side of Ballarat Road near Albion Station. Nettlefolds and Spalding are on the corner of Ballarat Road and McIntyre Road, with Nettlefolds being on the west side of McIntyre Road and Spalding on the east. Phoenix Fireworks factory is composed of small huts, and is situated on the north side of Phoenix Street at the rear of the Spalding factory. The photograph also shows a row of residential houses on Garnet Street which is on the east side of the Phoenix factory. Ballarat Road is still an undivided road and on the south side is a plantation of trees that once stretched from near Albion Station to Anderson Road. Other roads visible are Suffolk Road and Westmoreland Road.Nettlefolds Screw Worksnettlefolds, spalding, phoenix fireworks, screw works, ballarat road, mcintyre road, phoenix street, garnet street, westmoreland road, suffolk road. -
Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
Melbourne Athenaeum Archives
Theatre Program, On Our Selection (play) by Bert Bailey adapted from the works of Steel Rudd performed at Athenaeum Theatre commencing 1 December 1982
The play was presented by arrangement with NIDA, The play was originally dramatized by Bert Bailey from the works of Australian writer Steele Rudd.The program includes information about Australian writer Steele Rudd and the original play. Garry McDonald best known as 'Norman Gunston' plays eldest son Dave.on our selection, athenaeum theatre, program, melbourne theatre company, bert bailey, garry mcdonald -
Melbourne Athenaeum Archives
Theatre Program, Reeling (dance) an evening of short works by Independent Dance Artists (IDA) performed at the Athenaeum Theatre Two commencing 1 March 1989
coloured pink and yellow flyerreeling, program, programme, athenaeum theatre two, independent dance artists -
Melbourne Athenaeum Archives
Flyer, Leslie Howard in Recital (recital) solo piano recital program included works from Liszt, Beethoven and Schubert, performed at Athenaeum Theatre on August 28 1994
coloured flyerleslie howard, athenaeum theatre -
Clunes Museum
Document
CLUNES WATER COMMISSIONERS WILLIAM PRICE, RALPH COUNDON, THOMAS LEGAY HOLTHOUSE, THOMAS DRUMMOND. WANLISS AND PETER LALOR WERE APPOINTED BY THE GOVERNOR IN COUNCIL ON 25TH FEBRUARY, 1874PHOTOCOPY OF A DOCUMENT TO APPOINT COMMISSIONERS FOR THE PURPOSE OF CONSTRUCTING WORKS FOR THE SUPPLY OF WATER TO CLUNES SUPREME COURT DOCUMENT NO 4831local history, local government, council -
Clunes Museum
Financial record - ACCOUNT LEDGERS, NO.1 1943 - '66 NO.2 1967 - '86 NO.3 1986 - 1989
ROYAL VICTORIAN INSTITUTE FO THE BLIND. CLUNES AUXILIARY FORMED 1933. DISBANDED 1989. STREET STALLS, CONCERTS, TRADING TABLES, CASH DONATIONS AND ASSISTANCE OF LOCAL BUSINESS HOUSES, ALL THE LOCAL CHURCHES (EACH CHURCH RAN THEIR OWN STALL ON DAY OF ANNUAL FAIR) A BLIND REPRESENTATIVE ATTENDED THE ANNUAL MEETINGS AND ALWAYS PROVED AN INTERESTING SPEAKER.CLUNES AUXILIARY FOR THE BLIND NO.1 SMALL THICK BLACK, SOFT COVERED TREASURERS BOOK WORKS FROM BOTH FRONT AND BACK COVERS 1943 - 1967. NO.2 BLUE SOFT COVERED PENCRAFT CASH BOOK, TREASURERS BOOK 1967 - '86 NO.3 ORANGE SOFT COVER LEDGER, TREASURERS BOOK 1985 - 1989 R.V.I.Plocal history, books, documents, clunes blind auxiliary -
Clunes Museum
Book, CRAWFORD BROTHERS, THE RECOLLECTIONS OF GEOFFRY HAMLYN, 1800'S
The Recollections of Geoffry Hamlyn is a novel by British writer Henry Kingsley. In its first edition the novel was published in three volumes comprising 275, 324 and 275 pages respectivelyBOOK , BLUE HARD COVER CONTAINING 433 PAGESfictionThe Recollections of Geoffry Hamlyn is a novel by British writer Henry Kingsley. In its first edition the novel was published in three volumes comprising 275, 324 and 275 pages respectivelylocal history, book, novel, hudson, laura. -
Clunes Museum
book, ADVERTISER PRINTING WORKS, THE HOUSEWIFE'S COMPANION, C 1916
... 'ADVERTISER' PRINTING WORKS , HIGH STREET, MARYBOROUGH... COMPANION book BOOK 'ADVERTISER' PRINTING WORKS , HIGH STREET ...THE CONTENT OF THIS BOOK IS COOKING RECIPESCOOKERY BOOK - "THE HOUSEWIFE'S COMPANION"THE CONTENT OF THIS BOOK IS COOKING RECIPESlocal history, cookery, -
Clunes Museum
Pamphlet - BROCHURE, R. FLETCHER & SONS, The Clunes District Hospital )Incorporated) Information Brochure, June 1988
INFORMATION BROCHURE COMPILED AN DISED BY THE COMMITEE OF MANAGEMENT OF THE CLUNES DISTRICT HOSPITAL (INCORPORATED) DATED JUNE 1988 - INCLUDES NAMES OF OFFICE BEARERS AND OUTLINES HEALTH AND ANCILLARY SERVICES AVAILABLE AND PLANS FOR MINOR WORKS AND EQUIPMENT PROGRAM AND CAPITAL DEVELOPMENT1 X TRIFOLD INFORMATION BROCHURE BLUE PRINTING ON WHITE BACKGROUND FOR THE CLUNES DISTRICT HOSPITAL (INCORPORATED) JUNE 1988clunes district hospital, hospital committee of management -
Clunes Museum
Functional object - LANTERN
LANTERN USED AS ROAD SIDE WARNINGS BY C.R.B. DURING ROAD WORKS AND EXCAVATIONS. LANTERNS WERE LIT BY WORKMEN TO GIVE WARNINGS TO NIGHT TRAVELLERS. ALSO USED ON DULL FOGGY DAYS. BURNERS REMOVABLE . C.R.B. STAMPED ON CAGE.RED PAINTED LANTERN, FORMERLY OWNED BY C.R.B. (COUNTRY ROADS BOARD) METAL CAGE WITH FUEL BOWL AND RED GLASS ENCASED. HINGED LID.C.R.B.lighting, kerosene, oil, lighting, country roads board -
Clunes Museum
Functional object - LANTERN
RED PAINTED LANTERN USED AT CONSTRUCTION SITES ON ROAD SIDE, OR PMG WORKS. HINGED LID, REMOVABLE FUEL BOWL. RED LAMP SHADE, AND HANDY HANDLE TO HANG LIGHTlocal history, lighting, kerosene, oil, lighting -
Clunes Museum
Ephemera - CIGARETTE PACKET, CARRERAS LTD. ARCADIA WORKS
EMPTY CIGARETTE CONTAINER - TURF VIRGINIA CIGARETTElocal history, smoking accessories -
Clunes Museum
Photograph, CIRCA 1866
PHOTOCOPY OF THE MINEA PHOTOGRAPH OF THE PORT PHILLIP MINE TAKEN FROM A NORTHERLY DIRECTION IN 1866 OR 1867.PORT PHILLIP AND COLONIAL GOLD MINING COMPANY, CLUNES. GENERAL VIEW. MINE AND WORKSlocal history, photography, photographs, mining -
Clunes Museum
Photograph
PHOTOGRAPH OF THE PORT PHILLIP MINE TAKEN IN THE 1860'SCLUNES IN THE SIXTIES, SHOWING THE WORKS OF THE OLD PORT PHILLIP AND COLONIAL GOLD MINING COMPANY.local history, photography, photographs, mining -
Clunes Museum
Newspaper - NEWSPAPER CUTTING, AUSTRALIAN MINERALOGIST
.1 EXTRACT OF A PUBLICATION REPORTING ON THE WORKS OF THE PORT PHILLIP AND COLONIAL GOLD MINING COMPANY p.293 (Publication unknown) .2 EXTRACT FROM A JOURNAL RELATING TO THE MINERALS OF THE CLUNES GOLDFIELD p.47 Australian Mineralogist, volume 3, April-June, 1988local history, document, mining -
Clunes Museum
Plaque - NAME PLATE, CUMPSONS ENGRAVING WORKS PTY. LTD
NAME PLATE OF DOCTOR MARK FOWLER, RESIDENT DOCTOR IN CLUNES IN THE 1950 S.A CHROME DOCTORS NAME PLATEDR. MARK FOWLER PHYSICIAN & SURGEONlocal history, signs, medicine -
Wangaratta Art Gallery
Print, James Jacques Joseph Tissot, Berthe, 1883
James Tissot is most famous for his artwork that depicts the European bourgeois society of the late 19th century. This societal period is often referred to as La Belle Époque, where affluent bourgeoisie living created a complicated mode of manners and dress. This subject matter used in his art made Tissot popular with the bourgeois society, however it made him unpopular with critics who deemed his works as of loose morals due to his subject matter. Tissot’s art style of Realism also put him at odds with his fellow artists and friends such as Degas and Manet who were greats of the European Impressionist movement. This print was made using the printmaking technique of etching, which allowed Tissot to make multiply prints of a particular artwork to sell on mass at a more affordable price to the general population who wished to emulate the bourgeoisie lifestyle of the wealthy.RealismRural City of Wangaratta Collection, Purchased with funds from the Wangaratta Art CouncilA rectangular portrait etching of a 19th century European young lady dressed in her best attire seated in a fashionable manner, printed in black ink on white paper. Obverse: J J Tissot/ 1883 (Artist's signature and date - located in the bottom right corner of the print)james tissot, 19th century, print, etching, portrait, tissot, wangaratta art gallery -
Wangaratta Art Gallery
Textile, Christine Upton, Gum Blossoms, 1989-1992
The inks used were fabric printing inks and two colours were applied at the one time on the same roller, the roller being inked with green on one side and red on the other. The roller was a sponge paint roller 100mm wide. The technique used was 'soft bed release'. This is where the fabric is placed over a soft bed (woolen blanket with cotton overlay) and the inked block is placed on top of the fabric, then body weight is applied to the back of the block by placing the hands on the block and transferring weight through the body and into the hands. The block is then lifted and the process starts allover again.Rural City of Wangaratta CollectionA repetitive pattern of gum blossoms that has been printed on a rectangular piece of pure silk twill in green and red ink by a lino block.wangaratta art galley, print, lino block, flora, gum, christine upton, textile, australian flora -
Wangaratta Art Gallery
Painting, Lorna Chick, Up Where The Eagles Nest, 1969
Lorna Chick was a local artist whose works depict farming and community landscapes, which reflected her main occupation of living and working on the family farm with her husband and two sons. Chick was a naïve artist who used the aerial viewpoint as a constant device in her landscapes. Her naïve art style allowed her to distort the common notion of landscape paintings being horizontal viewpoints, bringing a different understanding to her artwork.naïve artRural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular aerial landscape oil painting of a farming community overlooked by eagles painted using vibrant coloursObverse: LORNA CHICK ©wangaratta art gallery, lorna chick, landscape, farming, eagles, north east victoria, painting -
Wangaratta Art Gallery
Painting, Paul McDonald Smith, Flower Study, 1997
McDonald Smith is famous for paining in the tradition of tonal impressionism, with most of his works painted in oil. This influence of the European Impressionist art style is clearly seen in his artwork Flower Study. The notion of light, an impressionist theme, is depicted by the use of a tonal colour palette and varied brushstrokes. The depiction of a Japanese dragon vase hints at the art aesthetic of Japonisme in the European Impressionist movement, a possible nod of respect to the movement by McDonald Smith.Rural City of Wangaratta Collection, Wangaratta Art Prize 1997.A rectangular still life painting of a bunch of flowers in a vase painted in oil using shades of white, red, green, blue, and yellow.Obverse: P McDONALD SMITH (bottom right corner)wangaratta art gallery, painting, still life, paul mcdonald smith -
Wangaratta Art Gallery
Painting, Patricia Moran, Chrysanthemums, 1986
Moran was an Australian realist artist who specialised in floral works in oil. She was highly regarded for her skills as an artist as well as her ability to share her knowledge of painting. realismRural City of Wangaratta Collection, Wangaratta Art Prize Grand Winner 1986.A still life oil painting of pink and white chrysanthemums arranged in a glass vase with rounded gum leaves which has been placed on top of a round dinning table which has been covered in a white tablecloth.Obverse: P. Moran/ (bottom right corner) WANGARATTA ART SHOW/ GRAND WINNER 1986/ (plaque mounted on frame)wangaratta art gallery, patricia moran, still life, flowers, chrysanthemums, painting -
Nillumbik Shire Council
Public Art: Helen BODYCOMB (b.1964, South Australia) and Enver CAMDAL (Lives and works Turkey), Enver Camdal et al, Nest (Location: Roundabout, Main and Luck Street, Eltham), 1997
Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush -
National Wool Museum
Trophy, 1927
Trophy presented by The Corio Freezing Works Cricket Club to the Geelong Industrial Cricket Association in 1927 for competition and won by the Excelsior Mills 'A' Cricket Club for the 1929-1930 season.Trophy has cricket stumps and two crossed bats forming handle on lid. Lid attaches to a large cup with thin handles protruding either side, cup also features inscription on front. Below the cup is a thin metal stand with which the handles meet. Stand expands to two circles feet, one on top increasing in size to the one below which meets the ground.Inscription, wording: 1927-28 Presented by The Corio Freezing Works Cricket Club To The GEELONG INDUSTIRAL CRICKET ASSOCIATION for competition Won By Excelsior Mills "A" Cricket Club. 1929-1930 Stand, Inscription, Image: fleur-de-lis Stand, Inscription, Writing: EPNStextile mills, textile mills - lifestyle -
National Wool Museum
Catalogue, Paper pen ruling machines feeders etc. Catalogue D5
Catalogue of ruling machines made by Waite and Sheard, Honley, near Huddersfield, England.Catalogue of ruling machines made by Waite and Sheard, Honley, near Huddersfield, England.textile machinery, waite and sheard enterprise works -
National Wool Museum
Engravings, George Hodgson Limited, Unknown
Engravings of looms produced by George Hodgson Limited, Frizinghall Works, Bradford, Yorkshire, England.Engravings of looms produced by George Hodgson Limited, Frizinghall Works, Bradford, Yorkshire, England.textile machinery, george hodgson limited -
National Wool Museum
Catalogue, Textile Machinery Specialities
"Textile Machinery Specialities" - Dronsfield Bros Ltd, Atlas Works, Oldham, England, 13th ed. 1924. Catalogue for grinding machines and card making machines.textile machinery, dronsfield bros ltd -
National Wool Museum
Book, Hall & Stells, Ltd, Makers of Machinery
"Hall & Stells, Ltd, Makers of Machinery, Park Works, Keighley, Eng", catalogue of machinery."Hall & Stells, Ltd, Makers of Machinery, Park Works, Keighley, Eng", catalogue of machinery.textile machinery, hall and stells limited -
National Wool Museum
Catalogue, Illustrated catalogue of power looms for weaving, manufactured by George Hodgson Ltd: treading tappet section
"Illustrated catalogue of power looms for weaving, manufactured by George Hodgson Limited, Frizinghall Works, Bradford Yorkshire: treading tappet section". Among items from Yarra Falls Mill."Illustrated catalogue of power looms for weaving, manufactured by George Hodgson Limited, Frizinghall Works, Bradford Yorkshire: treading tappet section".textile machinery weaving, yarra falls mill george hodgson limited, weaving looms, weaving machinery, textile machinery, weaving