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Orbost & District Historical Society
magazine, Woman and Home, September 1940
Women’s magazines during WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. The front cover has a a coloured picture of a man in a uniform and woman sitting at a round table drinking tea and photographs of knitted jumpers, the patterns of which are inside the magazine.Handwritten on front cover in pencil -Mehlert -
Orbost & District Historical Society
magazine, Woman and Home, October 1951
Women’s magazines just after WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate had skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published post WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. On the front cover is a coloured drawing of a fashionably dressed and made-up woman with red hair and holding a bunch of similarly coloured flowers (gerberas?) At the bottom left are knitted baby clothes - pattern inside - as well as a man and woman wearing fashionable clothing - suggesting patterns are inside the magazine. The magazine cost 1/6 and is dated October 1951.magazine-woman-and-home -
Brighton Historical Society
Dress, 1975
Mary Owen OAM (1921-2017) purchased this dress in 1975 in Mexico while attending the first World Conference on Women and wore it to the reception there. A dedicated feminist, unionist and activist, she was a vocal campaigner for the empowerment of women, particularly in the fight for equal pay. Mary's involvement in activism began in 1966 when she joined the staff of the Association of Architects, Engineers & Draughtsmen (AAESDA), where she was responsible for advertising, layout and proofreading editorial for its journal 'Blueprint'. Her contact with the union awoke an interest in women's rights in the workplace, and in 1969 after she joined Dr Bertram Wainer's Progressive Reform Party, which advocated for legalised abortion. She joined the Women's Electoral Lobby in 1972 and remained an active member for over forty-three years, representing the WEL on many government committees. She was a founding co-coordinator of the Working Women's Centre Melbourne from 1975 until 1986, a founding member of EMILY's List Australia, an early member of the Melbourne Press Club and an early supporter of the Australian Women's Archives Project. An annual Mary Owen Dinner was held in her honour for twenty years from 1986 until 2007, which brought together hundreds of women each year. Mary was awarded the Queen's Silver Jubilee Medal in 1977 and the Order of Australia Medal in 1984. She was added to the Victorian Honour Roll of Women in 2001.Red, white and black cotton halter neck dress with rows of pin tucking on the bodice and applied horizontal strips of red and black cotton and black lace to the skirt. Label, woven black on white acetate, centre back: Disenado con carino por / GEORGIA CHARUHAS / HECHO / EN MEXICO Label, woven black on white acetate, centre back: Gerorgia's / BOUTIQUE LAS MARIPOSAS / Designer: / Georgia Charuhas / MERIDA YUCATAN, MEXICOmexico, international women's conference, 1970s fashion, georgia charuhas, feminism, mary owen -
Kiewa Valley Historical Society
Magazines - Health, 1951, 1952, 1973, 1974, 1962
These magazines published articles on health for the family giving up to date information with diagrams on common health problems. Magazines with written Information was subscribed to by families at the time as transport and technology was not readily available in remote areas. The Upper Kiewa Valley situated in a remote part of Victoria didn't have easy access to health information. These magazines were available to farmers in the Kiewa Valley and to the workers and their families during the construction of the Kiewa Hydro Electric Scheme from the 1940s. With the introduction of improved transport and technology magazines eventually became less popular as a source of information. They are of interest in that they indicate the medical knowledge of the time and can thus be compared to current day knowledge.11 magazines with colorful covers and the occassional colored picture inside. Each has 32 pages. Periodicals - March, may, July, Sept, Nov. 1951 & jan. 1952. Also - Jan-Feb., Sept-Oct. 1973 and Mar, July-aug. 1974 Also Australian Women's Weekly supplement magazine 'Family Medical Guide' March 1962 with 47 pages. Inserted is a 16 page supplement (also Women's Weekly) dated Aug. 1976 titled 'Poison & First Aidhealth, magazines, medical guide, kiewa hydro electric scheme, kiewa valley -
Bendigo Historical Society Inc.
Photograph - GROUP PORTRAIT: WOMEN AND LAMPSHADES
Black and white photograph: 10 women standing in front of display of lamp shades. Photo taken in 1940's (? ) judged by attire of women. On back of photo written in blue: from left to right, Mrs. Carter, Mrs Hosking, Madge Mrs. W. Draper, Mrs. Grocott, Mrs. Wallace, Miss Stritch, Miss Lanyon, Mrs Theodore, Self - Mrs. N. McL. Young, Mrs Jennings. Photo given to 'Advertiser' by Audrey McKenzie for the 'as you were' section of paper.bendigo, clubs, mrs. carter, mrs hosking, madge mrs. w. draper, mrs. grocott, mrs. wallace, miss stritch, miss lanyon, mrs theodore, self - mrs. n. mcl. young, mrs jennings. women, lampshades -
Bendigo Historical Society Inc.
Photograph - GROUP OF MEN AND WOMEN, 1902-1905
Black and white photograph of large group of men, women and children. Outside. Trees in background. Men dressed in 3 piece suits, four wearing hats. Mature women in dark clothes with white fronts, wearing large hats. Younger females hatless, three small children in foreground. Young man holding cricket bat at centre back. Inscriptions: on front - 'WH Robinson, Photo, Bendigo'. On back - 'From Mrs Lowndes, McIvor Road'. RHSV stamp.WH Robinsonperson, group -
Bendigo Historical Society Inc.
Postcard - PORTRAIT - GROUP
Postcard : Sepia photograph of 3 women of various ages. Woman sitting in a cane chair, wearing a dark no waist dress, black shoes and stockings. Woman standing behind chair wearing a white dress, hair tired back very tight, wearing glasses. Woman standing on her own, quite tall, wearing dark straight skirt, stripped elbow length top, a necklace. Photo taken in a back yard. House roof and chimney behind the women.postcard, photograph, portrait, postcard, photograph, portrait 3 women. -
Queen Victoria Women's Centre
Photograph, c.1996
Colour photograph. Unofficial launch of shilling fund. Patrons cutting the cake. Eight Women stand behind a table with a cake on a swerving platter. At host's, Chair Janet England's house. Front row left to right: Maron Lau (Trustee), Fleur Spitzer (Patron), Prof. Trong Thomas (Patron), Noel Waite (Patron), Glenys Sharma (General Manager). Back row left to right: Jean Tom (Patron Country Women's Association), Janet England, Prof. Nancy Mils (Patron). charitable organisations, official events -
Eltham District Historical Society Inc
Document - Folder, Robinson, Shelagh
Shelagh Robinson, Montmorency resident, was one of the first four Australian women to work in the Antarctic. Contents Newspaper article: "Article", The Sun, 4 March 1976. Shelagh Robinson was one of the first Australian women to work in the Antarctic. Newspaper clippings, A4 photocopies, etcshelash robinson, australian antarctic -
Ringwood and District Historical Society
Document - Collection, Maroondah Women's Club Ephemera, 30-Oct-10
Collection of Business and Professional Women's Clubs of MaroondahCollection of approximately 30 papers, memos, member lists, constitution(1982), handbook of Maroondah and various other Melbourne and interstate clubs. There is one photograph of Irene Mascull, Pat Clark and Audrey Lavis, celebrating a birthday at 263 Canterbury Road, Heathmont. -
Bendigo Military Museum
Banner - BANNER, WRAAC
WRAAC - Women's Royal Australian Army CorpsThis is a green felt Triangular banner. On left edge is a gold coloured spine with 2 loops. On the left side of banner is an image of the WRAAC badge. On the ight side of banner are the letters WRAAC.banner, wraac -
Greensborough Historical Society
Clothing - Suspenders, 1960s
Straps used to hold up women's stockingsPair of pink elasticised suspender strapssuspenders, women's clothing, stockings -
Women's Art Register
Magazine - Women's Art Register Bulletin, Vol.1, No.1, April 1988
12 page A4 B/Wliz mcaloon, bulletin, wendy stavrinos, women's art register, the dinner party, judy chicago, art moves, ewa czajor, women's gallery -
Women's Art Register
Book, Catriona Moore, Dissonance. Feminism and the Arts 1970-90, 1994
An anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.Booknon-fictionAn anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.feminism, feminist arts practice, australian artists, community arts, the women's art register -
St Kilda Historical Society
Photograph, The Scarlet Troubadours
Postcard of men and women - "The Scarlet Troubadours" - in costumetwo black and white postcards, original, good conditionThe Scarlet Troubadours -
Stawell Historical Society Inc
Photograph, Official Opening of Stawell Infant Health Centre 1950's -- 6 Photos
Group photo of women & children with children and nurse.health -
Torquay and District Historical Society
Photograph (copy), Early Torquay Beach Scenes
Photograph shows women on the Torquay back beach.in the background of the photograph is a rotunda on Rocky Point that was demolished many years ago.Black and white photograph -
Whitehorse Historical Society Inc.
Functional object - Handkerchiefs, 1976 -1978 approx
Donated by Yvonne Fitzmaurice as examples of women's handkerchiefs.10 female handkerchiefs made from handkerchief cotton/linen embroidered (hand and machine), some machine lace and some coloured embroidery, 1 gold and 9 cream/whitecostume accessories, female -
Dandenong/Cranbourne RSL Sub Branch
Epaulette Badge
Worn on the shoulder by Australian service men and women.Looped piece of khaki cotton with black felt patch with Australia embroidered in white cotton."AUSTRALIA"epaulette -
Stawell Historical Society Inc
Photograph, Aboriginal Women of the Richardson Tribe Victoria1868 -- Named
Aborigional Women of the Richardson Tribe Victoria 1868stawell aboriginal portrait -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial Committee - Correspondence, 1991-1993
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence - 10 Pages Page 1 Letter to Mr David Thomas, Director, Bendigo Art Gallery 5/7/1991 asking for information on the repair of the Ola Cohn on the Curnow Fountain in Rosalind Park, and offering money left over before the Amy Huxtable Committe is wound up. Page 2 Another Letter to Mr David Thomas, Bendigo Art Gallery 5/7/1992 - expressing a desire to finalise a possible donation of remaining committee funds Page 3 Letter to the committeee from the Bendigo Art Gallery, 9/7/1991, advising process on Ola Cohn's Curnow Fountain. Page 4 Letter to the Art Gallery 22/1/1993, expressing a desire to place a memorial artwork in the Art Gallery using the leftover funds. Page 5 Letter from the art gallery to the committee 27/1/1993 expressing delight that an artwork honouring Amy Huxtable will be presented to them. Page 6 Receipt to the committee for $4457.29 from the art gallery 21/7/1993 - donation for the Ola Cohn Acquisitions. Page 7-8 Letter to the committee from the art gallery 20/7/1993, thankyou for the aquisition of three works by Ola Cohn in memory of Amy Huxtable. The works are: Behold the Man, Woman with Two Children and Women with Owl (Bookends). Page 9 Bendigo Art Gallery signage on the "Amy Huxtable Memorial Fund Ola Cohn (1892-1964) works: Master Pigeon,1923, Behold the Man, c.1940 Women and two children, c.1940 Women with Owl, c.1933history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo art gallery ola cohn works -
Bendigo Military Museum
Photograph - PHOTOGRAPH, RAAF WW2, c.1940-45
Photograph we believe was taken in England.Photograph, sepia tone, showing a large group of Women in RAAF uniform, 4 rows deep. Photograph is taken outside a large building. Two men are seated in the front row. Photograph is a copy of the original.photography-photographs, military history - air force -
Frankston RSL Sub Branch
Cap, Driver
Army khaki cloth peaked cap of Dorothy Margaret Fullerton VF 515848 who was a driver in the Australian Womens Army Service. She joined the army in 1944. The cap size is 6 7/8.D.M. Fullerton VF 515848 6 7/8 -
Glenelg Shire Council Cultural Collection
Magazine - Magazine Pages - The Australian Women's Weekly, 15/12/1965
Two pages, stapled together, from The Australian Women's Weekly, Dec. 15 1965. Contain article about Edgar and Mrs. Leighton, and their carnation farm at 'Avonmore' Portland. Includes several coloured photographs. -
Glenelg Shire Council Cultural Collection
Certificate - Certificate (a), Appraisal Slip (b), c. 1934
(a) Buff cardboard certificate. Honourable mention awarded to Mrs. A. E. Osbourne, in the Women's Centenary council Empire knitting competition. (b) Appraisal slip of piece of knitting, giving score out of 100 (92)Front: (a) 'Mrs A.E. Osbourne Box 18 Portland Victoria' 'C' - hand written, blue ink (b) '49, 18, 12, 13 = 92' - hand written, black ink -
Glenelg Shire Council Cultural Collection
Print - Contact Print, 1960-1979
Black and white contact print from glass plate negative. Image shows a group of 5 women and a boy sitting on a rock platform, with their backs to a cliff. Dress late 19th, early 20th century. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - "Star of the Sea" Contestants 1953, 1953-2007
Black & white reproduction photograph showing seven women in evening dresses in a garden. The photograph shows the contestants from the 1953 Portland "Star of the Sea" contest in their evening gowns in preparation for the evening event of the contest. -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1957
The Halls Gap Swimming Pool. ' Caravaners who visit Halls Gap will find facilities for up to 200 caravans, shelter, water laid on, swimming pool, paddling pool for children, with swings &:firewood, kitchen comfort station with showers, lounge and sewered conveniences under the care of a reliable and courteous caretaker. Stores and bowsers are close handy. Milk and bread are delivered at the camp each day and meat four times a week. The fees are 7/0 for first week and 5/0 a week thereafter." article from Argus Mon.15/1/1940 article with photograph aboveThe photo shows a swimming pool (Halls Gap pool) with a building in the background. Women and children are in the pool, seated around the edge and on the surrounding grassy areas. There is sunlight reflecting on the water. Bush can be seen in the background.recreation, swimming pool -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1890s
The Langley family (see inscription ).Photo show a group of four men, three women and a boy. Some are seated and some are standing. All are wearing hats. They are in a bushy area with many trees behind them. A gate can be seen in the background."The Langley family, Arthur L. Charles (Sen) b.1853 Dad,Alice Maria (Freeman) b.1855 (Mum), Walter, Lucy & friends. Halls Gap late 1890's. Lucy m 1907 C/E to Thomas Waldron, Bellfield, Halls Gap by John William Davison (Vicar of Stawell)." written on back in blue pen.people, langley -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Maureen Harrison, Mrs R.B.Anderson and Mrs T.C. Jarrett at Theo Jarrett's Farewell, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Maureen Harrison/ Mrs R.B.Anderson/ & Mrs T.C. Jarrett/ at Theo Jarrett's Farewell (blue pen, centre)port of portland archives, theo jarrett, retirement