Showing 199 items matching " labelling machine"
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National Wool Museum
Textile - Children's Clothing Set, Kathryn Knitwear, c.1965
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Three-piece brown and yellow outfit consisting of jumper, pants and hat. Jumper is long sleeved with a high crew neck and five yellow stripes above ribbing along bottom. Pants are brown with wide legs that dramatically taper into the ribbed cuff at bottom. Body of hat is brown and tapers into a long point and has a brown and yellow pompom at the tip. The hat is shaped with a tuck at the back neck near cuff..1 [Label at back neck of jumper with blue lettering woven into label] KATHRYN REGD / 24 ALL WOOL CREATED BY ROBERT BLAKEknitwear, clothing, children's knitwear, children's clothing, manufacturing, fashion textile production, machine knitting, clothing set, pom poms, wool -
National Wool Museum
Tool - The Austral Unit Calculator, Industrial Consultants, c.1960
Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Measuring instrument with five circular white layers and one long transparent plastic ruler on top. Transparent layer is now yellowed, was likely originally clear. All of the layers connected with a metal rivet at the centre, allowing the discs and line indicator to move in relation to each other. Discs are labelled (inside – outside) Cost per Thousand Overall Unit Hour U/S [units] produced in 1000s No. of persons Bonus Percentage 9017.2 Black leather case with white block letter printing [9017.3 - 9017.5] Inside case are three notes (one printed, two handwritten) that provide instructions for using the calculator[label on obverse of case] THE AUSTRAL UNIT CALCULATOR ISSUED BY INDUSTRIAL CONSULTANTS, MELB MADE BY MELB >W&G< AUST.business, business history, manufacturing history, calculator, textile fibres textile history -
Alfred Hospital Nurses League - Nursing History Collection
Accessory - Posey Restrainer/harness, J T Posey CO, 20250626
A Posey vest is a type of medical restraint used to restrain a patient to a bed or chair. Its name comes from the J.T. Posey Company, its inventor, though the term "Posey" is used generically to describe all such devices. The vest is placed on the patient, and meshy straps extending from each corner are tied either individually to each side of the bed or together to the back of a chair. Poseys are most often used to prevent patients from injuring themselves by falling or climbing out of the bed or chair. They allow patients the freedom to move around their arms and legs if no limb restraints have been applied. This item was used as a physical restraint to keep restless patients safe, prevent falls from bed or chair if the patient was restless or unstable. Nurses used this for patient safety - a controversial issue with advances in care. off white mesh synthetic fabric for main vest body, green biased binding trim, machine stitched to edge with zig zag stitch. strapping sewed across the back chest of vest with adjustable buckles for tightening of harness. strapping threaded through base of vest to allow tighteningmarked with black ink on strapping 176-87, see photograph of label for detailspatient restraints, ahnl, nursing care, falls prevention, care appliance -
Bendigo Historical Society Inc.
Costume - Skirt made by BRIT (Bendigo Regional Institute of TAFE) student
White cotton skirt made by a BRIT (Bendigo Regional Institute of TAFE) student. Machine made pleated skirt with rear zip fastening. Four knife pleats on front LHS. Date unknown. Label - Bendigo Regional Institute of TAFE, Fashion Departmentbrit, bendigo regional institute of tafe -
Bendigo Military Museum
Uniform - SHIRTS, SERVICE DRESS, ARMY, 1982, 1983, 1991
1. 2. 3. Shirts - khaki colour, cotton/polyester, long sleeves with button cuff, collar, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. White cotton fabric manufacturers label, back below collar. 2. Left sleeve - fabric shoulder patch. Rising Sun Badge with Queen's Crown and lettering embroidery. "THE AUSTRALIAN ARMY".Manufacturer's information - black ink print. 1. "A.G.C.F./ VIC 1982/ ^ / 8405.66.088.7068/ SIZE 41/84/. SERVICE NO./ NAME/ DO NOT BOIL. OR WRING/ MACHINE WASHABLE/ DRIP DRY IRON NIGHTLY/ WITH WARM IRON". 2. "A.G.C.F./ VIC 1983/ ^/ 8405.66.088.7065/ SIZE 40/88". SERVICE NO./ NAME/ DO NOT BOIL. OR WRING/ MACHINE WASHABLE/ DRIP DRY IRON NIGHTLY/ WITH WARM IRON". 3. "ADI/ VIC 1991/ ^/ 8405.66.088.7102/ SERVICE NO./ NAME/ 65% POLYESTER/ 35% COTTON" "DO NOT BOIL. OR WRING/ MACHINE WASHABLE/ DRIP DRY IRON NIGHTLY/ WITH WARM IRON". uniforms, army, service dress, shirts, passchendaele barracks trust -
Bendigo Military Museum
Uniform - SHIRT, SERVICE DRESS, ARMY, Australian Defence Industries, 1976
Shirt, Khaki colour, cotton/polyester fabric, long sleeves with button cuff, collar, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. White cotton manufacturers label, back below collar.Manufacturers information - black ink print. "SALCO MFG.CO./ VICTORIA ^ 1976/ SIZE 39-81/ 8405-66-088-7058/ SERVICE NO./ NAME/ DO NOT BOIL OR WRING. MACHINE WASHABLE DRIP DRY. IRON/ LIGHTLY WITH WARM IRON".uniform, army, service dress, shirt, passchendaele barracks trust, -
Geoffrey Kaye Museum of Anaesthetic History
Machine - E.M.O. Ether Vaporiser, sectioned, Dr H.G. Epstein, c. 1956
Irregular cylindrical grey inhaler that has been sectioned for teaching purposes. The centre dial is labelled "E.M.O. ETHER INHALER", and controls for the percentage volume of ether released, from "close for transport" to 20%. The sectioned areas of the apparatus have been painted yellow and expose the vaporising chamber, wick, ether level indicator, temperature compensating valve, air bypass chamber and mixing chamber. anaesthesia, vaporizer, vaporiser, sectioned, inhaler -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Cylinder, Nitrous Oxide
Nitrous oxide has been used for anaesthesia in dentistry since December 1844, where Horace Wells made the first 12–15 dental operations with the gas in Hartford. Its debut as a generally accepted method, however, came in 1863, when Gardner Quincy Colton introduced it more broadly at all the Colton Dental Association clinics, that he founded in New Haven and New York City. Hospitals administer nitrous oxide as one of the anaesthetic drugs delivered by anaesthetic machines. Nitrous oxide is a weak general anaesthetic, and so is generally not used alone in general anaesthesia. In general anaesthesia it is used as a carrier gas with oxygen for more powerful general anaesthetic drugs.Medium size empty blue coloured cylinder with rounded base and painted white neck once containing Nitrous Oxide. A large blue on white diamond shaped label is adhered onto the main cylinder body.Printed on manufacturer's label: 'CIG [logo] / [blank weights table] / DRY / NITROUS OXIDE / C.I.G. (Victoria) PTY. LTD. / 50 LA TROBE STREET, MELBOURNE C3 / Telephones: FJ 6681 / FJ 4164 / USE NO OIL / OR GREASE'nitrous oxide, dental anaesthesia, dental anesthesia, gardner quincy colton, colton dental association -
Clunes Museum
Functional object - APOTHECARY BALANCE SCALES, W & T AVERY, 1800'S
Founded in the early 18th century, the company was renamed W & T Avery in 1818. In 1979, GEC took over the company and renamed it GEC-Avery. In 2000, the US-American company Weigh-Tronix acquired the business and it is now known as Avery Weigh-Tronix. BELONGED TO JOHN PATIENCE OF CLUNES, FORMERLY IN HIS CHEMIST SHOP FOR DAILY USEWOODEN BOX WITH DRAWER AND THREADED HOLE IN LID TO ACCOMODATE THE CENTRAL POLE OF THE SCALE ASSEMBLY. BOX CONTAINS SCALES ASSSEMBLY AND WEIGHTS .1 WOODEN BOX .2 DRAWER TO FIT BOX .3 .4 PIECES OF WOOD FINISHED ON ONE SIDE WITH BLUE FELT - ORIGINALLY AFFIXED TO THE DRAWER TO CREATE A SMALL COMPARTMENT WITHIN THE DRAWER .5 WOODEN CYLINDER WITH LID CONTAINS A SET OF METAL PENNYWEIGHTS RANGING FROM ONE TO SIX, W & T A STAMPED ON THE REVERSE OF EACH WEIGHT, ONE SINGLE WEIGHT 2OZ AND ONE SINGLE WEIGHT 1/2 OZ STAMPED ON REVERSE, THREE OTHER LIKE WEIGHTS WITH NO STAMPING. FOUR SQUARE BRASS SCRUPLES WITH "6" STAMPED INTO EACH. .6 ONE SET OF SIX BRASS TROY WEIGHTS NESTED .7 METAL ASSEMBLY PIN FOR THE SCALES .8 SCALE ASSEMBLY OF UPRIGHT POLE, BALANCE BAR, TWO METAL DISHES WITH METAL CHAIN ATTACHED .9 TWO UNSTAMPED METAL CIRCULAR WEIGHTS .2 YELLOW LABEL AFFIXED TO THE BACK OF THE DRAWER: w & T AVERY, LATE T BEACHMANUFACTURERS OF ALL KINDS OF SCALES, SCALE BEAMS ,STEELYARDS ,PATENT WEIGHING, MACHINES, SCREW PLATES, DIE STOCKS, SCALE DIGBETH BIRMINGHAM .5 STAMPED ON REVERSE OF PENNYWEIGHTS: "STANDARD" WITH A CROWN IMAGE AND W & T A - FADING LABEL WITH F C DEIG PRINTED OTHER INFORMATION ILLEGIBLE .8 DISHES STAMPED WITH: ROYAL BY HIS MAJESTIES LETTERS PATENT weighing instrument, apothecary scales, gold scales -
Bendigo Military Museum
Uniform - SHIRT, TROUSERS, WORK DRESS - ARMY, Australian Defence Industries, 1995
DPCU (Disruptive Pattern Camouflage Uniform) Work dress. Colours light to dark green through to light to dark brown. Cotton/polyester fabric. Khaki colour plastic buttons. 1. 2. & 3. Shirts - work dress. Collar, shoulder epaulettes, two front pockets with concealed button closure flaps. Front five buttons with concealed placket. Long sleeves with cuff. 1. Name patch has been sewn on "GRULKE". Rank Insignia on both sleeves - 3 stripes - Sergeant. Australia colour patch - top left sleeve. 4. & 5. Trousers - new style, two side pockets, two large patch side pockets with two button closer flaps. One back patch pocket with button. Belt loops with buttons. Nylon/metal zipper fly. DPCU pocket lining. Manufacturers label on right front pocket lining.Manufacturer's information on label - black ink print. 2. "ADA/ VICTORIA/ 1995/ ^ / 8415-66-130-0027/ SIZE 92s/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE/ DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH/ A1". 4. & 5. "ADI/ VICTORIA/ 1995/ ^ 8415-66-134-8921/ SIZE 95r/ CUT NO 3603/ SERVICE NO/ NAME/ 50% POLYESTER 50% COTTON/ MACHINE WASHABLE DRIP DRY ONLY/ DO NOT IRON DO NOT STARCH/ DO NOT BLEACH"passchendaele barracks trust, uniform, army, work dress, dpcu -
Bendigo Military Museum
Uniform - SHIRTS, SERVICE DRESS, ARMY, Australian Defence Industries, 1984, 1990, 1992
Service Dress Shirts. 1. 2. 3. Shirts - Khaki colour cotton/polyester, short sleeves, collar, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. White cotton fabric manufacturers label on back below collar. 2. Left sleeve - fabric shoulder patch. Rising Sun Badge with Queen's Crown and lettering embroidery, "THE AUSTRALIAN ARMY". 3. Right and left sleeves - Rank Insignia patch. - Two stripes - CORPORAL.Manufacturers information - black ink print. 1. "AGCF/ VIC 1984/ ^ / 8405.66.093.8318/ size 39/ SERVICE NO/ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY/ IRON LIGHTLY/ WITH WARM IRON" 2. "ADI/ VIC 1990/ ^/ SIZE 39/ 8405.66.133.5954/ size 39/ SERVICE NO/ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY/ IRON LIGHTLY/ WITH WARM IRON"" handwritten blue ink pen. Service No.- Illegible name "Hosking". 3. "AGCF/ VIC 1992/ ^/ SIZE 39/ 8405.66.093.8318" / SERVICE NO/ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY/ IRON LIGHTLY/ WITH WARM IRON"passchendaele barracks trust, uniforms, army, service dress, shirts -
Bendigo Military Museum
Uniform - SHIRT, WORK DRESS, ARMY, 1987
Work dress shirt. Shirt - green colour cotton/polyester fabric, short sleeves, collar, shoulder epaulettes, two front pockets with button down flap. Green colour plastic buttons. Green colour cotton fabric manufacturers label back below collar. Commonly known as "Greens". Right and left sleeves - Rank Insignia patch - Queen's colour - Warrant Officer Second Class.Manufacturers information - black ink print. "AGCF/ 1987/^/ SIZE 39/81/ 8405.66.093.2434/ service no/ name/ do not boil or wring/ machine washable/ drip dry, iron lightly/ with warm iron" Handwritten in black ink pen "R. HOSKING".passchendaele barracks trust, uniforms, army, work dress shirt. -
Bendigo Military Museum
Uniform - SHIRT, SERVICE DRESS, ARMY, 1990
Shirt - Khaki colour cotton/polyester, short sleeves, collar, shoulder epaulettes, two front pockets with button down flap. Plastic buttons, white cotton fabric, manufacturers label, back below collar. Right and left sleeves - Rank Insignia cloth patch - Australian Coat of Arms with wattle embroidery - Warrant Officer Class One. Left sleeve - fabric shoulder patch. Rising Sun Badge with Queen's Crown and lettering embroidery, "THE AUSTRALIAN ARMY". Right sleeve - GOLD COLOUR EMBROIDERY - crossed hammer & pincers - Australian Army Artificer RAEME qualification patch.Manufacturers information - black ink print. "ADI P/?/ 1990/ ^/ SIZE 44/ 8405.66.133.5959"/ SERVICE NO/ NAME/ DO NOT BOIL OR WRING/ MACHINE WASHABLE/ DRIP DRY, IRON LIGHTLY/ WITH WARM IRON".passchendaele barracks trust, uniforms, army service dress, shirt -
Geoffrey Kaye Museum of Anaesthetic History
Machine - EMO (Epstein, Macintosh, Oxford) Ether Inhaler & Vaporiser
The Epstein, Macintosh, Oxford vaporizer (EMO) was designed in 1952 by Dr H. G. Epstein and Sir Robert Macintosh of the Nuffield Department of Anaesthetics at the University of Oxford, with the aid of their technician, Mr Richard Salt. It was essentially a refinement of their earlier Oxford vaporizer and designed specifically to deliver ether in known concentrations, irrespective of the temperature of the ether. Robert Macintosh was born at Timaru New Zealand in 1897. In December 1915 he travelled to Britain and was commissioned in the Royal Scots Fusiliers, soon transferring to the Royal Flying Corps. He was shot down behind enemy lines on 26 May 1917 and taken prisoner, escaping several times. When the war ended he returned to medical school and qualified in 1924 as MRCS LRCP. Macintosh's initial intention was to be a surgeon, but soon after qualifying he developed an interest in the field of anaesthesia. Macintosh became the first professor of anaesthetics at Oxford although the university was at first against the appointment. He recruited the scientists Dr Kurt Mendelssohn and Dr H G Epstein and together they designed and built the Oxford vaporiser, a simple, portable, and accurate means of delivering varying concentrations of ether which was to see service in the second world war. He was knighted in 1955 and died at Oxford in 1989.The apparatus is a round, barrel style object with three small rubber feet and a moulded handle over the top. It consists of a vaporising chamber, wick, ether level indicator, temperature compensating value, air bypass chamber and mixing chamber. Manufacturer's label on reverse: EMO, Longworth Scientific Inst. Co. Ltd. England. Serial No. 5878macintosh, epstein, oxford, vaporiser, nuffield, ether -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s, photographer unknown. The photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 459.Black and white photography depicting a group of six male students rehearsing with anaesthetic apparatus. Five of the students are standing and one student on the left of the photograph is sitting and holding an inhaler to his face. There are two apparatus displayed.•Handwritten in grey pencil on reverse: Frame 17 •Handwritten in blue ink on reverse: sample. •Handwritten in grey pencil on reverse: 2 [in a circle] •Handwritten in grey pencil on reverse: 15 [in a circle, with the 5 crossed out] •Label which was originally glued to bottom on photograph which has since detached, written in all capitals with white ink on black paper: Students rehearsing with current apparatus, displayed in functional order and in sectionstudents, training session, anaesthetic machine -
Bendigo Military Museum
Manual - WEAPONS TRAINING PAMPHLETS, British War Office, 1943 - 49
Items in the collection re Lt. Col. J.W. Swatton, refer Cat No 6719.2P for his service details.This compendium has numerous weapon pamphlets put together like a manual. They are all held within an overall blue buckram cardboard cover. The whole assembly is held with a black shoe lace. The Aust Coat of Arms is top center. 1. Inf PL weapons PAM 1 1948 General. 2. Inf Trg Vol 1 PAM 2 1948 Fieldcraft. 3. Inf Trg Vol 1 PAM 3 1948 Rife & Bayonet. 4. Inf Trg Vol 1 PAM 4 Aust 1949 Machine carbines. 5. Owen Gun Instruction book (includes exploded diagram of parts) 6. Inf Trg Vol 1 PAM 6 The light machine gun 1948 - Bren. 7. Inf Trg Vol 1 PAM 7 Grenades 1951 8. Inf Trg Vol 1 PAM 7* 1951 Australian supplement. 9. Inf Trg Vol 1 PAM 8 The 2 inch mortar 1949 10. Inf Trg Vol 1 PAM 11 Exercising Trained soldiers 1949. 11. Inf Trg Vol 1 PAM 12 Fire Centra & Theory small arms Fire 1949. 12. Small arms Trg Vol 1 PAM 2 Aust - Application of Fire 1945. 13. Small arms Trg Vol 1 PAM 7 - Aust - .303 inch M.G. 1943 14. Small Arms Trg Vol 1 PAM 11 Aust - Pistol 1943. On cover of first manual in ink is "Cpl Swatton" On rear cover is a white sticky label printed on it is ; "On loan from the Estate of Colonel J.W. Swatton" Ref No. JWS M3Y.passchendaele barracks trust, military weapons -
Narre Warren and District Family History Group
Book, Eleanor Taylor, The Cardinian Flora & Fauna Embroidery, 2017
A wide variety of hand embroidery stiches were used, as well as machine embroidery on hand-painted fabric.Tree trunks were mainly appliqued but some some were cross-stiched; distant foliage is free machine embroidery on water-soluble fabric and closer foliage consists of individually embroidered leaves.All 55 embroideries of birds, animals, fish, insects, plants, fence posts, logs, rocks, etc. were worked by 15 people.312 residents, families and friends added their stiches to the canvaswork label panel.24 pagesnon-fictionA wide variety of hand embroidery stiches were used, as well as machine embroidery on hand-painted fabric.Tree trunks were mainly appliqued but some some were cross-stiched; distant foliage is free machine embroidery on water-soluble fabric and closer foliage consists of individually embroidered leaves.All 55 embroideries of birds, animals, fish, insects, plants, fence posts, logs, rocks, etc. were worked by 15 people.312 residents, families and friends added their stiches to the canvaswork label panel. embroidery, cardinia flora, cardinia fauna -
Alfred Hospital Nurses League - Nursing History Collection
Equipment - Portable electric suction machine, Clements Suction and Pressure Pump
This equipment was located in the outpatients department (Philip Block) until September 2021 when it was deemed obsolete by Infection Prevention. Hubert Ingham Clements (1886-1969) was an Australian engineer who established his own engineering business in NSW in 1908 manufacturing combustion engines. He became interested in anaesthesia equipment and from the 1920s Clements worked on improving ether apparatus and manufacturing portable suction machines for use in hospital operating theatres. The latter machines were to earn an unrivalled reputation for reliability; many remained in service over thirty years after their date of production. The business became H. I. Clements & Son when his son William joined the company. (https://adb.anu.edu.au/biography/clements-hubert-ingham-12846)Item is an example of equipment from its time period and is of historic significance.Portable Clements Suction & Pressure Pump built by H I Clements & Son Ltd Consists of motor with attached carry handle, attached pressure regulator, attached disposable drainage cannister with tubing and power cable mounted on a trolley with castors.H I Clements & Son Pty. Ltd. Metal Manufacturing label with: Serial Number 1725FS and SAA Certificate Number BCG/4S/60194 on motor (front side) Ward 11 engraved on motor handle AH Biomedical Engineering orange test due sticker and AH Biomedical blue test sticker (reverse side)suction, clements, portable suction, respiratory, pressure pump, surgical drainage -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Minimus II sphygmomanometer used by Dr Lorna Lloyd-Green, Riester
Portable blood pressure machine with case. Device consists of an arm cuff with a tube, rubber pressure bulb and gauge. The arm cuff is made of a khaki green material, with attached velcro and an attached label that reads 'KATCH/KUFF'. Tubing and pressure bulb are made of green rubber. The pressure gauge indicates that this device is made in Germany. Case is made of black leather and the inside of thh case is reinforced with cream plastic.