Draft drawing for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.A3 photocopy in black and white of an architectural drawing depicting the facade.walter richmond butler (1864–1949), flinders street, building, built heritage

Rough sketch for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.2 A3 photocopies glued in black and white of an architectural drawing depicting the facade.walter richmond butler (1864–1949), flinders street, building, sketch, built heritage

Rough sketch for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.Original drawing for the new chapel with signature of Walter Butlerwalter richmond butler (1864–1949), flinders street, building, sketch, built heritage

Believed to be Fanny Flinn (wife of artist Walter Herbert Withers) born Handsworth in 1858. Handsworth is situated in greater Birmingham and is 8 miles from the photographer's studio. Photographed by H.J. Whitlock, 11 New Street, Birmingham Henry Joseph Whitlock operated from this address from 1862 to the mid 1890s. This particular carte-de-visite is representative of those he produced in the 1860s. https://www.npg.org.uk/collections/search/person/mp07730/henry-joseph-whitlock also http://www.cartes.freeuk.com/visitors/whit.htmMany items in this collection have suffered from significant water damage and black mouldbirmingham, carte de visite, fanny flinn, john withers collection, h.j. whitlock (photographer)

Reverend Wesley Johns was born in Victoria in 1864 and died in Box Hill in 1933. He commenced his ministry in 1886. He was stationed at Benalla and Euroa 1886, Wodonga 1887 Dromana 1888 Nathalia 1889 Kerang 1890 Horsham 1893 Blackwood 1895 Kilmore 1898 Forth 1901 Wangaratta 1904 Portland 1907 Brighton New Street 1910 North Melbourne 1912 Colac 1916 Ringwood 1921 St Kilda 1924 Oakleigh 1926. He was Financial Secretary of District between 1918 and 1926.B&W photograph head and shoulders.johns, wesley, reverend

Greensborough Methodist Church, first service in new Church, Grimshaw Street, February 1966An example of the changing streetscape in GreensboroughDigital copy of colour photographmethodist church greensborough, greensborough methodist church

Photograph of Princes bridge Melbourne with one cable tram set crossing. In the background is the then new Flinders Street station building. Note the clock on the right hand side of the photograph that was later transferred to Spencer Street station. Yields information about Princes Bridge in 1910.postcard - decorative border with a photo of Princes Bridge within an oval - embossed. On the rear is a letter dated 21/12/1910. Card by Marlborough Art Series.See note on rear.tramways, trams, yarra river, princes bridge, cable trams, flinders street station, clocks

Thomas and James Middleton owned the Britannia Bedstead Works and were based at the Victoria Iron Foundry in Smethwick’s Rolfe Street Birmingham England. The Britannia Bedstead Works was not a particularly large employer by local standards in 1851 it employed 80 men but it was profitable enough to enable James Middleton and his wife Elizabeth to live in a house in New Street, North Harborne, and to employ a servant. The foundry had been in production from before 1830 or possibly earlier and had become specialist manufacturers in the Birmingham area by the 1840s making many other cast iron items at the foundry, weights being one. An item made in England around 1850-1860 by a renowned company making items various cast iron items at its foundry in Smethwick, Birmingham. Weight cast iron disc black colour4lb "Middleton"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

WW2, postcard U.S.O. Club New York to Mrs. W. J. Branch Lara, VictoriaU.S.O. Club Postcard to Mrs. W.J Branch from home committee from Jewish Welfare Board, New YorkU.S.O. Welfare Board Agency, 1 East 65th Street, New York a report to Mrs W.J. Branch on the codition of her son at a visit to the Club.

Round medallion for the Bicentennial of American Methodism with the same text and images on both sides."BICENTENNIAL AMERICAN METHODISM 1766 BALTIMORE MARYLAND 1966" "WESLEY CHURCH JOHN STREET NEW YORK" "ST GEORGE'S CHURCH PHILADELPHIA" "Forever Beginning" american methodism

Large plasticised colour print of A class No. 233, when new, in Gisborne Street running a route 42, City with the MFESB Fire station No. 1 (Eastern Hill) in the background. Has Metropolitan Transit Logos on the side of the tram.trams, tramways, a class, gisborne st, city, fire station, tram 233

The Queen: The Ladies Newspaper and Court Chronicle or simply The Queen was a magazine created in 1864 in London. The title became "Queen in the 1950s, then "Harpers and Queen" in the UK and then part of the British Harper's Bazaar. In 1861 Samuel Orchart Beeton ("Mrs Beeton"'s husband) had founded a paper named "The Queen" about fashion and culture for upper class women of society. Edward William Cox bought the title the following year and at the same time he bought the Queen's rival that was named "The Ladies' Paper". He merged the two publications into "The Queen: The Ladies Newspaper and Court Chronicle" in 1864. The Queen, The Lady's newspaper was delivered to Australia from UK during colonial times. The fashion page shows designs of dresses that were worn in late 19th century.A rectangular hardboard with a page from a newspaper atatched to one side of it, and a very small one line cut out from a newspaper glued to the other side. There are marks from sticky tape and old paper around the page. The page is of 3 fashion design drawings, titled Smart Autumn Gowns, sketched by our artist at Messrs Redmayne's, 19 , new bond street, w. flagstaff hill maritime museum and village, great ocean road, shipwreck coast, the queen, the lady's newspaper, fashion drawing, messrs redmayne, 1891

Bendigo TAFE is a regional provider of vocational education, training and assessment services, located in northern and central Victoria, Australia. The institute has been in operation in various guises since 1854. The institute was known as the Loddon Campaspe Institute of TAFE from 1987 to 1990, Bendigo Regional Institute of TAFE (BRIT) from 1990 to 2009, before becoming Bendigo TAFE in 2009. Bendigo TAFE services a significant geographical area of approximately 25,000 square kilometres in central and northern Victoria, with a local population of 220,000. In May 2014, Bendigo TAFE announced that it would merge with the Melbourne-based Kangan Institute to form Bendigo Kangan Institute, however both institutes retain their existing branding.Bendigo College of Advanced Education (BCAE) early years - 24 slides of Landscaping at the new premises in Nolan Street Bendigo (Now the Bendigo Tertiary and Further Education (TAFE). history, bendigo, bendigo college of advanced education, bcae, landscaping, bendigo tafe

Newspaper photo of David Robins and an article titled Teachers win posts on merit these days. Article mentions David Robins, the new Principal of Laurel Street Primary School.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, david robins, ministry of education, education gazette, federated teachers union, warrambool school support centre, hamilton primary school, woodside school leeds, lorquon primary school

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.The subdivision plan for the Clutha Subdivision is one of the largest in the Society’s collection. The plan includes a map of the proposed allotments, photographic views to the north and south, and information about the kinds of buildings that could be constructed on the allotments. The subdivision was bounded by Studley Park Road, and Carson, Stevenson and Edgecombe Streets. Two new streets, Mackie Court and Younger Street were created as part of the subdivision. The subdivision took its name from ‘Clutha’, the home of John Carson, who was to become Mayor of Kew in 1863. A Report to the City of Boroondara outlined how: ‘The Clutha estate was progressively developed from 1940, with new houses under construction on the Studley Park Road, Carson and Edgecombe Street frontages by 1941. By 1943, directory listings were available for all addresses with the exception of Mackie Court. Building ceased after the government’s prohibition on civilian building was enforced from 1942, with little change in listings until the 1950s when the remainder of the subdivision was developed’."H"subdivisions - kew - studley park, clutha subdivision, studley park road

Ewan Jones and Associates were the architect of this building on the SMB Campus. Two plans for new workshops along Albert Street. Later to be refurbished for Ballarat Tech. The first level was designed for Fitting and Machining. The second level for Art, Ceramics, painting and decorating.m.b. john building, workshops, trades, ceramics, ballarat tech, buildings, ewan jones and associates, smb campus, ballarat school of mines

Written on back of photograph, "Late 1980. Old W T & HCO site looking to New and Seymour Streets prior to development."SS0349g appears to have been cropped from SS0349g2

In 1958 the Ballarat Teachers' College moved to a new site in Gillies Street. The 1958 Students' Representative Council were M. Hines, B. Rickard, D. Eldridge, N. Turnball, B. English, K. O'Neill, P. Burgess, M. Almeida, ed Doney, J. Rae, P. Wise, W. Crocker. The 1958 staff were J. Bourke, A. Linton, Ed Doney, S. McKaskill, Howard Pattenden, D. Chandler, A. Stafford, Bob Croft, Arch Cuthbertson, R. Reed, A. Sonsee, J. Lacy, F. Ryan, C. Rodger, Mary Egan, J. Hill, Tom Turner, Mavis Canty, J. Blair, E. Walpole, Monica MillerSoft covered booklet of 48 pages. Articles include: Teaching Rounds, Art and Craft, Victoria Street Hostel, Gillies Street Hostel, Grampians Trip, Camp St Hostel Beaufort House, Spring is Spring, A Windy Night, What are Sculptors? Photographs include: Aerial photograph of the new college in Gillies Street, Students' Representative Council, staff photo, class photosSigned on frank cover 'Margaret Brown'. Signed in back 'Verna Rogers Natimuk' "Lorna G. Anderson Gold House Riddells B.T.C. 1958" "E. Joan Bates Lakeside Murtoa Vic"ballarat teachers' college, kevin o'neill, barry withers, v. la franchi, john teschendorr, victoria street hostel, student residences, gillies street hostel, beaufort house, sturt street hostel, camp street hostel, lois hayne, verna rogers, joan bates, lorna anderson, margaret brown, gillies street campus, tom turner, p.r. burgess, bob croft, howard pattenden, alan sonsee, mavis canty, mary egan, jack roach, w.h. ellwood prize, michael long, kevin o'neil, grampians excursion

Situated at the top of the hill in Arthur Street, the former Jelbart residence and barn were part of a major change that transformed Eltham's character in the late 1960s. Built from the mid 1940s through mid 1950s when Eltham was a rural community, the Jelbrat residence and barn are all that remain of a family property of some 250 acres (100 ha). With growing population pressures, in the late 1960s, owners Ron and Yvonne Jelbart decided to subdivide their property creating the Woodridge Estate in the early 1970s, a major factor towards the transformation of Eltham to the suburb it is today. The Jelbarts had moved to Eltham in the early 1940s when they purchased a poultry farm in New Street, now Lavendar Park Road. (The local Black Friday bushire of January 13, 1939 had started at C.A. (Clarrie) Hurst’s Eltham Poultry Farm and Hatchery in New Street.) Jelbart was primarily a businessman importing office machinery but desired farm beef and dairy cattle so the couple purchased the virgin bushland at what was then at the end of a dirt road, Arthur Street. With post war shortages of most building materials, they followed the example of the Eltham Artists' Colony (later called Montsalvat) and built thier home from mud-bricks and recyclked materials. The barn was first to be completed in 1945 which they made their home whilst building the main residence. It took eight years to complete the two buildings. Both the main residence and the barn are now separate homes, and along with the remaining property being sub-divided further in 1998 are now part of the Kinloch Gardens Estate at 93 Arthur Street. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p139This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, arthur street, jelbart barn, jelbart home, kinloch gardens

2 Coloured photos of Front Facade Coles New World Supermarket, Brittania Street, Mitcham. Formerly site of Mitcham State School.Prior to the redevelopment of Britannia Mall and construction of 3 level carpark.mitcham state school, no. 2904

Cranes on the skyline at Watermarc development 2016, taken from Main Street. New Banyule Council offices are being built at 1 Flintoff Street, over the Watermarc building.Digital copy of colour photograph.watermarc, one flintoff, banyule council, main street greensborough

February 1958 Classes commence at the new Gillies Street location of Ballarat Teachers’. (BTC Handbook 1965; Beggs-Sunter: 84) Contents include: Editorial, Our Principal Speaks, the President S.R.C., 1958 Highlights, Teaching Round, Section Notes, Social Notes, Hostel Life, Sporting World, Insignias and Awards 1958, Club NotesLight blue cover with dark blue and yellow titles. Soft covered magazine of the Ballarat Teachers College. 48 pages. Articles include Victoria Street Hostel, Gilies Street Hostel, Grampians Trip, Beaufort House , Sturt St House , Camp St Hostel, Club Notes btc, ballarat teachers college, n. harvey, t. w. h. turner, monica miller, m. hines, b. rickard, d. eldridge, n. turnbull, b. english, k. o'neil, p. burgess, m. almeida, e. doney, j. rae, p. wise, w. crocker, p. r. burgess, barry withers, j. bourke, a. linton, s. mckaskill, h. pattenden, d. chandler, a. stafford, r. croft, a. cuthbertson, r. reed, a. sonsee, j. lacy, f. ryan, c. rodger, m. egan, j. hill, t. turner, c. m. canty, j. blair, e. walpole, m. miller, michael long, m. blair, j. blackman, n. beacham, d. astbury, m. bergin, a. constable, g. clarke, g. briggs, m. brown, e. beck, j. badger, g. angwin, g. alexander, k. broad, a. costa, e. davidson, p. burbidge, j. clements, s. elder, d. foster, b. fernandes, b. fischer, m. harcoan, j. heenan, b. hudson, e. jardine, k. hayes, g. coffey, r. dennis, w. cartledge, v. delbridge, n. hawker, l. hales, d. farnsworth, l. hallam, r. fencher, g. karstens, f. leach, r. kelly, m. long, g. macdonald, j. mcdermott, a. lehmann, i. hastie, b. haig, m. jones, l. jeffrey, m. kiefel, j. mcalpine, i. jenkins, j. kenworthy, b. lawton, m. livingston, e. mcormick, d. mckimmie, g. mcintosh, m. mckee, b. murphy, f. mitchell, m. mclachlan, r. power, k. mcdougall, s. murphy, b. nash, d. mckenzie, j. madder, j. meadows, n. mchenry, j. mayo, l. missen, e. muir, g. roberts, k. ryrie, d. ritchie, m. scanlon, e. robinson, m. rutter, j. rogers, m. rae, v. reynolds, j. rees, r. sloley, d. sheen, b. nunn, r. nicholas, b. ruwoldt, m. rowe, l. walker, l. wilkinson, n. wright, d. shoebridge, f. stokie, g. stewart, j. teschendorf, n. souter, e. walker, m. spinks, m. wallace, m. stone, s. tucker, r. taylor, j. short, b. tucker, l. castree, w. craig, r. bibby, b. davies, r. bowker, g. cabble, i. clayton, w. coleman, j. bates, m. elder, l. anthony, j. carmichael, e. edwards, l. anderson, b. cannard, b. drake, j. elliott, p. dunn, b. withers, m. stewart, l. wright, d. smith, r. rowe, k. wilson, k. waltrowicz, j. roach, l. schreenan, i. sutherland, d. williams, b. wynne, j. schaefer, s. shepherd, s. wright, b. whiteside, m. oliver, j. quayle, j. waller, j. taylor, v. rogers, s. moller, m. norman, l. thomas, j. wagner, w. j. craig, e. anthony, r. neville, j. noonan, b. lay, k. hammer, g. moncrieff, r. mason, g. howlett, w. knight, j. matthews, b. lumsden, b. phelan, p. hope, v. la franchi, s. henderson, l. hayne, w. keen, b. forbes, m. gray, g. mcilvena, a. horwill, j. mccumber, m. hateley, k. rieniets, e. fletcher, d. johnson, j. miller, i. ross, c. keys, e. jarvis, m. youngs, j. smith, e. davies, g. commons, p. larmour, r. gowan, b. hedley, miss egan, s. blomfield, m. meyer, k. duffy, h. speedie, j. witton, d. magee, a. pope, p. quinlan, h. jones, miss miller, kevin o'neil, lois e. hayne, w. keem, mr croft, geoff cabble, jack noonan, jan carmichael, gwen macdonald, bev. ross

'Queep-Queep’ means ‘birds’ in Woi-wurrung language—the language of the Wurundjeri people—the Traditional Owners of the land on which the building is standing. Referencing what lived and flourished in this area prior to European invasion, the artwork acknowledges the important Aboriginal history of the area now known as the City of Yarra. The six native birds depicted in the artwork can all be found living within the City of Yarra: the male red-rumped parrot, kookaburra, superb fairy wren, rainbow lorikeet, raven, and wedge-tailed eagle. Many south-eastern Aboriginal people recognise the wedge-tailed eagle as Bunjil—the creator spirit. Bunjil is the head of the Kulin Nation and is very powerful. Bunjil created the land, waterways, animals, plants and even the people. He is watching over the land to ensure that we are caring for Country—reminding us to respect ourselves, respect others and respect the environment.'Queep-Queep' is a site-specific artwork commissioned for the new Richmond Kindergarten, Lord Street, Richmond, 2023.Two aluminium birds (a wedge-tailed eagle and a raven) at the entrance to the building, and a large, colourful mural of Australian native birds painted in a graphic style on the other side of the wall facing into the playground.accompanying plaquebirds, bunjil, country, kulin nation, environment, public art