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Bendigo Historical Society Inc.
Memorabilia - PRINCESS MARY CHRISTMAS GIFT BOX WW1, 1914
A brass tin embossed on hinged lid with an effigy of Princess Mary surrounded by a laurel wreath, around edges are the names of the allied countries in WW1 & Christmas 1914, the tins contained various items and were sent to troops on the front, a small card inside reads, With best wishes for a victorious new year from The Princess Mary and friends at home, also contains a replica bullet which would have contained a pencil, with the Princess Mary's emblem on side.military, world war 1, princess mary tin -
Kew Historical Society Inc
Photograph - Kew Junction, Herald & Weekly Times, 1962
This is an aerial oblique image looking north. It shows Kew Junction before construction of VicRoads (Country Roads Board), Murphy's (Leo's) supermarket, and office towers. It also shows a building on the land now known as the Raoul Wallenberg Reserve, the Kew Municipal Offices in Walpole Street, and St Paul's School for the Blind in Fernhurst Grove, and Kew Bowling Club in Wellington Street.An aerial photograph of Kew Junction, showing the intersection of High Street South, Studley Park Road, Princess Street, High Street and Denmark Street. A number of buildings, now demolished can be identified in the photo, including Jellis’ Bakeries on the corner of Princess Street and Studley Park Road." Annotation on reverse: "Kew Historical Society from Mr L. H. Chinner".kew junction, aerial photograph (kew), oblique aerial, st paul's school for the blind, kew municipal offices, high street kew, studley park road, kew war memorial, kew post office, kew police station, kew court house, high street south, kew, wellington street kew, denmark street kew -
Coal Creek Community Park & Museum
Pearl buttons
24 pearl buttons on rectangular shaped cardboard (blue on front).Princess Pearl Buttons. J & R. B. Made in England. Stamp on back, indecipherable. -
Coal Creek Community Park & Museum
Pearl buttons
Rectangular shaped cardboard. Princess Pearl Buttons. J & R. B. Finest English Manufacture. Made in England. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - framed collection Ships and industrial estates in Portland, n.d
UnknownFramed collection of photographs in brown timber frame, under glass. 1. T.S.S. 'Ixion' First vessel berth K.S. Anderson (1959); 2. M.V. 'Athel Princess', first vessel to load bulk oats (1961); 3. Cresco fertiliser - Lady Bay; 4. Portland Bay; 5. T.S.S. 'Ixion'; 6. Harbur industrial estate - Cape Grant area; 7. Harbour construction 1957; 8. Cape Grant quarry 1957.Front: T.S.S. 'Ixion' First vessel berth K.S. Anderson (1959)/ M.V. 'Athel Princess', first vessel to load bulk oats (1961)/ Cresco fertiliser - Lady Bay; 4. Portland Bay/ T.S.S. 'Ixion'/ Harbur industrial estate - Cape Grant area/ Harbour construction 1957/ Cape Grant quarry 1957. Back: (no inscriptions) -
Greensborough Historical Society
Audio - Audio Cassette, Diamond Valley Choral Society, Electric piano, performed by Diamond Valley Choral Society 1994, 10/08/1994
A master tape of songs performed at a concert known as "Electric Piano" in August 1994. This performance is by the Diamond Valley Choral Society. Songs include: Love changes, Imagine, One voice, We are Australian, Sleep little princess, Bush night song, Mighty, Serenade, Speed your journey, We're riding to the Never-never, The happy wanderer, Waltzing Matilda, Mary's boy child, Cradle Valley carol.2 audio cassettes in clear plastic casesHandwritten on cassette 1: "Side 1: Master DVCS 12.8.94. Love changes, Imagine, One voice, we are Australian. Side 2: Chorus We are Australian, Sleep little princess"; on insert of cassette 2: "Bush night song, Mighty, Serenade, Speed your journey, We're riding to the Never-never, The happy wanderer, Waltzing Matilda, Mary's boy child, Cradle Valley carol".diamond valley choral society, bundoora -
Greensborough Historical Society
Newspaper clipping, Argus (newspaper), Royal visit to Australia 1954, 24/04/1954
Shows the excitement of the Royal Visit in 1954. This was Queen Elizabeth II's first visit to Australia since ascending the throne. In these articles the royal children are joining their parents on tour.An example of the interest in the royal family to Australians at this time.4 black and white newspaper photographs of the Royal family, including Prince Charles and Princess Anne, on tour in 1954royal visit 1954, queen elizabeth 2, house of windsor, duke of edinburgh, prince charles, princess anne -
Slovenian Association Melbourne
Princes Pier, photo, Princes Pier, 1962, Station Pier at the back, L Markic, Mirko Cuderman, Joze Z, 1962
Friends on an outing to Station Pier in 1962, Port MelbourneFriendship buildingblack and white photo Outing to Princess Pier in Melbourne 1962: Lojze Markic, Mirko Cuderman and Joze Zuzekslovenian man -
Healesville Sanctuary Heritage Centre
visitors' book 3, Visitors Book Sir Colin Mackenzie Sanctuary, badger Creek, Healesville
Black leather hard covered Visitor book. Includes many overseas and VIP visitors, including Princess Alexandra visitors, book, healesville-sanctuary, brolga-room -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Prince Charles and Princess Diana Visiting Portland, n.d
Glenelg Shire Council RecordsColour photograph of Prince Charles and Princess Diana examining navy cadets in company of Cr. Robert Halliday (Mayor).royal visit, prince charles, princess diana, princess of wales, robert halliday -
National Wool Museum
Textile - Coat Dress, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red princess seam coat dress with ten self covered buttons down centre front and crew neck. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Lorne Historical Society
Medal - Silver Medal, Marquis Lorne and HRH princess Louise
Round silver medal with silver chain Profile heads of Marquis and Princess Reverse their royal shields and for all decorations Palmam qui meruit ferat -
Bendigo Historical Society Inc.
Photograph - DUKE AND DUCHESS OF YORK
Black and white copy of a mass produced photo of TRH The Duke and Duchess of York with Princess Elizabeth on the day of christening.Photo Central Newsperson, family, portrait of family -
Bendigo Historical Society Inc.
Slide - BENDIGO EASTER PARADE, Apr 1962
Slide. Bendigo Easter Parade. A 'Princess' in a white pumpkin which is pulled along by two white horses, on a float.slide, bendigo, bendigo easter parade., bendigo easter parade. -
Kew Historical Society Inc
Photograph - 'Illapa', Princess Street, c.1920
The Hedderwick family lived in a number of houses in Kew, including 'Illapa' and 'Garoopna'. Illapa, pictured here, was built for Henry Hedderwick in c.1890. The house was to become 'St Joseph's Tower' and more recently 'Rylands' Kew This photograph is part of a larger donation of items relating to the Hedderwick family of Kew.Monochrome, Black and white print copy of 'Illapa' in Princess Street, built for Henry Hedderwick, lawyer and local politician.henry hedderwick, illapa -- princes street -
Dutch Australian Heritage Centre Victoria
Commemorative Tile, 1962
Princess Juliana and Prince Bernard married in 1937 prior to the Princess becoming Queen in 1948.The fact that this item was brought to Australia with a migrant family indicates the affection in which the Royal Family was held by many Dutch people.Rectangular tile depicting a leafy tree loaded with oranges. Under it are four young people - two male and two female. The main colours are green on a greyish background. Orange accents appear throughout the clothing. An orange banner reads 1937-1962. Below the illustration is the motto: "Doen kunnen we alles maar dan ook alleen allen samen." (We can do everything but only together). On the back are various imprints relating to the maker Mosa Holland. -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Princess Margaret Rose Caves, n.d
Coloured photo/postcard of interior of Princess Margaret Rose Cave, showing formation known as 'The Long Engagement and the Wedding Cake'.tourism, princess margaret rose caves, postcard -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Prince and Princess of Luxembourg, C1956
Black and white photo of drawing room in home of Mr. Roger de Stoop during visit of Prince and Princess of Luxembourgprince of luxembourg, princess of luxembourg, de stoop, roger -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/05/1999 12:00:00 AM
Other number 03673.2Colour photograph of Racquetball team Warrior Princess, Lucille Allen and Yvonne Bubb mug winners Lakes Entrance Victoriasports -
Bendigo Historical Society Inc.
Slide - GOETZE COLLECTION: PRINCESS THEATRE SLIDES
Princess Theatre glass projector slides. 1. Purse lost in theatre. 2. Childrens Matinee ever Saturday morning.Cameron's Slide Specialistcottage, miners -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: THEATRE PROGRAM, 1903
Document. Orange four page theatre program advertising, '' The Woods - Williamson Season'' 1903. Royal Princess Theatre, Bendigo.performing arts, elocution, theatre -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: SEATING PLANS
Seven sheets of paper showing plans of stalls, box plan and dress circle plann of the Royal Princess Theatre - Bendigo.bendigo, buildings, princess theatre -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: PLAN OF ALTERATIONS TO PRINCESS THEATRE, No date on Plan
Plan: Alterations to the Princess Theatre. Architects drawing by Cowper, Murphy and Appleford, Architects, 440 Little Collins St melbourneCowper, Murphy and Appleford, Architects, 440 Little Collins St melbournebuildings, commercial, princess theatre, princess theatre, alterations, cowper murphy and appleford -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, W.R. Garrett, Victoria Princess Betty, 1939
Black and white photograph. Jesrsey cow standing in the Bull Paddock.On reverse, "Victoria Princess Betty 1939," and, "Photography by W.R. Garrett Phone Hawthorn 3685 No. 4173."cow, victoria princess betty, 1939, w.r. garrett, jersey cow, bull paddock, butter fat -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Princess Margaret Rose Cave, n.d
Coloured photo of 'The Long Engagement' and 'The Wedding Cake', formations in Princess Margaret Rose Caves. Photo is similar to image on 6481 (postcard).tourism, princess margaret rose, travel, recreation -
Bendigo Historical Society Inc.
Document - THEATRES COLLECTION: BENDIGO THEATRES 1954-56
List of Bendigo theatres in 1954-56 compiled by Julie Hempenstall. Theatres mentioned are: Plaza, Lyric royal Princess and Drive-in theatre.entertainment, theatre, list -
Kew Historical Society Inc
Clothing - Silk & Lace Bed Jacket, c. 1902-11
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is significant as it is part of 25-piece collection of women’s clothing owned by Edith Mary Weir (nee Betteridge), who was born in Clare, South Australia in 1867 and who died in Kew at the age of 81 in 1948. The items of clothing in the collection date from the 1880s to the 1940s and constitute outstanding examples of dressmaker’s skills from each of these decades. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife of a mining engineer, and later mine manager, Edith Weir’s clothing has historic significance as examples of clothing worn by upper middle class Australian women in domestic circumstances and at social and civic events. The costumes in the collection represent the periods when Edith Weir lived in Broken Hill, New South Wales, and in Kew, Melbourne. A number of the costumes from the 1920s to the 1940s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by the granddaughter of Edith Weir. An Edwardian slik, net and broderie anglaise bed jacket, bought by and worn by Edith Mary (Betteridge) Weir. Given the date of the item, the jacket was initially worn in Broken Hill where the Weir's lived, when her husband was Manager of the North Broken Hill Mine and later brought to Kew, ca. 1917 when the Weirs moved to Princess Street, Kew. The jacket was gifted by Edith Weir's grandaughter. It forms part of the Society's Weir Collection.edith mary weir (nee betteridge), 84 princes street (kew), costumes, fashion & design collection - kew historical society, women's clothing, weir collection -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: STAGE TICKETS (4), Early 1900s
Document. Four Stage Tickets for ''Austral Competitions''. 1. Blue; Princess Theatre Monday Afternoon. 2. White; Monday Night. 3. Red; Princess Theatre Thursday Night. 4. Business Card, ''Frederic A. King''.Hon.Secretary, The Austral Society, Bendigo. Written in pencil on the back, ''Admit to Stage during Season, F A King''performing arts, elocution, stage tickets -
Flagstaff Hill Maritime Museum and Village
Gramophone, 1911
Until late 1925, all record players reproduced sound by purely mechanical means and relied on a so-called "amplifying" horn to efficiently couple the vibrations of the stylus and diaphragm to the space occupied by the listeners. In 1906, the Victor Talking Machine Company, Columbia's arch competitor, introduced a line of models in which the horn and other hardware were concealed within a cabinet, made to look like fine furniture rather than a mechanical device. They named the new style a "Victrola". It quickly proved to be very popular and successful. Other makers, adopting the distinctive suffix, introduced their own "-ola" internal horn machines, such as Edison's Amberolas and Columbia's Grafonolas. They were soon outselling the external horn models. At first, like nearly all other early record players, all Grafonolas were driven by a spring motor that the user had to wind up with a crank before playing a record. In 1915, Columbia began to introduce electric-motor-driven models, as a majority of urban areas had been wired to electrical grids. The electrified Grafonolas supported both alternating and direct currents from 110 to 220 volts. Electrified Grafonolas never gained the popularity enjoyed by the spring motor-driven versions due to substantially higher prices and a lack of electrical service in rural areas. Grafonolas were manufactured under the 1886 United States Letters Patent No. 341,214 which Columbia Graphophone company acquired through its predecessor American Graphophone Company. Two models were available; a portable table model and bigger stationary floor model, offering limited mobility through the application of casters. The most notable table models included Grafonola Favorite introduced in 1911 and Grafonola Savoy introduced in 1915. The most notable floor models included Grafonola Symphony Grand introduced in 1907, Grafonola Regent introduced in 1909, Columbia Mignon introduced in 1910, Grafonola Princess introduced in 1911, Columbia Colonial introduced in 1913. Various period Grafonolas were introduced in 1917 to cater to an increasingly prosperous clientele. Columbia Phonograph Company began to manufacture a series of ornate, limited edition period machines. These were highly priced (some as high as US$2,100 ) special orders that provided consumers with options to choose styles which matched their interior décor. Although the Gramophone does not have a large monetary value, it is of social significance as it demonstrates the progress made in audio reproduction from the first Edison cylinder machines to improvements that allowed ordinary people to be able to buy music discs and enjoy music in their own homes. Gramophone with internal horn, floor model, mechanically operated by a crank handle. Colombian Grafonola Princess (Type F2) brand. Gramophone is in a wooden display cabinet with room for record storage underneath and is complete with handle. Manufactured in 1911 by Columbia, USA."Columbia Grafonola Type 2 Made in USA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, record player, gramophone, mechanical gramophone, floor model gramophone, gramophone record, columbia graphophone company, american graphophone company, columbia, grafonola, grafonola princess, music, playing music, audio reproduction, sound equipment, domestic entertainment, 1911 gramophone -
Flagstaff Hill Maritime Museum and Village
Postcard
Black And White postcard of the TSS Princess Marguerite, Vancouver B.C. Hand writing on card "754" (Sh 227 Ships M - R)Hand writing on card "754" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tss princess marguerite, post card, postcard, vancouver b.c., steam ship