Showing 934 items
matching 'women on bendigo
-
Bendigo Military Museum
Souvenir - SHERRY GLASS
Dean collection refer Cat No 4575PPlain glass with stem. It has a gold rim. On one side is the RSL logo of the day (3 figures). Around that logo are the words "Women's Council", outside of that are the dates 1933-1983. Above and below the RSL logo are "RSL OF VICTORIA - GOLDEN JUBILEEE'.ww2, rsl vic, women's council -
Bendigo Military Museum
Book - BOOK of Correspondence of WW1, Big Sky Publishing Pty Ltd, "The Man Who Carried the Nation's Grief", 2016
Collection of lettters from distressed families during WW1 to "Base Records" and the correspondence in reply signed by J.M. Lean.Soft cover book. Soft cover, cardboard: white, yellow and black print on front, spine and back. Front cover, background illustration montage of portrait photograph of a soldier in uniform and 2 typewritten letters in sepia tones. Back cover: sepia tones, photograph of a number of women working on typewriters. 440 pages, cut, plain, white paper. Illustrated black and white photographs.Collection of lettters from distressed families during WW1 to "Base Records" and the correspondence in reply signed by J.M. Lean.books, ww1, correspondence, biography -
Bendigo Military Museum
Uniform - DRESS, WOMENS, RED CROSS, Super Overalls Product FA 8167, Unknown
... Bendigo Military Museum 37 - 39 Pall Mall Bendigo ...Red Cross Dress,This is a light khaki, short sleeved dress. It has a collar with round corners. the buttons of 2 cm diameter, are red. There are 8 buttons. The 4th position down from the neck has a press stud. It has a small pocket on left breasat with a Red Cross badge. There are two waist level pockets. The left and right sides have a pleat. the left shoulder has a woven badge "The Australian Red Cross Society". The dress has belt loops at the waist.Nilred cross, uniform -
Bendigo Military Museum
Souvenir - CUSHION COVERS and HANDKERCHIEF, C.1941
Items souvenired by Albert Corrie VX47191, refer Cat No 4847 for service details..1) Cushion cover silk with pink tassels, colour depiction of a women, donkey and child of to the market. .2) handkerchief cotton blue with crochet boarder, flowers and word embroidered. .3) Cushion cover silk yellow tassle edges, green background with depictions of a vehicle, tower, rising sun badge embroidered on..1) “Souvenir of Palestine”, “To the Market”. .2) “Beyroujth”. .3) “Souvenir of Palestine 1941”, “Davids Tower”, “Australian Commonwealth Military Forces”.cushions, handkerchiefs, souvenirs -
Bendigo Military Museum
Book - ARMY HISTORY, The Australian Women's Service Club, Backing Up The Boys: The Australian Women's Army Service and Albury Army Area, 1988
The book details the history of the Australian Women's Army Service and the Albury Army AreaBlue coloured soft cover with the title in white lettering. A blue and white crest with yellow lettering is located at the top centre of the front cover. A larger version of the same crest is located in the centre of the back cover. 143 pages with cut edges and black and white photographs and illustrations.non-fictionThe book details the history of the Australian Women's Army Service and the Albury Army Areaaustralian women's army service, bandiana museum, albury army area, major thomas b. williams, army history -
Bendigo Military Museum
Currency - CERTIFICATES, MILITARY PAYMENT, United sates Military, C.1967 -68
This currency was for use in American/Australian military bases only instead of US dollars. This was for black market purposes. Every so many months the notes where changed and new ones issued. BERTUCH collection, refer Cat No 1664.2.1) MPC 10 cents rectangular shape, green, white & black colours, front has portrait image of a Women, rear has an eagle. .2) MPC 50 cents rectangular shape, orange, white & black colours, images front and rear same as .1).1) “Series 641 J08403608J. .2) “Series 641 J02190554J”mpc, military payment, us -
Kyneton RSL Sub Branch
Framed certificate, Certificate of Appreciation
Timber framed certificate, white background."Certificate of Appreciation Chairman Kyneton Legacy Members of the Kyneton Group of Bendigo legacy wish to register their gratitude and appreciation to the members of Kyneton RSL for their continuing generosity and to the management for their enthusiastic encouragement in support of widows and children of ex-service men and women. Signed by Chairman Kyneton Legacy Group."legacy -
Coal Creek Community Park & Museum
Functional object - Three hat blocks
Oliver Gilpin (1874-1942), chain store proprietor, was born on 8 July 1874 at Seven Creeks near Euroa, Victoria, fourth child and second son of William Gilpin, farmer, and his wife Dinah, née Barton, both from Tyrone, Ireland. He was educated at local state schools and became a draper's assistant at Euroa. A testimonial as 'an energetic, pushing salesman, a careful stock-keeper … honest and industrious' gained him city experience with Ball & Welch Ltd, drapers, in their Carlton store. He used an inheritance to open a drapery store at Korumburra, south Gippsland, in 1895, moving to Rutherglen in the upper Murray valley in 1899. Frustrated by irregular stock deliveries, he moved to Fitzroy, Melbourne, in 1902, seeking a warehouse and the benefits of combined supplies for effective development of country trading. By 1905 he was producing many stock items at Northcote and had established retail outlets at Bendigo and Warracknabeal. Branches at Echuca, Numurkah and Yarrawonga followed in 1906, with ten more in 1907. He moved his city establishment to East Malvern in 1911, and had opened forty shops by 1920 and seventy-four by 1928. All were managed by women, on a strictly cash basis. Drapery remained the main line, supplemented by ironmongery, crockery, school requisites and toys. Gilpin saw the Depression years as a challenge. Between 1928 and 1931 he established eighteen new branches, including two in Tasmania, at Devonport and Ulverstone. The chain included South Australian branches at Mount Gambier, Millicent and Renmark, twenty-five stores in southern and western New South Wales, and ten in suburban Melbourne. Gilpin's Chain Store News was issued monthly. In 1944 Foy & Gibson acquired a controlling interest in Gilpin's business and in 1951 the chain was bought by G. J. Coles & Co. Ltd for £1,250,000. Three wooden blocks used to display hats. 9042.1 Slightly head shaped on top 9042.2 Light timber, flat on top, a wedge at back. 9042.3 Dark timber, flat on top.hat blocks, millinery, haberdashery, gilpin, korumburra -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Monica Flood, Mayoress 1952 - 53, 1957 - 58, 1966 - 67, 1968 - 69, c 1950's
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Monica Cecelia Murray was born in 1910 in Strathfieldsaye and married Thomas Flood in 1934. She served as Mayoress for four terms and died in 1973. Mayoress Flood was president of the St Mary's Past Pupul's Association and a patron of the Bendigo Girl Guildes. Reproduction of photographic studio portrait sitting behind oval mount.studio photography, raymond kelly, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayoress flood, mayor t.r. flood -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Vincent Kelly, Maud Vains, Mayoress 1924 - 25, unknown
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Vains was born Maud Anne Norris and she married Ernest Morton Vains in 1903. Ernest Vains entered council in November 1922 and was a member of the City council from 1922 - 1926. Maud Vains died in 1964 at the age of 80 and is buried with her husband in the Bendigo Cemetery.Reproduction of photographic studio portrait sitting behind oval mount.lr, Mrs E.M. Vains/ Mayoress 1924 - 25. lr, Raymond V Kelly / Bendigovincent kelly, studio photography, raymond kelly, city of bendigo mayoress, city of greater bendigo portraits, mayoress vains, mayor vains -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Martin Washington, Nell Turner, Mayoress 1965 - 66, 1974 - 75, 1976 - 77, c 1965
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Ellen May Turner (Nell) was born in 1925 and died in 2008 aged 83. Reproduction of photographic studio portrait sitting behind oval mount.lr; Mrs R. F. Turner / Mayoress 1965 - 66 / Martin Washingtoncity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, martin washington photography, mayoress turner, mayor r.f. turner, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Martin Washington, Gwen Jeffrey, Mayoress 1969 - 70, c 1969
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gwen Jeffrey served as Mayoress from 1969 - 70.Reproduction of Black and White photographic studio portrait sitting behind oval mount.lr; Martin Washingtoncity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor jeffrey, mayoress jeffrey, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Phyllis Campbell, Mayoress 1975 - 76, 1979 - 80, c 1980
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Phyllis Campbell served as Mayoress from 1975 - 76 and 1979 - 80 and was born in 1916 and died in 1995.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigostudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor r campbell, mayoress phyllis campbell., lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Peg Elliott, Mayoress 1971 - 72, c 1971
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Peg Elliott served as Mayoress from 1971 - 72.Black and White photographic portrait sitting behind oval mount.lr; Martin Washingtonstudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, elliott collection, mayor d elliott, mayoress p elliot, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Martin Washington, Aileen Cambridge, Mayoress 1967 - 68, c 1967
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Aileen Baldwin was born in Eaglehawk and was one of the youngest Mayoresses that the City has had. Reproduction of Black and White photographic studio portrait sitting behind oval mount.city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayoress cambridge, mayor w cambridge, cambridge printers, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Don Semmens, Elizabeth Stoltz Mayoress 1981 - 82, c 1981
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Elizabeth Stolz served as Mayoress from 1981 - 82.Black and White photographic portrait sitting behind oval mount.lr; Don Semmens Bendigocity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayoress stoltz, mayor stotz -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, H. Hampel, Judith Mansell, Mayoress 1983 - 84, c 1983
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Judith Mansell served as Mayoress from 1983 - 84.Colour photographic portrait sitting behind oval mount.lr; H. Hampelcity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor mansell, mayoress mansell -
City of Greater Bendigo - Civic Collection
Ceremonial object - Lansell Pendant, George Lansell Jnr, AKA Mayoress Pendant, 1956
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. The Bendigo Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. The medallion was passed on to each subsequent Mayoress when the new Mayor was appointed. The Mayoress medallion was commissioned by Sir George Lansell Jnr in the tradition of making a mayoral presentation in gold. The drop and chain have been hand crafted n 18ct yellow gold and engraved by a master engraver also by hand. It was first worn by Mayoress Snell and was presented to her on April 11th, 1956 at the municipal centenary dinner at the Shamrock Hotel. Front; Progress / BENDIGO. Verso; PRESENTED / TO THE / BENDIGO CITY COUNCIL / by / SIR GEORGE LANSELL, / TO COMMEMORATE THE CENTENARY OF / LOCAL GOVERNMENT IN BENDIGO / 10 - 1 - 56george lansell jnr, mayoress chain, bendigo centenary, mayoress snell, city of greater bendigo ceremonial item, lansell pendant -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, H. Hampel, Gloria Quin, Mayoress 1985 - 86, c 1985
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gloria Quin was Mayoress from 1985 - 86.Colour photographic portrait sitting behind oval mount.lr; H. Hampelcity of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor quin, mayoress quin -
City of Greater Bendigo - Civic Collection
Photograph - Portrait, Helene Currie Mayoress 1986 - 87, c 1986
Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Gloria Quin was Mayoress from 1985 - 86.Colour photographic portrait sitting behind oval mount.city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, lansell pendant, mayor currie, mayoress currie -
Melbourne Legacy
Book, Legacy Cookbook, 2018
A 94 page cookbook compiled by Legacy in the 2018. In the acknowledgments special mention was made of the Bendigo, Canberra and Melbourne Legacy Clubs and to the legatees that contributed recipes. Some of the recipes also appear to come from widows in tribute to their husbands' favourite recipes. The publication was supported by Thales who had been in partnership with Legacy since 2008. Copies were sold for $20 each. The book is dedicated to the men, women and families of the Australian Defence Force. Proceeds of the sale of books will go to Legacy.Example of how a cookbook was compiled and sold up to raise money for Legacy's work. A4 printed book x 94 pages of recipes collected from the Legacy community.recipes, cookbook, thales -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race colours, Jack Hargreaves, 13/8/21
Jack Hargreaves drove Adaptor to win the 1969 Bendigo Cup. Jack Hargreaves, who died on December 6 at the Bendigo Hospital aged 77, trained and drove countless winners during a 34-year harness racing career in which he became one of the true icons of the sport. Born John Henry Hargreaves in Wedderburn on December 3, 1926, harness racing was always in his blood. His father, Hughie, was a successful driver and trainer who raced horses all over Victoria. Jack drove his first winner at the age of 16 at Woodend. He lived on the family farm at Kuracca, near Wedderburn, until the age of 22, when he then married Elvie Stephenson from Fentons Creek. He and Elvie went on to have four children - Helen (now 53), Judi (51), Roslyn (49) and John (45). They are grandparents of 15 and great-grandparents of two. After spending two years at Tallarook where he worked on a sheep property, Jack and Elvie then moved to Korong Vale, where Jack set up his own training stable. He kept about 20 horses at a time at his Korong Vale stable, training and racing all of them for 26 years at his property. His greatest moment was the 1969 Miracle Mile, when he drove Adaptor to victory. Adaptor would later be sold to America for the then highest figure paid for an export horse - about $250,000. He also notched up many wins in country pacing cups, including Bendigo, Geelong, Maryborough, Kilmore and St Arnaud. During his career, Jack built a reputation of being a fine judge of pace and he consistently brought out the best in some difficult horses. His natural ability led to him being crowned Bendigo's leading driver for the season on two occasions. But an accident at Mildura on November 26, 1976 - just days before his 50th birthday - led to his driving career being cut short prematurely. Jack sustained head injuries after he was trampled by another horse after being tipped out of his sulky while driving Go Ned. He was regaining his senses and sitting up in the middle of the track when the horse went straight over him. The hoof of the horse came down between his left ear and skullcap, shattering that part of his skull. In the weeks following the accident, Jack underwent lengthy operations in Melbourne, to firstly clear splinters of bone from his brain. He then had a piece of bone removed from one of his ribs to cover a hole in his skull. He was left with injuries that were described as being similar to those of a person who had suffered a stroke. Months of physiotherapy and speech therapy followed in Melbourne and later Bendigo, before he was finally allowed to go hone in August, 1977 - almost one year after the accident. After losing part of his speech in the accident, Jack learned to communicate using his hands. "It became second-nature to us that we could read his hand signals and most of the people in the harness racing world could, too," Jack's daughter, Judi Bond, said."He learned his own way to communicate with people."While Jack was no longer able to continue his passion of driving competitively, he would still take the reins at the training track when given a chance to by his fellow drivers.He also continued to breed horses. "He was a skilled horseman, a good farrier and horses were the love of his life," Judi said. Two years after the accident, Jack and Elvie built a house in Wedderburn, directly above the trotting track. "That was so in the early days after his accident he could still see what was going on at the track," Judi said. "Everyday, he would watch the trainers . . . he'd watch what they were up to on the track."Jack was able to sit in his loungeroom and look out through large glass doors with a "grandstand" view of Leg 5 races, trials and training at the trotting track. Jack's love of harness racing filtered through to his children, with both Judi and John having careers as drivers. Judi drove for 10 years, finishing in 1978, but she continues to breed horses. Judi won the first women's race where bets were allowed to be made when she drove Youdini to victory at the Melbourne Showgrounds track in 1974.Blue with yellow vertical panelbendigo cup, adaptor, horse, jack hargreaves, bhrc, bendigo harness racing club, lords raceway, j hargreaves -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Sept. 1942
Demonstrates an important part of Ballarat's tramway operations during the Second World War when Conductresses and many women were employed by the SEC.Photographic reproduction of page 13 of Christmas - New Year issue (1942-43) issue of SEC News, from a negative supplied by State Library on photo paper, laminated with 4 Velcro dots on rear. Has photo of conductresses at Geelong, Bendigo and Ballarat, car drivers and clerks at Flinders St. Gives names of conductresses and motor car drivers. Images files 246i1 - full page - small version 246i1a - full page 1200 dpi version - has to be opened in a separate viewed. 246i2 - Ballarat Conductresses 246i3 - Geelong - Geelong Conductresses 246i4 - Car Drivers (Motor Transport - HO) 246i5 - Bendigo Conductresses 246i6& i7 - Flinders St. clerical workers. trams, tramways, secv, world war i, ballarat, bendigo, geelong, conductresses -
Tarnagulla History Archive
News article: CWA Women at the Royal Melbourne Show, 22/09/1993
Donald Clark Collection.A news clipping from a special section of the Bendigo Advertiser paper on the Royal Melbourne Show. Image of three women at a serving counter. Caption reads: 'When you need a break from the hectic schedule of the Show rides and showbags, the CWA catering service has it sewn up. Helping out are Elmore's Nance Harney, and Laanecoorie's Hannah Stone and Lorraine Cornwall (nee Calder). -
City of Greater Bendigo - Civic Collection
Memorabilia - Ticket, First Bendigo Entertainment
Travelling entertainment has been one popular way that charities have been able to raise revenue over the past 170 years. The Royal Victorian Institute for the Blind toured regional Victoria regularly to help raise awareness, showcase their talents and fundraise to provide care and education for vision impaired men, women and children. Double sided printed ticket for a concert in the Bendigo Town Hall featuring blind artists and dancers from the Royal Institute of the Blind.Obverse; Under the Patronage of the Mayor and Mayoress (Cr, and Mrs J. A. Michelson) and / Councillors of the City of Bendigo / 30 Blind Artists !! / FIRST APPEARANCE IN BENDIGO of The Famous Orchestra and / Concert Party of Blind Artsits and Blind Children Dancers from the / ROYAL VISTORIAN INSTITUTE for the BLIND, / (ST KILDA ROAD MELBOURNE) / WILL GIVE THEIR / FIRST BENDIGO ENTERTAINMENT / IN THE BENDIGO TOWN HALL, / on TUESDAY, MARCH 22nd, 1927, at 8PM / His worship the Mayor will Preside / Tickets 2/- box plan at the Premier Piano Company from March 14th. / PROCEEDS IN AID OF INSTITUTE S.W Hedger, Superintendent and Secretarymayor and mayoress michelson, vision australia, city of bendigo town hall, city of greater bendigo community partnerships, city of greater bendigo events -
City of Greater Bendigo - Civic Collection
Textile - Yomut Turkmen Islamic Rug, c 1880
This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Souvenir - Dance Card, 1931
Annie Mary (Mollie) Sibson was the youngest daughter of Mr and Mrs J Sibson of Milwa Gippsland. Mollie held the position of paid nursing sister at Bendigo Hospital until her marriage in 1933 to Eugene Sandner, although Mollie did continue to hold an unpaid position on the Board of Management of the Hospital for many years afterwards. The annual ball would have been a popular event at which men and women could socialise. Mollie Sandner served as Mayoress of Bendigo from 1978 - 1979 at which time her husband served as Mayor.Printed, bi fold green card with attached green cotton used by Molly Sander to record dance partners at the Hospital Auxiliary Ball. Card is printed in green ink with scalloped edges. Inside lists twenty dances including the Fox Trot, Waltz and Schottische, against which perspective dance partners have placed there initials in pencil. Front: Hospital / Auxiliary / Ball / Town Hall, / June 30th, 1931 / Bendigomollie sibson, eugene and mollie sandner collection, bendigo town hall, city of greater bendigo town hall, bendigo hospital, city of bendigo mayoress -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation and menu card, Joint Installation of Bros. R.T. Trembath and L. A. Sonnenberg, 1910
Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of two Lodge Brothers. Horizontal fold printed in black ink on blue card. Embossed cover with scalloped edging. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: golden & Corinthian & Zenith Lodges / No. 7 and Mo. 52 / joint Installation / of / Bros, R. T. Trembath and L. A. Sonnenber / Masonic Hall, Bendigo / Wednesday, June 29th, 1910. bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, brockley printers bendigo, making a nation exhibition, bendigo masonic lodge, city of greater bendigo community groups, city of greater bendigo events -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation and Menu Card, Joint Installation, 1905
Freemasonary or Masonry has its beginning in local guilds of stonemasons which from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of unnamed Brothers. Half fold printed in gold and red ink on cream coloured card. Embossed cover with plain edging. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: The Zenith and Golden and Corinthian Lodges ? Joint Installation / Masonic Hall, Bendigo / Wednesday, June 28th, 1905 / Bro J.O.R Milburn Caterer bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, james printer eaglehawk, bendigo masonic lodge, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation, Joint Installation of Bros. H. Lee, 1907
Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of Brother Lee. Half fold printed in blue ink on cream coloured card with plain edging. Menu listed inside on left, toasts listed on inside right, officers listed on back cover. Front cover: Sandhurst Lodge / No 194 / Banquet / to celebrate the / Installation / of / Brother H. Lee / in the / Masonic Temple, Bendigo / Thursday, 20th June 1907 bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, bendigo masonic lodge, city of greater bendigo events, city of greater bendigo community groups