Printed with colourful pyramids, palm trees and camels, this parasol tells a story of the changing society of the 1920s, the growth of the Art Deco movement and a wave of Egyptomania sparked by the discovery of Tutankhamun’s tomb. Parasols such as this one were used by holidaymakers on Brighton Beach, by this time a popular seaside destination.Parasol with a cotton canopy printed with an Egyptian-inspired design of the Sphinx, camels, palm trees and water carriers. Painted handle with plaited cotton tassel with pink wooden bead.parasol, 1920s, egyptomania

Ahe boy at the top of three on the bike pyramid is Jim SINCLAIR. Under him is Li CLEARIHAN, and seated on the bike itself, Ted McMILLAN (?). The photo taken in front of a brick cottage in Graham Street, Port Melbourne. Part of a sign for McAlpine flour can be seen on a building in the background.Sepia photograph of' three boys apparently on one bike in front of a cottage in Graham Street,Port Melbourne.On reverse: Jim Sinclair, Li Clearihan, Ted McMillan Graham St Port Melbgraham street, jim sinclair, ted mcmillan, mcalpine flour, li clearihan

Hardcover book, 303 pages. Book has a green cover and a colour image of a man wearing a top hat, carrying a cane and a woman wearing an orange coat with a white fur collar.fictionRomance novel.olive wadsley, romance, fiction

This brass cow bell was recovered from the wreck of the sailing ship ‘Loch Ard’ at Mutton Bird Island, near Port Campbell, Victoria, from late 1960s to early 1970s. Cow bells were listed as part of the cargo on board the Loch Ard. This bell is now part of the John Chance collection. Flagstaff Hill Maritime Village’s divers also recovered similar bells from the Loch Ard wreck in 1973. One of them was found in a sandy hole in the centre of the wreck site. All of the recovered cow bells are without their hangers. A bell of this size could have been used by horse or cattle teams. Cow bells were a common Colonial item. They were hung around the necks of grazing domestic cows and goats, bullock and horse teams, even camel teams so that they could be found again. Sheep and cattle drovers used them as a warning for night time disturbances such as wild animals. The maker of the cow bell, James Barwell, was a bell founder established in Birmingham, England, from 1784. In 1842 he acquired Fiddian’s firm of ‘Steam and Water’, keeping its name and stamping it on some of his products. According to his advertisement in the Exhibitors guide for the Church Congress of 1887, he made bells and fittings for churches and schools. He also made bells for cloches and chimes, and made tuned musical handbells. He repaired and reproduced bells, and he had a team of experienced ringers to “inspect towers and report upon the tone and condition of bells and fittings.” In 1903 he became incorporated as a Limited Company, ‘engineers’ and plumbers’ brasswork, and bell founders.’ In 1914 he advertised as ‘Cock and Bell Founders’, specialising in plumbing and engineering fittings, church bells, and “every description of hanging and hand bells.” Some of Barwell’s products were stamped with his maker’s mark (his initials J. B. either side of a cross entwined with a ‘B’ in an oval of oak leaves (for Birmingham)). James Barwell bells were no longer made after 1920. James Barwell was among makers who exported bells to the Australian colony from the 1860s. Early Australian iron animal bells were also made from the 1860s by blacksmiths such as Anthony Morgan from 1861, August Menneke from 1867, and Samuel Jones from 1868. Few brass bells were produced here in those times. This bell is historically significant as typical of a cow bell used by farmers and herdsmen in Colonial Victoria. Its significance is increased by being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late 1960s to early 1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The cow bell is also significant for being part of Flagstaff Hill’s collection of artefacts from LOCH ARD, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Cow bell; heavy brass, flat top, pyramid shape, rectangular head, shoulders flare out to rectangular mouth. The head has two same-sized tooled holes for adding the hanging yoke. Inscription on top and one side. Encrustations are on the metal in places. The hanger and clapper are missing. Made by James Barwell of Birmingham.Stamped on the head "BARWELL / - - - / - - -- ING" [Perhaps BARWELL - - - BIRMING. Could size be in centre? 3 3/4 IN?] Stamped on side [motif] (undecipherable) flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, loch ard, mutton bird island, glenample, eva carmichael, tom pearce, james barwell, cow bell, horse bell, bell founder, bell smith, vintage bell, birmingham bell foundry, farmer, shepherd, drover, stock bell

Robert Charles NORMAN No 1560 enlisted in the AIF in 1st reinforcements 21st Batt on 10.4.1915 age 24 years 6 months. Embarked for Eygpt 28.6.1915, embark for Gallipoli 29.8.1915, embark for France 26.3.1916, WIA 31.7.1916 GSW to right shoulder and head severe, embark for Australia 13.2.1917 for 3 months change but was discharged medically unfit on 1.6.1917. A typying error on one post card states 10th reinforcements, 1st reinforcements as per his enlistment papers.Two post cards on an A4 size paper attached Via photo corners. The left had brown one is a " Field Service postcard." the right one is a Post card scene with Egypt and Pyramids." the attached writings under both pertain to this card. the field service card on rear is printed so that any details are added by the writer.documents - postcards, military history

Leasehold mortgage document dated 12th. September, 1888 between Angus McPherson of Durham Ox and Thomas Luxton. Associated letters from Angus Mcpherson, Gladfield, The Colonial Bank of Australia, Pyramid Hill, accounts from Thomas Luxton, telegrams and notes are enclosed in mortgage document. Donald McPherson co-signed some documents.cottage, miners, angus mcpherson, donald mcpherson, thomas luxton, connelly, tatchell & dunlop, gladfield, pyramid hill, durham ox, farming

photoaif, egypt, pyramid, ww1, world war 1, a.i.f, mena, 2nd brigade artillery

There is no known history attached to this item. Lamps such as this one were common household items in the 19th century and the first three decades of the 20th century until electrical lighting became common in most households. This item has no known local provenance but it is useful for display as an item that was common in households in the past. This item has a cast iron base in a pyramidal shape with the four sides having identical scrolls and star shapes. A piece of brass attaches the base to a violet-coloured bowl. The bowl contains a white wick. The brass wick holder has an external knob for regulating the light intensity. There is more brass between the bowl and the mantle which is made of plain glass. On the base of the lamp: ‘Rd. No. 207869’ history of warrnambool, social history, ruby glass kerosene lamp

Black and white photograph, mounted on board, of First sinking of Derbyshire Mine, then Whipstick GM Co. Windlass over shaft. Woman in long dress to left of photo. Six men standing on top of excavated soil and rock - to right of windlass. Inscriptions: 'First sinking Derbyshire Mine then Whipstick GM Co', 'NW Harrison, Gladfield Park, Pyramid Hill.place, mining site, derbyshire mine

Kerosene lamps were used as a main source of lighting throughout Australia prior to the supply of domestic electrical services. This was obviously later in many rural areas. This lamp was used in the home of Mrs. Laura Flower nee Sommer wife of Mr. Stanley Flower of Wodonga.This lamp is representative of the lamps used throughout Australia prior to the introduction of domestic electricity supplies. It was used in the home of a Wodonga resident.This item has a cast iron base in a pyramidal shape with the four sides having an identical leaf and flower design. A piece of brass attaches the base to a clear glass bowl. The bowl contains a white wick. The brass wick holder has an external knob for regulating the light intensity. There is more brass between the bowl and the mantle which is made of plain glass.Inside the base of the lamp: an Rd No which is uncleardomestic appliances, kerosene lamp

Letter sent from France by Alfred Ferris No 2156 AIF to his Mother. Refer cat No 4183.3P for his service details..1) Letter, “YMCA” letterhead, “On Active Service”, ruled lines, print in black and red, hand written in pencil. .2) Envelope, “YMCA” light fawn colour, logo in black and red, stamped plus stamped “Passed by Censor”, hand written details in purple...1) Main points, “Some where in France, Sunday 10th Dec 1916”, “Dear ones at home” .2) Addressed to “Mrs W Ferris Terrick Terrick Pyramid Victoria Australia”, at bottom, “A Ferris”letters, envelopes, ymca, france

Hardcover book with a red fabric cover. 320 pages.fictionHeroine Elinor Munro survives a shipwreck and is given a chance to make good.dorothy hewlett, shipwrecks, fiction

.1) 19.1.41 To Gladys with best wishes from Viv. Later someone has written VX15538 VRG THOMAS D Coy 2/14 Battalion Vivian Raymond George Thomas enlisted in the 2nd AIF on 17.5.1940 age 28 years. He is listed as KIA at Gona New Guinea on 28.11.1942 while serving in the 2/14th Batt with the rank of Cpl and is buried in the Bomana War Cemetery Port Moresby..1) Post card in the form of a 'One Palestine Pound' with inset photo of an Australian Soldier VRG THOMAS. Colour in sepia tones. .2) Photograph copy enlarged from .3) showing German graves. Sepia colour. .3) - .39) Series of original photographs in black & white, sepia re war in North Africa, pyramids, towns, cities. Several are in the islands.photography-photographs, military history - army, documents - postcards

A souvenir brass ashtray in the form of a small circular dish. The ashtray is decorated with an embossed Middle East scene depicting a helmeted soldier riding a camel. The scene also shows palm trees, local plants, a pyramid and a monkey. The edge of the dish is scalloped. The underside of the ashtray has been engraved indicating that it was a sports competition trophy. This is one of a pair, see 00274.1, Souvenir, Trophy.The underside of the ashtray has been engraved with the following text "ATHLETIC SPORTS MEETING NAZARETH, OCTOBER 5th 1941 HIGH JUMP 1ST CPL M.R.WILLIAMS"

A souvenir brass ashtray in the form of a small circular dish. The ashtray is decorated with an embossed Middle East scene depicting a helmeted soldier riding a camel. The scene also shows palm trees, local plants, a pyramid and a monkey. The edge of the dish is scalloped. The underside of the ashtray has been engraved indicating that it was a sports competition trophy. This is one of a pair, see 00274.2, Souvenir, Trophy.The underside of the ashtray has been engraved with the following text "ATHLETIC SPORTS MEETING NAZARETH, OCTOBER 5th 1941 KICKING THE FOOTBALL 1ST CPL M.R.WILLIAMS"

This blanket was owned by the Rosenberg family from the late 1950s onwards. It was the donor Denise’s blanket. Born May 1958, her late mother Elfie kept it safe for many decades after Denise had outgrown it. Elfie returned the blanket to Denise 20 years ago, in its current near new condition. Jacques Rosenberg and Elfie née Naparstek, Denise’s parents, met in Melbourne in the Summer of 1950. They both survived being young and Jewish in Europe during the Second World War. Jacques grew up in France and Elfie in Germany, she was a child of the Kindertransport. They married in 1952 and by 1958 had a son and two daughters. Denise, the youngest daughter, donated the blanket on behalf of the Rosenberg family to the National Wool Museum in 2021. The Kindertransport was a program designed to facilitate the immigration of Jewish children from Nazi Germany before the outbreak of the Second World War. The United Kingdom took in nearly 10,000 predominantly Jewish children from Germany, Austria, Czechoslovakia and Poland. The children were placed in British foster homes, hostels, schools and farms. Tragically, these children were often the only members of their families to survive the tragedies that were to unfold in Europe. Fortunately, Elfie’s parents did survive World War Two by sneaking out of Germany and into the south of France. After Elfie and her sister Serry were Kindertransported, they met up with Salma and Risla Naparstek in Paris in 1947 before migrating to Australia. This blanket originates from the Eagley Mill. They manufactured woollen, worsted and knitwear products from their mill located in Collingwood. Part of Foy & Gibson, the mill had frontages measuring almost two miles within the area bounded by Little Oxford, Wellington, Stanley and Peel Streets in Collingwood. This was the largest manufacturing plant for wool in the Southern Hemisphere at the time. It was also one of the oldest. The first machines for knitting men’s socks were installed in 1896. The site ultimately went into receivership while under new ownership in 1968 and is now high-end real estate. More information about the Mill can be read via Unimelb digitised collection. https://digitised-collections.unimelb.edu.au/bitstream/handle/11343/21262/269411_UDS2010852-85.pdf?sequence=18&isAllowed=y 38”x45” (965 x 1145mm) cream wool blanket. The blanket has white stitching around its edge. Embroidered in the centre of the blanket is a koala eating leaves with accompanying flowers on either side of the marsupial. In the bottom right corner of the blanket a small square label from the Eagley Mills is stitched. This label includes the images of a Sphinx head, a pyramid and a baby’s crib.Eagley / ALL / WOOL / 38”x45” / AWARDED THE CERTIFICATE OF / THE ROYAL INSTITUTE OF / PUBLIC HEALTH & HYGIENE LONDONkindertransport, eagley mill, blanket

The postcards were in a collection re C.J.C. Mcquie MM, refer Cat No 9680P for his service details. .1) Dated 17.1.1915, talks about landing in Eygpt and about getting to the rank of Captain, relationship to McQuie is unknown. .2) Dated 20 Oct 15 to McQuie's Mother, talks about being on the boat nearing destination and that Ross Freeman and Angus Mackay were on the boat. ( Refer Cat No's 3251P & 2058.3P for their details) .3) Dated 28 Oct 15 to McQuie's Father, talks about being in it before you get this. .4) Dated Eygpt 15 to McQuie's Mother, talks about the image on the Postcard..1) Postcard B&W with a street view in Eygpt, on rear a full page letter in black pen and dated. .2) Postcard sepia tone with a harbour scene in Eygpt, on rear a full page letter in black text and dated. .3) Postcard sepia tone with a harbour scene in Eygpt. .4) Postcard B&W with a scene of the Spinx and the Pyramids, on rear text in pencil..1) On rear, "Dear Grandfather - Love to Aunty Mabel - Your affec Grandson Louis"postcards, photos, mcquie

From title page. Book - "Compiled and edited from Mr. Terry's account in/ the Cohuna Farmers' Weekly from 1914 to 1921".Soft Cover Book Cover - beige coloured light weight cardboard with sepia tone print on front and spine. Front cover - two sepia colour photographs. Top - 3 mounted soldiers with the Sphinx and Pyramid in background. Lower - group portrait. 148 pages - off white colour paper, cut, plain. Staples used on binding. Illustrated with black and white photographs.On title page - handwritten blue ink pen "JENNY BOTTCHER/ 25-4-85"books, military history, ww1

12 photographs from a collection of 33 donated by Leonie Brennan. Photographs belonged to Edward (Ted) Sands, hairdresser.Photograph 215-22. Penguins coming home after a day of fishing at the nightly parade Summerland Beach. Photograph 215-23. Pyramid Rock, Phillip Island. Photograph 215-24. Cowes beach with a large group of people gathered together and others under beach umbrellas. Beach west side of the Cowes Pier. Photograph 215-25. Large group of Seals at Seal Rocks, Phillip Island. Photograph 215-26. The Killara Ferry at Cowes pier with chimney smoking. Photograph 215-27. The Pinnacles at Cape Woolamai, Phillip Island. Photograph 215-28. Looking towards the Isle of Wight Hotel at Cowes and the Jetty Shed at the end of the Cowes Pier. Photograph 215-29. The Cowes Pier with the Killara Ferry docked. Photograph 215-30. The Killara Ferry heavily laden with passengers. A close-up showing the back entrance for vehicles. Photograph 215-31. The War Memorial at Cowes looking towards the pier. Shows the pier and the Jetty Shed on the pier. Photograph 215-32. View from inside Forrest Caves, Phillip Island, with two people standing in front. Photograph 215-33. The Nobbies, Phillip Island, with waves crashing onto the rocks.215-22 "Penguins at Phillip Island" 215-23 "Pyramid Rock, Phillip Island" 215-24 "The Beach, Cowes" 215-25 "Seals at Cowes, Phillip Island" 215-26 "The Killara at Cowes" 215-27 "Cape Woolamai, Phillip Island" 215-28 "The Pier, Cowes" 215-29 "The Pier, Cowes" 215-30 "The Killara at Cowes" 215-31 "War Memorial, Cowes" 215-32 "Forest Caves, Phillip Island" 215-33 "Rough seas at The Nobbies, Cowes"penguins coming ashore, penguins, wildlife - penguins, pyramid rock, phillip island, pyramid rock, coastline - rock formation - pyramid rock, cowes beach, phillip island, seals on seal rocks phillip island, wildlife - seals, the killara ferry, killara ferry, the pinnacles, the pinnacles cape woolamai, the pinnacles, phillip island, the isle of wight hotel cowes phillip island, cowes pier, phillip island, cowes jetty, phillip island, war memorial, cowes, phillip island, forrest caves, phillip island, the nobbies, phillip island, mr edward (ted) sands, leonie brennan

Just north of the South New Moon mine on the Garden Gully reef, off the Bendigo/Pyramid Road, the New Moon mine began in 1867. In 1878 it purchased the lease of the adjoining Robin Hood Coy. The mine closed in 1917 and was reopened by the Bendigo Amalgamated Coy. in 1928 and closing for good in 1932. Remnants of the third largest crushing battery in the district can still be seen.Horwood Collection - New Moon. Corrugated iron shed at the site of the New Moon Mine site. Remnants of brick mine footings on LH side of shed. Markings; Moon, Eaglehawk. SEP78M Made in AustraliaKodakmine, gold, new moon., horwood collection - new moon. shed at the site of the new moon mine site

Documents. Connelly, Tatchell & Dunlop. 1 - 1896 - Letter from Jackman Robert, Yallook. 2 - 1896 - Letter from Kerang Office to Bendigo Office re Hill Mrs. 3 - 1896 - Letter from Peacock C. Pyramid Hill. 4 - 1896 - Letter from McKay John & Co, Merchants & Importers, Pyramid Hill and Mincha. Mentions Jamieson Jas. 5 - 1896 - Letter from Bryan J H. 6 - 1896 - Letter from Wespern F P. 7 - 1896 - Letter from Jewell J J. 8 - 1896.- Letter from Kerang Office re transfer. 9 - 1896 - Letter from Veitch W, Saddler, Echuca. 10 - 1896 - Letter from Bracy George, Nathalia? 11 - 1896 - Letter re Holding Ralph v Pippin Elizabeth. Mentions French H and Priestly.cottage, miners, connelly, tatchell & dunlop, jackman robert, hill mrs, peacock c, mckay john & co, jamieson jas, bryan j h, wespern f p, jewell j j, veitch w, bracy george, holding ralph, pippin elizabeth, french h, priestly

H. Rider Haggard (1856-1925), a British author, wrote fiction and non-fiction works and had letters and articles published in newspapers and journals. His novel 'Queen of the Dawn' was published in 1935. Thenovel's cover and Fly page display hieroglyphics, which suggest that this story was set in Egypt. The book is part of Flagstaff Hill's Pattison Collection. The book was published by the British firm Hutchinson & Co. operated for almost 100 years 1887-1985, before it underwent several mergers. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Queen of The Dawn: A love tale of old Egypt Author: H Rider Haggard Publisher: Hutchinson & Co 1st Published in 1925 Green hardcover book with hieroglyphics on the cover, inscriptions on the label and stamps. Part of the Pattison Collection. Label text: "PAT FIC HAG" Stamp, red ink: "W'bool Public Library" Sticker: "Corangamite Regional Library Service" Handwritten: "1298" Hieroglyphics, two, with translations: "Beautiful ascendress of pyramids" and "Great mistress of the dawn"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, h. rider haggard, 1925, hutchinson & co., queen of the dawn

The photos in this album show the carefree, adventurous spirit of the young men soon to be ANZACS Many young men from the market garden, dairy, poultry and fruit farms as well local businesses enlisted c 1914 at the beginning of WWI. The older men, women and children then had to manage the farms while they worried about the dangers facing their beloved family members. A record of some of the experiences of men from Moorabbin Shire who enlisted c1914 and were sent to Egypt at the beginning of WW1 1914-19A thick cardboard album of 24 pages with inserts for 2 small black and white photographs per page . Scenes from Egypt c 1914 - 1918 showing Australian soldiers, naval vessels, horses, carts, pyramids, houses, buildings, camels, local inhabitants and countryside. Inscriptions on the back of some of the photographs mention Arthur (Ebsary), Clarrie (Burgess), Reg (Marriott), and a horse named Nell.Front cover KODAK Inside back cover KODAK LTD. / SERIES D / ALBUM Some photographs have inscriptions on the backww1 1914-1918, photographs, australian light horse battalion, egypt, 1st australian infantry force, war horses, kodak ltd, wwi, moorabbin, burgess, marriott

Printed Post Card, including the stamp, One Penny Victoria Stamp Duty addressed to Messrs Connelly & Tatchell, Solicitors, Sandhurst. Card dated Gladfield 4/11/90 mentioning to let him know when they would be in Pyramid as he may have some business with them re leasing a block of land for a term of years. Signed F.B. R. Surname inked out.business, legal, connelly & tatchell, connelly & tatchell collection: post card

Herbert Trangmar ALLAN. Refer to Cat No 2755.4 for his extensive service history and awards..1) Black & white head & shoulders portrait photo of an Australian Officer who is smiling. He is wearing a peaked cap with Rising Sun badge & a Great Coat with collars up. The photo is affixed to a substrate then a cardboard backing with a jagged edge on one side. .2) Black & white photo of two Australian Officers mounted on camels. Two native guides are also shown, behind are two pyramids & a sphinx..1) On front: “May Moore” On rear: “Herbert (Blue) Allan, Herbert Trangmar Allan (Blue) 1895 - 1967”portraits, photographs

Folder donated by M Arnell. Souvenir postcard folder from 1950'sColoured Folder with 18 Black & White photographs of Cowes and Phillip Island. Includes: Cowes Beach area, San Remo Suspension Bridge, Berry's Beach, Lover's Walk, The Pinnacles, Seal Rocks, The Blowhole, Penguin Parade, Nobbies, San Remo Jetty, Cascades at The Nobbies, Seals, Seal Rocks & The Nobbies, Pyramid Rock, Mutton Bird, Summerland Surf Beach, Koala and East of Erehwon Point Cowes.Front of folder: Cowes Phillip island - 18 Selected Glimpses.phillip island, the nobbies, wildlife - koala, wildlife - penguins, wildlife - mutton birds, wildlife - shearwaters, the pinnacles cape woolamai, the blowhole phillip island, pyramid rock, suspension bridge phillip island, m arnall

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal