Plan for the pavement finishes at the Myer loading area at Valley Central Shopping Centre (now Greensborough Plaza) between The Circuit and Church Street.Plan of loading dock showing pavement finishes. Colour and black ink on white paper.greensborough plaza, the circuit greensborough, church street greensborough

The newly located Gospel Church in Tamar Street Ringwood being built in 1974. Previously the church was in Warrandyte Road, Ringwood, since absorbed as part of Eastland.Written on back of photograph, "5.10.74".

Stawell Methodist Church. Main Street Stawell. Aerial View. Shows Croquet Green. Kingston's Bus Depot. Doctors Surgery Mr Gunning's House. C1980stawell

Photograph of the rail cutting approaching Greensborough Station. Looking toward Church Street, with Watson's car yard on the left. Photo taken when widening cutting.Digital copy of black and white photograph. trains, greensborough railway station, church street greensborough

Born Digitaleltham, st margaret's anglican church, construction, pitt street

3 Photos of Church Street Greensborough, first 2 taken 1960-61, and third 50 years later in 2011. Photos courtesy Paul de Sauty.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.church street greensborough

St. Matthew’s Church. Presbyterian and Uniting Church Scallan Street photo taken approx. 1984. The building was opened in October 1891. Mr. E. C. Grant generously paid for the cost of erecting the Sunday School and some furnishings. Timber building with arched shaped windows and a corrugated roof.stawell religion

This article reports on the fire that destroyed the original timber Greensborough Hotel. The original hotel was built in 1860 at the corner of Grimshaw and Church Streets by Frederick Ellis. According to this article the original building was replaced in the late 1890s.2 page newspaper clipping. Downloaded from Trove.greensborough hotel, grimshaw street greensborough, church street greensborough

In 2018, Greensborough Historical Society placed plaques in the Main Street area of Greensborough. In these photographs, GHS member Chris Foster has photographed the plaque of theh original Greensborough Hotel on the corner of Main and Church Street Greensborough.The Main Street Plaques Project placed historical information about original Greensborough buildings as close to the original site as possible. Further information available on the GHS website. The Plaques were made possible through a Greensborough RSL Grant.Digital copy of 2 colour photographs.main street plaques project, greensborough hotel, main street greensborough, church street greensborough

Information and photo of a burst water main in either Grimshaw or Main Street Greensborough. Photograph courtesy of Paul de Sauty, taken from Hailes Street. Church Street can be seen in this photo, prior to building of Greensborough Plaza.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.greensborough, church street greensborough

Three Ballarat churches boast stained glass windows by Amalie Feild - St Andrew's Kirk, Lydiard Street Uniting Church, and the Mount Pleasant Methodist Church boast stained glass windows were made to Amalie's design. Colour photograph of World War One memorial stained glass windows in the Lydiard Street Uniting Church. The windows were designed by Amalie Feild (later Colquhoun). The windows were made by Tarrant in 1920.stained glass, lydiard street uniting church, amalie feild, world war one memorial, amalie colquhoun, lydiard street wesleyan church

Colour photograph of a timber Honour Board in the Lydiard Street Uniting Church.lydiard street uniting church, world war one memorial, honour roll, j.r. bodycomb, r. copeland, w.e. figgis, t.b. pattenden, a. vale, f. vales, ella m. figgis, f.c. poppelwell, c. poppelwell, d. furness, h.s. joyce

LYDIA CHANCELLOR COLLECTION: MACKENZIE STREET UNITING CHURCH BENDIGO WEST CARD Blank Card with sketch of the church on the frontbendigo, history, bendigo churches

Stations of the Cross by Clifton Pugh is a contempooray art piece in four sections making up 11 stations of the cross. It was commissioned by the Catholic parish in Eltham (Our Lady Help of Christians) in 1961 Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p81 Art is an important means of nurturing faith at Our Lady Help of Christians Church, Henry Street, Eltham. The Stations of the Cross by Clifton Pugh and The Crucifix with the Ascending Jesus by sculptor Charles Rocco are two of the fine works that enhance the parishioners’ worship. These two inspiring works of art were added in 2001 – long after Roman Catholics began worshipping in Eltham around 1864. This beautiful worship centre was built following hardship and change – for parishioners have endured their church being destroyed by fire and have built four churches since they first worshipped together. Before 1864, according to local legend, a visiting priest administered sacraments in the parlour of former convict-turned-respected citizen Thomas Sweeney at Sweeneys Lane, Eltham.1 The first church was blessed in September, 1865, by the Archbishop of Melbourne, Dr Goold. It stood on an acre (0.4ha) of land in Little Eltham as that area was known then, near the present Fordhams and Main Roads and was part of the Heidelberg Church Parish. In 1912 the church was relocated to a new building on the present primary school site at 1 Henry Street. This was closer to the town centre, which had moved from Little Eltham after the railway line was extended to Eltham in 1902.2 In 1958 the church split from the Sacred Heart parish, Diamond Creek, to become a parish in its own right, with Father Tom Curran as inaugural priest. Not long after in 1961, a fire destroyed the church and huge working bees under the prominent Catholic builders, the Sibbel brothers, rebuilt and extended it, using the original altar from the first church. It was then that builder and parishioner Herman Sibbel asked his friend, artist Clifton Pugh, to paint the Stations of the Cross for the church. But the priest, Father Curran, neither approved of Pugh’s bohemian reputation nor liked the paintings, so they were hung in the corridor of Our Lady’s Primary School instead. The parishioners almost sold the paintings in 1989 to pay for major school renovations. However the paintings remained there for about 40 years, until 2001, when the church was extensively renovated by Father Barry Caldwell. Another change awaited the church, as it outgrew its building, later to be used as the school hall. So, in 1976, the present church was built across the road. Three beautiful stained-glass windows depicting the Passion, Death, Resurrection and the presence of Christ’s Spirit, link these with the church’s experiences. The first depicts a bushfire in Eltham, referring to their church damaged by fire. Another represents the Resurrection of Christ with new growth on a blackened stump and the Holy Spirit is represented by the Southern Cross. A window depicting Our Lady Help of Christians by parishioner Bill Peperkamp, was donated by parishioners to commemorate the Silver Jubilee of Father Desmond G Jenkins’ ordination to the priesthood on July 27, 1977. This, with the statue of Mary, creates a Marian shrine. In the 14 Stations of the Cross painted on four masonite panels Pugh captures the pathos of the suffering Christ and his disciples.3 The figures are stylised, except intriguingly, that of Pontias Pilate, who looks like Clifton Pugh. Charles Rocco’s sculpture is an extraordinary Jesus figure being raised from the Cross. The delicate stainless steel mesh of the figure creates a sense of the power of God over death. The organ, built in 1868 by George Fincham and Sons, was first installed in the All Saints’ Anglican Church, East St Kilda, then in the St Andrews Church, Clifton Hill. It was rebuilt into a modern instrument with a donation from parishioner Jim Murray, in memory of his wife Gwendolene Mary.4 Church members created their own work of art in front of the entrance, by painting designs and messages on 700 tiles. This work indicates the strong church family and faith expressed in art, that awaits the worshipper inside.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art, clifton pugh, stations of the cross, our lady help of christans, installation

This shop stood at the corner of Bank and Church Streets and was pulled down to make way for another service station. When the service station closed in the 1990's it was used as a storage unit for a Port Fairy builder. It in turn has been pulled down and replaced with 2 shops, a bank and two units above.Black & white photographshop, commercial, warehouse, bank street, church street

This shop stood at the corner of Bank and Church Streets and was pulled down to make way for another service station. When the service station closed in the 1990's it was used as a storage unit for a Port Fairy builder. It in turn has been pulled down and replaced with 2 shops, a bank and two units above.Black & white photographMrs C.W. Freckleton Toolong.- my father's saddlery business-shop now owned by Mr Richter taken in 1880shop, commercial, warehouse, bank street, church street

St Margaret’s Church of England was officially opened on December 12, 1861. It is the oldest intact church building in Eltham. At the time it was known as Christ Church until its consecration in 1871, when it was completely free of debt (£1,700 for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including locally made bricks donated by local artisans and others. The church is historically significant because it is the oldest church in the former Shire of Eltham and has associations with the philanthropist and founder of Brighton, Henry Dendy (who donated the land on which the church is built), the architect Nathaniel Billing and the prominent local builder, George Stebbing. The church is architecturally and aesthetically significant because it is constructed in the Gothic Revival style with several stained-glass windows of various dates and is also a very early use of polychromatic brickwork in Victoria. Billing was one of the first Melbourne architects to employ polychromatic brickwork and an important early architect. The rear wall was intended to be temporary. A major feature of the design is the large buttresses with long, steeply graded upper faces. The overall design is well proportioned with the surface brick patterns relieving an otherwise austere design. The church is spiritually and socially significant because it has been an important place of worship for the people of Eltham for almost 150 years. The land on which the buildings stand was donated by Henry Dendy. Dendy arrived in Melbourne in 1841 after purchasing in England eight square miles at Brighton under the system of "special surveys". After this land passed out of his hands, Dendy moved about Victoria, visited England, then returned to settle in Eltham where he purchased a flour mill. Dendy chaired the meeting held in 1860 “for the purpose of devising such means as may be expedient for the establishment of a Church of England in the township of Eltham”. He became chairman and treasurer of the church committee. Unlike the establishment of many early churches in Victoria where a vicar was appointed to a parish and later a permanent church was constructed, the population at Eltham initiated action to build a church. The nearest church at that time was at Heidelberg and the Eltham settlement was part of the parish of St Johns Heidelberg. Isolation and the tedious, time consuming journey between Heidelberg and Eltham resulted in the Eltham community taking its own action. The original vicarage (Dendy House) at the rear of the church is also an important part of the cultural significance of this place because it is connected to the church and the development of the Eltham area. Together, the church and the vicarage are aesthetically significant because they form a significant streetscape feature. The mud-brick community hall designed by Robert Marshall was added in 1978. In 2014 the original temporary rear wall was removed as part of a modern extension designed by Architects Atelier Wagner and constructed by Conrad Construction and Management. Covered under Heritage Overlay, Nillumbik Planning Scheme. National Trust of Australia (Victoria) State significance Victorian Heritage Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p67 St Margaret’s Anglican Church in Pitt Street, Eltham, which officially opened on December 12, 1861, is the oldest intact church building in Eltham.1 With the nearby courthouse and police station, it was one of the first permanent community buildings in the district. The church and vicarage are on the Register of the Heritage Council of Victoria and the National Trust of Australia – Victoria. The church is important as an early example of polychrome brickwork by the notable architect Nathaniel Billings. It is also notable for its historic associations with the early settlement of the Shire of Eltham and its connection with Henry Dendy, Brighton’s founder.2 Henry Dendy, who lived in Eltham much longer than at Brighton, chaired the original meeting which planned the church, and he donated the half-acre (0.2ha) site. Dendy had arrived in Melbourne in 1841 after buying eight square miles (20.7sq km) at Brighton while in England. After this land passed out of his hands, he eventually settled in Eltham where he bought a flour mill, west from the corner of Main Road and Pitt Street (then called Brewery Lane). The vicarage was named Dendy House after him. The Eltham settlers were unusual in initiating the establishment of a church. Usually in Victoria a vicar was appointed to a parish and then a permanent church was constructed. But then, the nearest church was at Heidelberg, which was a tedious and time-consuming journey. St Margaret’s builder was a local, George Stebbing, who also constructed the former Methodist, later Uniting, Church at John Street and the Shillinglaw Cottage near Eltham’s Central Park. It is believed the first Anglican Bishop of Melbourne, Bishop Perry, dedicated the church. After the ceremony he joined in the festivities at the nearby pub and a bill was sent to the parish for teas taken there by the bishop with other participants. The first vicar was the Reverend Robert Mackie from 1864 to1866. St Margaret’s Church was originally called Christ Church until its consecration in 1871, when it was completely free of debt (£1700 pounds for the church and parsonage) despite the district’s poverty. This was largely due to the free labour and materials, including local bricks, donated by local artisans and others. St Margaret’s Church is in the Gothic Revival tradition with a buttressed nave, paired lancet windows, porch and bell-cote. It was the first polychromatic brick church in Australia, using softly contrasting coloured brickwork.3 Billing was one of the first architects to introduce polychrome brickwork into Melbourne. His original drawings for St Margaret’s survive in a folio of his architectural work. However the church’s brickwork is more subdued than in his drawings. About half the windows – those in clear glass with gold borders – are original. The stained glass windows were made much later, but the one behind the altar is thought to be the oldest in the Diamond Valley. It was to be temporary until the congregation could afford to extend the church. In the early 1960s the original cedar pews were replaced by blonde timber pews and the originals were sold to restaurants and to private individuals. Eminent local sculptor Matcham Skipper created a crucifix for the church. A major addition was made in 1978, when the weatherboard hall was replaced by a mud-brick hall. Made of local material, it was designed by local architect and a former shire president Robert Marshall. The mud-brick hall reflects the style of building in Eltham of the late 1970s and for which Eltham is well-known. Perhaps because its earthy tones blend with the surrounding environment, the hall sits well with the church building. St Margaret’s membership has included economist and ABC chairman, Richard Downing; political commentator, diplomat and academic, William Macmahon Ball; Eltham civic leader, Charles Wingrove; artist, Peter Glass; and Eltham’s first postmaster, Frederick Falkiner.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, st margaret's anglican church, st margaret's church, st margarets church hall, christ church

3 Shire of Diamond Valley Rates assessments issued jointly to Trevor and Gary Partington and their sisters, Mrs Elinor Rowe and Mrs Faye Fort. The locations of the land are Lot 41 Church Street and Lot 67 Scotland Avenue Greensborough. It is possible that this land was purchased by Alan Partington in his adult children's names.Part of the property owned by the Partington family in the original Greensborough farmland. 3 Rates notices, printed in red text with black typed details.Date stamped with rubber stampalan partington, william alan partington, partington family, land deals greensborough, church street greensborough, scotland avenue greensborough

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical SocietyStained glass leadlight in Holy Trinity Church, High Street, KewDorothy Rogers: "Rose Window, Chancel, Holy Trinity, Kew"holy trinity church, kew, high street, kew, dorothy rogers, stained glass

Digital photograph

Orange 4 ring Binder presented to Mrs Vera Wigley, wife of builder Evan Wigley containing photographs of the previous Methodist Church, and of the construction, opening and completion of the replacement Methodist Church buildings in 1963. The photographs are separately catalogued under Registration Numbers 11002-01 to 11002-10Cover: Ringwood Methodist Church. E.A.Wigley Builder. Photographs Inside presentation sheet: Presented to Mrs Vera Wigley from the members of the Ringwood Methodist Property Board as an expression of their affection for Evan. and with appreciation for his devoted work as a member of the Board. its Secretary and Property Steward. The Church Buildings will be a constant memorial to him.

2 Black and White photos of the Ringwood Methodist Church. Photos undated, but these buildings were demolished in 1963. These photographs are in the presentation album given to Vera Wigley in memory of her husband, builder Evan Wigley. See Registration Numbers 11002-00 to 11002-10 for the full set of photographs. Old Methodist Church

2 Black and White photos of the Ringwood Methodist Church roof during demolition in 1963. (Photos undated). These photographs are in the presentation album given to Vera Wigley in memory of her husband, builder Evan Wigley. See Registration Numbers 11002-00 to 11002-10 for the full set of photographs.

2 colour photos taken during construction of the Ringwood Methodist Church in 1963. Photos undated. These photographs are in the presentation album given to Vera Wigley in memory of her husband, builder Evan Wigley. See Registration Numbers 11002-00 to 11002-10 for the full set of photographs.

3 colour photo showing the Altar inside the newly built Methodist Church in 1963. These photographs are in the presentation album given to Vera Wigley in memory of her husband, builder Evan Wigley. See Registration Numbers 11002-00 to 11002-10 for the full set of photographs.