Showing 449 items
matching women's hats
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Kiewa Valley Historical Society
Hat Pin, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0366costume female head ware accessories, hat pin -
Kiewa Valley Historical Society
Pin Hat, circa 1940s to 1950s
Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorshis hat pin is adorned with a black shiny plastic "tear drop" shape head on a long shaft This is identical to KVHS 0365costume female head ware accessories, hat pin -
Bendigo Military Museum
Uniform - UNIFORM - WW2 AUSTRALIAN WOMEN'S ARMY SERVICE, 1939-1945
AWAS uniform belonging to Cpl Irene Driscoll Items were put together to show an Australian Women’s Army Service Uniform. A hat belonging to Mrs M Crowley (Cat No 1268) is part of the display..1 Shirt, polyester, light khaki, long sleeves with Corporal stripes on each arm .2 Tie, khaki. .3 Skirt, Service Dress, khaki, winter. .4 Jacket, Service Dress, khaki, winter, 2 x Rising Sun lapel badges, 2 x “AWAS” shoulder badges, 2 x Corporal Stripes on right sleeve, 2 x colour patches, rectangular blue & white with purple surround, metal buttons..1) “A.G.C.F Vic 1982 size 40/81” .3) “V.83 made in AUSTRALIA 1942” .4) “N 381 made in AUSTRALIA 1942, size 10”ausraliam womens army service, uniforms - army -
Bendigo Military Museum
Memorabilia - BADGES AND MEDALS, 1) 1918, .2) 1919, .3) to .6) post WW11
Medals .3) to .6) belonged to David William Ralph Davies No V245464, enlisted on 19.12.41 age 19 years. At discharge from the Army on 5.12.46 he was a Pte in 57/60th Aust Infantry Battalion.1) Medal, circular, metal, issued to Commemorate Anzac Day 1918. Obverse has head of a soldier with Slouch Hat with wording "Honor to the AIF". Reverse has the words " Gallipoli, France, Palestine". .2) Medal, circular, metal, issued to School children to commemorate Victory and Peace in 1919. Obverse depicts a Women, reverse has figures of a Sailor and Soldier with the wording "Victory the Triumph of Liberty and Justice, the Peace of 1919". Medals, ribbons, single, (4) re D.W.R Davies. .3) Pacific Star. .4) 1939-45 Star. .5) War Medal 1939-45. .6) Australian Service Medal..3) .4) .5) .6) "V245464 D.W.R Davies"medals, memorabilia, military -
Frankston RSL Sub Branch
Hat, WRANS, 1944
Standard hat issued by the Royal Australian Navy to members of the Women's Royal Australian Navy Service during World War ll. This is a black, felt hat with a faded black tally band with "H.M.A.S. CERBERUS" embroidered in gold lettering. The interior of the hat has a grey sweatband. embroidered with the name : "H.M.A.S. Cerberus" and a sewn, labelled tag on the inside of the hat reading "N18, 1944, Size 21-1/2, MADE IN AUSTRALIA". -
Frankston RSL Sub Branch
Hat, WRAAC
Standard issue Australian WRAAC service dress hat worn during the 1980 to 1990 period. This hat has a split brim in dark green, turned down at the front and up at the rear, and a three-panel crown in light green. A light green half hat band with a rising pointed peak at the front is affixed to the hat with black elastic. The internal sweat band line is lined with black velveteen and the remainder of the inside of the crown with green nylon. A maker's label is sewn to the crown of the inside, giving the size and date of manufacture..headgear, headwear, women, army, 1980s, 1980 to 1990 -
Frankston RSL Sub Branch
Hat, RAAF (female), 1970s
... secure it to the head. hat headwear headgear women EMERCO M ...Standard issue Royal Australian Air Force female officer's cap. The crown is light blue and the brim is dark blue. The brim, which is stiffened and has several rows of top stitching around it, is turned up at the back. The hat has a detachable band that attaches to the back of the crown with black Velcro. The inside crown is lined with silver coloured nylon cloth and has a black sweatband. A label on the inside of the hat gives manufacturer information. A thin piece of black elastic is secured on either side of the hat to help secure it to the head.hat, headwear, headgear, women -
Orbost & District Historical Society
black / white postcard, late 19th - early 20th century
This postcard seems to have been written by Grace Cameron to Annie (Cameron) Gilbert. There is mention of a harvest festival.The Cameron and Gilbert families are early settlers of the Orbost area. This photograph is a pictorial record of dress in the late 19th and early 20th century. It depicts the the high standards of dress at informal occasionsA photograph / postcard which shows a group of men and women in a large forest clearing. The women are dressed in white(?) dresses with ribbon bows at the neck. The men are in suits. Most are wearing hats. In the back right corner are two horse - drawn carriages.on the back is a hand -written lettercameron-annie celebrations-outdoor -
Orbost & District Historical Society
black and white photograph, late 19th century - early 20th century
This is a photograph of the four daughters of Mrs George Thomas. L -R : Elleen Parsons, Julia Eaton, Eva Murray and Violet Gay. George Thomas and Gtranny Thomas lived at Newmerella on Grand View Road until the 1950's. In the Newmerella Koorie Community, there were about 15 families. The family was a very well-respected local Aboriginal family. . George was a stockman for Jas Stirling. From Colin Thomas "I learned that George Thomas was Kitty Johnson’s oldest son. As a young boy George had been found by the Reverend John Bulmer, in addition to other young Aboriginal children in the bush around the Lake Tyers area. He had gathered them all together and took them onto the reserve at the Mission. After quite a number of years had passed George had met and fallen in love with a young half-caste girl, known as Agnes Patterson. Agnes was of Monaro descent and came from New South Wales. George and Agnes got married at Lake Tyers. Because of the half-caste act George and Agnes had to leave the reserve along with their nine girls. They moved to Newmerella, situated outside the township of Orbost. This was the place that George and his wife and children came to call home. Soon after, George and Agnes would add to their family bringing the total of children to fourteen, the last five of whom were boys. At the time of the First World War George’s boy’s volunteered their services and joined the army. When in Europe one of the boys sustained an injury which caused the loss of an arm. Following the end of the war the boys came home, as men." The Thomas family was a well-respected family in Newmerell in the late 19th and first half of the 20th century. The daughter were well known for their needlework and craft skills.A black / white photograph of four women wearing log skirts / dresses and elaborate hats, two sitting on a log and two standing on either side.thomas-family newmerella koori-family -
Orbost & District Historical Society
black and white photographs, second half 20th century - 1980's?
These photographs are of winners in the Orbost Agricultural Show's Show Boy and Show Girl competitions. The first photograph is of Peter? Joiner and Jarod Forrester in the Master Show Bow Competition. The second is of Pauline Bommer (Weston) and her daughter at the Nowa Nowa Gymkhana. The third has Chloe Kenny on the left. in the fourth photograph are Dianna Munn with Laura; Sharon Chambers with Jessica and Sharon Cook with Tayla. These photographs are pictorial records of a social event in Orbost. They are associated with the Orbost Agricultural Society 's Annual Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history. Four black / white photographs related to the Orbost Show. 3086.1 is of three young boys wearing sashes. The middle boy is holding a trophy. 3086.2 shows a woman bending over a young girl wearing a sash. 3086.3 has three girls, one one right wearing a hat, one on left has a sash. 3086.4 is of three women holding babies. All babies have sashes and the one in the middle has a trophyOn the back of each photo are the details and names. -
Orbost & District Historical Society
shell ornament, c. early to mid 20th Century
Mrs Elma Camm (nee Freeman) was the wife of Herbert Desmond Camm. Des and Elma lived in Orbost from 1971-1980/1. Des died on 9/11/1980 and is buried in Orbost Cemetery. Elma moved away and is presently (2013) in care at Lakes Entrance. Elma's hobby was collecting shells and crafting them into interesting forms. Much of her work is in the Shell Museum in Lakes Entrance. The figurine in Orbost Museum was donated by Elma.This item is an example of the handcraft skills of women in the early to mid 20th century.A small figurine made completely of different shaped shells and set onto a wooden block as its base. The block was originally a Wee William cigar box. The figure is playing a stringed instrument, possibly a guitar, held in front of him/her. The hat is a small shell.shell-art figurine recycled-materials -
The Beechworth Burke Museum
Photograph
Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Six men sit in front of the group (Mr Imhose stands fourth from the left in front row), upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 10 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2491 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardHandwriting reads: "Mental Hospital / Beechworth / Miss A. J. Ross / about 82 in 1944".mental asylum, beechworth, mayday hills, mayday hills hospital, victoria, mental health, history of mental illness, treatment of metal illness, asylum, hospital for mentally unwell, miss a.j. ross, nurse, staff, doctors -
The Beechworth Burke Museum
Photograph
Photographed in the early 1900s, this black and white photograph depicts 25 members of the Mayday Hills Hospital Staff. Five men sit in front of the group, upon the ground and behind them, in bright white clothing, sit eight female nurses upon a long bench (one of these nurses is identified on the rear as Miss A.J. Ross). Behind these women stand 12 men. The men are all wearing dark clothing and several have 'Kepi' style hats. The staff photograph was captured by Frazer and Vallance Photographers Melbourne. This image was originally combined with 1997.2490 but these images have since been torn apart and catalogued separately. Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town. A pamphlet published by James Ingram and Son (1849) reveal that famous landmarks in Beechworth which included the Post Office, Gaol, Courthouse and Asylum "demonstrate the appreciation of Beechworth by the Government not only as as important district center, but also as a site unrivaled as a sanitarium". There were other locations in contention at the time, but ultimately Beechworth was chosen (Craig 2000, 33). Prior to the creation of the Asylum in Beechworth, those charged with having mental illnesses or, as it was termed, "insanity" were unable to be properly cared for in the Gaol (which is where they were often sent). John Buckley Castieau wrote, in 1861 for the Ovens and Murray Advertiser, that the Gaol was unable to properly care for those classified then as "insane" but that they would endeavor to treat them above the other inmates (which he notes is not always the case in other establishments). Castieau wrote this in favour of supporting the building of the Mayday Hills Hospital in Beechworth. It was stated that at the time the Mayday Hills Hospital was built, there were 83 prisoners kept in the Gaol who were to be rehoused to the Hospital on the grounds of "insanity". The classification as someone as "insane", in this period of time is a reflection on the inability to cure and understand illnesses of the mind during the mid to late 1800s. Opening on the 24th of October 1867, the Mayday Hills Hospital was originally named the "Ovens Lunatic Asylum", a title which is very much a product of its time. Whilst controversial, changes to the name is part of the history of the Hospital and can provide much insight into the understanding of mental illness throughout history and the use/disuse of this term provides information into the reception/changing opinions of mental illness in society. The Hospital would later become known as the "Mayday Hills Asylum" and/or "Mayday Hills Hospital" with the latter being the most commonly used title. An article in the Ovens and Murray Advertiser notes that on the 7th of March 1865, the foundation stone of the Hospital was laid (it would officially open in 1867) and that it was such a moment of accomplishment and joy for Beechworth that a letter to the editor even suggested that there should be a holiday dedicated to the day the foundation stone as laid. This reveals an extent to which the townspeople of early Beechworth valued the construction of the Hospital in their town. It provided the town with a sense of prestige and honour.At first glance, the remains of the Mayday Hills Hospital in Beechworth, Victoria, inspire tragedy, trauma and beauty. The buildings themselves, with their Italianate style Renaissance architecture designed by J.J. Clark (Craig 2000, 49 & Smith 2016, 203) reflect a bygone period of European and Australian history. The gardens provide a sense of tranquility and beauty. The experience of those within these walls remains a valuable area of study to provide a more complete understanding. This particular hospital is considered the fourth of its like and one of three identified as the largest of their kind. The Mayday Hills Hospital is a sister to the Kew and Ararat Asylums in Melbourne which are both located in relative proximity. Understanding the role of the Mayday Hills Hospital in Beechworth history is integral to understanding the development of the goldfields town, but also for providing important information as to the history of caring for, and the reception of, mental illnesses in Australian and wider European history. Mayday Hills provides a case study which can be researched through oral history, an analysis of the grounds/buildings and through images like this postcard which portray the structure in a highly deliberate manner. Images like this depict the strong façade of the Hospital and provide a glimpse into the tranquility of the gardens. This has been done deliberately to provide a sense of comfort and healing about the building to those looking from the outside. Further research into the importance of the Hospital in Beechworth and it's connection to the town will be supported through images like these kept in the Mayday Hills photo album in the collection of the Burke Museum.Black and white rectangular photograph printed on photographic paper mounted on cardFrazer & Vallance Photographers Melbournemental asylum, beechworth -
Warrnambool RSL Sub Branch
Hat; Army Nurses Uniform, 1940-1942
This hat is part of the uniform worn by Sister Winifred Ride during World War 2. Nurses played a key role in the conflict through their care and compassion to the servicemen who were wounded and sick.The nurses uniform is symbolic of the sacrifice and service of the many women who served their country in WW2. Grey felt hat with 60mm brim. Brown hat band 30mm wide with narrow stripes top and bottom. Narrow stripes red and grey at top of band, grey and red at bottom of band.Inner hat band marked with "N231, 6 7/8, 1942" -
Victoria Police Museum
Photograph (Nell Davidson)
Nell Davidson was a staunch member of the Salvation Army and was born in Warrcowie, South Australia, in 1885. She was one of the first four 'police women' when she joined Victoria Police as an agent on 3 June 1918. She was described as being 5' 6" tall, weighed 8 stone 7lb, with brown hair and eyes and a dark complexion. She retired on 25 December 1940, having achieved the rank of First Constable in 1934. She was renown for her work in the slums of Melbourne.Nell Davidson, with hat and glasses, seated, second from the right, with members of the Salvation Armypolice women, davidson, ellen francis 7709, salvation army, police agents, police woman, policewomen, policewoman -
Warrnambool and District Historical Society Inc.
Household, Hat pins x9, Early 20th century
... pins would have been used by women wearing the large-style hats ...These hat pins would have been used by women wearing the large-style hats popular at the end of the 19th and the beginning of the 20th centuries. The hat pin was both a practical and an ornamental item. Smaller varieties of hat pins may still be used today. These items are retained as examples of the type of hat pins used by women over 100 years ago.These are nine hat pins, all with metal spikes and all rusted. One has a round top with an inlay of blue glass, two have aqua and cream-coloured elongated tops made from composite material, four have round black tops and two have pearl-coloured tops. One hat pin has a metal cover at the end. women’s accessories, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book, Silent Lives: women of Warrnambool & district 1840-1910, November 2017
Warrnambool has never done justice to the women who shared their menfolk the hardships of the pioneering days. Silent Lives fills a void in the history of Warrnambool and surrounding districts, during the early decades 1840s to 1910, providing a narrative about some of the people, in particular women, missing so far in our documented history. Elizabeth O'Callaghan has meticulously researched the period, drawing on early newspapers, diaries, letters, unpublished family histories, honour board listings as well as public documents such as hotel licensing and teacher records held in the Public Record Office of Victoria and State Library of Victoria. By their unremitting labours and self-sacrifice the pioneering women of Warrnambool and district helped to lay the foundations of our communities today.This publication is of significance as it documents the lives of 19th century women in Warrnambool and district between 1840 and 1910 covering Aboriginal women, schools and teachers, specialist teachers of art, writing and cookery, sporting activities, political and charitable activities, how the law treated women, medical treatment, and the everyday lives of women and their families. It contains images of art produced by some of these women.A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.Elizabeth O'Callaghan/November 2017warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun -
Warrnambool and District Historical Society Inc.
Dress, Jacket, 1960s-70s
This ensemble would have been worn early in the second half of the 20th century. It would have been worn on special occasions rather than for everyday wear and would perhaps have been worn with a hat, gloves and high heels. This ensemble is retained as an example of a women’s outfit worn in the 1960s and 70s. It will be useful for display. This is a cotton wove dress and jacket in matching material. The pattern has bands width-ways and is in grey, brown and cream colouring. The dress is sleeveless with a rounded neckline and a zip at the back. The skirt section is slightly flared. The jacket has short sleeves and finishes at the waistline. The jacket has four buttons and a small collar.ladies fashions -
Warrnambool and District Historical Society Inc.
Feathered Hat, Custom Hats, c. 1940
This item comes from the great aunts of the donor, women of the Kinnear family of Allandale, Allansford. In the early 1840s William and John Allan took up large tracts of land to the east of the Hopkins River. In the late 19840s the run was divided, with William taking the Allandale section and John taking the Tooram section. In 1906 a portion of the Allandale section, including the homestead, was acquired by the Kinnear family. This hat is retained as an example of a woman’s hat from 80 years ago – stylish and eye-catching. It is also of interest as coming from the Kinnear family of Allansford.This is a woman’s hat – a spherical-shaped piece of dark blue felt or velvet curved to fit a head. The headpiece is covered with layers of small feathers in brown, yellow, black and white tonings. The label of the maker is on the inside of the hat. Urbi et Orbi Custom Hats Yokohamavintage hats, kinnear family, allansford, history of warrnambool -
Warrnambool and District Historical Society Inc.
Headwear - Lady's hat and hat shapes, 1960s
These items came from the Godfrey family who lived in Warrnambool in the mid 20th century. The hat was bought and worn by Barbara Phipps (nee Godfrey) some time in the 1960s. It was bought from the department store of Cramond and Dickson, a prominent and important business in Warrnambool from 1855 to 1973. The two felt hat shapes were bought in Italy during World War Two by Jim Godfrey and given to his wife Joy. They were never made into hats to wear but remain in their original state. These items are of interest because they are connected to a 20th century Warrnambool family and because they are good examples of women's fashions of the past..1 A beige=coloured lady's felt hat with a slight fold in the crown and with a strip of felt around the outside of the crown ending in a single knot. There are some multi=coloured feathers attached to the felt strip.The hat has a cream lining on the inside edge of the crown and the brim is stitched .2 A cream felt hat shape .3 A green felt hat shape.1 Doeskin Felt 100% Wool Geo. W. Bollman & Co. Inc. Made in U.S.A.vintage women's clothing -
Warrnambool and District Historical Society Inc.
Clothing - Lady's bonnet, 19th century ?
... a previous era. Vintage women's clothing. Bonnets Straw hats ...This bonnet would have been worn when the wearer was out doors and has been, perhaps, remodelled from a previous bonnet. All women wore a head covering out of doors in the past up to about the 1950s.This bonnet has no known provenance but is retained for display purposes as an example of a lady's bonnet from a previous era.This lady's bonnet is made of cream straw with dark brown cloth pleated trimming and cream felt flowers and leaves. The centre of some of the flowers have gold small buttons attached by fine wire covered in straw. Long faded light brown ribbons are attached to the sides of the bonnet to enable it to be tied to the lady's head.vintage women's clothing., bonnets, straw hats -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph
While many recruits could already drive when they joined 8/13 Victorian Mounted Rifles it took many hours of instruction and training before they were licenced to drive heavier, more complex army vehicles both on and off road and under combat conditions. Members of the Women’s Royal Australian Army Corps (WRAAC) were posted to Army Reserve units in the 1980s and 1990s. They were rarely posted to Armoured Fighting Vehicles (AFVs) but were invaluable in the A1 Echelon driving fuel, ammunition, ration and water supply vehicles. Two colour photographs of group of soldiers of ' A ' Squadron 8/13 Victorian Mounted Rifles at a meal break during a driving exercise, 1986. Considerable variation in dress and headgear. Green beret at left, Sergeant D. Reynolds; hat Private T. Roche; Black beret Sergeant H. Wilson; no hat Corporal M. Roberts ; peak Cap with badge Warrant Officer 2 Burnie; Peak cap Corporal Potts. -
Kew Historical Society Inc
Journal, Kewriosity : June 1992
Mountain bikes for Kew Police / p1. Kew Junction Commercial Area Urban Design Options Precincts 1&2 / p1. Responsible dog ownership / p1. Waste Management Strategy / Cr Daryl Oldaker, Malcolm Hutchinson p2&3. Home care for Kew residents / p3. Diary Dates for June/July / p4. Community tree planting day / p5. Friends of Kew Library / p5. Sharps disposal containers/ p5. In Brief [Recycling garden pots; Recycling kerbside collection; Outdated phone books recycled; Kew Pre-school Association; Australian Orthodoxy; Adult literacy classes; Football news; Women at midlife] / p6.Passive smoking - How much does it affect you? / p7. Don't Litter [and fines] / p7. Pictures of Kew [winner of decorated hat exhibition]; Flying start holiday camp [at Carey]; Kew High school teacher and student; James W Waters Award] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionMountain bikes for Kew Police / p1. Kew Junction Commercial Area Urban Design Options Precincts 1&2 / p1. Responsible dog ownership / p1. Waste Management Strategy / Cr Daryl Oldaker, Malcolm Hutchinson p2&3. Home care for Kew residents / p3. Diary Dates for June/July / p4. Community tree planting day / p5. Friends of Kew Library / p5. Sharps disposal containers/ p5. In Brief [Recycling garden pots; Recycling kerbside collection; Outdated phone books recycled; Kew Pre-school Association; Australian Orthodoxy; Adult literacy classes; Football news; Women at midlife] / p6.Passive smoking - How much does it affect you? / p7. Don't Litter [and fines] / p7. Pictures of Kew [winner of decorated hat exhibition]; Flying start holiday camp [at Carey]; Kew High school teacher and student; James W Waters Award] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Headwear - Brown Fur Hat, 1950s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Brown fur hatfashion & design collection - kew historical society, furs, costume accessories, hats -
RMIT Design Archives
Photographs
This photograph was reproduced on the cover of the magazine 'Housewife, Home and Family', in October, 1960 with the heading, 'Miss Frances Burke, Brilliant Australian Textile Designer'. The photograph contains interesting contradictions: Burke, wearing a cocktail hat whilst painting, was never a housewife, nor did she have children. Gladys Hain, editor of the magazine, exhorted women who did have children to get busy, start businesses and contribute to the economy! The image highlights Burke's ability to attract publicity and demonstrates her acute understanding of the power of PR and marketing. Burke established her textile business in 1937, developing it between the wars in a very challenging marketplace by capitalising on opportunities as they presented. Robyn Oswald-Jacobs, 2017Photograph featuring Frances Burke painting at desktextile design, studio, rmit design archives -
Vision Australia
Painting - Artwork, Portrait of William Paterson, 2002
aFramed portrait of William Paterson who was President of the Association for the Advancement of the Blind, from 1948-1952. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Paterson is dressed in a 3 piece gray suit, white shirt and wearing a blue tie and black hat. He sits outside a house reading a red coloured book, whilst in the background an elderly man takes a step out on to the gravelled driveway. Two women, one with a white cane, rest on chairs under the verendah of the building. The plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'. 1 art original in gold frameThe plaque at the base of the painting reads 'Mr William H. Paterson / President 1948-1952 / Association for Advancement of the Blind'association for the advancement of the blind, william paterson -
Surrey Hills Historical Society Collection
Photograph, Doris Wright, member of the Australian Women's Army Service
Doris Lilian Wright of 214 Union Road was a milliner but joined the Australian Women's Army Service (AWAS) in the early war years. The Women’s Australian National Service (WANS) was inaugurated in 1940. Training for members of the WANS included air raid drills, first aid, basic military drills, and even shooting, signalling, and mechanics. AWAS on formed on 13 August 1941 with the objective of releasing more men into forward areas. The Army was particular with its recruiting and four references were required; another stipulation was that teeth were in good condition. Doris was located at Elwood. Their training area was along the foreshore and one day to their great surprise there were crowds of American Marines – "the cream of the American Army". These were the first Americans to arrive in Australia to strengthen the defence of the country. The Americans soon went north and the AWAS went off to Balcombe on the Mornington Peninsula. At this time there were no uniforms for the girls only ‘giggle’ dresses – of a non-descript colour. They were not expected to appear in public in these and wore civilian dress. Japan had just entered the war and there were more urgent demands on restricted supplies. The formal uniforms eventually arrived.A black and white photograph of a lady in an army uniform and wearing a hat.union road, surrey hills, uniforms, clothing and dress, (miss) doris wright, australian women's army service -
Kew Historical Society Inc
Clothing - Satin & Organza Cocktail Dress & Coat, Dorothea Fush, 1960s
... and includes dresses and hats. women's clothing evening wear evening ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit was made and worn by Dorothea Fush, the mother of Thea Sartori. It is one of a number of items in the Sartori Collection.Mother and daughter, Dorothea Fush (nee Winstanley) and Thea Sartori (nee Fush) were both skilled dressmakers. One of the items donated was entered in the Royal Melbourne Show in the 1960s and won an award for home dressmaking. The donation overall dates from the 1950s and 1960s and includes dresses and hats.Gold figured satin dress and organza coat, the latter held by a large button at the neck. women's clothing, evening wear, evening dresses, cocktail dresses, evening ensembles, dorothea fush (nee winstanley), sartori collection -
Kew Historical Society Inc
Clothing, Jinoel of Melbourne, Silver Lamé Evening Dress & Pants, 1960s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. Jinoel of Melbourne was a evening company founded by Jill and Noel Kemelfield in 1957. The company won Gown of the Year in 1968. This outfit is one of a number of items donated by Dione McIntyre The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Round-necked and sleeveless floor-length silver Lamé evening dress and pants by Jinoel of Melbourne. The loose dress features a long split up the side, through which the pants can be seen. Label: JINOEL OF MELBOURNEaustralian fashion - melbourne - 1960s, jinoel of melbourne (vic), mcintyre collection, evening wear, women's clothing, dione mcintyre -
Kew Historical Society Inc
Clothing - Cream Silk Evening Dress, 1970s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The dress was owned and worn by Kew resident, Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Cream silk evening dress with applied ribbon and flowers. The dress has a high round neck and buttoned sleeves and cuffs. It has a zip at the back with hooks and eyes at the neck.mcintyre collection, women's clothing, evening wear, australian fashion - 1970s, evening dresses, dione mcintyre