This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, photography, digital, portrait

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital

Black and white photograph on grey board. Large number (approx 27) of males on 4 horse drawn wagon, buggies with passengers in background. Men, women and children standing at front. One male has a bass drum. Banner on side of vehicle reads 'Cohn Bros Ltd'. Trees in background. Tall chimney in distance. Inscriptions: Front - printed on mount board 'Cohn Bros Victoria Brewery Company Ltd, Employees Picnic, held at Cherry Tree on Saturday 7th March, 1903', WH Robinson Photo, Bendigo', On back - 'Royal Historical Society of Victoria, Bendigo Branch', '1959, 71'. Photograph missing from this file 6/05/2021.WH Robinson Photo, Bendigoperson, group, picnic group

Shop due for demolition was purchased by artist Helen ..... and restored keeping most of it intact. These pictures were taken at the time of sale by Russell POLSON, a descendant of the Bellions. They were brought in for copying in 1991 by the Bellion's granddaughter, Margaret BRIDE.24 photos taken by Russell POLSON in 1991 of Benjamin Henry BELLION (original builder) and Elzabeth Sarah WALKER's shop and shipping business at 175 Stokes Street.. 1870 to 1959. (.01) cash drawer. (.02) windows. (.03) stables (.04) backyard (.05) back house (.06) bathroom (.07) fireplace (.08) bedroom (.09) stairs (.10) cupboard (.11) shelves (.12) drawers (.13) bench (.14) bench 2 (.15) under windows (.16) bench and door (.17) under stairs (.18) windows 2 (.19) door (.20) stables and yard (.21) backwindow (.22) sideway (.23) kitchen (.24) upstairsbusiness and traders - grocers and supermarkets, built environment - commercial, benjamin bellion, william j bellion, helen leitch, a peterson

12 photos taken around Port Melbourne in the 1970s. (01) Rouse st dwellings (02) 61-69 Bay st - two copies (03) Faram Bros hardware (04) 286 Nott St (05) 348 Bay St (06) 244 -246 Nott St (07) Tom BUCKINGHAM clothing shop at 79-85 Bay St - two copies ( 08) 1 Beach St residence (09) Metthodist Church (now demolished) (10) Corner Bay and Rouse Sts, Old Post Office (11) Former fire station at 143-145 Liardet St (12) Nott St Primary schoolfaram brothers hardware, engineering - roads streets lanes and footpaths, built environment, religion - wesleyan methodist church, rouse street, bay street, theodore thomas (tom) buckingham, beach street, post office, fire station, nott street state school

The unveiling of the William Wallace Statue in 1889; biography of William Wallace; biography of sculptor, Percival Ball.The Unveiling of the William Wallace Statue demonstrates the importance and loyalty to Scottish heritage of Ballarat people in the nineteenth century. 01Small coloured photograph of the Wallace Statue. Ref: The National Trust for Scotland. Newspaper Articles: 02 Ballarat Courier 12/9/1997, "Celebration of Battle's Anniversary". 03 Chambers Encyclopedia, Vol.X., 1892, "Wallace, Sir William", 04 The Ballarat Courier, 24/5/1889, 05 The Ballarat Star,24/5/1889, 06 Ballarat Star, 25/5/1889, 07 The Ballarat Star, 25/5/1889, "The Statue of Sir William Wallace" "Unveiling Ceremony" 08 "William Wallace", Wikipedia, 2011, 09 Percival Ball, Sculptor, Wikipedia, 2011. 010 Ball, Percival, Australian Dictionary of Biography,2006-2011.Ballarat Courier newspaper article, 12/9/1997 in blue biro, top left corner. Chambers Encyclopedia, Vol X, in black biro. Research by R. D. Mosman, April, 1997, FBBG logo. Courier Newspaper article, 24/5/1889 in black biro, research by R.D.Mosman, April, 1997. Photocopies taken by the Clark Centre 19/2/2002. Transcription of articles by John Garner. william wallace, percival ball, unveiling of wiliam wallace statue, statues in the ballarat botanical gardens, statue of a scottish hero, john garner collection, garner, dr, ballarat botanical gardens, gardens, ballarat, statues, wallace

Newspaper clipping from The Courier, Ballarat, Wednesday November 17, 2004, titled "Appeal to get trams rolling back on track". Article written by Andrew Jefferson about the failure of the BTM's power supply due to a lightning strike. Quotes Stephen Butler, as President. Notes cost of the new transformer and where donations could be sent to. Has a photo of Dave Macartney leaning against No. 38 and a cartoon with swans and a photographer and the caption "Lake Wendouree Tourist Transport that is still running." Has date line fixed to lower edge of cutting. 2nd copy added 16/7/05, folded page complete. Collected by Depot Staff.btm, lightning strike, closure, power supply

Single truck (4 wheels), drop end tram, modified open California combination- to closed car with 4 doors, 2 at either end, longitudinal seats, sliding internal doors, air brakes. For an article on the tram and progress during 2018 see October 2018 issue of Fares Please!. Image used by Mal Rowe 21/9/2019. See Destination Eaglehawk, Destination City.trams, tram 11

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

Newspaper or magazine clipping from the City of Ballarat Summer 2018-19 issue of my Ballarat with an article titled "On the Right Track", featuring an interview with Peter Waugh as Marketing Manager standing on the footstep of No. 27. Peter talks about the history of the tramway in Ballarat, the time a tram derailed and hit the Bucks Head Hotel, the Museum, the depot and the collection, Cuthberts 939 and when the Museum operates.trams, tramways, btm, marketing, bucks head hotel, city of ballarat

Large Poster on board, made by Russ Haines for the RDHS 60th Birthday celebration/exhibition, 27/10/2018. This poster contains a summary of the history of the school and key personnel.

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photo of Geoff Brooke and Robin Kelly. Geoff Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.robin kelly, geoffrey (geoff) brooke, performing arts - 20th century

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photo of Geoff Brooke and Robin Kelly. Geoff Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.robin kelly, geoffrey (geoff) brooke, performing arts - 20th century

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photo of Geoff Brooke and Robin Kelly. Geoff Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.robin kelly, geoffrey (geoff) brooke, performing arts - 20th century

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Colour photo of Geoff Brooke and Robin Kelly. Geoff Brooke was a close friend of Robin Kelly and the item forms part of the Vaderluys-Kelly Collection, donated by her in 2018.robin kelly, geoffrey (geoff) brooke, performing arts - 20th century

contains the name of the most improved member of the Pipes and DrumsThe Gordon Club Shield, its for the most improved member of the Pipes & Drums, it contains 17 mini shield. It contains award winner of 1994 and award winners after 2018

Dr Frederick Stamp graduated from Bristol Medical School (UK) in 1968. He and his family emigrated to Australia in 1977 to Goulburn (NSW), moving to Melbourne in 1980. He became Superintendent at Willsmere in 1991 until its closure in 1988.Important photograph of the Kew Mental Hospital in the year of its closure.Framed, colour aerial photograph of the Willsmere Hospital, presented to Dr Fred Stamp (1941-2018), the Medical Superintendent of the Hospital from 1981 until its closure in 1988.aerial photographs - kew (vic), dr fred stamp, willsmere

Black and white photograph (4 copies)Typed note at bottom of one photograph- "Mr. Hill's Flower Farm - Mt. Dandenong Rd. Miss Hill collecting dahlias. 1905." Typed note on back of separate photograph- "John Hill's flower farm 29/3/05, Mt Dandenong Rd, Ringwood East. Later Howship's flower farm, subdivided, name retained in street name. Miss Elvie Hill.

The first recorded discovery of gold in Moliagul was in September 1852 and, before long, the area was flooded with over 4,000 miners. Two of those miners, John Deason and Richard Oates, had arrived in Bendigo in 1954 seeking their fortune. After eight years of little success, the friends moved to Moliagul and pegged a puddling claim. On 05 February 1869, Deason discovered a nugget near the roots of a tree, just 3cm beneath the soil. With the help of Oates, he uncovered the largest recorded alluvial gold nugget – known as the Welcome Stranger. The 61cm x 31cm nugget was taken to Dunolly to be measured on the bank’s scales, however at 69kg the gold needed to be broken on an anvil to actually fit on the scales.Photograph of the monument for the Welcome Nugget, a large gold nugget found by John Deason and Richard Oates at Moliagul.Obelisk inscription Welcome Stranger Nugget On this spot the largest nugget of gold in the world was discovered on the 5th February 1869 by John Deason and Richard Oates. Weight 2316 oz, Value £9553 Erected by the Mines Department 1897 Henry Foster Minister of Mines, D. J. Duggan M.L.A. Member for Dunollywelcome nugget, welcome nugget monument, john deason, richard oates

Community meeting held at the Eltham Senior Citizen's Centre to discuss Nillumbik Shire Council's advertised proposal to sell the former Shire Office site at 895 Main Road and the Eltham War Memorial complex of buildings at 903-907 Main Road; 13 October 2018895 main road, 903-907 main road, community meeting, eltham pre-school, eltham shire office, eltham war memorial, eltham war memorial hall, infant welfare centre, nillumbik shire council, senior citizen's centre

Morrison Kleeman Real Estate sales information material. Property history Sold $1,005,000 August 16, 2018 by Morrison Kleeman - Eltham, Greensborough, Doreen Sold $165,000 June 1, 1986 https://www.realestate.com.au/property/1-abbey-mews-eltham-vic-3095/ Colour brochure, 4 pages, 1 fold, double sided, 23.5 x 23.5 cmgayle blackwood collection, houses, morrison kleeman real estate, abbey mews, eltham, properties, woodridge estate