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Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Nurses and Tutor with Doll, 1969-70
The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 54 in practical room at Lister House with "Bedford" Doll. Six nurses and turor standing around the doll who is in a hospital bed. From Rear of Photo: L-R Lyn Mann, Sue Brown, Helen Tyers, ?, Glen Gardner, Bev Code The tutor is Betty Miller, School 64 and 63 (1964-67) nurse training, ndsn, lister house, school 54, school 64, school 63 -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1999
Building reputed to be part of Mrs Carstairs Boarding House at New Works, dismantled and transported to present site.Colour photograph of a timber dwelling at 12 Hunter Street. With hip roof across building, gable at right angles at western.front room. Iron roof, bull nose veranda. Simple timber fringe under veranda roof, timber brackets connect fringe to square veranda posts with lathed pattern in centre. Lakes Entrance Victoriahouses, heritage study -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1910c
Also black and white copy 12.5 x 18 cm with smear of purple ink in top left hand corner, purchased from Helen ClothierTinted black and white photograph showing boardwalk from New Works Jetty over the sand dunes with small shed on jetty, small one room Boole Poole school on right of boardwalk and harbour master's house on right. Club Hotel on opposite foreshore and town on far right. Kalimna escarpment in background, at Lakes Entrance, Victoria.View of Cunninghame Victoriaboardwalk, waterways, ships and shipping, township, topography -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 4, Carolyn Dean, 21/09/2005 12:00:00 AM
Set of four colour photographs of the launch at the City of Ballarat's Town Hall reception room of Alan Bradley's Book, The Tramways of the Golden City on Wed 21 September 2005. .1 - Stephen Butler speaking .2 - Deputy Mayor, Cr. Stephen Jones .3 - Deputy Mayor and Alan Bradley .4 - Alan Bradley speaking.On rear of all photos "21.9.05" and "Book Launch / Photo Carolyn Dean"town hall, book, btm -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, William. F. Scott, 26/12/1987 12:00:00 AM
Yields information about the appearance and the use of trams by the BTM in Wendouree Parade, in varying livery's and used in a framed photograph in the BTM depot.Colour photograph of three trams, 27, 33 and 26 at Gardens Loop, Wendouree Parade, photograph by William F Scott, 26.12.1987, celebrating 100 years of tramways in Ballarat. Printed on AGFA paper. Photo used in Ballarat Tramway Museum book - "Ballarat's Heritage Tramway" and in Reg item 2007 - framed photograph in the Meal room. On rear in ink "Ballarat Try Museum 26.12.1987 / William F Scott photo.trams, tramways, wendouree parade, gardens loop, tram 26, tram 27, tram 33 -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - BENDIGO UNITED BREWERIES
Red covered auction catalogue for a sale at the Bendigo United Breweries, High Street, Golden Square on 18/2/1948. Sale included Brewery Machinery, Refrigerating Plant, Tools and Accessories. Also board Room furniture. J. H. Curnow & Son Pty. Ltd. In Conjunction with E. M. Vains & Co. were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - bendigo united breweries, j h curnow & son pty ltd, e m vains & co, the prahran telegraph printing co -
Bendigo Historical Society Inc.
Plan - SANDHURST BOYS CENTRE COLLECTION: PLAN OF MAINTENANCE WORKSHOPS
Victoria Public Works Department. Sandhurst Boys Centre. Maintenance workshops plan, elevation & section, Scale 1:100. Elevation includes tea room, lockers bathroom; ladder store; glaziers workshop; paint shop & paint store; carpentry workshop; machine area; offices, store rooms; mechanical workshop. Location unknown 16.02.2023.bendigo, institutions, sandhurst boys centre, sandhurst boys centre site plans; maintenance workshops; loddon-campaspe regional service; victoria public works department -
Buninyong & District Historical Society
Photograph - Black and white photograph, Former Free Library Warrenheip Street Buninyong, 9 April 1994
Built in 1861 on land made available by Mr. Robert Allen. Grant received through municipal council and State Government. Building functioned as a library until 1926. Taken over by Buninyong Cemetery Trust and eventually fell into serious disrepair. Restored in the 1980s after great community effort, dedication and financial contributions.An important early building in the township noted for its unusual and individual classical facade of Oregon pine. Placed on Historical Buildings Register.Black and white photograph of Former Free Library built in1861. Warrenheip streetscape of former free library, currently Buninyong Information Centre, Eastern facade fully visible and Southern weatherboard side. Mature pine trees visible to the side and rear of building. Reading room on left of entrance door and former shop and residence on right.free library, information centre, mr. robert allen, buninyong cemetery trust, mechanics institutes -
Kew Historical Society Inc
Photograph - Alma Figuerola in the drawing room of D'Estaville, c.1965
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola in her drawing room at D'Estaville, Barry Street, Kew, holding her pet dog while gazing into the fireplace. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this. Stamp of The Age on reverse.australian artists, d'estaville -- 7 barry street -- kew (vic.), alma figuerola, melbourne artists -- twentieth century -
University of Melbourne, Burnley Campus Archives
Album - Colour prints and negatives, Preparations for 1991 Centenary Celebrations, 1991
8 photographs of Staff engaged in preparations for the 1991 Centenary Celebrations. (1) Peter Shepherd and son. (2) Jamie Pearson, Jim Pleasance. (3) James Hitchmough. (4) Putting Self-guided tour brochurse in envelopes. (5) Student Representative in Audio Visual Room. (6) Darryl Gibbs, Jamie Pearson, Ian Winstone.staff, preparations, 1991, centenary celebrations, peter shepherd, jamie pearson, jim pleasance, james hitchmough, student representative, audio visual room, darryl gibbs, jamie pearson, ian winstone -
Mont De Lancey
Functional object - Box, Mr Franz Streizel, Unknown
This lockable wooden inlaid box is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Hilda Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A lockable rectangular handmade lidded wooden box with inlaid patterned wood panels on each side and the lid. It has red velvet lining inside the lid and inner base. There is a lift our red velvet lined wooden tray. The lid is attached with brass hinges. Keys for the inlaid cabinet in the same room are stored in the tray in this box.L W is written in grey pencil on the base of the box.boxes, objects, containers, storage boxes -
City of Kingston
Photograph - Black and white, c.1973
This photograph shows the interior of a libraryBlack and white photograph showing the interior of a library. A desk with piles of books on it appears in the right-hand foreground, whilst two large shelves filled with books stand perpendicular to one another in the background. A curtain hangs from the ceiling between the two shelves. Two narrow benches with a pile of books on each stand in the middle of the room.Printed in grey ink: | 526B / 15.11.73library, libraries -
Melbourne Tram Museum
Book, Melbourne & Metropolitan Tramways Board (MMTB), "MMTB Telephone Directory - February 1979", Feb. 1979
Book - 52 A4 pages + manila card cover, stapled on the left hand side, titled "MMTB Telephone Directory - February 1979", providing telephone numbers within the MMTB system and external dialled numbers, with officer names where known or detailed and location or head office room number. Has handwritten updates to 1981.trams, tramways, mmtb, telephones, personnel, depots, workshops, substation -
Greensborough Historical Society
Document collection, Watsonia development [Lambourn and Devonshire Roads], 2019_
In 2003, a proposal for a 5 storey building on the corner of Lambourn and Devonshire Roads Watsonia for an apartment complex, medical centre, shops and cafe was approved by VCAT, despite strong opposition by local residents. The proposal did not proceed. In 2019 a proposal for a 2 storey medical centre, cafe and residence was approved for the site and construction commenced. Collection of documents comprising history of development proposals by Rosie Bray, concept illustrations, archtect's plans, photograph and copy of newspaper clipping.watsonia, lambourn road watsonia, devonshire road watsonia -
Port Melbourne Historical & Preservation Society
Book - Greek publications, Donations to City of Port Melbourne from Limni, Greece, 02: Nicholas K Bellare, .03: James Thathitis, 1980s
These publications reflect the period when Greek people were the largest ethnic group in Port Melbourne. During his tenure as Mayor, Cr WHITE fostered a strong ethic of multi-culturalism in Port Melbourne and set up a city relationship with Limni which donated these books. Perce made trip(s?) to Limni.Four Greek publications donated to the City of Port Melbourne by our sister city in Greece, Limni. .01 'Panagia y Limnia' - illustrated history and guide to Limni church(es), softcover 70pp. 1985. .02 'To Elumnion - (limni) 1969 green softcover 260pp. Appears to be a scholarly work by Nicholas K BELLARA about Limni, dedicated on fly leaf to Mayor Perc WHITE. .03 'Omorphis Tis Aimnis' - softcover B&W picture book of the town. 48pp includes historic photos. .04 'Limniotiki Phoni' - Limni newspaper 8pp. May/June 1987..02 - in ink on fly leaf. Athens July 4 1987 To the Mayor of Port Melbourne Mr Perc White - The Athinian Club of Limni sends its best wishes for teh happy event +name + Address. .03 - on the title page. To the Honourable Members of the Port Melbourne Town Hall with much esteem and appreciation for the work they have been doing for the promotion of the LIMNI - PORT MELBOURNE friendship etc. etc. 5.6.1989.migrants, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Postcard - Limni, Greece, sister city, 1980s
These publications reflect the period when Greek people were the largest ethnic group in Port Melbourne. During his tenure as Mayor, Cr WHITE fostered a strong ethic of multi-culturalism in Port Melbourne and set up a city relationship with Limni which donated these items. Perce made trip(s?) to Limni.Set of 8 picture postcards of Limni, our sister city in Greece.local government - city of port melbourne, migrants, perce mcguire white, perce white -
Mission to Seafarers Victoria
Furniture - Dining Chairs, 6, 1920-1930
This set of six original chairs (2 armchairs + 4 chairs) along with the dining table was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when they were purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden oakwood dining chairs with two heart-shaped carvings on the backrest. Two of the chairs have armrests. Eucalyptus green leather cushion seats. Canvas webbing underneath. Set of 6 original chairs used in the Manse. chair, dining, manse, heritage listed, dining suite, arts and crafts -
Mission to Seafarers Victoria
Furniture - Table
This table along with the set of six original dining chairs (2 armchairs + 4 chairs) was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. It was photographed in the Manse dining room by the reverend or Mrs Weller c. 1926.It is not known when the dining suite was purchased or gifted. But they are likely originating from Europe. Reverend Weller photographed the dining suite during his stay between 1926-1929.Extandable rectangular dining tabledining, manse, heritage listed, arts and crafts, dining suite -
Federation University Historical Collection
Equipment - Object, Otto Waschatz, Cast of Hand, Plaster Cast Drawing Prop
The Ballarat Technical Art School boasted a well-stocked Antique Room replete with plaster copies of classical, Renaissance and Gothic sculptural examples, which were used as drawing props by students. The school inherited some casts from its predecessor institutions, and further consignments were purchased during the 1920s, including full length, bust and relief figures, as well as dozens of ornamental and architectural casts. Unfortunately, much of the collection was lost or destroyed in the late 1950s. This is one of the few surviving pieces, with TAFE students reportedly drawing from it into the twenty-first century. This plaster hand is inscribed “Waschatz, Modeller, Melbourne.” Otto Waschatz was a German plasterer who opened a plaster business in the Melbourne suburb of Richmond, and was responsible for the invention of the first true fibrous plaster - using a layer of hemp laid between plaster to create light and strong panels. By 1912 Waschatz's Lottoid Pty Ltd was a thriving and creative business, and possessed over 5,000 moulds for all kinds of plasterwork. The business closed in 1915, as the result of anti-German sentiment during World War One. Plaster cast of a hand used as a teaching aid at the Ballarat Technical Art School. The Victorian Education Department courses required art students to create studies based on ancient sculptures so copies of famous works were purchased as teaching aids. Among these courses were 'Drawing the Human Figure from Cast' and ‘Drawing from the Antique’. Waschatz, Modeller, Melbourneballarat school of mines, art, arts academy, ballarat technical art school, vikki nash, plaster cast, otto waschatz, lattoid pty ltd, school of mines, plaster copy, drawing from the antique, drawing the human figure from cast -
Kiewa Valley Historical Society
Pouch Tobacco, unknown, circa 1900s
These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll your own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine, but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(2) for insert pouchThe markings are crocodile in shape.loose tobacco, pipe smoking, rural smoking, red neck workers. -
Kiewa Valley Historical Society
Pouch Tobacco, unknown, mid 1900s
These type of tobacco pouches were used mostly by the outdoor/outback type of male. They were a product of an earlier period in time when males in the outback were considered "red back" adventurers. This pouch is more of a statement than a useful tobacco pouch. It comes from a younger time in bush folk law when the outback appearances was in fashion and before the "new age" male emerged(circa early 1900s).This tobacco pouch was admired in the outback scene and spoke of adventure and "the wild". It was a time when travel in the outback was, in the top end of Australia especially, considered unsafe and "frontier" type adventure filled environment. It was a time when colloquially speaking 'men were men', in other words tough and resourceful, and could tackle anything. This attitude was more so in isolated country areas such as in the Kiewa Valley before "the sensitive new age" male was evolved. The pouch presents the early presentation of the outback male as rugged, independent and resourceful. The Kiewa Valley and the tobacco fields, especially during the construction stages of the Hydro Electricity Scheme, was the right environment for such a display.This tobacco pouch is the bottom or main containment pouch for rubbed tobacco leaf to be smoked either as "roll you own" cigarettes or in a pipe. The pouch is of crocodile skin and is light brown on one side and darker brown on the other. The pocket is fashioned with the top section curved to allow fingers to remove the top cover, see KVHS 0059(2). The pocket has fine , but strong stitching holding the bottom and sides together. It is made of relatively medium thick hide and the crocodile markings are both outside and inside. See KVHS 00059(01) for main pouchCrocodile markings (not hand made)loose tobacco, pipe smoking, rural smoking, rural red neck workers., tobacco -
Victorian Aboriginal Corporation for Languages
Book, Sue Atkinson, Yurri's birthday, 2013
Tonight would be a very special night for Yurri, it is her birthday. At midnight each of Yurri's friends arrive with a basket. Inside each basket is a gift for Yurri. Each illustrated basket has been made by women who live in Victoria and are passionate about the revival of basket coiling! Yurri's Birthday written by Sue Atkinson (Yorta Yorta) and illustrated by Annette Sax (Taungurung). This is the third book in the YSS series, giving young children insight into Indigenous Victorian culture. The Yarn Strong Sista series is supported by background notes and ideas for related activities.Illustrations, mapsyorta yorta, barmah forest, basket weaving, educational activities, language list -
Melbourne Tram Museum
Document - Report, Graeme Turnbull, "The development and retention of Melbourne's trams and the influence of Sir Robert Risson", Apr. 2001
Copy of a lecture by Graeme Turnbull presented 2001 titled "The development and retention of Melbourne's trams and the influence of Sir Robert Risson" Consists of 22 A4 pages, with Bibliography. Looks at the history of the Melbourne's trams, why they have been retained, the MMTB, its formation, Chairmen, Overseas influences and reports, Bourke St buses, Bourke St, the PCC car, Robert Risson, Hector Bell, Reg Ansett, the Union, design of trams, accidents, trolley poles, uniforms, Risson's personality and his strong support for trams in Melbourne. See Reg Item 6061On top in ink "Delivered at RMIT Storey Hall on Friday 20/4/2001, the 100th anniversary of Sir Robert's birthday by Graeme Turnbull" and "Received 7/12/01"trams, tramways, mmtb, chairman, pcc, buses, accidents, trolley poles, uniforms, public transport -
Flagstaff Hill Maritime Museum and Village
Equipment - Foundry Patterns set, Briggs Brass Foundry, Early 20th century
The wooden crate contains a set of patterns or moulds that were once used at Briggs’ Brass Foundry for making sand moulds. The traditional method of sand casting is over 2000 years old. It is part of a crafted process used to make brass and copper alloy goods suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-corrosive and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry display was one of the early ‘working craft’ shops at Flagstaff Hill. It included a historic Cornish chimney that was set up as a working model, telling the story of heat from furnaces to smelt metal, which would then be poured into the sand moulds. This chimney is made from specially curved bricks and is about two-thirds of its full height when originally located at the Grassmere Cheese factory. HISTORY of BRIGGS BRASS FOUNDRY: - The family business was founded in 1912 by Herbert Harrison Briggs (1963-1931) with his son George Edward Briggs, trading as Briggs & Son Foundry at 70 Wellington Street, Collingwood. Younger son Cyril Falkiner McKinnon Briggs joined the foundry in 1922, and it was renamed H H Briggs & Sons Foundry. Both sons ran the firm after Herbert’s death in 1931, making products mainly for marine purposes. They became Bell Founders in 1936 and were known for their specialty of high-quality ship bells. They produced miniature varieties of these and other decorative items such as small propellers. The firm became known as Briggs Marine Foundry. The great-granddaughter of Herbert Briggs inherited the Briggs Brass Bell, similar to the one at Flagstaff Hill. Cyril became the sole family member of the firm in 1965. The Briggs Marine was an exhibitor at the 1965 Boat Show, where he advertised as “non-ferrous founders” and “Bell Specialists”. The foundry relocated to Chesterville Rd, Moorabbin. Cyril passed away in 1967. It is thought that either Cyril or his business partner Frank Lee donated the objects from the Briggs’ Foundry around the time when the business moved to Moorabbin. However, Flagstaff Hill hadn’t been thought about until 1972. The donated items were registered in the Collection in 1986 but they could have been in storage from an earlier date. In October of that same year, Briggs Marine restored Schomberg Bell, a shipwreck artefact from the collection at Flagstaff Hill. Peter Oram, who had worked for the previous owners of Briggs Marine as a fitter and turner, took over the firm in 2014, reviving some of the old casts for current use. The business is now located at Seaford in Victoria and is part of Alliance Casting & Engineering Solutions (Alliance Casting Pty Ltd). In 2016 the original Collingwood Foundry building was repurposed as a thriving business hub named The Foundry. The crate and its patterns are significant for their association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. The patterns are associated with the long-running firm, Briggs Brass Foundry, that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine is also associated with the Schomberg Bell in Flagstaff Hill, restoring the bell to is former state to show an example of the bell from a luxury mid-19th century vessel. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles are at each short end of the crate, fixed with strong metal bolds. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood but no sign of current infestation. Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin -
Queenscliffe Maritime Museum
Photograph - Photograph of two Queenscliff fishermen
William Withers and Edward Ryan drowned near Point Lonsdale on 19 October 1954 when they tried to enter the Rip at Port Phillip Heads against an ebb tide with a strong south-west wind blowing. They were sailing a large crayfishing boat, the 'Robert John', returning with a load of crayfish from King Island.Photograph shows William (Bill) Withers and Edward Ryan who worked in the local Queenscliff and Victorian fishing industry. The commercial fishing industry developed in Queenscliff from the 1860s, with early fishing developing around the couta boat and barracouta fishing. Crayfishing and shark fishing also became important, especially as the supplies and popularity of barracouta as a commercial species waned. Local Queenscliff fishermen often fished outside Port Phillip into Bass Strait and had to navigate the dangerous entry to Port Phillip, known as 'The Rip', with its turbulent and variable water and weather conditions. This added to the everyday dangers of sailing faced by fishermen in their industry. The local fishermen often had the local knowledge of these waters, but the fishing community in Queenscliff also lived with the threat or fear that the Rip could rob them of one of their own. The entrance to Port Phillip with this Rip is the scene of many shipwrecks,often resulting in tragic loss of life or injuries, including passenger and cargo ships travelling to/from Melbourne and Geelong as well as accidents to local Queenscliff and Port Phillip sailors such as the fishermen or sea pilots. A B/W photograph of two Queenscliff fishermen, William (Bill) Withers and Edward Ryaninformation about photo and donation handwrittten on backfishermen, queenscliff fishermen, withers, william withers, ryan, edward ryan, robert john crayfish boat, shipwreck, port phillip -
Bendigo Historical Society Inc.
Painting - BANK OF NEW SOUTH WALES EAGLEHAWK
Watercolour and black pen painting of the Bank of New South Wales, Eaglehawk. Written on bottom of art:' Note room with high chimney where gold was melted into ingots to be sent to Melbourne. This bank was closed about 1920 and has been used as a shop since' Artwork signed by Alf Perry 1954. Two punch holes on LH side. Written on back in pencil : Only 3 banks in Victoria had a smelting room with tall chimney. The gold was bought and refined and melted into ingots. The three banks were at Eaglehawk, Castlemaine and Bendigo (from publicity officer Bank of NSW Melbourne). I have established that the Castlemaine Bank NSW definitely did not have a chimney stack as in this picture. My information came from an old member of Castlemaine Bank of NSW staff in 1962.'eaglehawk, commercial, bank of nsw -
Ballarat Tramway Museum
Ephemera - Ticket, Electric Supply Co. of Vic (ESCo), ESCO opening Souvenir Ticket, 1905
Demonstrates a souvenir item for the opening of the electric tramways in Ballarat in the form of a postcard which has actually been used to send a message. Has a strong association with the people who sent and received the card.Postcard size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No.10344 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. Letter/note to Ethel Hodgson of Lethbridge, stamped in Ballarat on 26-8-1905. Fares given on card are : Mount Pleasant and Orphanage and Grenville St. 3d, or Grenville St. and Tram sheds 3d. Printed in a blue/grey ink of various shades onto a white card. Acted as a souvenir card. One Penny stamp, with Ballarat Cancellation stamp and - "5" stamped on the top of the postage stamp. See also Reg Item 608 and 7084 for further versions of this object.Letter on rear and Has I.R. Kellett in ink in the top right hand corner.trams, tramways, esco, opening, ballarat, tickets, letters -
Kew Historical Society Inc
Photograph - 'Mount Eri', 9 Highbury Grove, 1919
Subdivision plans are historically important documents used as evidence of the growth of suburbs in Australia. They frequently provide information about when the land was sold on which a built structure was subsequently constructed as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.A photograph of Mount Eri, 9 Highbury Grove, an 11-room house for sale near the junction of Cotham and Glenferrie Roads. The substantial red brick, slate-roofed house and its location are not identified in the photograph, although the extent of the house is noted. It was described then as ‘well situated’ and close to 3 trams. Mathers, a financial agent in Cotham Road, placed advertisements about the sale of the property in The Argus in May and June 1919. The advertisement additionally refers to a billiard room and asserts that the house has every modern convenience. An annotation on the plan indicates that the house, with tennis court, was sold for £1960. Following extensive research, the house has now been conclusively identified, albeit extended and rendered. The house was originally built in the 19th century as a school and for much of the 20th century was used as a venue for receptions. -
Wodonga & District Historical Society Inc
Photograph - Codling Collection 01 - Wodonga, High Street West - Kwik Stitch Fabrics, T.A.B. and Terminus Hotel, 1980s
Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Wodonga, High Street West Businesses including Kwik Stitch Fabrics, T.A.B., Housing Advice and Referral Service, Nolans Sports Store, Pares House and the Terminus Hotel. The Terminus Hotel was built in 1873. It was purchased by Annie and George Allen in 1879. In 1888 they added extensions including a billiard room, a dining room and 18 other rooms. After the death of her husband, Annie Allen continued to run the Terminus Hotel. She later married John Haldon and was licensee of the hotel until 1893 when the license was transferred to William Carkeek. Carkeeks owned the hotel from 1900 - 1903 and again from 1906 - 1909. It was destroyed by fire in 1998 and the building demolished in 1999. In 2021 it is the location of Tristar Medical Centre. This T.A.B. store closed in 2006.wodonga businesses, high st wodonga, terminus hotel, nolans sports store -
Wodonga & District Historical Society Inc
Photograph - Codling Collection 01 - Wodonga, High Street West - Terminus Hotel, Drummond Real Estate, Pet Shop, 1980s
Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.Wodonga, High Street West Businesses including Terminus Hotel, Tandy Electronics Drummond Real Estate, Pet Shop and old National / CBA Bank on corner. The Terminus Hotel was built in 1873. It was purchased by Annie and George Allen in 1879. In 1888 they added extensions including a billiard room, a dining room and 18 other rooms. After the death of her husband, Annie Allen continued to run the Terminus Hotel. She later married John Haldon and was licensee of the hotel until 1893 when the license was transferred to William Carkeek. Carkeeks owned the hotel from 1900 - 1903 and again from 1906 - 1909. It was destroyed by fire in 1998 and the building demolished in 1999. Cliff & Peter Drummond opened their first office in Wodonga in 1977.wodonga businesses, high st wodonga, terminus hotel, drummond real estate