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Federation University Art Collection
Artwork - slumped glass windows, 'Seasons' by Graham Stone, 1992
Graham STONE Graham Stone has worked with glass for over 25 years. He has taught at Monash University, then RMIT University. He was a founding member of Ausglass, Coordinator of the Cold Glass Access Workshop at the Meat Market Craft centre, and Editor of Ausglass Magazine. Four slumped glass windows in the Crofton Hatsell Room at Federation University Gippsland campus.artwork, artists, glass, stained glass, slumped glass, gippsland campus, graham stone -
Federation University Art Collection
Artwork - Painting, Painting by Ken Whelan
ken whelan, artwork, artist, gippsland campus -
Federation University Art Collection
Painting, Professor Barry Dunstan by Tom Alberts, 2001
Barry Dunstan graduated with a Bachelor of Applied Chemistry, from the Ballarat School of Mines in 1960. He taught at Yallourn Technical College, including as Head, School of Applied Science at Gippsland Institute of Advanced Education (GIAE); Dean, Academic Affairs, Monash University College, Gippsland; Campus Director of Monash University, Gippsland; and member of the Monash University Vice Chancellor's Executive.Framed academic portrait of Professor Barry Dunstan.tom alberts, artists, artworks, academic portrait, gippsland campus, churchill, barry dunstan, gippsland institute of advanced education -
Federation University Art Collection
Artwork - Painting, 'Professor J.LC. Chipman' by Lincoln Miller, 1996
Professor Chipman was Pro Vice-Chancellor (1995-8) and Deputy Vice-Chancellor (1995-1998). Presented by Monash University Gippsland Student Union Inc. on 20 November 1996.Framed academic portrait.artwork, artist, academic portrait, chairman, gippsland campus, churchill, lincoln miller -
Federation University Art Collection
Painting, 'Portrait of Mr Max Hopper, Director 1870-83 ' by John Scurry, 1986
John SCURRY (26 August 1947- ) Born Melbourne, Victoria John Scurry studied at the Prahran College of Advanced Education, graduating with a Diploma of Art and Design in 1969. In 1971 he gained a Trained Tertiary Certificate from Hawthorn Institute of Education. From 1973 to 1976 Scurry was a Full time Senior Tutor in the Printmaking Department of the Preston Institute of Technology, becoming Acting Head of the Department in 1976. Working as a Lecturer in the Drawing Department of Prahran College of Advanced Education he then became a Lecturer in Printmaking from 1977 to 1978. In 1979 he began teaching as Full time Lecturer in Printmaking at the Victoria College of the Arts, where in the following years he was Senior Lecturer in Charge of Printmaking in the Faculty of Art and Design (1982-1991, Head of Printmaking School of Art (1991-2003) and Senior Lecturer (2003-2007) before retiring to focus his time on his own work. Max Hopper was Director at the Gippsland Institute of Advanced Education from 1979 to 1983.Framed academic portrait of Max Hopper, director at Gippsland from 1970-1983.signed and dated lower left "Scurry '86"artwork, artist, academic portrait, max hopper, john scurry, gippsland campus, churchill -
Federation University Art Collection
Sculpture - Artwork - Chainsaw Sculpture, Howling at the Moon (The Struggle for Survival), 2007
Chainsaw sculpture made from fresh green pine wood. Artworks Self I initiative Program. C/O F&S Enterprises in association with Switchback.artist, artwork, sculpture, chainsaw sculpture, gippsland campus, churchill -
Federation University Art Collection
Sculpture, Dan Wollmering, 'Definition' by Dan Wollmering, 1996
Dan WOLLMERING Born St. Paul Minnesota, USA. Arrived Australia 1975. In 2009 he was Senior Lecturer in the Department of Fine Arts and Sculpture Studio Coordinator, Faculty of Art and Design, Monash University (Gippsland Campus)Painted steel sculpture artwork, artist, dan wollmering, gippsland campus, sculpture, staffmember -
Federation University Art Collection
Print - Artwork - Printmaking, Bowen, Dean, 'The Peaks of Lyell' by Dean Bowen, 1989
Dean BOWEN (1957- ) Born Maryborough, Victoria, AustraliaFramed limited edition lithograph, printed in colour from various stones.2/15artwork, artist, dean bowen, gippsland campus, lithograph -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Mentor / Island Reminiscences' by Kaye L. Green, 1988
Kaye L. GREEN (1953- )Framed limited edition printArtist's Proofartwork, artist, kaye l. green, gippsland campus, kaye green, churchill -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Logger' by J. Thoonen, 1972
Four limited edition prints mounted in one frame.artwork, artist, printmaking, gippsland campus, thoonen, churchill, j. thoonen -
Federation University Art Collection
Sculpture, 'Mascot Two and Mascot Three' by Trevor Wren, 1994
Trevor WREN (1952- ) A graduate of the Bachelor of Art (Visual Art), and Graduate Diploma of Visual Arts at the Gippsland Centre of Art and Design (GCAD). This work was purchased as part of the Gippsland Campus Art Enhancement Project, 1996Sculpture by Trevor Wrenartwork, artist, sculpture, trevor wren, gippsland campus, alumni -
Federation University Art Collection
Sculpture, 'Vehicle of Transience' by Anderson Hunt, 1994-1995
Anderson HUNT Anderson Hunt is associated with Down Street Studios. He studied a Graduate Diploma in Visual Art at the Gippsland Centre of Art and Design (GCAD) This work was purchased by the Gippsland Campus Enhancement Project, 1996.artist, artwork, anderson hunt, sculpture, gippsland campus, alumni -
Federation University Art Collection
Sculpture, 'Fable' by Eva J. Volny, 1988-1999
Eva J.VOLVY Born Czech Republic Eva Volvy was Bachelor of Art (Visual Art) and graduate Diploma of Visual Art student at the Gippsland Centre for Art and Design.This sculpture is based on a folktale of the Sea Islanders 'The Bull and the Eagle'. artwork, artist, sculpture, eva volny, gippsland campus, alumni -
Federation University Art Collection
'Vessels' by Joanne Forrest, 1996
Joanne Forrest was a B.A. (Visual Arts) student at Gippsland. School of Art when so painted this work in 1996.artwork, artist, joanne forrest, gippsland campus -
Federation University Art Collection
Artwork, [Untitled]
Framed limited edition printartist, artwork, printmaking, gippsland campus -
Federation University Art Collection
Artwork - Printmaking, 'Ornithologist' by Euan Heng, 1993
Framed linocout1/30artworks, artist, printmaking, euan heng, gippsland campus -
Federation University Art Collection
Artwork - Printmaking, 'Gulliver' by Jo Foley, 1992
Framed aquatint29/30artwork, artists, printmaking, jo foley, gippsland campus, churchill, print council of australia -
Federation University Art Collection
Artwork - Printmaking, 'Cadaver' by Marion Manifold, 2005
15/40artwork, artist, printmaking, marion manifold, gippsland campus -
Federation University Art Collection
Print - Artwork - Printmaking, [Unknown]
If you can provide information on this artist or artwork please use the comment link belowartwork, artist, printmaking, gippsland campus, alumni -
Federation University Art Collection
Painting - Artwork - watercolour by Robert Hannaford, Portrait of Dr Tom Kennedy by Robert Hannaford, 1990
Robert HANNAFORD (9 November 1944- ) Born Gilbert Valley, Riverton, South Australia From In 1967 to 1968 Robert Hannaford studied in Ballarat. Primarily known as a portrait artist he is also known for his landscapes, still lifes, nudes, and sculptures. Robert Hannaford has commented: "Portraiture is an exploration of character that goes beyond photography. It is an ongoing thing over a long period of time. You get elements of various emotions that can be sensed in the painting." Framed academic portrait of Dr Tom Kennedy who was the Director of the Gippsland Institute of Advanced Education (GIAE) from 1984 to 1989, and the inaugural Chief Executive Officer and Pro Vice-Chancellor of Monash University College Gippsland (MUCG) from 1990 to 1992. (In 2014 the Churchill Campus became part of Federation University Australia). Prior to moving to Gippsland, Professor Kennedy was the Deputy Director of the Chisholm Institute of Technology. He was an Associate Fellow of the Australian Institute of Management and a Fellow of the Royal Institute of Chemistry, Professor Kennedy held a degree in Science, a PhD in Chemistry (Glasgow) and a Diploma of Education. Rom Kennedy died on 04 May 2011. Signed lower right "Hannaford 90"artwork, artist, tom kennedy, gippsland campus, hannaford, robert hannaford -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Bridget Bodenham, [Dining Setting] by Bridget Bodenham, 2006
Bridget BODENHAM Bridget Bodenham has a Diploma of Arts (Ceramics) from the University of Ballarat (now Federation University. In 2006 she received an Emerging Artist grant from the Australia Council for the Arts and was also part of Craft’s annual graduate survey exhibition, Fresh!. She works full time making ceramic serving ware, tableware, utensils and jewellery as well as planter pots and flower vases. The majority of her work is designed to be used and enjoyed. Bridget feels a connection to her surrounding bushland landscape and interprets the tones and textures in her work. She takes great care in creating each piece by hand and firing them up to three times in her large gas kiln. Each firing is totally unique resulting in one off pieces. Bridget Bodenham was a finalist in the Bombay Sapphire Design Discovery Award (2008) for a series of ceramic mortars and pestles, and received an Honourable Mention in the Mino International Ceramic Award, Japan. Bridget aims to create a sense of curiosity and reflection in form and function. She hopes her work delights and engages the owners hands and heart into everyday activities. This piece won the SMB DVC Visual Arts Acquisition Award, 2006Mould made dining setting consisting of plate, two bowls and three eating utensils. Makers mark on versoceramics, bridget bodenham, artwork, alumni, dvc aquisition award -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Andrew Sibley, ‘Memories of My Garden’ by Andrew Sibley, 1993, 1993 (2013)
Andrew SIBLEY ( 9 July 1933-3 September 2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Four hand coloured linocuts by Andrew Sibley framed in two frames. .1) ‘Memories of My Garden’ Hand Coloured Linocut Plate 21.6 x 13.7cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .2)‘Roses with Love’ * Hand Coloured Linocut Plate 21.3 x 13.4cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .3) ‘Flowers Embraced’ Hand Coloured Linocut Plate 20.5 x 12.8cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 .4) ‘Red Roses’ * Hand Coloured Linocut Paper 21.3 x 13.4cm Paper 38.5 x 28.5cm 1993 (2013) Edition: 100 The four linocuts are the subject of the Private Press book: ‘Four Linocuts by Andrew Sibley’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014. Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, churchill, printmaking, gippsland campus -
Federation University Art Collection
Artworks - Printmaking, Limited edition prints by Andrew Sibley
Andrew SIBLEY ( 9 July 1933-2015) Born London Since the 1960s Andrew Sibley consistently exhibited throughout Australia and Internationally. He was senior lecturer of painting at RMIT from 1967-1987 and senior lecturer of painting at Monash University from 1990-1999. Six framed limited edition prints by Andrew Sibley using the Sugar-lift etching technique and hand colouring. Printed at the Australian Print Workshop, Melbourne and published by The Lytlewode Press, Melbourne in an edition of 125 in 2010. .1) 'Catch a Falling Star' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 17/125 Signed, inscribed and numbered by the artist. Catch a Falling Star written by Paul Vance (born 1929) and Lee Pockriss (1924-2011) 1957 .2) 'It’s only a Paper Moon' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. It's Only a Paper Moon by Harold Arlen (1905-1986) lyrics by E. Y. Harburg (1896-1981) and Billy Rose (1899-1966) 1933 .3) 'Come Fly With Me' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 9/125 Signed, inscribed and numbered by the artist. Come Fly with Me by Jimmy Van Heusen (1913-1990) lyrics by Sammy Cahn (1913-1993) 1957 .4) 'You are the Sunshine of my Life' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. .5) 'Some Enchanted Evening' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition:1/125 Signed, inscribed and numbered by the artist. Some Enchanted Evening Richard Rodgers (1902–1979) and Oscar Hammerstein II (1895–1960) South Pacific 1949 .6) 'Vilya, Oh Vilya' Sugar-Lift Etching With hand colouring by the artist Plate 67.7cm (H) x 48.0cm (W) Paper 76.0cm (H) x 57.0cm (W) Edition: 1/125 Signed, inscribed and numbered by the artist. Vilya, Oh Vilya Die lustige Witwe (The Merry Widow), operetta Vilya, oh vilya Composed by Franz Lehar (1870-1948) 1905 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artwork, artist, sibley, andrew sibley, printmaking, etching, churchill, gippsland campus -
Federation University Art Collection
Work on paper - Artwork - printmaking, Lytlewode Press, A suite of limited edition prints by Paddy Fordham Wainburranga, 2003
Paddy Fordham Wainburranga (1932-2006) Area: Arnhem Land Country: Bamdibu (Bumdubu) near Bulman Station As a child, Paddy grew up in Maningrida an Aboriginal community on the top end of the Northern Territory. He started working as a boy around cattle yards, which finally led him to working as a stockman for 20 years. Before this, he spent much of his time hunting and learning culture and customs from his father and uncles. He could remember being taken to a sacred location where he was told many Dreamtime stories of how customs came to be and why Aboriginal people practice them. Paddy was part of the movement for equal rights for all Aborigines, actively involved in claiming Bumdibu as his traditional land for his clan. He resided over this land as Jungai (caretaker, policeman). Paddy was taught to paint by his father but did not begin to paint seriously until the early 1970s. He was also recognized as a story teller, bark painter, sculpture, dancer, singer and musician. He was familiar with Central Arnhem Land rock and bark painting traditions; however he developed an idiosyncratic style which fused the figurative schema of western Arnhem Land with the narrative capacities of the north-east producing dense pictorial paintings divided into sequential segments. A suite of seven limited edition prints using the sugar lift aquatint technique. .1) Yalk Yalk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .2) Walga Walga Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .3) Nammooroddoo Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .4) Mun Gruk Gruk Woman Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .5 Mun Gruk Gruk Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .6) Mun Gruk Gruk Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 .7) Lightning Man Sugar Lift Aquatint Plate 75.0cm (H) x 49.0cm (W) Paper 1110cm (H) x 76.0cm (W) 2003 Edition: 73/100 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, paddy fordham wainburranga, paddy fordham, wainburranga, printmaking, aboriginal, indigenous, churchill, dreaming -
Federation University Art Collection
Work on paper - Artwork - printmaking, Tony Irving, "The Old Kiosk, St. Kilda" by Tony Fraser, 1984
Tony IRVING (1939- ) Born England Arrived Australia 1942 Tony Irvings work is a snapshot of urban life. In the 1970s, he won the prestigious National Gallery of Victoria's John McCaughey Acquisitive Prize. The St Kilda Kiosk before it was destroyed by fire in 2003, and has since been restored by the state government because of its heritage significance.RealismAn blue etching and aquatint with the St Kilda Kiosk at the subject matter. The St Kilda Kiosk was destroyed by fire in 2003. Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, st kilda, churchill, printmaking, st kilda kiosk, tony irving -
Federation University Art Collection
Artwork - printmaking, Tony Irving, A suite of seven limited edition prints of Melbourne Laneways by Tony Fraser
Tony Irving's works shows a snapshot of urban life, with the artist depicting various locations and laneways in Melbourne. In the 1970s, he won the prestigious National Gallery of Victoria's John McCaughey Acquisitive Prize. These seven etchings are the subject of the Private Press book: ‘The Laneways of Melbourne’ written by John Arnold, The Lytlewode Press, Melbourne, 2001. A suite of seven framed limited edition prints produced by the etching and aquatint process on copper plate. .1) Ramsden Place Etching & Aquatint Copper Plate Plate 34.0cm x 14.7cm Paper 63.0cm x 47.0cm Edition 89/100 .2) Waratah Place Etching & Aquatint Plate 34.0cm x 18.6cm Paper 63.0cm x 47.0cm Copper Plate Edition 89/100 .3) Chapter House Lane Etching & Aquatint Plate 35.0cm x 14.0cm Paper 63.0cm x 47.0cm Copper Plate Edition 89/100 .4) Heape Court Etching & Aquatint Copper Plate Plate 34.0cm x 19.2 cm Paper 63.0cm x 47.0cm Edition 89/100 .5) Drewery Lane Etching & Aquatint Copper Plate Plate 34.0cm x 18.8cm Paper 63.0cm x 47.0cm Edition 89/100 .6) Niagara Lane Etching & Aquatint Copper Plate Plate 35.2cm x 17.5cm Paper 63.0cm x 47.0cm Edition 89/100 .7) Hosier Lane Etching & Aquatint Copper Plate Plate 33.8cm x 14.6cm Paper 63.0cm x 47.0cm Edition 89/100 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014 artist, artwork, laneways, printmaking, etching, irving, tony irving, churchill, gippsland campus -
Federation University Art Collection
Print - Artwork - printmaking, 'Messenger' and 'Woe' by David Frazer, 2002
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002. These two wood engravings are the subject of the forthcoming Private Press book: ‘The Bookplates of David Frazer’ written by Robert C. Littlewood, The Lytlewode Press, Chateau Bosgouet, Normandie, France, 2014/2015. Two limited edition prints by David Frazer using the wood engraving technique. They have been framed together. .1) Messenger Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 .2) Woe Wood Engraving Plate 10.0cm x 7.5cm Paper 29.0cm x 19.3cm Edition: 32/40 Donated through the Australian Government Cultural Gifts Programme by Katherine N. Littlewood, 2014artist, artwork, frazer, david frazer, wood engraving, framed bookplate, printmaking, bookplates, churchill, gippsland campus -
Federation University Art Collection
Artwork, A. Janczewski, Painting by A. Janczewski, 1990
This work used to hang at the entrance to the Geology Department at LaTrobe University.A colourful painting on composition board of a representation of a magnified geological specimen. If you have information on this artwork or artist please leave a message in the comment box below.artist, artwork, janczewski, geology -
Federation University Art Collection
Sculpture, Rebecca Greig, 'Orange 1' by Rebecca Greig, 2014
The artist, Rebecca Greig, completed the Bachelor of Fine Arts (Visual Arts) at Federation University in 2014. This work was the winner of the 2014 Federation University DVC Acquisition Award.Orange freeform recycled PVC pipe sculpture by Rebecca Greig. Artist's Statement: "This work is a reflection of the sub-conscious of my experiences through education. The sculpture reflects my feelings of inadequacy in education, therefore this sculpture reflects the triumph of my accomplishment through overcoming many hurdles."artwork, artist, sculpture, greig, rebecca greig, dvc acquisition award, recycle, pvc, available, available sculpture, orange -
Federation University Art Collection
Drawing - Artwork, [Geometric Dunes], 1983
Orange foreground, grey/blue background with ink prisms. Mounted in an aluminium frame behind glass. If you can assist with information on this artist or artwork, please leave information via the email link below. Signed lower right side. A.R. Hall?], 1983. artwork, artist, drawing, churchill, available, available gippsland