The dress was worn by donor's daughter in the 1950'sBlue and white striped sleeveless dress. Attached white cotton petticoat. Skirt has two pockets in blue material with edging in the blue and white material with white cobble trim. The skirt is gathered on to waist with blue cotton binding. Blue 'Peter Pan' collar with white cobble trim. The opening at the back on the bodice has three button holes with three buttons. There is a sash of the blue and white material which is lined in blue cotton.costume, children's

Example of C 1950's medical equipment.See aboveGlass medicinal bottle containing Acriflavine antiseptic.I.F.A.S, Industrial First Aid, poison, Acriflavine IFAS Laboratories, Sydney & Melbourneantiseptic c1950's

Example of school equipment, c 1950'sExample of equipment used in the teaching of geometry.Example of school geometry equipment.C E H engraved on reverse of set square. Mathematic scales on face of set square.school equipment, geometry

Colourful Christmas cards from the 1950's.Five Christmas cards depicting English style winter scenes: birds, family, woman with umbrella, puppy at a window, a woman with holly. One card of a family scene has a gold coloured satin ribbon on the left side.'To Netta and Neville from Mother Xmas 1954'. Three from Annette & Neville Lord. One from 'Effie M. Macdonald'. The card with the lady with a red parasol has 'Lord" crossed out.greeting cards, christmas cards

Grey wool tunic, worn as school uniform at Williamstown High School during the 1950's and 1960's. Double breasted bodice with four grey buttons - one missing.On label at back of neck 'Mina. Tailored to perfection. 100% pure wool'.williamstown high school, 1950's, 1960's, school uniform, tunic

Two black and white photographs of unnamed Bendigo Teachers' College students in front of the Lookout Tower in Rosalind Park. 'Late 1940's or early 1950's. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, tertiary education, teacher training, miss j.c. burnett, mr. geoff pryor, teaching, photo, photos, photograph, photographs, history, students

Yields information about the tram operations in Lydiard St North during the 1950's and the appearance of the buildings.Digital image, black and white, of a bogie tram north bound in Lydiard St North with the various buildings on the west side of the street - 1950's photo, prior to the installation of the lights on the tramcars. Has Reid's Coffee Palace in the photograph. Taken from the Railway Station entry.trams, tramways, lydiard st north, tram 13

Yields information about the damage to an SEC tramcar following an accident with a vehicle. Also gives information about the way the trams appeared.Black and White photograph, of Ballarat No. 26 after being involved in an accident with damage to the doorway entry, including the dislocation of the door itself. Tram has an "Everybody's Swinging to Briquettes" dash panel ad. Photographed at the SEC depot. Photo late 1950's or early 1960.tramways, trams, accidents, collision, depot, colour schemes, tram 26

Yields information the appearance and details about Bridge St shopping area late 1950's and the motor cars in the street at the time.Digital scan from the Ben Parle collection of SEC No.41 in bound in Bridge St, with the destination of Gardens via Drummond Nth. Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Photo received with the Ben Parle slides 09/2004. trams, tramways, bridge st, tram 41

Yields information the appearance and details about No. 35 crossing the railway level crossing.Digital scan from the Ben Parle collection of SEC 35 crossing the railway level crossing, south bound with the destination of Sebastopol . Photo 1950's or early 1960 prior to introduction of dash canopy lighting. Photo received with the Ben Parle slides 09/2004. trams, tramways, lydiard st nth, level crossings, tram 35

This postcard was produced in the 1950's for the tourist trade in the Kiewa Valley and Alpine region. It encompasses the period when the State of Victoria was pressured by the ever increasing demand by industry and its population for electricity supplies. Hydro electricity was seen as an untapped natural resource to quench this demand. The Victorian Alps and the rivers flowing into its valleys was ideal for the construction of the Kiewa Hydro Electricity Scheme. The late 1940's saw the development of this scheme and the changing of sections of alpine landscape is covered by this and other postcards/pictures (tourists, construction workers, and established rural populations). This period in time was before the established wildlife and forest/nature groups became political activist who changed legislative acts to protect the environment. This rural region (Kiewa Valley/alpine plains) was at most only significant to a smaller group of winter sports, summer hikers/horse riders and rural farmers/graziers. The numbers of tourists and the increase in the local resident population was boosted by the construction of the Hydro Electricity Scheme. This influx to the regional population resulted in a corresponding diversity in services and brought about an environment that responded to a growing level of tourists and thereby permitting this industry to grow more rapidly than it would have naturally. This postcard details an attraction to the "cleaner" method of providing electricity. This postcard was purchased in 1950 by a surveyor at Landford's Gap. This item is a black and white photograph(professional) of a panoramic view of a snow plough clearing the unsealed road in 1950.This postcard is on quality paper and the reproduction of the picture is of a high standard.For other "tourist" postcards see 0480 (A) -(F) for other photos of similar postcards. kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth, secv, snow plough

This money, belt made of soft leather, would have been used in the mid 1900's by horse riding traders or wealthy property owners. It could also have been used by miners or other commercial business men. The main criteria for such a belt is security for valuables during travel on horseback. Commercial traders who plied their wares on horseback or caravans during a period where poor roads and flood prone rivers could dislodge wallets or money "sacks".The Kiewa Valley in the early 1900's was an environment which was frequented by the "canny" travelling salesman using dirt tracks and having to cross swollen rivers and creeks throughout the year. Travelling times within the rural areas in and surrounding the valley called for more frequent stops in bush lands. Camping presented itself with great challenges not to loose small cumbersome coin and notes. Local banks were of short supply and although bartering was a thriving method of transactions within the Valley traders from other regions were not so forth coming. Where ever possible local "trades" were called upon more than in city areas for limited products of a rural incline.This "vintage" handcrafted money belt has been professionally made circa 1950's. It appears as though it might have been made in a saddlery. There are five pockets each fastened by black painted "press studs". The stitching is of a high standard and the pockets are large and well defined. The buckle is circular with one fastening pin.handcrafts, leather work, vintage money belt, personal effects.

S. Durtodi 1988 Entrant No. 76 Ref: Series 34, Items 27, 97 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, film - ilford hp5, housing estate, real estate advertisement, real estate development, s. durtodi, scan - 35mm negative

S. Durtodi 1988 Entrant No. 76 Ref: Series 34, Items 27, 97 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham community photographic survey, scan - 35mm negative, film - ilford hp5, s. durtodi, series 35, hillingdon drive, diamond creek

Owned - purchased and played by Barbara Gardiner 1950'sCircular record 45 R.P.M. Frank Sinatra. Four songs with orchestral accompaniment.|Stormy weather|September Song|My Blue Heaven|Ol' man RiverColumbiamusical instruments, accessories

Has a strong association with Dave Kellett Frank Scruse.Photocopy of an image of Frank Scruse and David Kellett standing alongside tram 19, March 1950. Digital Image added 22-11-2018 scanned from an original image held by Glenise Kellett. See image i2 for rear of photograph.In ink on top of image "1950 / (L) Frank Screws - David Kellett (R)trams, tramways, personnel, motormen, conductors, sec

Black and white negative, by Wal Jack, of VR 7 and another single trucker at the Elwood Depot - early 1950's.trams, tramways, elwood depot, vr trams, tram 7

John Ellison worked as an English teacher at migrant camps near Horsham in the 1950's Typewritten letter to Mr. L.J. Ellison, Wail via Dimboola from the Commonwealth of Australia Universities Commission dated 09/08/1950. The letter advises Mr. Ellison that a numbers of copies of the textbook "English for newcomers to Australia" revised edition would be sent for use in the classroom. The letter is signed F.H. Williamson (Officer in charge). Part of the Aileen and John Ellison collection.teaching, enlish as a second language, horsham

Black and white photograph of MMTB X2 675 at the Point Ormond terminus, late 1950's or early 1960's. Tram has destination of "Elsternwick Rly Stn". Driver/Conductor standing in doorway with cash bag. Pan in the trolley wire to assist drivers to locate the wire at night can be seen in the photograph. On Ilford paper. See Page 30 of Destination City, 5th Edition, advises that X2 675 withdrawn and stored in July 1961.Stamped on rear "Photo by C. Jeffrey Quote ....." in purple ink - words in triangular form.trams, tramways, point ormond, x2 class, mmtb, elsternwick, tram 675

Black and white photograph (2 copies- 1 large, 1 small)Written on rear of backing sheet: "Digging trench for water main along Maroondah Highway."

Swimming Certificate for the Borough of Ringwood Municipal Baths. Proficient in swimming in 66 yards, 200 yards, and 400 yards and 1 mile and Life Saving Tests. Two good B&W pictures of Town Hall and pool.Sample swimming certificate, cardboard, with two B&W pictures on it. At the top is a picture of the old Ringwood Town Hall, and at the bottom a picture of the Ringwood outdoor swimming pool and building.

The Ringwood Baths were constructed in 1934 in Ringwood Street and donated by Captain E.T. Miles. Brochure sets out reasons for supporting the pool - free swimming tuition, hot and cold showers, and inclusion in championship carnivals put on by the swimming club.Borough of Ringwood - Ringwood Swimming Pool. Brochure with picture of swimming pool on front. Cream coloured bi-fold with black printing. +Additional Keywords: Miles, E.T., Capt.Brochure shows information of Ringwood Municipal Baths- Opening hours, admission charges, history, etc.