The book speaks about the beginnings of Legacy and the activities that Legacy engaged in up to the time of printing. There are several photographs of visiting dignitaries at various Legacy activities acknowledging the work of Legacy and the beneficiaries of the work of Legacy.Significant in that the work of Legacy, as the photographs show, is recognized by H.M. Queen Elizabeth II, and other serving and retired members of the armed forces of Great Britain. Hardback cover, colour burgundy, 234 pages in black type on white pages interspersed with various photographs of Legacy activities and H.M. Queen Elizabeth II, Lord Louis Mountbatten, H.E. Sir William Slim, Field Marshall Bernard Montgomery and Frank Partridge V.C. First published 1957. Reprinted 1970. Publisher Angus & Robertson. Author M.H. Ellis. Printed and bound by Halstead Press, SydneyFront cover, Legacy logo embossed in gold. Spine, The Torch, Ellis (the author) at the bottom of the spine Legacy: all embossed in gold.history, activities, objectives

Item donated to Colac RSL by the Baulch Family February 2008. Constructed of Otway Forest Blackwood. Made by Frank Nemec of Eden N.S.W High SignificanceBlackwood Timber Frame. Blue material cloth background, with photos and military badges. Banner - Blue material with gold writingPhoto Frame:- Upper Left. Private Frank Baulch. VX72238 + small Rising Sun Badge. Born 15/11/1911 at Glen Aire, Vic. Enlisted 15/2/1942 in Caulfield, Vic. Discharged 3/12/1945. 2nd/2nd Pioneer Battalion. Lower Left. Corporal Horace Baulch. VX869036 + Large Rising Sun Badge. Born 29/4/1942 at Colac, Vic. Enlisted 29/4/1942 at Seymour, Vic. Discharged 13/3/1946. H.Q. AMF School of Mechanization. Centre. Lance Corporal Stanley Baulch VX72233. Born 8/12/1914 at Gellibrand, Vic. Enlisted 19/1/1942 in Caulfield, Vic. Discharged 5/12/1945. 2nd/2nd Pioneer Battalion. Private Jack Baulch VX72232. Born 18/5/1917 at Colac, Vic. Enlisted 15/1/1942 in Colac, Vic. Discharged 29/1/1946. ? Battalion Lower Centre. Female Relatives Badges and Information sheet. Badges:- Sarah, Alice, Iris and Elizabeth Baulch. Photo Sarah and Fred Baulch. Upper Right. Alexander Baulch VX56771 + small Rising Sun Badge. Born 21/2/1919 at Collingwood, Vic. Enlisted 28/5/1942 at Royal Park, Vic. Discharged 20/11/1945. ? Batt. Lower Right. Norman Baulch. VX86902 + large Rising Sun Badge. Enlisted 28/5/1942 at Royal Park, Vic. Born 5/12/1921 at Colac, Vic. Enlisted 29/7/1942 in Seymour, Vic. Discharged 28/2/1945. ?Batt.

John Mitchell was born c. 1830 in Cornwall and travelled to Victoria with his father in 1853. Arriving in Bendigo they both worked as blacksmiths before his father returned to Cornwall. John plied his trade in Mundy Street, Bendigo before selling the business in 1865 after 11 years. Upon the discovery of gold in Western Australia, John travelled there and back three times before dying in Bendigo in 1902. He lived in Violet st., and left a wife, Elizabeth Hannah, and daughter, Mrs E Morris. Early business in Sandhurst in 1850s.An account book used by the John Mitchell to record the purchases and services made with his business. Records date from 1859 - 1868. The book has lost its front cover, but the back cover is still attached. The book is made up of several sections stitched together and bound with three pieces of cotton cloth. The pages are light blue with ruled columns. There are alphabetical tabs at the front of the book with lists of names. Individual customers are allocated a double page entry. Pages numbers are written at the top of pages. The book is in very poor condition having obvious signs of water and insect damage with visible patches of mold. The writing in the first quarter of the book is barely legible, remaining pages can be read.bendigo businesses, blacksmith, horse shoer, wheelwright

The Queen and Prince Phillip arrived in Australia on 3rd February 1954 for a two month tour of the country. In this time they visited all capital cities except Darwin and visited 40 country towns. Royal Winton china is made by Grimwades Limited in Stoke-on-Trent, England. The company was founded in 1885.Royal Winton China Plate commemorating Queen Elizabeth II visit to Australia. Cream China with Portrait of the Queen framed in a wreath of green leaves, flags and gold ribbons topped with crown. Edges heavily patterned and gilded. Royal Winton Grimwades.Made in England 9/53queen elizabeth ii, royal winton, 1954 visit to australia

Honi soit qui mal y pense is a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it". Wikipedia. Dieu et mon droit, which means 'God and my right', is the motto of the monarch of the United Kingdom. It appears on a scroll beneath the shield of the version of the coat of arms of the United Kingdom. WikipediaCoffee Mug with portrait of Queen Elizabeth II in center framed in blue with Honi- Soit- Qui -Mal -Y -Pense in border and crown on top. Thistle, clover and red flower either side. Dieu - Et - Mon -Droit in garland along bottom. On Back E II R with Crown in Centre- The Coronation of Queen Elizabeth II - June 2nd 1953. Gold gilding on rim of mug Empire England 1 53 coronation queen elizabeth ii, june 2nd 1953, queen elizabeth ii

George VI (Albert Frederick Arthur George; 14 December 1895 – 6 February 1952) was King of the United Kingdom and the Dominions of the British Commonwealth from 11 December 1936 until his death on 6 February 1952. He was also the last Emperor of India from 1936 until the British Raj was dissolved in August 1947, and the first head of the Commonwealth following the London Declaration of 1949, He married Lady Elizabeth Bowes-Lyon in 1923, and they had two daughters, Elizabeth and Margaret. KEELE STREET POTTERY (K.S.P) CO. LTD 1915–1958 Earthenware manufacturer at Keele St, Tunstall (to c.1958) and then at Meir Airport, Longton, as part of the Staffordshire Potteries Group.Coronation of King George VI and Queen Elizabeth c.1937 Commemorative Ceramic Mug. Individual Photo of King George and Queen Elizabeth surrounded by yellow wreath. 2 Flags either side. Crown in center of photos and G and E either side of Crown. Gold embossing on lip of mug. Writing at bottom of transfer is missing.KSP C England on basecoronation 1936, king george vi

King George VI was the second son of King George V and Queen Mary. He was Duke of York from 1920 to 1936, living in London and also (from 1932) at Royal Lodge, Windsor Great Park. In 1923 he married Lady Elizabeth Bowes Lyon; their elder daughter, later Queen Elizabeth II, was born in 1926. George VI succeeded to the throne on the abdication of his brother, King Edward VIII, in December 1936. Handkerchief produced as a souvenir for the Coronation of King George V1 and Queen Elizabeth on 12 May 1937. Images of the king and queen are set on either side of a circular view of Buckingham palace surrounded with representative flags and the Monarch's crown. Commonwealth (Empire) flags are placed at each corner. The British flag is below the image of the Palace. the flags are joined by a knotted circular gold coloured cord that traces the figures of the King and Queen. main colours are red, blue, white and gold on a cream background. handkerchief, coronation, 1937, king george vi

Gold locket with chain. Engraved on the back: 'Presented to G.A. Baird by the scholars of the Derby school'. On back of locket: 'G.A.B' No date given on locket but information from family states that he was the head teacher of Derby State School in the early 1900's. George Alexander Baird was born at Oxley on June 5th, 1870, the son of Mary Ann Young McEwing and William Baird. He qualified for admission for teacher training in 1892. He is listed in the Electoral Roll for the Division of Bendigo in 1905, living in Derby and described as a school teacher. George Baird married Doreen Elizabeth Wellington on 28 December, 1940. He died in 1951.education, primary, derby state school

This tunic and cap were worn by Major General H H (Tack) Hammer CBE DSO & Bar, ED when Honorary Colonel 8th/13th Victorian Mounted Rifles Regiment 1959-1960 Hammer had pre-WWII service with 8th Battalion and 17th Light Horse (Machine Gun) Regiment. He served with the 6th Division in North Africa and Greece before becoming Commanding Officer of 2nd/48th Battalion. On return from the Middle East, Hammer commanded the 15th Brigade throughout two years of fighting in New Guinea and Bougainville. After the war, Hammer became Commissioner for Repatriation in Victoria and continued his military career in the Citizens Military Forces, commanding the 2nd Armoured Brigade and later 3rd Division. Open-neck officer's 'Blues' tunic with gold braided general's epaulettes and Major General's embroidered badges of rank; gilt general's buttons; red and gold braided aiguillette and white gloves. Uniform worn by Major General H H (Tack) Hammer when appointed as Honorary colonel of 8th/13th Victorian Mounted Rifles. Medals awarded to Major General Hammer are Commander of the British Empire (CBE), Distinguished Service Order (DSO), Mentioned in Despatches (MID), 1939-45 Star, Africa Star, Pacific Star, Defence Medal 1939-45, British War Medal, Australian Service Medal 39-45, Queen Elizabeth Coronation Medal, Efficiency Decoration (ED). General's peak cap with gold bullion hat badge and double row of oak leaves on peak. Medals on display are replica.8/13 vmr, military, hammer, honorary, colonel, general, world war two, wwii, cmf

Part of a large donation of items once owned by members of the Christian-Washfold families of Kew. Henry Christian (c.1809-91) was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater (1886-1962) was the oldest.Gold scales encased in a rectangular hinged Japanned tin case. Old label on inside of case unreadable. String requires repair and audit of components.gold scales, christian-washfold collection

Colour photograph. From Lonsdale street looking north towards building. Front entrance, constructing access ramp and restoring stairs. 'The Queen Elizabeth Block' in gold above archway. Person in dark clothing in middle o frame. White sedan on right side of frame. Taken during restoration inspection.historic buildings, building construction

Small round gilt bronze commemorative medal with loop. Red, white and blue striped ribbon attached to the loop with a small gold coloured safety pin. Profile of HM Queen Elizabeth II on obverse surrounded by the inscription "CORONATION OF QUEEN ELIZABETH II JUNE 2ND 1953" and "AMOR" near the left shoulder. The City of Caulfield Coat of Arms (unofficial version) is depicted in the centre surrounded by the inscription "CITY OF CAULFIELD VICTORIA" around central coat of arms. Some abrasion and rust evident on both sides.Obverse - "CORONATION OF QUEEN ELIZABETH II 2ND JUNE 1953" around Head of Elizabeth II and "AMOR" near Queen's shoulder- Reverse - "CITY OF CAULFIELD VICTORIA" around central coat of arms.

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, the skirt portion of this dress (along with the bodice T0004.3) was made for either Elizabeth or Cecilia to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand and machine sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1890. This dress shares a skirt with T0004.3, which dates from circa 1840. The bodice features a high scoop neckline with gathers at the base of the scoop and directly below where the bodice finishes creating fullness over the bust. The bodice front encloses the bust with a right panel over the top of a left panel and securing with two hook and eye closures over the left shoulder. The panels are secured together with 15 hook and eye closures. The sleeves are set neatly on the true shoulder and are elongated full puffs to just above the elbow. The fullness is created by nine pleats from the top of the shoulder over the back of the shoulder. At the base of the sleeve the fullness is gathered just above the elbow. At the centre back of the bodice are four inward facing pleats running from the centre neck to the waist. The bodice is secured around the waist with a tape and four hook and eye closures. The bodice is boned around the sides and back of the torso with eight bones. This bodice is finished at the waist with a pleated cummerbund of the dress fabric that is designed to appear to be a sash with two decorative bows. One front left of centre and one back right of centre. The skirt secures at the waist with an opening to the left of centre at the back. The skirt gathers tightly at the centre back with a dart on either side. The skirt has a front central panel and the skirt falls to floor length. At the back, the skirt is also floor length. The back of the skirt may have been modified at some time and may have originally finished in a train. It would be more appropriate to the period of the bodice, and the believed use of the dress with a train.cecilia elizabeth adams, elizabeth emma adams, queen victoria, tower house, woodchester, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, 1890s fashion

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, both this dress and the dress T0004.1 were made for Elizabeth and Cecilia, to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1840. This dress shares a skirt with T0004.2, which dates from a different period (circa 1890). The bodice features a wide shallow neckline finished with a beige coloured cord in two decorative lines. The sleeve is set on the true shoulder and is a short fitted sleeve with decorative gathering and two lines of corded detail. The bodice is shaped to the body with 2 sets of six fine knife pleats diagonally positioned narrower over the waist and spreading out over the bust. These pleats are secured with six double lines of stitching. The bodice finishes high on the waistline at either side and points down to a point over the centre front. The base of the bodice is finished with a piped edge and beige decorative cording. The bodice encloses the body at the centre back where it has holes that presumably would have held lacing. The back features four diagonal knife pleats finishing at the centre back and splaying out over the shoulders. The waistline at the back features only a very gentle point.cecilia elizabeth adams, elizabeth emma adams, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, queen victoria, drawing room ball, 1840s fashion, tower house, woodchester

This dress was made for and belonged to Mrs Elizabeth McLachlan (nee Duncan, 1820-1904), wife of Reverend John Hamilton McLachlan (1813-1908), who was the first Minister of St Cuthbert's Presbyterian Church in Brighton. Elizabeth and John were married at the Free Church of Ayr at Lindsaystonn in the Parish of Kirkmickach, Ayrshire, Scotland on 15 October 1849. At this time his occupation was listed as "Minister of Presbyterian Church" and hers as "Governess". They left for Australia on the 1 November 1849 and arrived in Australia 6 months later. Apparently John's hair turned snow white during the journey due to his seasickness! The McLachlans first went to Geelong upon their arrival in 1850, then to the Western District, then Brighton, then Talbot at the height of the gold mining era. The couple had seven children: John Campbell Duncan McLachlan (b. Geelong, October 1850), Mary McLachlan (b. Geelong, November 1851), Agnes McLachlan (b. Hopkins River near Wickliff, May 1853), twins Elizabeth and Walter McLachlan (b. June 1854), Elizabeth McLachlan (b. Hesham, June 1855), Margaret McLachlan (b. Brighton, 1857). Elizabeth died in 1904. She and John are both buried in Amherst Cemetery. The dress was donated by one of her granddaughters. This circa 1849 silk blue grey window pane check dress features a high round neck and pleats on either shoulder extending over the natural shoulder line. The dress shows evidence of nine ornamental buttons down the centre front with only four blue silk buttons currently still attached. The dress fastens with thirteen concealed hook and eye closures to the waist. The Pagoda sleeves inset into the bodice in a small high armhole flaring out and finishing just below the elbow. A pale blue silk ribbon with a diagonal drawn stitch design decorates the front of the sleeve in a simple geometric design. The Pagoda sleeve is lined in a matching pale blue silk. The full skirt is pleated into the waistband and finishes just above the floor at the front. At the back the bodice features a squared off design to the princess panels shaping the dress into the body. The skirt is heavily pleated at the centre back into the waistline and finishes slightly longer at the back than the front. The skirt features two very small pockets on either side of the dress, just inside the hips. reverend john hamilton mclachlan, st cuthberts presbyterian church brighton, elizabeth mclachlan, amherst cemetery, 1840s fashion, brighton

From 1979, the John Wilson Award was awarded to individuals who made a significant difference to the lives of those around them. To publicly acknowledge this, a signboard was established and hung at the Kooyong Centre. The top of the board was inscribed with the words 'Vision Australia Foundation' and the eye logo is located in the top left-hand corner. Below this is written: "The following recipients have made a notable contribution towards blind and vision impaired people. 1979 Agnes M. Tweedie, 1980 Elizabeth I. Lindsay, 1981 Flora Douglas, 1982 Edna Wilson, 1983 Herbert J. Brumby, 1984 Joanne Trumble, 1985 Arthur Nothling, 1986 Colin & Margaret Fox, 1987 Katharine M. Rose, 1988 Bryan G. Sitlington, 1989 Edna Swanson, 1990 Ellena F. Little, 1991 Neil McCrae, 1992 Lillian Dethridge, 1993 John A. Blanch, 1994 Winsome Baker, 1995 Barry Farnsworth, 1996 Harold Gration, 1997 Merle Wootten, 1998 Norma Crook, 1999 Thelma Royal, 2000 Neil & Elizabeth Maxwell, 2001 Elaine Leahy, 2002 Norman & Bernice Anderson, 2003 Gwladys Jeavons, 2004 Eve Lustig, 2005 Shirley Admans.Wooden board with frame and gold letteringawards, vision australia foundation, association for the blind

In 1980 the John Wilson Award was given to Elizabeth Inez Lindsey. The citation reads: The Committee, Blind Members and Staff of the Association for the Blind pay tribute to, and record for posterity, the sustained love and devotion of Elizabeth Inez Lindsey to the blind children entrusted to her care between 1935-1945 as the first Matron of the Royal Victorian Institute for the Blind Nursery, and her continuing influence for good in their lives hereafter. In particular, at his request, we recall her greatness of heart in applying for the guardianship of Barry Farnsworth, despite his serious disability, and her acceptance of him into her own home where she lavished affection and cared for him physically, mentally and spiritually as long as she was able and thereafter to this day continued faithfully and unwaveringly to serve and protect his interests. We present our respects to Sister Lindsey who has consistently reflected, in and through her life of service, enduring love and compassion and now honour her in the presentation of the John Wilson Award. 1 A3 cream page in gold frameassociation for the blind, elizabeth lindsey

Members of the Victorian Blind Indoor Bias Bowls Association won 13 medals at the recent championships held in Queensland. Initially beginning as a small self-help group at the Association for the Blind, the group of Ken Gunning, Gloria Pascoe, Bill Muller, Rose Del-ZMonaco, Sally Leighton, Bill Lovett, Athol Blain, Alma Box, Pat Gaze and Frank Bartoli came way with five gold, four silver and four bronze medals. Pictured is Sally Leighton on the green.1 white page with black writing and colour photographnon-fictionneil maxwell, association for the blind, elizabeth maxwell, sally leighton

Life Governor certificates awarded to Elizabeth Maxwell (1989) and Neil Maxwell (1992). Elizabeth's certificate has black and gold writing, with a golden AFB Guiding Light symbol, and is signed by Diana J Jones and John Cook. Neil's certificate has black writing, with a black and blue AFB logo, with horizontal lines and a black 'Pacman', and is signed by John Moule and John Cook.2 styles of Life Governor certificates, awarded in 1989 and 1992non-fictionAssociation for the Blind Life Governor This is to certify that Elizabeth Maxwell Glen Iris was elected a Life Governor on the Twenty-Eighth day of August 1989 by Order of the Committee Diana J Jones - President John Cook - Secretary Association for the Blind Life Governor This is to certify that Neil Maxwell Glen Iris was elected a Life Governor of the Association for the Blind on the Eighteenth day of September 1992 by Resolution of the Committee John Moule - President John Cook - Secretaryelizabeth maxwell, neil maxwell, association for the blind

Mayor Harkness is best known for abolishing liquor from the Town Hall and replacing the Mayor's Ball with a Monster Sunday School Picnic for children which took place in Ravenswood in 1883 and was attended by 15,000 people. Abraham Harkness arrived in Victoria in 1857 aged 28. He was initially successful in his search for gold and after a return trip to England in 1862 returned to Bendigo where he opened a general store and then a foundry manufacturing mining machinery. He stood for council from in 1880 and was elected a further eight times over the next twenty years. Cr Harkness served as Mayor in 1882, 1897 and 1898. His son Andrew became Mayor in 1908-09. Abraham Harkness married Jane Elizabeth Noble in Bendigo in1864 and together they had six sons and five daughters. Abraham died in 1912 and Jane in 1927. This elegant silver service was gifted to Mrs Harkness by her husband the Mayor in remembrance of the event and then gifted back to the City.Four piece Victorian tea and coffee silver service consisting of tall coffee pot, tea pot, two handled covered sugar basin and covered cream jug. Oval, chamfered shaped base tapering at top. Bodies are decorated with foliate decoration and central finial entwined with cartouche which holds either the Bendigo Coat of Arms, or the entwined initials J E H except the large coffee pot which has engraved dedication to Mayoress Harkness instead of the Coat of Arms. Insulated handles on pots. 0432.1 Coffee pot 0432.2 Teapot 0432.3 Sugar Pot 0432.4 Cream Jug Stamped back top left of each part and inside lids - Makers Mark: Martin, Hall & Co (Richard Martin & Ebenezer Hall). Hallmarks; (Lion) sterling silver, (Panther head) London Assay Office, (Women's head in left profile) duty paid, (A)1876 on coffee pot, (G) 1882 on other three pieces.mayor harkness, mayoress harness

p.407.fictionCharles Kingsley's Westward Ho! is the novel after which the English seaside village was named. The story follows the adventures of Amyas Leigh, an obstinate young man who decides to go sailing. He settles for a certain period in the Caribbean islands searching for gold and succeeds in making a little fortune. He then decides to go back to England by the time of the Spanish Armada, a sixteenth-century Spanish fleet that intended to invade England and overthrow Queen Elizabeth I for rivalry over colonies in the Netherlands, the Atlantic and the Pacific. Much of the novel describes the struggles between the two world powers, picturing the continuous naval battles that they engaged in. Amayas becomes greatly concerned when the Spaniards abduct his brother Frank Leigh as well as an admired local beauty named Rose Salterne. Furthermore, Amyas's life turns into a sad tragedy when he is further struck by a thunderbolt that costs him his eyesight. Generally, Kingsley gives the story a religious touch by making the war between England and Spain equally appear like a war between Protestantism and Catholicism, particularly when he shows how English hostages are often burnt at the stake by the Catholic Inquisition. england - fiction, spanish armada

Blue hardcover book, The Old Helmet by Catherine Shaw, with floral design on front cover and spine. Gold lettering with Coles Favourite Library stamped on front cover.fictionA religious story written by Elizabeth Wetherell aka Susan Warner, set in the English countryside in the late 1800'sfiction books, religion fiction

A navy blue hardcover novel, The Old Helmet by Elizabeth Wetherell. The gold title is printed in a recessed rectangle on the front cover with Cole's Favourite Library embossed at the bottom. The title and publisher are in gold on the spine.fictionA story of Eleanor a lost soul seeking her creator. She finds love and her faith.fiction, books, religious stories

A pair of frameless spectacles with a tiny gold chain holding one gold earpiece. It has a metal snap case covered in black leather with black velvet lining.Case: "Ophthalmic Optician Percy Bingemann London House (2nd Floor) 97, Elizabeth St, Melbourne"spectacles, spectacle cases

George Seddon, Gardener and Foreman, Ballarat Botanical Gardens. Carole Townsend, daughter of George Seddon at opening of the "Faces in the Street: Portraits of Ballarat Lives" exhibition at the Gold Museum. Courier newspaper. Also Royal Visit of Queen Elizabeth to the Ballarat Botanical Gardens, 1954. Also snow in the gardens, November 1949 at 7.30am, matron and nursing sisters from the Ballarat Base Hospital.Firsthand account of a Gardener and Foreman of the Ballarat Botanical Gardens for 25 years, c.1952-1977.All visibleAll visiblejohn garner collection, garner, dr, seddon, gardener, ballarat, ballarat botanical gardens, interview, townsend, courier, newspaper, gardens, foreman, tom beaumont, keel house, quarantine, begonias, statues, ballarat city council, changes in the ballarat botanical gardens over time., queen elizabeth, mayor, 1954, snow, nurses

In late 1883 the Melbourne based photographers Stevenson and McNicoll visited the Bacchus Marsh township and nearby districts. They are known to have been visiting the town in September 1883 and by November 1883 they were reported to have moved on to Myrniong and Ballan. During their visit they took numerous photographs. The images produced comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses and their owners and several broader views of streets. The photos were then offered for sale. Photography businesses also sold albums for purchasers to display their photos.A unique and comprehensive set of images of people and places in the Bacchus Marsh town and district at a particular period in time, September-November 1883. This album of "carte de visites" photographs presents a rare compilation of the work of the Stevenson and McNicoll photography business. This team of photographers are known to have made several visits to towns and districts in the rural areas of Victoria and southern New South Wales in the 1880s and this album represents a very rare example of their non-portrait photography. The album is an example of the Victorian middle-class fashion to display family photographs for themselves and their visitors. These albums were often very expensive and in themselves evidence of the affluence of the family. They were made possible by the popularisation of photography as a social medium and were a forerunner of the coffee-table book. Medium sized leather-bound album, brown, front cover engraved with gold tooling in a starburst pattern. Pages are gold-lined. The inside front and end covers are in pale blue silk embossed with a gold floral pattern. The metal locking clasp is broken. The front page has a floral wreath of roses and forget-me-nots and a dragon-fly. The word "Album" is in the centre of the wreath, printed in gold in Gothic print. There are nine pages with pockets for four 65mm x 105mm sized "carte de visites" style photographs. Several feature pages have a single pocket for a larger photograph, or double pockets, possibly designed for family portraits. These portrait pages are also decorated with floral wreaths and insects, reflecting the theme of the frontispiece page. The smaller photos in the album were taken by the Melbourne photographers Stevenson and McNicoll, There are 48 of these smaller images. The images were created around September 1883 when photographers for Stevenson and McNicoll are known to have visited Bacchus Marsh and district. The images comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses with their owners and several broader views of streets. References to various photos being created and being available for sale are mentioned in the Bacchus Marsh Express newspaper during September to November 1883. Each smaller photo has printed on the verso: Light & Truth. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to Stevenson & McNicoll, late Benson & McNicoll, Photographers. 108 Elizabeth Street, Melbourne.bacchus marsh vic. history, streetscapes, shops bacchus marsh vic., roads and streets bacchus marsh vic., stevenson and mcnicoll photographers, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

This image shows the house occupied by Thomas Mason and his family in 1883. The man in the centre of the image holding the reins of the horse is possibly Thomas Mason. One of the two women seated in the buggy is possibly his wife Catherine Mason (nee Whelan). This house was built by grazier George Palmer Hall around 1846-1848 north of what is now Lerderderg Street, Bacchus Marsh, at a point close to the Lerderderg RIver. The house and the accompanying farm of over 5,000 hectares was leased by George Ball to George Hobler in the late 1840s and early 1850s. During this time George Hobler's daughter Emily married Henry Bacchus the son of Captain William Bacchus. By 1865 Thomas Mason had purchased the property. Mason named the property Riverton. After his death in the 1890s the property was owned by a number of different people. The house was still in use until 1999 but since this time has been unoccupied and its condition has significantly deteriorated.This image is significant because it depicts one of the earliest houses built in the town of Bacchus Marsh. It is probably the earliest surviving image of this Bacchus Marsh pre-gold rush structure.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a brick house, with an iron roof and with a white picket fence around the front garden. There is a buggy to the left of the image with two women seated in it. A man stands in front of the buggy holding the reins of a white horse which is harnessed to the buggy. Further to the right of the image is an older man with his hands in his pockets. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, george hobler 1800-1882, henry bacchus 1820-1887, emily bacchus, mason family bacchus marsh

The Cheese Factory in this image was opened around 1879 by Mr. G.G. Pearce. It was in Waddell Street. It was one of the first cheese factories in Victoria. It was later owned and operated by William Telford with the assistance of John Mahon. The factory was described in the Bacchus Marsh Express newspaper as an important business and service for the region. G.G. Pearce was reported to have spent a good deal of money in setting up the factory to ensure it was one which produced high quality cheese using modern methods of production. The factory was sold in 1889 to a Mr. H. W. King who was from Abbotsford in Melbourne. Unfortunately within a few days of Mr King buying the factory it was completely destroyed in a fire. All that was left were two large pine trees and two large underground concrete tanks.G.G. Pearce was described as a pioneer of cheese factories in Victoria. His first factory was just outside of Bacchus Marsh at Hopetoun. Around 1879 he moved into Bacchus Marsh and opened a new purpose built factory in Waddell Street. The Bacchus Marsh Express newspaper reported that no expense had been spared in constructing this factory. The factory was completely destroyed in a fire in 1889 which makes it fortunate that this image was captured of this early cheese factory in Victoria.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. The image shows a group of men and women standing in a row in front of the Bacchus Marsh Cheese factory. One of the women is holding a small child. In front of another woman stands a young boy. Behind them is a covered wagon with a man seated upon it. Some of the men and women are wearing long aprons. In the background is the Cheese Factory. It is a large wooden structure with a high and steep pitched roof.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE stevenson and mcnicoll 1883 photographs of bacchus marsh and district, cheese factories, bacchus marsh cheese factory