Black and white photograph of Portland Botanical Gardens. Showing an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10757/ COPYRIGHT (typed, lower left) BOTANICAL GARDENS, PORTLAND (typed, lower centre)portland botanic gardens, postcards, travel, tourism

Black & white photo showing part of building on right side with fountain, path with rose garden & statue in foreground. Matt finish photo

Rosalind Park, path leading down from the top to the drinking fountain half way down the hill, on the View St. side of park.slide, bendigo, rosalind park

Probably Fitzroy Gardens according to Georgina Whitehead who was writing a book on Public Gardens of Melbourne City Council, 1991.Black and white/sepia photograph of an avenue of Poplar trees in a Public Garden. A man standing in the middle of a wide path. Some iron fencing.avenue, poplar trees, fitzroy gardens, georgina whitehead, public gardens, melbourne city council

Central Park Gardens. Lady beside mature palm tree with hedge in background. c1920'sBlack & white photograph of Central Park gardens with woman standing on path beside garden bed with truck of palm tree in center of photo.stawell

Note by T.H. Kneen 19 November 1991, "View of Principal's residence from vicinity of orchard gate - the three steps in altered form still exist (1991). Middle ground plantation of camellias still exists."Looking across garden area from the Orchard with path and shrubs to back of Principal's Residence in background. There are more steps than are extant now.On reverse, "1913." principal's residence, lynch design, camellias, principal's house, orchard, field station

Kay is sitting on the path described in previous photo. She is holding the handle of a pram with a doll in it. The front wheels of the pram are lifted off the ground.

Black and white photograph. Newly built Administration Building. Planting has started. Paths being laid out. Australian flag flying.administration building, planting, paths

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of white rendered house with the concrete path removed from the front garden . Other features include a semi enclosed porch with arched entrances and barrel tiled flat roof with four pillars. Property features also include a tiled roof, a concrete driveway and '23' on the adjacent mailbox. Bricks are scattered on dirt path in the front garden.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, arches, letterboxes, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses

Finlay Currie is seated on a wooden garden bench set beside a rock-edged path up to Belgrave House. He is wearing a hat, an open-necked shirt, waistcoat and trousers, and has his legs crossed. Another man stands further up the path, posed with his right foot on the rock edging. The dog sits at his feet.

The cottage is typical of the holiday houses that could be rented in Halls Gap. This house was called "The Wattles" and was one of the houses used as "Girls Hut".The photo shows a weatherboard cottage set in bush. A sandy path through bracken can be seen in the foreground. There is a tall gum tree in the right of the photo."The Wattles" written in pen on rear.buildings, houses

Laura Ritchie was the sister of Frank Wright who was a renown resident of Smeaton, She was a gifted viola player and won the Australian Violin Championship. They lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Hand coloured photograph of a woman with a baby on her lap, seated on a path in front of a cottage with a picket fence. The woman is Laura Ritchie nee Wright.frank wright, cornet, conductor, ballarat, laura ritchie

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a light coloured suit, holding a hat and gloves. He is standing on a path within a park, with trees in the middle distance.Printed on back - Veloxfrank wright, cornet, conductor, ballarat, st hilda's band, parkland

Postcard, In the fernery, Bendigo, showing plants and ferns both sides of a path. Printed in Great Britain. Card has a gold coloured braid around it.The Valentine & Sons Publishing Co. Ltd, Melbournepostcard, photograph, bendigo fernery

Slide. Bendigo Views. The Fernery, Rosalind Park. Ferns, trees and creepers growing in the fernery. A rock lined gravel path winds among the ferns.slide, bendigo, bendigo views, bendigo views

Photograph - black and white. Photograph of The Fernery, Rosalind Park, Bendigo. On the right hand side of photo No.11. Dense shrubbery and plants border the path.place, public gardens, fernery, rosalind park, rosalind park the fernery bendigo.

Small tobacco tin. Yellow with red banner. Showers picture of house, path, two horses and a man sitting on a log with mountains and trees in background.FLAKED GOLD LEAF "Log Cabin" W.D. & H.O. WILLS (AUSTRALIA) LTD. SYDNEY SUCCESSOR IN AUSTRALIA TO LAMBERT & BUTLER. On side: FINE 2oz net weight when packed. Upper right corner: Red Sphinxlog cabin, tobacco, smoking

William Cook was one of the earliest settlers in Vermont. Having returned from the W.A. goldfields he married Jane Maggs in 1880 at Wickliffe, Victoria and his only child, Amy, was born in 1881 at Box Hill. William Cook's property fronted Whitehorse Road, Mitcham and ran north almost to the Mullum Mullum Creek. He shared part of his eastern boundary with the Schwerkolt family. William Cook specialised in cherries and became known as 'The Cherry King'Sepia photograph mounted on card of a woman and a girl standing in front of a wooden house with iron lace on the verandah. A path leads down the side of the house.cook, amy, jane, orchards

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Colour postcard of garden beds with man (gardener) standing beside tree with a sign on it on right side of card. A path is in the foreground with rocks standing at the edge.Front: ‘Botanic Gardens, Williamstown’. Reverse: ‘POST CARD’ centre top of card, underlined with a dividing line down the centre of the card. ‘This Space may be used for Correspondence.’ on left side of line; ‘For Address Only.’ and ‘155/103598’ inside dotted lines to indicate stamp placement. In pencil on top right corner ‘1906 SLV’ (believed to be inserted by the vendor).postcard, garden-beds, gardener, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, 1906, colour-postcard

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. A man is standing at a railing along a path. High stone wall behind him and natural bush in the foreground.8813. THE CATARACT GORGE, LAUNCESTON, TASMANIA. A view of the / picturesque pathway at a particularly rocky spot.stereographs

Black and white photograph. Garden view looking down from the Administration Building at the Emily Gibson garden beds in front of it. A group of students on the path.garden view, administration building, garden beds, emily gibson, students

Hand drawn sketch plan of placement of trees to the N.E., E. and S.E. of the Principal's Residence also showing placement of buildings, paving, lawns and paths.buildings, paving, lawns, burnley school of horticulture, principal's residence

View of St. Matthew’s Church looking north. Shows Baptist Church (built 1869) in background on right.View of ST Matthew's Church looking north. a long wooden picket fence along the path in front of the church. A building in the background to the right of the church.stawell religion

Statuary Pavillion, paths, topiary.statuary pavillion, botanic gardens, ballarat

Prior to sealing of trail path.Roll of 35mm colour negative film, 9 strips Digital panorama created from frames 1 and 2 10 x 15 cm colour prints of frames 1 and 2Fuji HG 200 CA-1afton street, maroondah aqueduct, maroondah aqueduct trail, research (vic.)

Corner of Fitzroy St and Lower Esplanade, St Kildacolour photograph, unmounted, good conditionThe Path of Duty Be the Way to Glory. To Commemorate Those Men and Women Who Served Their Country & Paid the Supreme Sacrifice During 1939-45 War'

EDHS Autumn excursion to Lower Plenty area The blocked-off iron bridge at Lower Plenty - now re-opened and used as a footway/bike path section joining the Yarra River path.Roll of 35mm colour negative film, 2 strips and associated colour printKodak Gold 200-6activities, lower plenty bridge, autumn excursion, eltham district historical society, lower plenty