‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981This tropical-looking package for rice crackers is woven with strips of bamboo sheath - an interesting variation in the use of this ubiquitous material. It comes from the island of Kyushu, from the vicinity of the volcano Asozan in Kumamoto Prefecture. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Donor, Valda Arrowsmith wore the suit during her time as Mayor of Nunawading at official functions in 1987/8.1987 Two piece black woollen suit. Skirt is straight hand woven and is lined. Top is woven wool with panels in shades of blue lurex, wool, braid, chenille and black lurex. Sleeves are magyar style. Black ribbed band at waist.costume, female

Donated and worked by Ruth Woodward. Ruth was a member of Richardson family which was one of the pioneering families of the Orbost region from the 1870s.A cream cloth runner, woven body with hand worked designs in diamond shapes, cream fringe.cloth-runner hand-embroidery

Khaki woven kit containing cotton, buttons, safety pins and brass RAAF uniform Buttons.Handwritten in blue ink “ RAAF” second line unreadable.personnel equipment, military equipment, handcrafts needlecraft

Woven green dress belt with metal buckle & slide stop. Metal tab on the other end. Reverse side of buckle - AF 73 Lion Metal Goods P/L

Rope fender with chain links woven in each end and one in the centre covering split in the middle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, rope fender, fender

Quite possibly the mining regulations were printed onto material so they could be displayed in harsh conditions without deteriorating like paper. The 1906 mining regulations were enacted on 01 June 1907. (See http://www.dmp.wa.gov.au/documents/Magazine/MSH_MineSafe_Dec09v18no3_LookingBack.pdf)Cloth mining regulations. The cloth appears to be a woven lawn, with black ink regulations printed onto it.mining, mines regulations, mining regulation actw m simpson

From the collection of the Rev James Watkin. The Rev James Watkin, 1805-1886, was a Pioneer Wesleyan missionary. He was born in Manchester, UK, in 1805. In 1830 was accepted as a candidate for the Wesleyan Ministry and married Hannah Entwistle. They sailed with a missionary party to Tonga. The work of the mission was jeopardised by prolonged and involved struggles between Christian and non-Christian Tongan chiefs. He left with his family for Sydney in September 1837. He was offered a free passage for a missionary appointed to Waikouaiti, New Zealand and arrived there in May 1840. He established the first mission station in the South Island of New Zealand. Watkin established schools at Waikouaiti and Matanaka, and stationed partly trained Maori teachers at Stewart Island and at Moeraki. He had a natural flair for languages, preached in Maori four months after his arrival, and compiled an elementary reading book to be printed in Ngai Tahu. Watkin was relieved by Charles Creed and inWatkin finished his posiion in Waikouaiti in June 1844 when he sailed for Wellington, leaving 227 church members in Otago. In 1855 Watkin settled in New South Wales, Australia, and was president of the National Methodist Conference at Adelaide in 1862. He retired in 1869 and died on 14 May 1886, at Ashfield, New South Wales. Source: https://teara.govt.nz/en/1966/watkin-jamesETH071.1 and ETH071.2: Mid nineteenth century woven palm fans with red coloured bamboo handles.rev james watkin

Three woven Methodist Order of Knights royal blue cotton with gold embroidery shoulder flashes.'ORDER OF KNIGHTS'methodist order of knights

Gunn’s work explores political and social values through the mediums she uses and the inspiration she draws upon. In 'Fire Sticks', Gunn uses recycled material as an explorational response to throw away culture, while the design draws inspiration from the sticks used in firestick farming and the charred remains of flora after a fire, which highlights the history and place of fire in Australia.Wangaratta Art Gallery Collection. Winner of the 2009 Wangaratta Contemporary Textile Award.This artwork was sculpted out of recycled inner tubes woven together with cotton thread on wooden poles.wangaratta art gallery, mandy gunn, sculpture, textile, wcta

Till collectionTHE TILL COLLECTION SIGNIFICANCE STATEMENT|The significance of the Alwyn Till Collection is that Alwyn was born in Mitcham in 1921. He attended Mitcham Primary School and Box Hill Boys High School. He served his Community mainly through his activities within the Christ Church Anglican Church Mitcham. He joined the Royal Australian Airforce in World War II in September 1939. He trained as a Pilot in Australia and Canada, was posted to England and saw action in Europe. He was shot down over France and rescued by and then joined the French Resistance and while fighting with them was fatally shot. A Baron fighting with him wrote to his mother to inform her of his death.|Alwyn's parents were Evaleen Victoria Till (nee Maggs) and Sydney Norman Till who first lived in Creek Road Mitcham, before moving to 573 Whitehorse Road Mitcham. His father served in World War I where his eyesight was damaged and he was taught by the then Blind Institute in suitcase making of which we have two examples in this collection. He died in 1931. Alwyn took over responsibility for his mother and sister Alison. We can understand how devastated his mother and sister would have been at the news of Alwyn's feeling that he must serve his country in World War 11.|His letters home were so precious to them that they carefully kept all his correspondence, notices of death and condolences from friends. After Alison's death in 2007 her relation Joan Walker transcribed each of Alwyn's letters home into two bound volumes. The executors, Joan Walker and Anne Drew deposited the original letters with the Whitehorse Historical Society. Due to their significance as historical documents of one serviceman's complete correspondence with his family the Whitehorse Historical Society Committee after consultation with the donors deposited the original letters with the State Library of Victoria. The Whitehorse Historical Society retains the copies.|Alison and her mother kept many family memorabilia and personal items which make up this significant collection as they show how people lived, worked and served in the local community and municipality.|This collection represents the love and devotion of the women to their families during the course of two world wars. The father was disabled as a result of World War 1 and died an early death and a son who thereafter took on the responsibility as head of the family at an early age. This young handsome charismatic son served his community in peace time and gave his life in World War 11. This mother and sister were devoted to his memory.Cream cotton hand woven place mat with shades of orange patterns fringing on long sides.domestic items, table setting, handcrafts, weaving

Japanese sword woven fabric handle with shark skin and floral badges. Tsuba is ornate with tassel.Scabbard is covered with black shark skin with brass sword hangers.

Woven women's hat with broad brim and tapestry band around crown. Materials: Thread, Clothtennis

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woven red woman’s half hat with the addition of red net and flowers at the side in the same colourNilwomen's clothing -- hats, cocktail hats, headwear

Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.1920s, cloak, cape

Worn by Rose Caplan who was the donor, Ida Gouttman's mother. Immigration records show that Morris and Rose (Rosa) Caplan emigrated to Australia from England in 1910 on the Orsova. Rose died from a sudden illness in 1928 while she and her husband were travelling in Europe and had just visited her father in Latvia. Rose was buried in Berlin. Rose and Morris' daughter Ida, who had kept the shawl, married Leon Gouttman in Sydney in 1938. Ida was an active member of the Brighton Historical Society when she moved back to Melbourne later in life. Large blue silk shawl with reversible woven metallic thread floral pattern and deep fringing. shawl, 1920s fashion, metallic thread, weaving, rose caplan

Handmade sewing basket from Estate of Nancy Scheney's aunt.Reading glasses with gold coloured metal frames. Coiled woven basked with blue felt lining.spectacles, sewing baskets

Worn by Miss D.E. Sebire.Cream woven straw hat with turned up brim, velvet bow and white satin lining.hat, sun hats

In the Australian army (whose regimental traditions are largely those of the British army) the red sash is worn by sergeants and warrant officers on ceremonial parades-the sash and it's colour came from it being used to drag wounded soldiers out of the battle line and to the rear in the times when battle was a close quarters fight.In the Australian army (whose regimental traditions are largely those of the British army) the red sash is worn by sergeants and warrant officers on ceremonial parades-the sash and it's colour came from it being used to drag wounded soldiers out of the battle line and to the rear in the times when battle was a close quarters fight.Two red sashes made from woven fabric with red cording/fringe at both endsNilred sash, army, ceremonial

Tourniquet, consisting of woven fabric belt, central metal buckle and fastening buckle. The fabric is pulled through the central metal buckle on both sides and is secured to fastening buckle at one end. Teh belt is made of a closely woven material, possibly cotton.

Worn by Robert Lawson Promoted to Petty Officer Engineering (MTP) 1979White Peak Cap. Black Knitted Hat Band, Brown Plastc Sweat Band, Black plastic bandAGCF 1979 Size 67/8 Cloth and wire woven Chief Petty Officer badge

A carpet sales book for the Brintons carpet design range 'The Highmont Collection', acquired when Brinton's Geelong factory closed.W7190 W7190_2 Page 1 of a history of Brintons Carpets. Page 2 of a history of Brintons Carpets. A list of catalogues/items in the Brintons Collection donated after closure of Fellmongers Road factory in July 2008.Brintons Fine Carpet Finest Australian Woven Carpet Brintons Fine Carpet The Highmont Collectionfurnishing, brintons australia pty ltd brintons pty ltd (geelong), sales, samples

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Cat No 3536P for his service details.Black hat band to fit RAAF dress cap. Woven fabric with seam sewn in black thread.head wear, hat, band

Part of soldiers uniform, possibly national service 1950’s.Black Webbing belt with partial bronze fitting, missing keepers and buckles. Wide woven Cotton belt.Stamped on the back: ‘M- - - 0- / - - - -78 / 2109517’webbing, belts, uniforms

A carrick mat is a decorative-type of knot with the ends connected together, forming an endless knot. The basic carrick mat made with two passes of rope also forms the central motif in the logo of the International Guild of Knot Tyers.The carrick mat was a much used improvised mat used by many seafarers, especially in the days of sail, as a protective or cushioning pad.Is a flat woven decorative knot of coarse hemp rope. There appear to be two to three lengths of rope in the construction. knots, carrick mat, carrick bend knot

Large wicker woven wheelchair with a curved back. Large metal wheels and wood frame with foot stand. S.L.C.L.nursing medicine wheelchair

Brought to Orbost from the New Hebrides in about 1900.A long-handled hand woven palm fan in natural colours. The fan is oval shaped. The handle is narrow.fan handcraft dress-ornament ethnographic

This filter cloth is one of many used in the sugar production process.A length of loosely woven white cotton material 80cm wide, and cut to 174cm in length, with frayed ends.sugarbeet