Staff: (3) Lucy Connop (4) Wendy Jones (8) John Billing (15) Margaret Fogarty (16 Megan Donald (17) John Philp (18) Jenny Leereveld (19) Sue Berkeley (20) Mark Hagell (28) Philip Moyle (29) Danny Cotter (30) Gabrielle Vivian-Smith (31) Sally Williams (32) Stuart Portbury (33) Phil Tulk (34) Jeremy Wallace (35) Veneta Grivas (36) Patrick Howden (37) Marion Hill (38) Jayne Lindholm (39) Marian Verhooght (40) Cathy Morley (42) Russell Benallack (43) Paul Rebeschini (44) Jim Pleasance (45) Jim Wood (46) Peter Rumble (47) Jolyon Burnett (48) Lynn M. Burnett (49) Paul A. Elliot (50) Ivo Dean (51) Maria Malzone (52) Hans Frederic (53) Anthony W. Meagher (54 John W. Patrick (56) John L. Patience (61) Geoff Olive (62) Robert M. Hardie (63) Daryl Jowett (64) Dirk van Velzen ((66) Pamela Tumath (69) Darryl Cubbs (70) Jim Pleasance (81) Fred Helregal 01.0801984 (82) Staff group (83) V.C.A.H. Burnley Open day Staff at a stand (84) Graduation group (85) Graduation speaker (86) Graduation-tree planting (89-92) VCAH stamp 2/84 (95) VCAH stamp 2/84 (96) Peter Oppenheimer and student 1981 Dept of Agriculture stamp.staff, lucy connop, wendy jones, john billing, margaret fogarty, megan donald, john philp, jenny leereveld, sue berkeley, mark hagell, philip moyle, danny cotter, gabrielle vivian-smith, sally williams, stuart portbury, phil tulk, jeremy wallace, veneta grivas, patrick howden, marion hill, jayne lindholm, marian verhooght, cathy morley, russell benallack, paul rebeschini, jim pleasance, jim wood, peter rumble, jolyon burnett, lynn m. burnett, paul a. elliot, ivo dean, maria malzone, hans frederic, anthony w. meagher, john w. patrick, john l. patience, geoff olive, robert m. hardie, daryl jowett, dirk van velzen, pamela tumath, darryl cubbs, fred helregal, open day, graduation, tree planting, vcah, peter oppenheimer

Black and white monochromatic photograph mounted on a piece of card showing a working horse pulling a piece of rotary farm equipment. Sun overexposing the top left part of the photo and dust fills the frame. Opens to find'Paramoor Farm, Macedon Ranges' on the front of the photograph Catalogue number written in pencil on reverse. Stamp on the rear: 'Janet Hawkins Photography (c)/Glen Osmond RSD 3050/Woodend 3442 Ph:03 5247 2523/Email:[email protected]' Letter on the inside: 'Dear Sally, What a lovely surprise, thank you very much. Who is the artist? Life goes along happily up here, the March wedding was enjoyed by all (except us!) John is holding his fourth introductory seminar on heavy horse farming in a month or so. Hope all goes well for you, look forward to catching up too! PS Channel 9's program (5.30pm Sundays) have filmed a story about us, should go to air in a month or so. PPS - Have you heard from "Postcards" - story goes to an in new timeslot at Saturday 23 June at 7.30 pm, show is now an hour instead of half hour. Jill + John'churchill island, farm machinery, working horses, photograph

This dress was worn by Brighton's first female mayor, Councillor Di Lopez, to a Mayoral Ball held at Brighton Technical School in 1977. Diane Margaret Lewis completed a law degree at the University of Melbourne, later marrying one of her classmates, criminal lawyer Ramon (Ray) Lopez. When she decided to run for the Brighton City Council in 1975, she was seen as an outside chance. Undeterred, she rallied a small group of friends and supporters and set out on an extensive door-knocking campaign that won voters to her side and successfully unseated former mayor Keith Devenport. She went on to serve two terms on council from 1975 to 1981. Di initiated many local projects, including the creation of a bike path along Nepean Highway and the first Brighton Festival, while balancing family life and a demanding ‘day job’ as personal assistant to Victorian Minister for Youth, Sport and Recreation Brian Dixon. She was a member of the Women’s Electoral Lobby and a champion for women’s representation, encouraging both Sally Allmand and Kate Harman to run for council (both were successfully elected). She advocated forcefully for an open, transparent local government in which ratepayers had the chance to participate and be heard. In 1976 Di became the first woman to hold the title of Mayor of Brighton, and she made it clear from the outset that she was going to do it her way. For the annual mayoral ball in 1977, ordinarily a staid traditional function, she chose a discotheque theme based on the Rod Stewart album Night on the Town, with a broad dress code of ‘black tie or jeans’: ‘You’ve got to get with the times,’ she said. ‘We want people to wear whatever they feel comfortable in.’ Di herself chose to attend in this knee-length chamois dress embellished with strings, ribbons, beads and feathers. It was both a fashion statement, exemplifying her colourful, flamboyant and forthright style, and a political one: a declaration of her intention to lead a progressive council, embracing the new and refusing to be hemmed in by dated traditions. In 2020 she was awarded an Order of Australia Medal for her service to local government and to the community of Brighton.This dress has local historical significance for its association with Brighton's first female mayor, Councillor Di Lopez, who wore it to a Mayoral Ball in 1976. The dress exemplifies her flamboyant reputation, modern outlook and willingness to break norms. At the time, the dress was a radical choice for a Mayoral Ball, where women typically wore formal evening gowns. With her choice of dress, Cr Lopez was making a public statement, breaking away from dated traditions and announcing her intention to bring the Mayor's office into the 1970s. In this way, the dress also points to the wider social and political changes taking place both in Brighton and across Australia during the mid-1970s.Three quarter length chamois dress circa 1974. Machine stitched with a v-neck and full length sleeves and an uneven raw hem, the dress is decorated with narrow thongs of chamois embellished with red beads and blue feathers. The open-fronted bodice is laced with red ribbon and the skirt is decorated with a large blue wool cross stitch and a combination of blue wool and purple ribbon cross stitch. Made in the style of an Indian 'Wild West Dress'.di lopez, chamois, brighton, brighton council, brighton technical school, mayoral ball, 1970s, feminism

White Cooloured card. Red writing. St. Clement's Anglican Debutante Ball Huntly Firday, July 12th 1985. Debutantes Partners Alison Popple Mark Edwards Kerran Franken Colin Boyd Allison Strauch Glen Backway Wendy Pollard Robert Borserio Lynne Holland Raymond Brown Amelia Chittick Brendan Allen Jacqueline Wilson Stephen Collins Donna Jacobs Jamie Creely Sally Rothenberger Jason Boston Ann Dyer David Sizeland Helen Yates Dean Yates Anne Borserio Trevor Monti Jenny Mills Glenn Peatling Susanne Rea Brett Adamson Anita Read Mathew Gee Sharon Thorburn Jason Byron Leanne Thorburn Andrew Dunne Fiona Mudford Andrew Shotton Presented to The Chancellor, Bendigo Diocese Mr.B. Phillips and Mrs. Phillips 9.15 p.m. Flower Girl Laura Strauch Page boy Simon Wells Flower girl Melissa Tuddenham Page boy Ben Chalkley Chaperone Mrs. Pam Luxford Trainers: Mr. Peter Ellis & Mrs. Mary Smith Pianist Mrs J.Grotto Announcer Mrs. M. Pitson MC Mr. Colin Silk 1 Foxtrot 2 St. Bernard Waltz 3 Maxina 4 Evening Three Step 5 Foxtrot 6 Pride of Erin 7 Progressive Barn Dance 8 Modern Waltz 9 Tangoette 10 Waltz Cotillion 11 Foxtrot 12 Valetta Waltz 13 Gay Gordons/ High Schottische 14 Foxtrot 15 Alberts 16 Parma Waltz 17 Charmaine 18 Swing Waltz 19 Foxtrot 20 Auld Lang Syne Presentation Dance: Fitzroy Quadrille. Autographs.person, individual, peter ellis oam

Program for the Kalianna School Debutante Ball held on Friday 3rd August 2007 at the Weerona Secondary College. Program is light grey with a purple sticker on an angle with the name on it. On white paper on the inside is the names of the debutantes and their partners and who they were presented to, Master of Ceremonies & Deb Set Co-ordinator, Chaperones, Compares, Music by Emu Creek Band, Flower Girl and Page Boy. Pasted on the back is a matching grey card thanking businesses and people who helped. Names are: Cr Kevin Gibbons, Debbie Gibbons, Lindy & William Lupo, Alison & Geoff Byron, Leon Scott, Debbie Price, Peter Burch, Cherryl Fyffe, Leon Scott, Emu Creek Band, Rebecca Nelson, Caleb Richardson, Charmaine Scown, Alicia Owen, Jessica Brereton, Nikita Riordan, Laura Semmens, Rebecca Apps, Chloe Gruber, Lauren Hawken, Amanda Anderson, Victoria Jelbart, Rachell Sutherland, Amy Roberts, Sally McMurtrie, Chevonne Strauch, Ben Holmes, Dean Snelson, Zac Flint, Tamati Poindestre, Brandon Kelly, Paul Drinkell, Adrian Brown, Chris Oojges, David Boyce, Josh Rosewall, Michael Semmens, John Wiktorek, Kane Wojcicki, Matthew Mitchell, Hairem Scarem, Grant Rule Menswear, Sean Walsh Photography, Mary Smith (Plant Exhibits), Anne Hastings (Deb Ball Seamstress), Debbie Price, Tracey Wojcicki, Glenys Jelbart, Pam Holmes, Rae Hall, Samantha Wearne, Kylie Salter, Cathy Brew, Judy Richards, Aileen Gilbee, Marie Loch, Noel & Lorna Thomas, Ron & Janette Moss, Tracey & Peter Wojcicki, Val & Neil Cartledge, Warwick Strauch, Kevin Salter, Grant King, Kay Tamblyn and Christine Smith.Weerona Secondary Collegeentertainment, dance, ball, peter ellis collection, kalianna school, weerona secondary college, cr kevin gibbons, debbie gibbons, lindy & william lupo, alison & geoff byron, leon scott, debbie price, peter burch, cherryl fyffe, leon scott, emu creek band, rebecca nelson, caleb richardson, charmaine scown, alicia owen, jessica brereton, nikita riordan, laura semmens, rebecca apps, chloe gruber, lauren hawken, amanda anderson, victoria jelbart, rachell sutherland, amy roberts, sally mcmurtrie, chevonne strauch, ben holmes, dean snelson, zac flint, tamati poindestre, brandon kelly, paul drinkell, adrian brown, chris oojges, david boyce, josh rosewall, michael semmens, john wiktorek, kane wojcicki, matthew mitchell, hairem scarem, grant rule menswear, sean walsh photography, mary smith (plant exhibits), anne hastings (deb ball seamstress), debbie price, tracey wojcicki, glenys jelbart, pam holmes, rae hall, samantha wearne, kylie salter, cathy brew, judy richards, aileen gilbee, marie loch, noel & lorna thomas, ron & janette moss, tracey & peter wojcicki, val & neil cartledge, warwick strauch, kevin salter, grant king, kay tamblyn, christine smith

Off White coloured glossy card. Pink writing. ST. Clement's Anglican Debutante Ball Huntly Friday, July 13th 1984. Programme Debutantes Partners Michelle Grant, Jamie Creely, Robyn Wells, Norman Sheahan, Erica Wilkinson, Damien Tangey, Debbie Clarke, Greg Pocock, Natalie Gundry, Grant Andrea, Lynne Edwards, Rod Mills, Sally James, Darren Thompson, Kathy Creely, Peter Matthews, Lisa Tehan, Mark Yates, Amanda Clayton, Peter Morgan, Paula Ingham, Craig Clayton, Rosalyn Varker, Darren Cartner. Presented to The Bishop of Bendigo Rt. Rev. O. Heyward & Mrs Heyward 9.15p.m. Flower girl Kasie Watson, Page boy Andrew Swatton, Flower girl Emily Stevens, Page boy Bradley Clay, Chaperone Mrs. Bev. Read Trainers: Mr. Peter Ellis & Mrs. Mary Smith Pianist Mrs J.Grotto, Announcer Mrs. M. Pitson, MC Mr. Colin Silk, 1 Foxtrot Mary (Handwritten in Pencil), 2 Charmaine Muriel (Handwritten in Pencil), 3 Parma Waltz Mary (Handwritten in Pencil), 4 Gypsy Tap Lex (Handwritten in Pencil), 5 Foxtrot Muriel (Handwritten in Pencil), 6 Pride of Erin Mary (Handwritten in Pencil), 7 Progressive Barn Dance Lisa (Handwritten in Pencil), 8 Modern Waltz Muriel (Handwritten in Pencil), 9 Maxina Esma (Handwritten in Pencil), 10 Evening Three Step Lois (Handwritten in Pencil), 11 Foxtrot 12 Alberts Mary (Handwritten in Pencil), 13 Tangoette Ila (Handwritten in Pencil), 14 Foxtrot Mary (Handwritten in Pencil), 15 Valetta Waltz/ St. Bernard Waltz Lex (Handwritten in Pencil), 16 Gay Gordons Jane (Handwritten in Pencil), 17 Swing Waltz Mary (Handwritten in Pencil), 18 Foxtrot Muriel (Handwritten in Pencil), Presentation Dance Metropolitan Quadrille. Autographs.person, individual, peter ellis oam

White card. Red writing. Bendigo Senior High School Debutante Balls The Debutantes were presented to His Worship The Mayor of Bendigo Cr. M. Currie and Mrs. Currie at 9 p.m. Strathdale Community Centre Thursday and Friday June 25th and 26th, 1987. Thursday, June 25th Debutantes Partners Yvonne Bergameier, Geoff Campbell, Sonya Broadbent, Greg Lyon,, Leanne Cooper, Darren Curnow, Kylie Ennis, Jason Tully, Kerry Lukeis, Adrian Kalms, Siri Lill Mannes, Leigh Johns, Sally Morshead, Roy King, Jodi O'Shea, Scott Wilson, Ingrid Panknin, Gerald Honeychurch, Naomi Peacock, Graeme Beagley, Dale Rilen, Craig Swift. Chaperone Mrs. Norma Cook Master of Ceremonies Mr Colin Silk Announcers Mrs. Dianne Jakubans Mr. Brian Armstrong Tutors Mr. Peter Ellis Mrs. Mary Smith Flower Girls Prue & Bree Hamilton, Page boys Jarrod Keetelaar & Andrew Whalen Stage, Mrs. Esme Turner Pianist Mrs D Grotto. Friday, June 26th Debutantes Partners Rachel Baker Robert Musk Anita Blandford Tony Jinks Kerri Bond Richard Bishop Natalie Boromeo Scott Harbridge Alison Brown Brad Plant Brigitte Dole Mark Perini Gillian Dumont Tim Jenkyn Joanne Eames Craig Abbott Janelle Hester Andrew Cameron Angela Horne Jason McGregor Andrea Lee Luke Stow Michelle Lucas Adrian Lock Susan Martin John Maber Deanne Martin John McInerney Nicole Mattingley Warrick Higgins, Katherine Neil,l John Killcullen, Carmel Smith, David Robinson, Amanda Steen, Justin Stent, Sharon Tung, Jason Martin, Sueanne Walker, Darren Field. Presentation Dance The First Set of Quadrilles Commencing with a Grand March. The Ball Committee wish to thank you sincerely for your support. The proceeds will be donated to charity. We wish you all the best for the future and hope this occasion is one to remember. Neville Sharpe Norma Cook.person, individual, peter ellis oam

For almost 40 years, Michael Walsh has been working alongside Indigenous people: documenting language, music and other traditional knowledge, acting on behalf of claimants to land in the Northern Territory, and making crucial contributions to the revitalisation of Aboriginal languages in NSW. This volume, with contributions from his colleagues and students, celebrates his abiding interest in and commitment to Indigenous society with papers in two broad themes. ?Language, identity and country? addresses the often complex relations between Aboriginal social groups and countries, and linguistic identity. In ?Language, identity and social action? authors discuss the role that language plays in maintaining social identities in the realms of conversation, story-telling, music, language games, and in education. ?Language and Social Identity in Australian Indigenous Communities? will be of interest to students of linguistics, Indigenous studies, anthropology, and sociology. Contents: 1. Introduction /? Rod Gardner ... [et al.] 2. Michael Walsh : a personal reflection /? Ros Fraser 3. Place and property at Yintjingga/?Port Stewart under Aboriginal Law and Queensland Law /? Bruce Rigsby and Diane Hafner 4. Linguistic identities in the eastern Western Desert : the Tindale evidence /? Peter Sutton Juwaliny : dialectal variation and ethnolinguistic identity in the Great Sandy Desert /? Sally Dixon 6. Who were the 'Yukul'? and who are they now? /? Brett Baker 7. Colonisation and Aboriginal concepts of land tenure in the Darwin region /? Mark Harvey 8. Aboriginal languages and social groups in the Canberra region : interpreting the historical documentation /? Harold Koch 9. The Kuringgai puzzle : languages and dialects on the NSW Mid Coast /? Jim Wafer and Amanda Lissarrague 10. Dawes' Law generalised : cluster simplification in the coastal dialect of the Sydney language /? David Nash 11. Space, time and environment in Kala Lagaw Ya /? Lesley Stirling 12. Turn management in Garrwa mixed-language conversations /? Ilana Mushin and Rod Gardner 13. Laughter is the best medicine : roles for prosody in a Murriny Patha conversational narrative /? Joe Blythe 14. Collaborative narration and cross-speaker repetition in Umpila and Kuuku Ya'u /? Clair Hill 15. Co-narration of a Koko-Bera story : giants in Cape York Peninsula /? Paul BlackMaps, b&w photographs, charts, word listslanguage and identity, language maintenance, language and culture, language and country

A magazine with a yellow cover and red print. It contains on the front cover the college motto 'Per Ardua Ad Astra Bendigo' and 'Bendigo College of Advanced Education Teacher Education Graduates 1984.' This magazine contains photos and social notes related to the activities of the students during the year. It also has contributions from Science Majors, Music Majors, Physical Education Majors, Social Science Majors, Maths Majors Art Majors and English Majors. Photos; page (a )in the centre of the magazine - Felicity Tomlinson, Linda Steele, Noelene Stock, Margaret Hawksworth (Madge), Janine Benson, Peter Fleming (Flem), Wendy Hawking, Jenny Soule, Stephen Bolton (Bolthead) and Catriona Webster. Page (b) Jo Monagatti (Mum), Matthew Itter, katy Morris (Crazy Kath), Julie Whitfield, Steve Rogers, Jaylea Mayhew-Stone, Jenni Mandersloot, Jenni Lanyon, Lou Nethersole, Ken Smith, Sharon Scanlan (Scanners) and Dave Douglass. Page (c) Tracy Pollesel (Stretch, Olive Oyl), Terri Anne Haebich, Jo A'Beckett, Carolyn Tavener, Sue Burgess, Donna Walker, Pamela Thorpe, Carolyn Coles, Robyn Proud and Evelyn Kristenson. Page (d) Lex Johnstone, Karen English, Sally Broadbent, Kristen Moore, Valma Bailey, Kerry Watson, Deva Guna, Bernie Conlan, Wendy Hicks, Colleen Maher (Pubes), Diana Sherwood. Page (e) Neville Avery, Sandy Olsen, Jennie Sali, Kate Elder, Carol Bourchier (Snourchier), Jim Chamouris, Sue Opie (Slopes), Lynne Nichols, Debbie Tupper, Anne Hubber (Hubs) and Mary Murphy (Murph). Page (f) Debbie Turvey, Maria Aloizos, Jo Van Heek, Christine Smith, Patricia McCormack, Chris McBain, Fay Stevenson, Barb Salatheil, Corrine McNally, Carol Humbert and Jan Bradley. Page (g) Tricia Wright, Andrew Williams (Big Man, Mad Dog), Roslyn Boys, Kerry Tighe, Debbie Joy Head, Carolyn Thornton, Sue McMurray, Carolyn Uebergang (Banger), Rita Nolen, Jane Mangan, Karen Atkinson and Tracy Kerridge. Page (h) Meredith Walters, Mick Belardinelli, Jackie Smith, Mary Cullen, Jeanine Gitters, Marg Tope (Topey), Don Baker, Karen Weightman (Wackers), Lyn Deary, Stuart Bolt, Annie Koehn and Debbie Flint.bendigo, education, bendigo college of advanced educati, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, magazines, bendigo college of advanced education, bendigo college of advanced education graduation, tertiary education, students, staff, graduation, graduates, graduands

1927 – Henry Hocking 1928 – Myr. Mortimer 1929 – B.M. Dennis 1930 – Bessie M Dennis 1931 – Mary. L. Archbold 1932 – Edith O. Strong 1933 – Victor Payne 1934 – Nancy Exon 1935 – Hilton Dyring 1936 – Edna Scoles 1937 – Olive Dennis 1938 – Bruce Addis 1939 – Tessie Priest 1940 – Myrtle Wright 1941 – Ailsa Dennis 1942 – Dorothy Scoles 1943 – Robert Briggs 1944 – Douglas Cracknell 1945 – B.L. Delmenico 1946 – Valmae Colling 1947 – Joy Cocks 1948 – Judith Botten 1949 – Malcolm Archer 1950 – Brian Schreck 1951 – John Dawe 1952 – Sally Smirftt 1953 – Keith Campbell 1954 – John Burch 1955 – J. Retallick 1956 – L. Williamson 1957 – P. Kouwenberg 1958 – Inge. Schuber 1959- Linday Burch 1960 – Garry Wiseman 1961 – Heather McMillan 1962 – Linda Preece 1963 – Gail Nancarrow 1964 – Robyn Retallick 1965 – Brian Jenkins 1966 – Reg. Ellery 1967 – Suzanne Skinner 1968 – Lynette Jenkins 1969 – Bettie Exon 1970 – Janice Cox 1971 – Kerry Pollerd 1972 – Norma Ellery 1973 – John Bari From 1983, The Chewton School awarded the award on their own behalf 1983 – Robyn Dredge 1984 – Sharon Tizzard and Shannon Grey 1985 – Julie Tizzard 1986 – Karen O’Meara 1987 – Tammy Smith 1988 – Maggie McCormack 1989 – Rebbecca Say &Trinity Mawson 1990 – Amber Mawson 1991 – Lucy Norwood 1992 – Emma Cohen & Aimee London 1993 – J. Troutbeck-Noy

Property - Ford Street, Beechworth - Section 2, Town Allotment 6 - (Note: also 2-6-1 Electrical Contractors, 2-6-2 Lodge and 2-6-3 Beechworth Dairy) - 100' x250' Ownership details and history - 28 Oct 1853 - W.H. Neuber 1861 - Galbraith, Andrew - Faulkner George, unlisted, J.S. Clark. land 22'x165', shop 32'x20' glass + deal fr. 2 stories, WB + sh. Bakery 25'x20' slabs + bark. Stable 20'x10' WB + do. 1861 - Steel, William, unlisted, J. Manson. land 11'x140' shop 10'x33' plate glass & cedar front, slabs + sh. Back 10'6"x34' WB + sh. 1861 - Joel, Abraham, unlisted, J. Manson, land 11'x140' shop 10'x33' plate glass + cedar front, slabs + sh. bark, 10'6"x34' WB + do. 1861 - J. Manson, unlisted, same, land 22'x25' (in rear) stable 14'x14' slabs + bark 1861 - George Gammon, unlisted, same, land 22'x165' shop 14'x31' glazed front. deal + WB slabs + sh. Kitchen 15'x12' store in rear 20'x10' do + bark 1863/4 - Eveleigh, J.L. (A. Galbraith in '63-'63) J.S. Clark land + prem as 1861. 1863/4 - Hall, Algernon, J. Manson. land + prem as 1861 1863/4 - Faulkner, baker & confectioner, J. Manson, land + prem as 1861 1863/4 - Manson, John as 1861 1863/4 - Gammon as 1861, Kitchen 15'x12' bk. resid. 24'x12' 1866 - Raphael, Julius, Tobias, Sally, tobacconists, J.S. Clark, land 22'x165 shop 20'x38' bk. bldg. glass fr. + sh. rf. Kitch. in rear 14'x12' WB = sh. Do. Stable 20'x10' slabs + bark. £115 1866 - Cunningham, James & Robert, ironmongers, John Manson, land 22'x165' shop 20'x33' plate glass + cedar fr. slabs + sh. rf. prem in rear 21'x34' WB + sh. rf. £110 1866 - Gammon, George, Druggist, same. land 22'x165' prem. 30'x20' + 24'x12' bk. bldg. 2 stories with plate glass + cedar shop front + sh. rf. Kitchen 15'x12' WB + sh. rf. 1871 - Brown, John, Barber etc. J.S. Clark. land + prem as 1866 £75 1871 - Cunningham, J&R, ironmongers, same. land + prem as 1866 + stable 13'x8' slabs + bark £96 1871 - Gammon, G. Druggist, same land + prem as 1866 £144 1876 - Walton, Wm. Tailor, Mary Clark. prem as 1866 exc. kitch 16'x12' + 20'x10' 1876 - Cunningham, J&R, ironmongers, same land 22'x165' prem 20'x30' deal fr. bk walls sh. roof Do. in rear 34'x21. WB + sh. rf. stable 20'x20' WB + ir. rf. £90 1876 - Gammon, George, Chemist, same land + prem as 1866 exc. no. 24'x12' bk £120 1884 - Armstrong, John, Draper, Mary Clark. shop 1884 - Cunningham Js. Ironmonger, same shop 1884 - Gammon, G. Chemist, same, shop + dwelling 1889 - Armstrong, as above £45 1889 - Cunningham, JS. as above. Cunningham, J&R, shop, prem + land £70 1889 - Gammon, G. Chemist, smae shop, dwelling pr. l. £80 1899-1900 - Armstrong. One shop owned, other ....? one 1900-1901 - Armstrong. double shop 1900 - Armstrong, John, draper, same shop + store £110 1900 - Bowen, Wm Johnston, Chemist, Kate Gammon, Sh. DW + L £65 1906 - Armstrong, Draper, same S+L £110 1906 - Bowen, Wm. Johnston, Chemist, Kate Gammon, shop, prem + land £65 Sect. 2, Town Allot. 6 - Note: 2-6-1 Electrical Contractors, 2-6-2 Lodge and 2-6-3 Beechworth Dairy Architectural Index Card - Brian Pump and Tony Dugan - Photographers beechworth, george tibbits

The University of Ballarat in 1998 comprised the Mt Helen Campus, SMB (Ballarat School of Mines) Campus and the Horsham Campus. It's current name is Federation University Australia. In 1998 Everyone@UB was a monthly staff newsletter edited by Peter Baird in consultation with Don Moconachie.A series of monthly bulletins covering all University of Ballarat campuses. .1) University merger, John Bailey, Michael Adermann, Vice-Chancellor, Jenny Nemeth, Katherine Birkin, Rowena Coutts, Ballarat Technology Park, Ron Wild .2) Chancellor appointment, Chancellor retirement, Geoffrey Blainey tribute, David Caro, Katherine Birkin, Arno Besse, George Murdoch, Bullarook, Stephen Kemmus, Neville French, ceramics, Tristan Smith, Horsham, Arnhem Land film, Ararat, Kerry Cox, anorexia, salary packages, University of Ballarat Brass Band, Natalie Radomski, becoming a university. Images: Geoffrey Blainey, David Caro, David James, Katherine Birkin, Arno Besse, George Murdoch, Geoffrey Blainey, Stephen Kemmis, Neville French, John Ackland, Richard Jardine, Glen Auld, Dennis Arne, Andrew Kotsonis, Kerry Cox, Suzanne McLaren, Marcia Pope, Rosemary Green, Leonie Otago, Natalie Rodomski .5) October 1998 - Carolyn Taylor, misogyny, Horsham campus building under construction, David Caro, Miranda Kerr, Martin Westbrook, Iain Reid, virtual monitors, teaching practice, Joanne Knight, John Pidgeon, Sally Buckland, arsenic, Ian Rae, Bob Allan, Patricia Cartwright, Matthew Baker, Sundru Sivamalai, Janine Smith, Pat Mann, International Student Market Research, Steve Mennen, Copyright, internet to the outback, Charters Towers, Engineering students, Darryl Dyason, Andrew McDougall, Dianne Jacono, Ross Morgan, Keith Boast, Cranbrook Academy of Art (Detroit), Helmut Stenzel, Mt Helen vegetation, Jan Bedggood, Ann-Maree Haintz, Kathleen Lakey, Adrienne Ryan, Fiona Schmidt. .11) Phil Candy, flexible learning, strategic planning. .12) diving, Reconciliation, Learning City, Student residence, Alex Rubinov, Graduate Centre, Ceramics, horse, Wimmera, tree regeneration, student poverty, UB museum, David Manterfeild, Heather Hatfeild. Redundancy, video conferencing Images: Steve Matthews, Craig Holloway, Peter Pilven, Sneha Kirubakaran, Phil Honeywood, Kerry Cox, David Manterfield, Martin Westbrooke, Ram Karan, Barry Jones, Gael Ramsay, Jenny Hargave, Heather Hatfield. .16) Jeff Kennett, Honorary Doctorate, Technology Park, Mary Atkinson, Ian Wright, Internet, Disability Action Plan, Robert Munt obituary, Sandra Stepcich obituary, Virginia Fenwlon, East Timor, Centre for Environmental Management, Wayne Jolly, 130th anniversary, Craig Hurley, Barry Wemyss, John Murray, Tori Power, Grant Curnow. Images: Vivienne Witwer, Claire Hetherington, Ian Wright, Virginia Fenelin .17) Broadband, AARNet, David James Retirement, wetlands, Debbie Eagles, Centre for Rural and Regional Health, numeracy, nursing, Sue Turale, Max Palmer, Camp Street, Arts Academy, library, SMB scholarship, Landcare, Mallee pipeline, Verna Barry, Alice Mills, Marian Brown, .18) Fiji, Texans, Greenhill, Robert Whitson, Ian Clark, Abororiginal history, Yuille St, Peter Baird, Martin Westrbrook, Robert Allen, Arts Academy, John McGrath, Phil Ruglen, 3BBB, John Ferrier .21) Beverley. Lassiter, Vice-ChAncellor appointment, Kerry Cox, Craig Hurley, Barry Wemyss, Ceramics, Bill Pryor, University Games, Olympics, Broken Hill, Alex Rubinov, Jonathan Halls, Dare to be different, Wayne Muir, Student Union Refit. Images: Wayne Muir, Alex Ruminov, Kerry Cox .22) December 2000 - nursing, David James, Phil Candy, John McLean, Debbie Eagles, brewery, brewing, Meredith Sussex, Lyn Faneco, TAFE,Joy Nunn, ARC, mosaics, Timor, Alfredo Pires, Centre for Rural and Regional Health, diabetes, kangaroos, Murray-Darling, Leagher Homestead, David Welch, Joy Nunn, Jill Blee, Maryanne Coutts, positive discrimination, Theresa Saunders, Imelda Crebbin .23) March 2001 - Nancy Lange, Paul Lambeth, Yvonne Button, Don Pennell, Natalie Radomski, Marcia Pope, McKinnon Walker, Marc Brodie, TAFE, WorldSkills, Horticulture, Ararat, Website, library, Leeanne Pitman, Liz Hartmann, nursing, Miranda Walker, Ciaran Pier, Anxiety Disorders, volcano, brewing, beer, Peter Aldred, Rob Greig, Jeremy Smith, Alice Mills, Geoff Burgess, .24) May 2001 - Graduations, Talia Venn, Stephen Carthew, Honory Doctorate, Steve Monaghetti, Heather Moore, Brendan O'Brien, Bill Pryr, Terry O'Brien, Carole Wilson, Carolyn Taylor, rape law reform, Federation at the Ballarat School of Mines, Work Skills, Debbie Eagles, Sue Purtle, Longerenong, Mohair, Early Childhood, Horsham, Kerry Cox, Willy Hobbs, David Firth, Kim Durban, BAPA, maryanne Coutts, Ewen McDonald, butterflys, Fukuoaka INstitute of Technology, Jane Wilkinson .25) Wayne Robinson, Neil McAdam retirement, Anne Beggs Sunter, nursing, Eileen Sellers, Hannelore Best, international nursing, Francis Adams, copyright, Roy Taylor, Wendy Bolger, unplugged, Horsham, Robert Irvine, Horsham graduations, Anxiety Clinic, Carole Wilson, Heart Mat, University of Ballarat Mission, Diabetes, Emelia Martinez-Brawley. Images include Wayne Robinson, Anne Beggs Sunter, Eileen Sellers, Hannelore Best, Phil Candy. Meg Tasker, Roy Taylor, Wendy Bolger, Robert Irvine, Angus McLachlan, Roger Castleman, Stephen Roberts, Philip Smith, Bob Allen, Rob Greig, Dennis Jeandet, Carole Wilson, Doug Lloyduniversity of ballarat, ballarat school of mines, wetland, broadband, david janes, smb, kennett, leadership, eagles, centre for rural and regional health, microwave, turale, arts academy, camp street, library, landcare, mallee, mallee pipeline, barry, verna barry, mills, brown, palmer, caro, geoffrey blainey, blainey, birkin, besse, kemmis, adermann, ackland, jardine, auld, mclaren, pope, green, otago, radomski, honorary doctorate, munt, stepcich, wemyss, rubinov, muir, everyone@ub, robinson, horsham, stawell, ararat, fukuoaka, taylor, moneghetti, coutt, hatfeild, westbrooke, karan, bailey, james, nemeth, wild, de bono, texas, sharpam, fiji, clark, ruyg, kropp, sugget, baird, allen, westbrook, rural health, stacpoole, mcgrath, ruglen, ferrier, manterfield, pilven, michael adermann, tafe, mount helen vegetation, dennis arne

A white document titled "Bendigo Teachers' College Graduation Ceremony". Bendigo City Hall, Friday 11th Dec. 1970, at 10.30 A.M. Principal: Mr. K. G. Scarrott. Warden for Men: Mr.F. M. Courtis. Warden for Women: Mrs. H. J. Chatfield. Below this is a list of the staff at the college - Mr. T. J. McCabe, Mr. D. O'Brien, Mr. B. I. Rollins, Mr. R. F. Colbourne, Mr. B. A. Clemson, Mr. L. A. Hall, Mr. B. T. Geary, Mr. K. C. Coles, Mr. K. G. Harrison, Mr. B. R. Reed, Mr. J. A. White, Mr. G. L. Colson, Mr. A. D. Maltby, Mr. K. I. Clements, Mr. L. Jackman, Mr. D. R. Phelan, Mr. J. J. Layther, Mr. J. Brasier, Mr. R. B. Silverback, Mr. W. P. Lomas, Mr. J. P. Furnell, Mr. J. R. Goodrich, Mr. K. A. Ryrie, Mr. A. R. McIntosh, Mr. R. N. Teasdale, Mr. C. J. Barnes, Mr. R. J. Harris, Mr. R. Colliss, Mr. D. A. Jobling, J. R. R. McLeod, Mr. D. J. Watson, Mr. R. N. Bruce, Mrs. N. F. Fawdry, Mrs. H. A. Knox, Mrs. E. L. Perry, Mrs. M. M. Clemson, Mrs. R. M. Briggs, Mrs. M. P. Hibberd and Miss J. C. Burnett . Associate Medical Staff - Dr. S. Morphy and Administrative Staff: Mr. W. D. Kolle, Mrs. E. Morshead, Miss E. Christopher, Miss C. T. Aldridge and Mrs. D. M. Philpott. On the inside page is the "Significance of the Ceremony" and "The College Anthem". On the following page is a list of the students completing the Diploma of Teaching (Primary) 1968 - 1970 - Kaye Anderson, Marike Arro, Alan B. Baker, Avril L. Baker, Helen, J. Barnett, Madeline M. Beischer, Thelma J. Busch, Jenny A. Callender, Julie M. Cocks, Valerie Dealy, Sue J. Dudley, A. James Dunstone, Kath J. Fowler, Judy A. Gibb, James M. Goodall, Helen P. Gorman, Lindy A. Hall, J. Margaret Harkin, Jenny A. Henderson, Heather A. Hockley, Marilyn J. Hope, S. Lynn Humphry, Helen R. Jamieson, Gail E. Jolliff, Susan M. Jones, Mary Clare Kelly, N. Jenny Kennedy, R. John Leschke, Clare P. Lynch, Lois J. McConnell, Kay M. McDonald, Peter A. McManus, Margaret L. Mangan, Lorraine L. Matthews, Lois Monk, Frances M. Morgan, Genevieve M. Mulcair, Gail M. Norton, Helen M. Oliver, Colleen M. Orr, Rosemary F. Punton, Veronica E. Rahill, Peter J. Ryan, Robyn B. Schooling, Carol A. Scott, Richard W. Steele, Bruce W. Taylor, Jeanette M. Wallace, Lesley R. Wallis, Gwendoline M. Williams and Francis J. Wright. The Trained Primary Teacher's Certificate 1969 - 1970 was received by Rosena T. Amitrano, Ann E. Bennett, Jennifer E. Biggs, Philip L. Blackmore, Gayle D. Boase, Suzanne Brown, Paul T. Cairns, Julienne Cairns, Patricia Callanan, Sally Cariddi, Jennifer J. Carr, Helen Childs, Stephen M. Cope, Cheryl R. Coulstock, Carmel M. Doolan, Lynette R. Dowdell, Roseann C. Egan, Linda Ellis, Beverley J. Evans, Jillian Faderson, Judith Field, Anne E. Flynn, Rosemary J. Gardam, Valerie L. Green, J. Lindsay Harvey, Glenda M. Hepburn, Lynette D. Herdman, Helen M. Hodgson, Alyson C. Hyde, Pamela Jackson, May R. Jardine, Jennifer A. Jones, Barbara A. Kay, Gerrard A. Keogh, Bernadette Kerlin, Teresa M. Lavery, Judith A. Leneghan, Ann L. Licence, Aileen P. McAlister, Janet G. McCartney, Nola McConnell, Peter McCurry, Jacqueline E. McDonald, Margaret McHugh, Elizabeth A. McInnes, Barbara A. McLean, Lena J. Mariani, Jillian J. Martin, Louisa M. Merlin, Denise M. Miller, Dorothy J. Morshead, Christine A. Moss, Margaret Mulqueen, Penelope A. Murdoch, David Murray, Margaret M. O'Brien, Janice W. Pattison, Bronwyn A. Pease, Ian Perry, Angelika M. E. Petrovic, Beverly A. Pianta, Marianne L. Pollock, Julie C. Seipolt, Una Sims, Beth A. Small, Martin D. Smith, F. Elizabeth Spittal, Helen E. Stephens, Cheryl J. Sumner, Susan E. Tate, Suzanne Tate, Geoffrey L. Taylor, Cheryl Thomas, Jennifer A. Tope, Graham L. Turner, Lynette F. Turner, Margaret Wallis, Maureen T. White, Graham J. Whitlock, Julie A. Wilson, Jennifer A. Wood and Lynette J. Young. Also on this page are the names of students who completed external studies in the Trained Primary Teacher's Certificate - Margaret I. Anderson, Heather M. Collins, Margaret E. Gaskell, Marie A. Row, Sheryl F. Russell and Margaret E. Wilson. Denise J. Johnston completed her Trained Infant Teacher's Certificate externally. On the back cover is the "Order of the Ceremony". Mr. B. A. Clemson welcomed the visitors and the Principal Mr. K. G. Scarrott gave the Principal's message to graduands. Student representatives were presented to Mr. W. F. R. Budge by Mrs. H. Chatfield. Mr. F. M. Courtis presented the 1968-1970 Diploma of Teaching (Primary) to students and Mr. T. J. McCabe presented the 1969-1970 to T.P.T.C. students. Congratulations were offered by City of Bendigo, Cr. R. F. Turner, President of Strathfieldsaye Shire, Cr. R. W. Somerville and Principal of Golden Square State School Mr. R. Cordingley. The Occasional Address was given by Professor P. W. Musgrave and the President of the S.R.C. Mr. Peter McManus gave the Acknowledgement.bendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, tertiary education, bendigo teachers' college staff, bendigo teachers' college students, graduands, graduation, graduation ceremony

1. The moral lexicon of the Warlpiri people of central Australia LR Hiatt This paper discusses words that match ?Good? and ?Bad?; examples of ?Good? and ?Bad? behaviour; morality and law; and egalitarianism and dominance. It also presents a comparison with Gidjingarli (Burarra). 2. Mobs and bosses: Structures of Aboriginal sociality Patrick Mullins (Mount Druitt, NSW) A commonality of Aboriginal social organisation exists across the continent in communities as different as those from the Western Desert across to Cape York, from the towns of New South Wales and Western Australia to cities like Adelaide. This is found in the colloquial expressions ?mob? and ?boss?, which are used in widely differing contexts. Mobbing is the activity where relatedness, in the sense of social alliances, is established and affirmed by virtue of a common affiliation with place, common experience and common descent, as well as by the exchange of cash and commodities. Bossing is the activity of commanding respect by virtue of one?s capacity to bestow items of value such as ritual knowledge, nurturance, care, cash and commodities. Mobbing and bossing are best understood as structures in Giddens? sense of sets of rules and resources involved in the production of social systems, in this case social alliances. Mobbing and bossing imply a concept of a person as a being in a relationship. Attention needs to be given to the way these structures interact with institutions in the wider Australian society. 3. Recognising victims without blaming them: A moral contest? About Peter Sutton?s ?The Politics of Suffering: Indigenous Policy in Australia since the 1970s? and Gillian Cowlishaw?s replies Ma�a Ponsonnet (Universit� Paris- 8-Saint-Denis) Peter Sutton?s texts on Aboriginal violence, health and their politicisation are replied to using his methodology, and acknowledging his convincing points. Sutton rightly denounces a lack of lucidity and scientific objectivity in anthropological debates. These inadequacies impede identification of what Aboriginal groups can do to improve their situations for fear that this identification would lead to blame the victims. At the other end of the ethical spectrum, those who advocate a broader use of what I will call a ?resistance interpretation? of violence fail to recognise victims as such, on the implicit grounds that seeing victims as victims would deprive them of any agency, on the one hand, and entail blame, on the other hand. I aim to define a middle road between those views: the idea that victims should be acknowledged as such without being denied their agency and without being blamed for their own condition. This middle road allows identification of the colonisers? responsibilities in the contemporary situation of Indigenous communities in Australia, and to determine who can do what. Secondly, I show that Sutton?s texts convey, through subtle but recurrent remarks, an ideology of blame rather than a mere will to identify practical solutions. As a consequence, some of his proposals do not stand on a solid and objective causal analysis. 4. 'You would have loved her for her lore?: The letters of Daisy Bates Bob Reece (Murdoch University) Daisy Bates was once an iconic figure in Australia but her popular and academic reputation became tarnished by her retrograde views. Her credibility was also put in doubt through the exposure of her fictionalised Irish background. In more recent times, however, her ethnographic data on the Aborigines of Western Australia has been an invaluable source for Native Title claims, while her views on Aboriginal extinction, cannibalism and ?castes? are being seen as typical of her time. This article briefly reviews what has been the orthodox academic opinion of her scientific achievement before summarising what is reliably known of her early history and indicating what kind of person is revealed in the 3000 or more letters that she left behind. 5. What potential might Narrative Therapy have to assist Indigenous Australians reduce substance misuse? Violet Bacon (Curtin University of Technology) Substance misuse is associated with adverse consequences for many Australians including Aboriginal and Torres Strait Islander peoples. Extensive research has been conducted into various intervention, treatment and prevention programs to ascertain their potential in reducing substance misuse within Aboriginal and non-Aboriginal communities. I explore the potential of Narrative Therapy as a counselling intervention for assisting Indigenous Australians reduce the harm associated with substance misuse. 6. Bone points from the Adelaide River, Northern Territory Sally Brockwell (University of Canberra) and Kim Akerman (Moonah) Large earth mounds located next to the vast floodplains of the lower Adelaide River, one of the major tropical rivers draining the flat coastal plains of northern Australia, contain cultural material, including bone points. The floodplains of the north underwent dynamic environmental change from extensive mangrove swamps in the mid-Holocene, through a transition phase of variable estuarine and freshwater mosaic environments, to the freshwater environment that exists today. This geomorphological framework provides a background for the interpretation of the archaeology, which spans some 4000 years. 7. A different look: Comparative rock-art recording from the Torres Strait using computer enhancement techniques Liam M Brady (Monash University) In 1888 and 1898, Cambridge University?s Alfred C Haddon made the first recording of rock-art from the Torres Strait islands using photography and sketches. Systematic recording of these same paintings and sites was carried out from 2000 to 2004 by archaeologists and Indigenous Torres Strait Islander and Aboriginal communities as part of community-based rock-art recording projects. Computer enhancement techniques were used to identify differences between both sets of recordings, to reveal design elements that Haddon missed in his recordings, and to recover images recorded by Haddon that are today no longer visible to the naked eye. Using this data, preliminary observations into the antiquity of Torres Strait rock-art are noted along with recommendations for future Torres Strait region rock-art research and baseline monitoring projects. 8. Sources of bias in the Murray Black Collection: Implications for palaeopathological analysis Sarah Robertson (National Museum of Australia) The Murray Black collection of Aboriginal skeletal remains has been a mainstay of bio-anthropological research in Australia, but relatively little thought has been given to how and why this collection may differ from archaeologically obtained collections. The context in which remains were located and recovered has created bias within the sample, which was further skewed within the component of the collection sent to the Australian Institute of Anatomy, resulting in limitations for the research potential of the collection. This does not render all research on the collection unviable, but it demonstrates the importance of understanding the context of a skeletal collection when assessing its suitability for addressing specific research questions.maps, b&w photographs, colour photographs, illustrations, graphs, chartswarlpiri, sociology, daisy bates, substance abuse, narrative therapy, rock art, technology and art, murray black collection, pleistocene sites, watarrka plateau

Social Engineering and Indigenous Settlement: Policy and demography in remote Australia John Taylor In recent years neo-liberals have argued that government support for remote Aboriginal communities contributes to social pathology and that unhindered market engagement involving labour mobility provides the only solution. This has raised questions about the viability of remote Aboriginal settlements. While the extreme view is to withdraw services altogether, at the very least selective migration should be encouraged. Since the analytical tools are available, one test of the integrity of such ideas is to consider their likely demographic consequences. Accordingly, this paper provides empirically based speculation about the possible implications for Aboriginal population distribution and demographic composition in remote areas had the advice of neo-liberal commentators and initial labour market reforms of the Northern Territory Emergency Response been fully implemented. The scenarios presented are heuristic only but they reveal a potential for substantial demographic and social upheaval. Aspects of the semantics of intellectual subjectivity in Dalabon (south-western Arnhem Land) Ma�a Ponsonnet This paper explores the semantics of subjectivity (views, intentions, the self as a social construct etc.) in Dalabon, a severely endangered language of northern Australia, and in Kriol, the local creole. Considering the status of Dalabon and the importance of Kriol in the region, Dalabon cannot be observed in its original context, as the traditional methods of linguistic anthropology tend to recommend. This paper seeks to rely on this very parameter, reclaiming linguistic work and research as a legitimate conversational context. Analyses are thus based on metalinguistic statements - among which are translations in Kriol. Far from seeking to separate Dalabon from Kriol, I use interactions between them as an analytical tool. The paper concentrates on three Dalabon words: men-no (intentions, views, thoughts), kodj-no (head) and kodj-kulu-no (brain). None of these words strictly matches the concept expressed by the English word mind. On the one hand, men-no is akin to consciousness but is not treated as a container nor as a processor; on the other, kodj-no and kodj-kulu-no are treated respectively as container and processor, but they are clearly physical body parts, while what English speakers usually call the mind is essentially distinct from the body. Interestingly, the body part kodj-no (head) also represents the individual as a social construct - while the Western self does not match physical attributes. Besides, men-no can also translate as idea, but it can never be abstracted from subjectivity - while in English, potential objectivity is a crucial feature of ideas. Hence the semantics of subjectivity in Dalabon does not reproduce classic Western conceptual articulations. I show that these specificities persist in the local creole. Health, death and Indigenous Australians in the coronial system Belinda Carpenter and Gordon Tait This paper details research conducted in Queensland during the first year of operation of the new Coroners Act 2003. Information was gathered from all completed investigations between December 2003 and December 2004 across five categories of death: accidental, suicide, natural, medical and homicide. It was found that 25 percent of the total number of Indigenous deaths recorded in 2004 were reported to, and investigated by, the Coroner, in comparison to 9.4 percent of non-Indigenous deaths. Moreover, Indigenous people were found to be over-represented in each category of death, except in death in a medical setting, where they were absent. This paper discusses these findings in detail, following the insights gained from the work of Tatz (1999, 2001, 2005) and Morrissey (2003). It also discusses a further outcome of this situation - the over-representation of Indigenous people in figures for full internal autopsy. Finding your voice: Placing and sourcing an Aboriginal health organisation?s published and grey literature Clive Rosewarne It is widely recognised that Aboriginal perspectives need to be represented in historical narratives. Sourcing this material may be difficult if Aboriginal people and their organisations do not publish in formats that are widely distributed and readily accessible to library collections and research studies. Based on a search for material about a 30-year-old Aboriginal health organisation, this paper aims to (1) identify factors that influenced the distribution of written material authored by the organisation; (2) consider the implications for Aboriginal people who wish to have their viewpoints widely available to researchers; and (3) assess the implications for research practice. As part of researching an organisational history for the Central Australian Aboriginal Congress, seven national and regional collections were searched for Congress?s published and unpublished written material. It was found that, in common with other Aboriginal organisations, most written material was produced as grey literature. The study indicates that for Aboriginal people and their organisations? voices to be heard, and their views to be accessible in library collections, they need to have an active program to distribute their written material. It also highlights the need for researchers to be exhaustive in their searches, and to be aware of the limitations within collections when sourcing Aboriginal perspectives. Radiocarbon dates from the Top End: A cultural chronology for the Northern Territory coastal plains Sally Brockwell , Patrick Faulkner, Patricia Bourke, Anne Clarke, Christine Crassweller, Daryl Guse, Betty Meehan, and Robin Sim The coastal plains of northern Australia are relatively recent formations that have undergone dynamic evolution through the mid to late Holocene. The development and use of these landscapes across the Northern Territory have been widely investigated by both archaeologists and geomorphologists. Over the past 15 years, a number of research and consultancy projects have focused on the archaeology of these coastal plains, from the Reynolds River in the west to the southern coast of the Gulf of Carpentaria in the east. More than 300 radiocarbon dates are now available and these have enabled us to provide a more detailed interpretation of the pattern of human settlement. In addition to this growing body of evidence, new palaeoclimatic data that is relevant to these northern Australian contexts is becoming available. This paper provides a synthesis of the archaeological evidence, integrates it within the available palaeo-environmental frameworks and characterises the cultural chronology of human settlement of the Northern Territory coastal plains over the past 10 000 years. Ladjiladji language area: A reconstruction Ian Clark and Edward Ryan In this reconsideration of the Ladjiladji language area in northwest Victoria, we contend that while Tindale?s classical reconstruction of this language identified a fundamental error in Smyth?s earlier cartographic representation, he incorrectly corrected that error. We review what is known about Ladjiladji and through a careful analysis demonstrate not only the errors in both Smyth and Tindale but also proffer a fundamental reconstruction grounded in the primary sources.ladjiladji, social engineering, dalabon, indigenous health, coronial system, radiocarbon dating

1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture

We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement

eltham festival, eltham idol, eltham rotary, melanie wason, sally fellowes, tony wason, 2005

Vol. 4, No. 6, Nov-Dec 1999 CONTENTS ALBERT TUCKER AO 29.12.1914- 23.10.1999 3 MIETTA'S Eating and Drinking in Melbourne 4 MIRKA MORA 'Where angels fear to tread' 6 THEATRE Normie & Tuan Finding the River 7 CD REVIEWS 8, 9 MR MOON IS DEAD The new face of Luna Park 10 PUBLIC ART OR DECORATION Mark Henry 12 ELTHAM FESTIVAL 14 OPEN STUDIOS PROGRAMME 15 LOCAL BLUES/ROCK CULTURE Rob Harwood 27 INTERVIEW Kim Tarpey 22 SHORT STORY 24 ARTS SPONSORSHIP 29 BOOK REVIEW 27 ARTIN' ABOUT 28 OPERA Dialogue with the Song of Songs 22 WINING AND DINING 30 ARTISTS SERVICES 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, clare kurth, alicia clark, albert tucker, carlucci's, mietta's, adams of north riding, plenty views golf park, mirka mora, alan marshall short story award, james shaw, thanh vuu nguyen, victorian artists supplies, miriam hyde, lisa young, bluehouse, debbie morrow, clive dickson, luna park, montsalvat, dymocks booksellers, public art, mark henry, spectators sports bar, fleur de feliss florist, eltham festival, sebastian jorgensen, nillumbik artists' open studios, eltham pottery studio, muddy waters studio, studio 30, peter accadia, piers bateman, jenneke kortweg, janet boddy, dave bradley, melita jansen, jules christian burns, damian fitzgerald, jill forest, ona henderson, syd tunn, veronica holland, sally nihill, michael skewes, elizabeth vercoe, annie keil-taggart, alan martin, jenni mitchell, grace mitchell, mervyn hannan, peter oyston, chris pittard, mary lou pittard, jane viola, john hewish, nel ten wolde, rob harwood, st andrews hotel, kim tarpey, recherche, jessie howard, artspeak studio gallery, la trobe university art museum, willy wonka's ice cream gourmet food, arts sponsorship, john fry, winsome mccaughey, bostik, lucy sussex, alice's bookshop, were street cafe, thomsons pharmacy, know & grow, volumes

Vol. 5, No. 6 (5), Summer Issue 2000 CONTENTS John Perceval and Helen Daniel 2 Two who served their communities well Gateway Sculpture Project 3 New public art in Manningham The Artary Project 5 Getting onto the net Tucker: Australian Gothic 6 Albert and Barbara Tucker's gift to Australia Short Story 8 Learning Curves Interview 10 Elizabeth James on drawing Open Studios 12 40 artists welcome the public Banyule Youth Awards 18 Support for emerging young artists Not Just a Pretty Place 20 Nillumbik art in Public Places CD Reviews 22 Book Reviews 23 Australian Classical Music 24 Elizabeth Scarlett Theatre Reviews 25 Artin About 26 Wining & Dining 30 Book Review 32 Artist's Services 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, public art, sentinal, river peel, manningham, artary project, plenty views golf park, albert tucker, barbara tucker, kinglake gallery, bulleen art & garden centre, st andrews gallery, steve flanagan, eltham wiregrass gallery, elizabeth james, willy wonka's ice cream gourmet food, nillumbik artists' open studios, accadia ceramics, alan martin, alan sartori, attunga, veronica holland, leanne mooney, sally nihill, bend of islands, michael skewes, elizabeth vercoe, creek house studio, syd tunn, ona henderson, chris pittard, mary lou pittard, diamond creek living & learning centre, drew gregory, jane annois, jane trikojus, jenni mitchell, grace mitchell, mervyn hannan, girraeen studio, jill forrest, kangaroo studios, peter burns, jules burns, muddy waters studio, nel ten wolde, overbank end, kay steventon, kim tarpey, reg cox, robert phillips studio, stained glass studio, shan shnookal, matthew holderness, ray macminn, jane viola, john hewish, open pottery studios, linda detoma, judith roberts, cassandra tobias, christian benetto, kevina-jo smith, julianne piko, hugh crosthwaite, sarah slater, peter doyle, stuart sinclair, carly young, lenister farm, not just a pretty place, kangaroo house, dynamic vegies, old bakery cottage bookshop, nick charles, felicity nottingham, michael mcgirr, eltham little theatre, heidelberg theartre company, montsalvat, recherche, ken eckerall, thompsons pharmacy, st andrews market, 2000 banyule young artists award, heide museum of modern art

A gift from The Eltham Society, England to Eltham District Historical Society on the occasion of Australia's bicentenary in 1988. Script accompanying an 87 slide slide-show about Eltham, England. Includes photo on the inside cover of a group of people with names indicated by pieces of paper cut into arrow shapes with names written on and pasted onto photo. Bound booklet. 17 pages.HG Booklet 32bicentenary, bob harris, clifford crate, david brock, eltham society (london), harry gilham collection, lionel backhurst, margaret taylor, ruth fletcher, sally simmons