Well Rusted Metal Dome on top Hollow inside Dinted Seems to be missing the front end attachment

Inscribed on attached label, "...used to procure abortion. Using a Lifeboy soap solution. Filled the septic wards of the Royal Women's Hospital in the 1940s."Douche syringe consisting of two lengths of rubber tubing with a central bulb, a nozzle, and valve at each end.irrigation, abortion

This filter cloth is one of many used in the sugar production process.A length of loosely woven white cotton material 80cm wide, and cut to 174cm in length, with frayed ends.sugarbeet

Black and white photograph of students engaged in classroom activity. On board at the end of the room is written 'Mannual Art'.

Photograph."Marydale'', Axedale, Farm stable with high windows and wide central door, tanks at the end of the building.axedale, history, marydale property

Allan Budge Slide Collection: house Queen Street.Gables and Lacework; features shaped ends on the barge boardshouse, public, allan budge slide collection:, allan budge slide collection: house, heritage

Thomas’ Retroflexion Pessary is narrower in proportion to its length, while the greater bow is enlarged to a bulb-like form. It enjoyed great popularity and as such was manufactured in a great variety of sizes. Comprised of hard rubber because of its lightness and the high polish that may be given it. The shape can be adjusted by covering the device in petrolatum and heating it with a spirit lamp or immersing it in boiling water. Manufactured in three sizes, and could be combined with a cup and stem external support. See Allen & Hanburys Gynaecological instruments catalogue, page 707.Two moulded black pessaries, Thomas retroflexion type. Made of black vulcanite. Narrower at one end.pessary, intrauterine device

Object. Pair of plastic shoe stretchers. White plastic arms with pick plastic scoop shaped ends.Printed inside scoops ''F30 EXTRA BREIT''.handcrafts, equipment, shoe stretchers

Four black and white photographs showing the cast of the Merry Widow on stage at the end of the final night in 1953.performing arts, music, gertrude perry

The sash was awarded to G. Lunardelli as the winner of the Senior 20 mile Road Championship for GWCC. Lunardelli came out from Trieste, Italy after World War 11 and worked for the Geelong Water Board. Lunardelli subsequently ceased full time cycling in order to make a living.This award indicates the important influence that immigrants had on the popularity and depth of cycling at the time in the Geelong region. Cycling was and continues to be very popular in Europe.Burgundy satin sash with gold tassel finish at one end. It has faded gold embossed inscriptions on it."Geelong West Cycling Club/1952 Senior 20 Mile Unpaced/Road Championship/ Won by G. LUNARDELLI/Time 56mins5 2/5 seconds"sash; geelong west cycling club; lunardelli; 1952; road championship;

Made in camp 3 for Gerda KazenwadelHand made wooden rolling pin. Wooden handle either end attached to central pivotal shaft.gerda kazenwadel, camp 3 wood work, rolling pin

Brown hardbound covering with gilt text on the spine and marbled end papers. There is an inscription inside the front cover.

The ruined granite building is part of the Glen Loeman estate at Bulla. It is aboaut 7 x 4m and was probably a single room. It has been roughly constructed from roughly worked granite blocks and rubble stone laid unevenly.A coloured photograph of the ruins of a granite building. The end walls and chimney are left standing as is part of the side wall.granite, burns, joseph, loeman, michael, isabella, glen, george evans collection

A sepia photograph of a haystack being built with a bale elevator at the side and a hay cart at the end at Bayview Farm.on back in ink: HAYSTACK AT 'BAYVIEW'/ABOUT 1934 / 60' (feet) long, 20' (feet) high, 25' (feet) wide / ELEVATOR APPROX 25' (feet) long / 70-100 tons of hay / "Bayview" / 111 DAVIS ROAD / DIGGERS REST 3427cullinan, uraina, eileen, chris, bayview farm, diggers rest, farms, farming, clothing and dress, harvesting, haystacks, george evans collection

Worn by staff at Sunbury AsylumWhite apron, bib with shoulder straps, wrap-around. Waistband has two buttonholes at either end."L. ZUKOWSKI" in black ink (handwritten) on inside front waistband.costume, sunbury asylum, costime accessories, nurses, uniforms, george evans collection

Vera Neale (1901 - 1990) used needles made from bicycle spokes and piano wire to achieve the fine knitted stitches for her garments.Two lengths of piano wire, sharpened to points at both ends, used by Vera Neale as knitting needles.knitting handicrafts, neale, mrs vera, knitting, handicrafts

Very large heavy oval shaped cane, woven washing basket.Has two handles at each end.Nonewashing, basket, laundry, clothes, clothes basket

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. One hundred mill labels sewn onto a single sized cream blanket with blue end panels(On original blanket label) "Marco" Blanket/Wool 70%/Cotton 30%/Guaranteed Free From Fillingwool, blanket, blanket fever, labels, sampler

from the collection of Betty McPheeA small white dance card pencil with cap holding string, tasseled on end. Inscription on side in goldL and C Hardmuth, Viennadomestic items, writing equipment

A metal hanging scales with ring on one end and hook for weighing with spring scale measured down frontPocket balance (MP) productdomestic items, weighing

Belonged to the donor's mother-in-law, the late Mrs.Doris Keene.Pair silver coloured metal coated book ends with curled decorative design. Green baize on base.No inscriptions or markingsdomestic items, ornaments / decorative

Brown leather gladstone bag. Metal band across top with clips at each end. Straps on side.personal effects, travel goods